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Calendar: Dec. 31

Events through Jan. 8

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New Years Eve Parties

Ziegfeld’s/Secrets (1824 Half St., S.W.) New Years Eve party tonight will feature a cash balloon drop, party favors and a free split of champagne.

Lace Lounge’s (2214 Rhode Island Ave., N.E.) New Year’s Eve party “Midnight Kiss” is tonight from 9 p.m. to 3 a.m. There will be a complimentary breakfast buffet and champagne and a cash drop at midnight. Pre-sale ticket holders will get express VIP entry. Pre-sale tickets are $12 and can be purchased at lacedc.com.  Tickets at the door start at $20.

Apex (1415 22nd St., N.W.) presents New Years Eve tonight with two parties.  DJ Melissa will be in the main arena with Michael Brandon with Caliente in the east wing lounge. There will be complimentary champagne and assorted party favors. Cover charge is $15 and doors open at 9 p.m.

Eatonville Restaurant (2121 14th St., N.W.) presents “A New Orleans New Year’s Eve” tonight with two dinners. The first beings at 6:30 and features a three-course dinner. The second seating begins at 10 p.m. with a four-course meal, champagne toast, party favors, live jazz and the official ball drop on the big screen. Tickets are $39 for the first seating and $59 for the second. For more information and to purchase tickets, visit eatonvillerestaurant.com.

Remington’s (639 Pennsylvania Ave., S.E.) New Year’s Eve Country Masquerade Ball will begin at 8 p.m. There will be dancing, party favors, a balloon drop, midnight champagne toast and more. Cover is $10. For more information, visit RemingtonsWDC.com.

Wicked Jezabel presents Wicked New Year’s Even Bash tonight starting at 9 p.m. at Second Chance Saloon (5888 Robert Oliver Place) in Columbia with an opening performance by Triple Goddess Tribal Middle Eastern Dance. Tickets are $30 and can be purchased at wickedjezabel.com. Ten percent of the ticket sales will be donated to the Mautner Project.

Town (2009 8th St., N.W.) will have a New Years Eve party starting at 10 p.m. Djs BacK2bACk will be counting down the top 10 video of 2010 and Tatianna of RuPaul’s Drag race will perform live in the drag show at 10:30 p.m. X-Faction and the Ladies of Town will also be performing live. Tickets are $20 and can be purchased in advanced at Universal Gear or online at groovetickets.com and at the door.

Ultrabar D.C. will having a New Year’s party tonight at 10 p.m. with six bars, four DJs, a champagne toast at midnight, buffet, midnight balloon drop, party favors and more. Tickets are $40 and can be purchased at ultrabardc.com.

The Lodge will have a New Year’s Eve party tonight from 7 to 2 a.m. There will be a best dressed contest with cash and bar tab prizes, champagne fountain, party favors and more. Tickets are $25 for two or $15 per person in advanced until Dec. 27., $30 for two or $20 per person at the door. and can be purchased at thelodgemd.com.

Little Miss Whiskey’s Golden Dollar (1104 H St., N.E.) and Jimmy Valentines Lonely Hearts Club (1103 Bladensburg Rd., N.E.) will be hosting a “Double Whammy,” with a sponsored shuttle service between the two bars every half hour and drop-offs at Union Station starting at 12:30 a.m. Attendees must be 25 or older. An open bar ticket with access to both bars is $90 and access to either one bar is $25. Tickets are limited.

A few of Andy Warhol's cheeky variations on 'The Last Supper' are on display at the Baltimore Museum of Art as part of 'Warhol: the Last Decade.' (Image courtesy of the Andy Warhol Museum)

Friday, Dec. 31

Special Agent Galactica with Christopher Wingert starring in “The Only Gal in Town,” will be at go mama go! (1809 14 St., N.W.) tonight at 8 p.m. The show will feature songs written by or made famous by Stephen Sondheim, Quincy Jones, Ray Stevens, Richard Rodgers, Ann-Margaret, Dust Springfield, Mary Rodgers, Cy Coleman and more. Tickets are $10 and can be purchased at the door or at ganymedearts.org.

BYT presents DJs and beer tonight from 8 p.m. to 4 a.m. at the Bohemian Caverns entertainment/hospitality complex. DJs Chris Burns and friends will be on the second floor in LIV Nightclub. A dozen local bands will play cover songs on the first floor in Hominy and Homo Erectus DJs and friends will be in the Gay Jamboree Opium Den with Stalactights in the basement. Early bird tickets are $55. For more information and to purchase tickets, visit brightestyoungthings.com.

The American City Diner (5532 Connecticut Ave., N.W.) will be showing the film “Dr. Strangelove” starring Peter Sellers and George C. Scott tonight. The movie starts at 8 p.m. The full menu will be available. Admission is free. For more information, visit americancitydiner.com.

The Baltimore Museum of Art (10 Art Museum Drive) is hosting “Warhol: the Last Decade,” an exhibit featuring more than 50 large-scale works that marked Andy Warhol’s last decade. This is the last stop of a national tour. Some of the works shown include fright wig self-portraits and three variations on Da Vinci’s “The Last Supper.” The museum is open from 10 a.m. to 5 p.m. and admission ranges from free for children 5 and younger to $15 for adults. For more information, visit warhol.artbma.org.

Four college football bowl games will be on today at Nellie’s (900 U St., N.W.) today: the Meineke Car Care Bowl with South Florida and Clemson starts at noon. The Hyundai Sun Bowl with Notre Dame and Miami starts at 2 p.m. The AutoZone Liberty Bowl with George and UCF starts at 3:30 p.m. and the Chick-fil-A Bowl ends the night with South Carolina and Florida State at 7:30 p.m. and DJ Wesley D will be playing music and videos all night.

Saturday, Jan. 1

Homo/Sonic is tonight at 9:30 p.m. at the Black Cat (1811 14th St., N.W.) featuring DJs Natty Boom and Zack and Michael of the New Gay. This is an event is all ages and has a $10 cover.

Johnny Vicious will be at Town (2009 8th St., N.W.) tonight. Doors open at 10 p.m. The cover charge is $8 before 11 p.m. and $12 after.

Refresh is tonight from 9 p.m. to 2 a.m. at the Lodge (21614 National Pike) in Boonesboro. Drink specials include $1 Busch Light cans and $5 XXL ReFresher all night long. There’s a $5 cover before 11 p.m. and $8 after.

Trombone Shorty and Orleans Avenue will be performing at 9:30 Club (815 V St., N.W.) tonight at 8 p.m. Tickets are $25 and can be purchased at 930.com.

Sunday, Jan. 2

The Kinsey Sicks will be performing “Oy Vey in a Manger” today at 3 p.m. and again at 7:30 p.m. at the Theater J in the Washington DCJCC’s Aaron and Cecile Goldman Theater (1529 16th St., N.W.). Tickets range from $35 to $60 and can be purchased by calling 800-494-TIXS or visiting boxofficetickets.com.

The Baltimore Museum of Art (10 Art Museum Drive) will be holding its first free family Sunday of the year today from 2 to 5 p.m. This week’s activity is making “magical mobiles.” All materials are provided.

Monday, Jan. 3

The D.C. Center (1318 U St., N.W.) will have its volunteer night tonight from 6:30 to 8 p.m. For more information, visit thedccenter.org.

The National Portrait Gallery is showing an exhibit that focuses on sexual differences in the making of modern American portraiture. “Hide/Seek: Difference and Desire in American Portraiture” is the first major museum exhibit of its kind. The museum is open from 11:30 a.m. to 7 p.m. and admission is free.

Tuesday, Jan. 4

Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s new packing location Green Lantern, 1335 Green Ct., N.W.

Nellie’s (800 U St., N.W.) will have drag bingo featuring Shi-Queeta-Lee tonight at 8 p.m. and Beat the Clock happy hour from 5 to 8 p.m.

Wednesday, Jan. 5

“Shear Madness,” a comedy whodunit, will be performed at the Kennedy Center Theater Lab (2700 F St., N.W.) at 8 p.m. “Madness” takes place in present-day Georgetown, in the Shear Madness Hair Styling Salon. Visit kennedy-center.org for more information and to purchase tickets.

The Baltimore Museum of Art (10 Art Museum Drive) will have a collection tour today at 2 p.m. showcasing art that inspires contemplation.

Thursday, Jan. 6

The Lincoln Center Theater presents Rodgers and Hammerstein’s “South Pacific” today at the Kennedy Center opera house (2700 F St., N.W.) at 7:30 p.m. Tickets range from $39 to $150 and can be purchased at kennedy-center.org.

Friday, Jan. 7

The Dance Party will be at 9:30 Club with Wallpaper, K-Flay, Ra Ra Rasputin and lowercaseletters at 8 p.m. Tickets are $15 and can be purchased at 930.com.

The D.C. Center will have its monthly open mic night tonight from 8 to 10 p.m. Doors open at 7:30 p.m. and performer can sign up until 8. This night will feature the work of the Brother Tongue Poetry Workshop participants.

Saturday, Jan. 8

The NSO Teddy Bear Concert: “Fancy That!” will have three performances of a one-woman show with NSO violinist Marissa Regini today at 11 a.m., 1:30 and 5 p.m. in the Kennedy Center’s Family Theatre (2700 F St., N.W.).

The Capitol Hill Arts Workshop will hosts its fifth annual photography exhibit and reception tonight from 5 to 7 p.m. at CHAW (545 7th St., S.E.) featuring works from local and regional artists. Admission to the opening and exhibition is free and will continue until Feb. 4.


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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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