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Arts & Entertainment

Calendar: Aug. 17

Parties, exhibits, concerts and more through Aug. 23

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‘The Muses’ by J. Larry Golfer, one of 38 artists with work being exhibited now at Touchstone Gallery. (Image courtesy Touchstone)

TODAY (Friday)

Cirque du Soleil continues its tour of the new show “Totem” tonight at 8 p.m. at the Plateau at National Harbor (201 Harbor View Ave.). The D.C. Center is giving out free tickets to members of the Friendly Visitors Program. In order to be eligible for a free ticket, contact Karim at [email protected]. For more information about the show, visit curquedusoleil.org. For details about receiving tickets, visit thedccenter.org.

The NiteCamp Dancers perform at Town (2009 8th St., N.W.) tonight starting at 10. The dance troupe consists of the hottest college aged go go boys from all over the East coast. Cover is $5 before 11 p.m. and $10 after. There are also $3 drinks before 11 p.m. For details, visit towndc.com.

The Bachelor’s Mill (1104 8th St., S.E.) is having its happy hour tonight starting at 5 p.m. All drinks are half off until 7:30 p.m. After 9 p.m., admission is $15 and after 11 p.m. admission is $3. The party includes a pool, video gaming system and card tournaments. For details, visit thebachelorsmill.com.

Phase 1 (525 8th St., SE) holds “ReGAYton with DJ Hamaca de Platano” tonight at 10. The guest DJ is featuring the best reggaeton, bachata and Latin pop favorites all night. There are $5 margaritas and shots of Cuervo all night. For more information, visit phase1dc.com.

Touchstone Gallery (901 New York Ave., N.W.) hosts 38 artists for the rest of the month of August. The gallery is holding this exhibition in order to shed light on unknown artists in a top-notch gallery and exposing these new works to collectors. The show is up until Aug. 30. For more information, visit touchstonegallery.com.

Town (2009 8th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m.  This event is for people 21 and older.  There is no cover charge. For details, visit towndc.com.

Saturday, Aug. 18

Burgundy Crescent, a gay volunteer organization, volunteers today for the Lost Dog & Cat Rescue Foundation at Falls Church PetSmart (6100 Arlington Blvd., Falls Church, Va.) from 11:45 a.m.-3 p.m. For more information, visit burgundycrescent.org.

DJ Kidd Madonny comes to Town (2009 8th St., NW) tonight at 10 pm. Cover is $8 before 11 p.m. and $12 after. There are $3 drinks before 11 p.m. For details, visit towndc.com.

Phase 1 (525 8th St., SE) holds its party “Pabst Smear” tonight starting at 9 p.m. The party features $1 PBR (Pabst Blue Ribbon) Pounders from 9-10 p.m. and from 2-3 a.m. There are $2 PBR Pounders from 10-11 p.m. and from 1-2 a.m. Drinks are $3 all other hours. Cover is $5. For more information, visit phase1dc.com.

Sunday, Aug. 19

Cobalt (1639 R St., N.W.)  holds its weekly Martini Sundays and Homowood Karaoke tonight. Karaoke starts at 10 p.m. and there is no charge for admission. For details, visit cobaltdc.com.

Monday, Aug. 20

Cobalt (1639 R St., N.W.) is hosting its Martini Monday tonight at 10 p.m. There is now cover charge and martinis are $5. For more information, visit cobaltdc.com.

The Bachelor’s Mill (1104 8th St., S.E.) is offering half price drinks all night long. A free pool and NFL, NBA and NCAA games will be on the flat screen TVs. Admission is free. For details, visit thebachelorsmill.com.

Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It’s a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.

Tuesday, Aug. 21

Green Lantern (1335 Green Court, N.W.) hosts its Safer Sex Kit-packing program tonight from 7-10:30. The packing program is looking for more volunteers to help produce the kits because they say they are barely keeping up with demand. Admission is free and volunteers can just show up. For more information, visit thedccenter.org.

Whitman-Walker Health is holding HIV testing at Panam Supermarket (3552 14th St. NW) tonight at 7. This event is free. For details, visit whitman-walker.org.

Genderqueer D.C., a support group for people who identify outside the gender binary, meets tonight at 7 at the D.C. Center (1318 U St., N.W.). This is a new group and the organizers are open for suggestions. For more information, visit thedccenter.org.

Cobalt (1639 R St., N.W) hosts its Flashback dance night with DJ Jason Royce starting at 10 p.m. There is no cover charge. For more details, visit cobaltdc.com.

Wednesday, Aug. 22

The Gay Men’s Chorus of Washington holds auditions for new singers tonight from 5:30-8:30 at Foundry United Methodist Church (1500 16th St., N.W.). Auditions have to be prescheduled. To make an appointment or for more information, visit gmcw.org. Auditions will also be held Thursday and on Aug. 29.

Lambda Bridge Club meets tonight at 7:30 at the Dignity Center (721 8th St., S.E.) for duplicate bridge. Reservations are not needed and newcomers are welcome. For details, visit lambdabridge.com.

HIV Prevention Working Group Meeting, a volunteer group in HIV/AIDS outreach, education and advocacy, meets tonight at 7 at the DC Center (1318 U St., N.W.). For more information, visit thedccenter.org.

Whitman-Walker Health (1701 14th St., NW) holds its HIV+ Newly Diagnosed Support Group tonight at 7. It is a confidential support group for anyone recently diagnosed with HIV and the group welcomes all genders and sexual orientations. For details, visit whitman-walker.org.

Whitman-Walker Health (1701 14th St., NW) holds its gay men over 50 support group this evening at 6:30 p.m. The group is for gay men entering a new phase of life. Registration is required to attend. For more information, visit whitman-walker.org.

Thursday, Aug. 23

Lambda Sci-Fi Book group meets tonight at 7 at 1425 S St., N.W. They are discussing this month’s book “Hav” by Jan Morris. This event is free, but they do ask you bring a snack or non-alcoholic drink. For more information, visit lambdascifi.org.

Cobalt (1639 R St., N.W) is hosting its weekly Best Package Contest tonight at 9 p.m. There is a $3 cover and there are $2 vodka drinks. Participants in the contest can win $200 in cash prizes. The event is hosted by Lena Lett and music by DJ Chord, DJ Madscience, and DJ Sean Morris. For details, visit cobaltdc.com.

Whitman-Walker Health has HIV Testing at Bachelor’s Mill (1104 8th St., S.E.) tonight at 10. For more information, visit whitman-walker.org.

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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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