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Calendar: March 23

Parties, exhibits, concerts and more through March 29

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Evolve Urban Arts Project is hosting an opening reception on Thursday for its newest exhibit featuring the work of Dilip Sheth, including this painting. The show runs through May 4. (Image courtesy Evolve)

TODAY (Friday) 

The Lodge (21614 National Pike, Boonsboro) and the Mason Dixon Roller Vixens presents a ladies’ night “Anything But Clothes” tonight hosted by Lucretia McEvil and co-host Scruff with beats provided by DJ Joey-O. Games and a fashion show begin at 10 p.m. There’s a $3 suggested donation.

Gay District is hosting “Pre-Mature Spring Fling” tonight at Bread and Brew D.C. (1247 20th St., N.W.) from 8 to 10:30 p.m. The night will feature games, happy hour prices and drink specials. There is a required $5 donation.

D.C. Women4Women presents “Tryst,” a monthly professional lesbian happy hour at Topaz Bar (1733 N St., N.W.) tonight from 7 to 10 p.m.

Destino Final, a night of freestyle, upbeat R&B, early house and more, is tonight at Dodge City D.C. (917 U St., N.W.) from 10 p.m. to 3 a.m. featuring Alex DB and FLEG from Baltimore.

Pants vs. Pumps is taking over the original Phase 1 (525 8th St., S.E.) tonight at 7:30 p.m. for “Trouble,” a pre-game event with drink specials and games including flip cup and beer pong. There is a $5 cover with the mention of PvP.

Saturday, March 24

The 2012 Visions in Feminism conference is today at American University (4400 Massachusetts Ave.) in the Ward Building. Registration begins at 9 a.m. and ranges from $10 to $15. A.U. students get in free with student ID. Jeanne Flavin, a professor of sociology at Fordham University, will be the keynote speaker. For more information, look for the Facebook event page.

Tom From Prague brings “Tainted Love: An International ‘80s Dance Party” at Green Lantern (1335 Green Court, N.W.) tonight from 10 p.m. to 3 a.m. There is a $5 cover.

Grammy nominee Katie Herzig plays Red Palace (1212 H St., N.E.) tonight at 9 p.m. Tickets are $12 in advance at $15 day of the show. Doors open at 8 p.m.

Cocker Productions presents Miss Gay D.C. America pageant tonight at Town (2009 8th Street, N.W.), honoring Kirby Kolby, Miss Gay D.C. America 2011 and Miss Gay America 2012. Admission is $10. Doors open at 5:30 p.m. Also tonight, Chad Michaels of “RuPaul’s Drag Race” will perform. Doors open at 10 p.m. for this event (those who attend the pageant can stay all evening and don’t have to pay the regular Town cover). Admission is $8 before 11 p.m. and $12 after. Attendees must be 21 or older.

Black Cat (1811 14th St., N.W.) presents Hellmouth Happy Hour where every week an episode of “Buffy the Vampire Slayer” will be screened and drink specials will be offered. This week the episode is “Choices.” Doors open at 7 p.m. The Black Cat is also hosting “Disco in the Dark” with Mr. Bonkerz, DJ Remote CTRL and Sneakers in the Dryer. Doors open at 9:30 for this and tickets are $5.

Sunday, March 25

The Black Men’s XChange D.C. is having a brunch at the Howard University Blackburn Center honoring the “same gender-loving” elder community today at the Howard University Blackburn Center (2397 6th St., N.W.) from noon to 3:30 p.m. There is a $4 suggested donation.

Studio Theatre (1501 14th St., N.W.) presents “Sucker Punch,” a play by Roy Williams, directed by Leah C. Gardiner, today at 2 and 7 p.m. The play follows two British teenagers and their rise from “would-be vandals” to boxing champions. Tickets range from $46 to $59 and can be purchased online at studiotheatre.org. The show runs through April 8.

Monday, March 26

Nellie’s (900 U St., N.W.) presents a “RuPaul’s Drag Race” watch party tonight at 9 p.m.

The D.C. Center (1318 U St., N.W.) will be holding an information session about the Mobile Homecoming Project, an initiative to promote intergenerational dialogue in the community, tonight from 5:30 to 7 p.m. Following the presentational will be a mixer at Mova (2204 14th St., N.W.) from 7 to 9 p.m. For more information, visit thedccenter.org.

Tuesday, March 27

GLAA is having a membership meeting tonight in the second floor community room at the Reeves Center (2000 14th St., N.W.) from 7 to 8:30 p.m.

The Chesapeake Squares, a gay square dancing group, are having a mainstream-through-advanced club night tonight at the Waxter Center (1000 Cathedral St.) in Baltimore from 8 to 10 p.m. For more information, visit chesapeakesquares.org.

Wednesday, March 28

Secrets (1824 Half St., S.W.) is holdings its monthly amateur dance contest hosted by LaTroya Nichole tonight beginning at 11 p.m. Contests must sign up at the main bar starting at 10 p.m.

The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., SE — across from Marine Barracks) for duplicate bridge. No reservations needed; newcomers welcome. Visit lambdabridge.com if you need a partner.

Busboys & Poets presents Sparkle Open Mic Poetry, a queer-friendly reading series hosted by Regie Cabico and Danielle Evennou in the Cullen room of its 5th and K location (1025 5th St., N.W.) at 9 p.m. Wristbands are $4 and will be sold in the Global Exchange store beginning at 11 a.m.

Thursday, March 29

Evolve Urban Arts Projects (1375 Maryland Ave., N.E.) is having an opening reception tonight from 5:30 to 8:30 p.m. for its newest exhibit “The Moon and Landscapes, etc.” featuring the work of local artist, Dilip Sheth.

KHUSH D.C. and OutWrite present “God Loves Pavement: Two Brown Authors Hit the Road” tonight at the D.C. Center (1318 U St., N.W.) at 7 p.m. Farzana Doctor, a Toronto-based author and recipient of the Writers’ Trust of Canada’s Dayne Ogilvie Grant for emerging gay Canadian author in 2011 and Vivek Shraya, a Toronto-based artists, arts educator and author, will be at this joint book reading.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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