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Calendar: June 1

Parties, concerts, exhibits and more through June 7

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k.d. lang and her band the Siss Boom Bang, play Wolf Trap again this year. They’ll be there Wednesday night. (Photo courtesy Wolf Trap)

TODAY (Friday)

“Auntie Mame” screens on the Lunar Lawn this evening at the Hillwood Estate (4155 Linnean Ave. NW) for the Dina Merrill Film Program’s Divas Outdoors event. Gates open at 6:30 p.m. and the film screens at 8:15. Tickets are $15 or $10 for college students and children ages 6-18. For more information, call 202-686-5807 or visit HillwoodMuseum.org.

Town (2009 8th St NW) hosts the Pride Guide Party tonight with the Blade. Doors open at 10 p.m. and the drag show starts at 10:30. Tickets are $5 from 10-11 p.m. and $10 after 11 for guests 21 and over, and are $10 for guests 18-20 all night. For details, visit towndc.com.

Aaron Myers and the Black Fox Lounge Jazz Ensemble perform tonight at Black Fox Lounge (1723 Connecticut Ave. NW) for the DC Jazz Festival: Jazz in the ‘Hoods event from 9:30 p.m. to 12:30 a.m. Admission is free. For more information, visit blackfoxlounge.com.

Capital Pride hosts its annual women’s party this evening in partnership with LURe and B.O.I. Marketing and Promotions at Phase 1 (525 8th Street, SE) from 10 p.m. to 2 a.m. There is a $10 cover charge benefiting Capital Pride. For more details, visit phase1dc.com or capitalpride.org.

Saturday June 2

The Gay Men’s Chorus of Washington presents “Heart Throbs,” a high-energy tribute to male singers, boy bands and teen idols, at the Lisner Auditorium on the George Washington University campus (730 21St Street NW) tonight at 8 p.m. Tickets range from $13-$50 and can be purchased online at gmcw.org.

Eatonville (14th & V St. NW) has a Queer Southern Brunch plus Southern Poets Reading from noon-2 p.m. today as part of the Capturing Fire Queer Spoken Word Summit and Slam. The brunch is $25. For more details, visit thedccenter.org.

Burgundy Crescent, a gay volunteer organization, helps Food and Friends with food preparation and grocery packing today. The volunteer group size is limited to 10 per shift and will fill quickly. Donuts and coffee will be provided at 8 a.m. and the group will start working at 8:15. If interested in volunteering, email [email protected] and visit foodandfriends.org or burgundycrescent.org for more information.

Sunday June 3

Phase 1 (525 8th Street, SE ) hosts performances by Benny Ninja and The i-Vogue Dancers during its “Everything” party tonight from 7 p.m. to 1 a.m. Tickets are $10. For more details, visit phase1dc.com.

The second annual Drag Ball Game Charity Fund Raiser (1625 P street NW) for The D.C. Center is today from 3 to 6 p.m. Capital Pride suggests a $5 donation, which includes entry to the game, one raffle ticket and after party admission at Cobalt (1639 R Street NW). For more information, visit thedccenter.org.

Pariah, a film about a teenage African-American woman’s lesbian identity and her rocky relationship with her family, screens this evening from 7-9 p.m. at Busboys and Poets (5331 Baltimore Avenue, Hyattsville, MD). The screening is free. Visit thedccenter.org for more details.

The Latino GLBT History Project presents D.C. Latino Pride: La Misa, a bilingual Catholic-Episcopal church service with Rev. Joseph Palacios at St. Thomas’s Episcopal Parish Dupont Circle (1772 Church St. NW). The service is from 7:30-8:30 p.m. For more information, visit capitalpride.org or email David Perez at [email protected].

Monday June 4

The Washington Jewish Film Festival and GLOE (GLBT Outreach & Engagement) screen “Melting” Away tonight from 7-9 p.m at the D.C. Jewish Community Center (1529 16th Street, NW). The film is about an Israeli family’s rejection and later acceptance of their transgender daughter. A discussion on identity will follow the screening. Tickets are $11 and $10 for seniors and students. Visit washingtondcjcc.org or capitalpride.org for more information.

Joshua Morgan in partnership with theatreWashington hosts Music of the Night this evening at Town (2009 8th St. NW) from 7-11 p.m. The event includes performances by Joshua and his talented friends and sing-a-long opportunities for guests. Admission is $20 and benefits Capital Pride. For more information, visit capitalpride.org.

Cobalt has a 21+ Martini Monday night at 10 p.m. tonight. Martinis are $5 all night; admission is free. For details, visit cobaltdc.com.

Tuesday June 5

The annual Capital Pride Interfaith Worship Service is this evening at 7:30 p.m. at Luther Place Memorial Church (1226 Vermont Avenue NW). LGBT activist Dana Beyer is the guest speaker. The service features a performance by the Rock Creek Singers, a chamber ensemble of the Gay Men’s Chorus of Washington. Visit thedccenter.org for more details.

Human Rights Campaign Equality Forum (1640 Rhode Island Ave. NW) presents Women’s Spoken Word tonight from 7:30-9 p.m. All attendees are encouraged to express themselves through monologues, poems, songs and other performances in this open mic event. Admission is free.

Wednesday June 6

Lesbian singer k.d. lang, the legendary creator of alternative-country and winner of four Grammy awards, performs tonight with her band The Siss Boom Bang and special guest Jane Siberry at 8 p.m. at the Filene Center at Wolf Trap (1551 Trap Road Vienna, Va.). In-house tickets are $45 and lawn tickets are $25. Find out more information and purchase tickets online at wolftrap.org.

The Lambda Social Bridge Club meets at 7:30 p.m. this evening at the Dignity Center (721 8 St. SE). A partner is not necessary to participate and players typically play 20 hands of bridge. For more details, visit lamdabridge.com or call 301-345-1571.

Bookmen D.C., an informal men’s gay-literature discussion group, discusses John Waters’s memoir “Role Models” at 7:30 p.m. tonight. All are welcome to join the group at the Tenleytown Public Library (4450 Wisconsin Ave NW). For more information, visit bookmendc.blogspot.com.

Thursday June 7

Cobalt (1639 R St. NW) hosts its weekly “best package contest” tonight with hosts Lena Lett and Ba’Naka. Participants in the exhibitionistic contest can win up to $200 in prizes. Tickets are $3, and 21-and-older attendees can buy $2 rail drinks from 9-11 p.m. Visit cobaltdc.com for details.

Harris Face, an alternative folk guitarist and singer, performs this evening from 7:30-10:30 p.m. at Black Fox Lounge (1723 Connecticut Ave. NW) with an opening performance by Wendell Kimbraugh. Tickets are $5. For more information, visit blackfoxlounge.com.

Town (2009 8 St. NW) hosts D.C. Latino Pride: La Fiesta tonight from 8 p.m.-2 a.m. The night includes captivating performances and an all-night dance party. Admission is 18-and-up with ID; a $5 cover will be donated to D.C. Latino Pride. For details, visit capitalpride.org or towndc.com.

Members of Burgundy Crescent volunteer today for Equality Federation, the national alliance of state-based LGBT advocacy organizations, from 5:30-8:30 p.m. at the D.C. Jewish Community Center (1529 16th St. NW). Volunteers are needed to help set up, serve alcohol, replenish appetizers and clean up the community center. Black pants and a white shirt are the preferred attire. To participate, visit burgundycrescent.org.

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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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