- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- March 2009
- October 2006
- July 2002
America's Leading Gay News Source
-
Leahy withholds amendments for gay couples in immigration bill
-
Tensions high as Senate panel considers immigration reform
-
U.K. House of Commons approves marriage bill
-
Gay DC psychiatrist named head of APA
-
Gay judicial nominee confirmed to Oregon federal court
-
Capital Trans Pride
-
Sally Ride to receive Presidential Medal of Freedom
The things we do for love

Ewan MacGregor, left, and Jim Carrey in 'I Love You Phillip Morris,' which opens Friday in Washington. (Photo courtesy of Roadside Attractions)
He did it all for love. But the love is not just gay, it’s cock-eyed and completely over-the-top, what the French call “l’amour fou” — obsessive, compulsive and just plain crazy.
And who better to play such a role — in the new film comedy “I Love You, Phillip Morris” —than rubber-faced clown Jim Carrey?
In this role, Carey — who has specialized mostly in comedy since his debut in “Ace Ventura, Pet Detective” in 1994 and usually portrays driven and darkly disturbing characters like in “The Cable Guy” and “Liar, Liar” — crosses boundaries for a major Hollywood actor to star in a “really gay” gay film. This black comedy, at times utterly whacked out yet based on actual events — opens Friday at Landmark’s E Street Cinema in Washington and the Bethesda Row Cinema in Maryland.
Because it’s been called “a movie that’s simply too damned gay” it was evidently treated that way by Hollywood. Made on a relatively modest budget ($13 million) by screenwriters-turned-co-directors Glenn Ficarra and John Requa, it was first screened nearly two years ago at Sundance then at Cannes, but later languished on the shelf as one distributor after another decided it was simply too radioactive to risk release.
Repeatedly scratched for regular screening, it endured a prolonged odyssey through several hands and lawsuits until now, when it gets only a small-scale distribution dumped into the middle of the overcrowded holiday cinema season. But it deserves to be seen, for its compelling portrait of an impostor who deceives everyone and often himself in madcap pursuit of true love. A pursuit that is anarchic, assaultive, but often very funny — both in the “ha ha” sense but also in the peculiar sense.
It begins with the plaintive declaration that “this really happened — really,” and it did in fact. The film retells the real-life misadventures of a man named Steven Russell, adapted from the book about Russell by former Houston Chronicle investigative reporter Steven McVicker, “I Love You Phillip Morris: The True Story of Life, Love and Prison Break.”
As the film opens we meet Russell, a uniformed cop, who on the surface is happily married and devoutly Christian. He soon realizes he’s gay, leaves her and starts a new life. But keeping up with the gay Joneses proves expensive which leads him to a life of fraud, one con game after another, anything, he says, “to make a buck.”
That eventually leads him to prison of course, where he meets the person who will become the love of his life, the eponymous Phillip Morris, sweet-tempered, shy and trusting and not merely a little dim-witted, played with come-hither charm by Ewan McGregor, an inmate afraid to go into the yard because, he tells Steven, “I’m blond, blue-eyed and queer.”
With sexual chemistry that may be feigned but looks real enough on-screen, they fall for each other. Steven then commences a series of prison grifts to shower Phillip with gifts, but when he’s finally caught at his misdeeds, as he is being shipped out to another prison, he sees his amour across the yard and shouts out “I love you, Phillip Morris!”
Carrey went on a tomato-soup crash diet for four weeks losing between 30-40 pounds in order to get the right look — he says “I starved myself basically” — for one of the film’s many twists and turns. It’s not too far-fetched to think that Carrey could win an Oscar nod for this anti-hero role. It’s a reminder, in fact, of just how really good he can be when he’s not squeezing his talents to fit a standard Hollywood crowd-pleaser.
His sexual preferences are actually quite secondary in this subversive film that could perhaps become a cult comedy classic. It’s the story of his crazy love itself that fills the screen.
Tagged with Ewan MacGregor, I Love You Phillip Morris, Jim Carrey
We welcome your thoughtful, respectful comments. Please read our 'Terms of Service' page for more information about community expectations.
Comments from new visitors, flagged users, or those containing questionable language are automatically held for moderation and may not appear immediately.

view print edition
I saw this film last year on a British Air flight and loved it. Too bad American audiences are so easily discomfited.
[Translate]