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Queery: Collin Ranney

The ‘Best Little Whorehouse’ set designer answers 20 gay questions

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Collin Ranney (Blade photo by Michael Key)

Now that he’s done with his master’s program in theater design from University of Maryland, Collin Ranney is “giving D.C. a year.”

As a freelance designer — he designs sets and costumes — it’s “a little scary” but also, he says, “definitely doable.”

One of his first post-school gigs, Signature Theatre’s “Best Little Whorehouse in Texas,” opened in previews this week, a show he began designing back in March. He’s in meetings now at Studio Theatre for upcoming show “The Invisible Man.”

“I think it’s the element of escape,” he says of his career choice. “Being able to go other places whether it’s literally, figuratively or emotionally. Not that my life is horrible and I’m trying to get away from it, but that element of being able to let myself go somewhere for a few hours in a dark room is great.”

The 25-year-old Buffalo, N.Y., native was a performer in high school and college but eventually moved more into design work. He still sometimes performs as his drag alter ego Birdie LaCage or sometimes sings karaoke out with friends, but professionally he’s content working behind the scenes for now.

He and his boyfriend of a year and a half, Michael Armstrong, live together in Logan Circle. Ranney’s hobbies are inextricably tied to his work — scale models, drawing, shopping, making headdresses, drafting and sewing. Though he does enjoy going out with friends, dancing and show tunes nights at JR.’s for fun. (Blade photo by Michael Key)

How long have you been out and who was the hardest person to tell?

Coming out was a process for me over a course of a few years. The hardest person to tell was certainly my younger brother. For a while, I felt as though I would somehow disappoint him and suddenly become less of what he had always looked up to his whole life. Eventually, I realized that my being gay was a part of what he had always looked up to.

Who’s your LGBT hero?

I find “hero” to be such a strong word. I don’t know that I would categorize any one person as my hero, but I am grateful to all the gay men who have come before me and my generation. They have allowed being gay to be a norm today.

What’s Washington’s best nightspot, past or present? 

Town. I love having the option of hanging out or chilling with friends in the quiet room, to dancing on the floor (and sometimes the boxes), to catching up with my favorite queens.

Describe your dream wedding.

Liza Minnelli and swans on a rooftop at night!

What non-LGBT issue are you most passionate about?

No rhinestone left behind! And of course, Elaine Barrish for president (If you don’t get that reference, watch “Political Animals” — it’s brilliant!)

What historical outcome would you change?

Changing history seems like it would cause quite the domino effect on everything that came after, but I still would have taken those damn pills away from Judy Garland before she overdosed!

What’s been the most memorable pop culture moment of your lifetime?

When Cher ended her farewell tour. And of course when Tom Cruise came out —oh wait, did that happen yet?

On what do you insist?

Laughter. Oh, and feathers and rhinestones!

What was your last Facebook post or Tweet?

“Whoring it up over at Signature. Make sure to come see the show next week.  Scenic design by yours truly.”

If your life were a book, what would the title be?

I joke about this often actually, and being a Type I Diabetic, I would say: “Where’s My Glucometer? The Life and Times of Collin Ranney.”

If science discovered a way to change sexual orientation, what would you do?

Me personally? Nothing. But I think it should be required for everyone to get a day pass to experience the other side.

What do you believe in beyond the physical world? 

There’s something beyond the physical world?

What’s your advice for LGBT movement leaders?

Dress better.

What would you walk across hot coals for?

That depends on how bad this side of the coals is — I like my feet.

What LGBT stereotype annoys you most?

That there’s such a thing as “tops” and “bottoms.” Versatility makes the world go ‘round.

What’s your favorite LGBT movie?

“Priscilla, Queen of the Desert.” How can one not adore that movie?

What’s the most overrated social custom?

Currently? Grindr. Show your faces (even if it means putting on some make-up) and get to the bar, boys! You can still show your torsos there, just wear a nice deep V.

What trophy or prize do you most covet?

Hmm. The Tony Award feels obvious, but it’d be nice. Though I don’t feel I need one to quantify my art, it would be nice.

What do you wish you’d known at 18?

To write everything down. It’s going to be hard to remember it all when it comes time to make my Lifetime Original Movie.

Why Washington?

Because for me, it’s where I’ve grown beyond childhood. It’s where I’ve found people, other than my family, whom I love. It’s where my career has inevitably begun and where I feel part of a community.

 

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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