Arts & Entertainment
Calendar: Dec. 16
Concerts, meetings, parties and more through Dec. 24
The Bohemian Caverns Jazz Orchestra plats the Mansion at Strathmore on Sunday. (Photo courtesy Strathmore)
TODAY (Friday)
The Stein Club is having its annual holiday celebration tonight at Mitchell Gold/Bob Williams (1502 14th St., N.W.) from 6:30 to 8:30 p.m. There will be an open white cosmo-and-white wine bar as well as complimentary hors d’oeuvres. There is a suggested donation of $25 for this event.
Girls Rock! D.C. is having its holiday party tonight at Dollhouse (1429 Madison St., N.W.) from 7 p.m. to 1 a.m. with DJs Alex D-B and Alpha Betts. This is a bring-your-own-beverages-booze-and-baked goods party. For more information, visit girlsrockdc.org.
Team D.C. presents its fourth annual Holiday Extravaganza for D.C. Gay Sports tonight at Cobalt (1639 R St., N.W.) from 6:30 to 8:30 p.m. There’s no cover, free food and happy hour drink prices. For more information, visit teamdc.org.
DJs Aaron Riggins, Della Volla and AVM will be spinning at Green Lantern (1335 Green Court, N.W.) tonight for “Pop Goes the World,” an international dance party starting at 10 p.m. There is a $5 cover.
Gay/Bash!, a “queer night of rock and pop gems” with DJs Joshua and Dean, is tonight at the Black Cat (1811 14th St., N.W.). Admission is $5 and doors open at 9:30 p.m.
Saturday, Dec. 17
D.C. Leather Pride is holding a fundraiser tonight at Green Lantern (1335 Green Court, N.W.) from 9 p.m. to 1 a.m. featuring Mr. D.C. Leather. There will be drink specials and raffle tickets for $1 each.
Youth are invited to the Stereo Chromatic GSA Youth Dance tonight from 6 to 9 p.m. at the Clarendon Presbyterian Church (1305 N. Jackson St.) in Arlington. There is a $2 entry fee and snacks will be provided.
Zoom Lesbian Excursions presents Christmas in Morocco, a seven-course Moroccan meal at Marrakesh Restaurant (617 New York Ave., N.W.) tonight at 6 p.m. Tickets are $30 to be paid at the venue. For more information, visit phatgirlchic.com/zoom/index.html.
Phase 1 (525 8th St., S.E.) is having a night of queer music tonight with The Lost Bois, SolRose and Angie Head from D.C. as well as Constance Sick and Eli Conley. Tickets are $10 and the show starts at 8 p.m.
Lure D.C. presents “Bare: How the Grinch Stole Bare” tonight at Cobalt (1639 R St., N.W.) from 9 p.m. to 3 a.m. featuring DJs Rosie and Keenan Orr. The best dressed Grinch look-a-like wins $100. For more information, visit Lure’s Facebook at facebook.com/lurewdc. Attendees must be 21 or older.
Will Eastman’s dance party “Bliss” returns to U Street Music Hall (1115 U St., N.W.) tonight with Chris Nitti and Richard Richard. There is a $10 cover and attendees who are 18 to 20 must purchase tickets in advance. For more information and to purchase tickets, visit ustreetmusichall.com.
Sunday, Dec. 18
SAGE Metro D.C. is co-sponsoring a workshop presents by AARP’s Legal Counsel for the Elderly on understanding the benefits of Medicare and Medicaid at the Metropolitan Community Church of Washington (474 Ridge St., N.W.) from 12:30 to 1:30 p.m.
Phase 1 (525 8th St., S.E.) is having an open mic night tonight from 7:30 to 11:30 p.m. All kinds of performers are welcomed. There is no cover to this event.
The National Symphony Orchestra presents Handel’s “Messiah” today at the Kennedy Center (2700 F St., N.W.) at 1 p.m. Ticket range from $30 to $85 and can be purchased online at kennedy-center.org.
Busboys & Poets presents “Sunday Kind of Love,” an open mic night celebrating LGBT Jewish poetry featuring Yermiyahu Ahron Taub and readings from “Milk and Honey: A Celebration of Jewish Lesbian Poetry” with editor Julie R. Enszer and contributor, Eryca Kasse tonight at 5 p.m. in the Robeson room of its Shirlington location (4251 S Campbell Ave.) in Arlington. There is a $5 suggested donation.
Bohemian Caverns Jazz Orchestra play “A Bohemian Christmas” today at the Mansion at Strathmore (10701 Rockville Pike) in North Bethesda at 8:30 and 7:30 p.m. Tickets are $20 and can be purchased online at strathmore.org.
Monday, Dec. 19
The Choral Arts Society of Washington presents “Christmas Music: Holiday Treasures from Russia” tonight at the Kennedy Center (2700 F St., N.W.) at 7 p.m. Tickets range from $15 to $65 and can be purchased online at kennedy-center.org. There will be two other performances on Wednesday and Dec. 24.
Ledroit Park is having its holiday party at Nellie’s (900 U St., N.W.) tonight from 5 to 8 p.m.
Tuesday, Dec. 20
The Kennedy Center (2700 F St., N.W.) presents its production of “Billy Elliot: The Musical” directed by Stephen Daldry and featuring music by Elton John, tonight at 7:30 p.m. Tickets range from $25 to $150 and can be purchased online at kennedy-center.org.
Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s packing location, Green Lantern, 1335 Green Ct., N.W.
Wednesday, Dec. 21
“A Very Faerie Yule 2011” is tonight at the Open Hearth Foundation (1502 Massachusetts Ave., S.E.) from 7 to 9 p.m. Hot and heavy hors d’oeuvres, desserts and beverages will be served. For more information, e-mail [email protected].
Radio one presents “Know Your Status” concert at 9:30 Club (815 V St., N.W.) tonight at 7 p.m. hosted by Wale and featuring Chuck Brown and more. Tickets are available for free when tested at one of the D.C. Department of Health’s participating testing sites. For a list of site and more details, visit dctakesonhiv.com.
Thursday, Dec. 22
Trixie and Monkey’s seventh annual “Holiday Spectac-U-Thon” is tonight at the Patterson at 8 p.m. The neo-burlesque show will feature acrobatic antics, trapeze and more. Tickets are $22 for general admission and $17 for Creative Alliance members. For more information and to purchase tickets, visit creativealliance.org.
The Washington Chorus presents “A Candlelight Christmas” tonight at the Kennedy Center (2700 F St., N.W.) at 7 p.m. Tickets range from $15 to $65 and can be purchased online at kennedy-center.org.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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