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Shakeups on the seashore

Summer brings parking changes, new restaurants and more to Rehoboth

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Blue Moon (Blade file photo)

Even though Rehoboth Beach is consistently rated by travel guides as one of the nation’s best and most popular LGBT resort towns, it does’t rest on its laurels. As with most years, this summer you will find a number of changes.

Tired of scrounging for quarters in order to park? Beginning May 25, drivers will be able to pay for parking spaces by phones and mobile devices using the Parkmobile system already employed in D.C.

“This will bring Rehoboth Beach into the 21st century, and I think it is a great convenience to the consumer,” says Joe Zuber, owner of Dos Locos.

The Board of Commissioners early this year agreed to change the regulations regarding restaurant and bar patios, writing new regulations to allow establishments with patios to remain open and serving food and drinks until 1 a.m. In September 2010, the city launched raids on establishments that had patios and arrested some owners of those establishments.

Rehoboth Beach has always had establishments that cater to its growing LGBT clientele.  From the Blue Moon — now in its 31st year — to the soon-to-open Our Place (Henlopen Junction Mall, 715 Rehoboth Ave.), formerly the site of Nourish, which bills itself as a neighborhood bar that serves comfort food, there is a wide range of establishments to meet everybody’s needs.

Many establishments will offer live entertainment throughout the summer.  The venerable Blue Moon (35 Baltimore Ave.), with its bright new back bar, will continue to host daily shows and Pamala Stanley will again perform from 6 to 8 p.m., from Sunday through Thursday beginning May 27. On Friday night, the Divas will perform their drag show from 9:45-11 p.m. and Saturdays at the same time will see Blue Moon Legends, a celebrity tribute show.

Many LGBT-owned establishments will host regular shows. In town, Aqua (57 Baltimore Ave.), with its scantily attired servers is a great place to be seen; the L Bar (622 Rehoboth Ave.) brings back Mandance on Saturday nights; and Dos Locos (208 Rehoboth Ave.), Cloud 9 (234 Rehoboth Ave.), Purple Parrot (134 Rehoboth Ave.) and Rigby’s (404 Rehoboth Ave.) will also host regular entertainment. Be sure to visit the Parrot’s Biergarten, where the Blade’s 2011 Best Rehoboth Bartender Jamie Romano holds court.

Sole, also on Baltimore Avenue is no more, and will be replaced by a new venture with an unusual name, (a)Muse, which will provide what they describe as locally grown modernized food. Other new additions include Cabo, a Mexican restaurant with rooftop bar and tequileria that replaces Porcini House on Wilmington Avenue; Nage (19730 Coastal Highway) is opening a gourmet deli next door called Root Gourmet. And next door to it will be a new Touch of Italy modeled on the Lewes location and featuring a sit-down restaurant.

There are many LGBT-owned restaurants in town, among them, MIXX, JAM, Eden, Finbar’s, Lori’s and Purple Parrot. And for ice cream you can go to Double Dippers on First Street, opposite of Nicola’s.

Lesbians have no shortage of options for going out. A popular lesbian-owned restaurant, the Seafood Shack (42 1/2 Baltimore Ave.) continues to serve fine food and offer great entertainment. Mikki Snyder-Hall, a resident of Rehoboth Beach notes that, “since 2003 there has been an increase in lesbian-friendly bars and restaurants.”

Among them are Rehoboth Ale House (15 Wilmington Ave.) and Charcoal Grill, which has moved from the same shopping center as Gelato Gal, to the Food Lion shopping center at the site of Zorba’s. Both Frogg Pond (First and Rehoboth Avenue) and Cloud 9 (234 Rehoboth Avenue) are praised by Snyder-Hall as being lesbian-friendly, and Saketumi on Route 1 is also known to have a lesbian following.

In addition to the many eating and drinking establishments, Rehoboth also has one of the few independent LGBT bookstores left in the United States, Proud Bookstore, which has moved to a larger location at the Village at the Sea Shops. Jocques LeClair, former manager of Rehoboth Lambda Rising, said his business “provides an outlet for those who visit Rehoboth who may come from areas that are less friendly to them.”  He also promotes local authors and has provided book readings and promotions for LGBT writers.  Shortly he hopes to begin a book club.

The only gay-owned coffee shop in town, the Coffee Mill (Rehoboth Mews, 127 Rehoboth Ave.) is celebrating its 20th anniversary. Hoda Kotb featured this establishment on the “Today” show and can be seen there on occasion. Expect to see events related to its anniversary.

CAMP Rehoboth (37 Baltimore Ave.) serves as a community center, with information on the LGBT community, a meeting hall and sponsor of several popular summer events. This year the Black and White Beach Ball returns on June 3, with an event to promote local artists. Christopher Peterson, a popular female impersonator, will return for one day only, as Judy Garland, July 28, to benefit CAMP Rehoboth. Earlier that day, Barbara Gittings Delaware Stonewall Democrats will hold its Summer Bash, this year featuring Delaware’s Attorney General, Joseph “Beau” Biden, III. It will be held at Mariachi’s on Wilmington Avenue. The event is called a must stop-by summer event for all of the state’s political leaders, and on July 6, GLSEN will hold a beach party at the CAMP Community Center.

On the second Saturday of each month there is an Art Walk, a tour of the numerous galleries in town. Most galleries have special events featuring numerous local and national artists. There are several other gay-owned galleries in town including Gallery 50 (50 Wilmington Ave.) and Phillip Morton (47 Baltimore Ave.).

Bin 66, a favorite wine shop has wine tastings on Friday evenings at its Rehoboth Avenue location and on Saturday evenings at its other location opposite Spring Lake on Route 1.

Rehoboth offers a wide range of activities, dining options and nightlife. Visit camprehoboth.com or rehobothfoodie.com for updated information.

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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