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‘You’re so Square, Baby I Don’t Care’

D.C. Lambda Squares celebrating 30th anniversary this weekend

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Lambda Squares, square dancing, gay news, Washington Blade
Lambda Squares, square dancing, gay news, Washington Blade

The Lambda Squares in 1988. (Washington Blade archive photo by Doug Hinckle)

On any given Thursday night, a group of about 65 people from the LGBT community gather in the music suite of National City Christian Church to square dance with their friends.

But don’t expect to see cowboy hats, prairie skirts or couples doing the “Dosey Doe.” These square dancers dress casually, have no couple requirements, allow all-positioning dancing and the caller is using a Lady Gaga song.

One thing’s for sure: This is not your grandparents’ square dancing.

Since 1982, the D.C. Lambda Squares have been bringing a level of excitement and energy to the dance floor that was once unheard of in the square dance community.

“It was founded by a group of gay men and lesbians who wanted to square dance but at the time, straight clubs were non-accepting of same-sex couples square dancing, or people dancing other than in their traditional position,” says Joe Harr, president of the D.C. Lambda Squares. “They formed this club so they could dance the way they wanted to.”

Today, the club is open to young and old, singles or couples and beginners or advanced dancers. Anyone interested can visit the group online.

“My favorite part is the people involved are very welcoming and open and it’s just a relaxed atmosphere,” Harr says. “There are various gay square dance clubs throughout the U.S., and an international association and many people take part in other weekend dances.”

In addition to D.C. Lambda Squares’ regular Thursday-night get-together, which meets from 7:30 to 9:30 p.m. in D.C. at National City Christian Church (5 Thomas Circle, NW), eight times a year, the club holds a community dance at Francis Scott Key Middle School (910 Schindler Dr.) in Silver Spring, Md.

In honor of the organization’s 30th anniversary, the Lambda Squares are holding a party Saturday at Francis Scott Key Middle School with Doren McBroom set to call.

“A 30th anniversary is the pearl anniversary, so we are telling everyone to wear pearls for this event,” Harr says. “Our last community dance was a beach theme so people came in their bathing suits. We expect everyone to have a great time.”

Other regular callers are Dayle Hodge and club members Kent Forester and Brian Jarvis.

John Burlison, a former club president who has been a member since 2000, has watched the club’s membership ebb and flow over the last dozen years and is happy that interest is on the upswing.

“The people I learned with was the largest class for many years but we went through a time when it was very difficult to find new members,” Burlison says. “That appears to be slowly changing, as in recent years people have rediscovered square dancing as a fun activity and a great way to meet people.”

Membership coordinator Joe Branch learned of the group from seeing them perform at a Pride festival three years ago and has helped spearhead bringing the group to other events around the area, such as Gay Day at the Hillwood Museum this past year.

“What we try to do is perform at Pride and try to find other venues to do demos, hold open houses and try to perform at different community events to get people interested in square dancing,” Branch says. “Square dancing is a delightful activity full of wonderful people. I think the D.C. Lambda Squares is the friendliest group of people I have ever met.”

Many of the members have been with the group for at least 10 years, and this is designated with a special bar that they put on their membership badge. This past year, the group had to order some 20-year bars to commemorate those that have been involved since the early ’90s.

“Those who were here at the beginning did wear traditional western wear, and that has been the biggest change, since we wear what we are comfortable in,” Harr says. “For us, it’s not about living up to a certain square dancing cliché, we are all about having fun.”

Cindy Scharf has been going to Lambda Squares since 1997, learning about the group from a friend.

“I got involved initially to get some exercise and to meet some women in the LGBT community, and I ended up meeting a lot of good friends,” she says. “After a hard day of work, to come in and see so many smiling faces is really uplifting.”

Not only did Scharf make lots of new friends, but her going had a monumental impact on her life.

“I met my wife Olivia there,” she says. “It’s an organization that is open to singles and you don’t need a partner to dance. People are willing to dance with you. It’s not partnered up in the way the straight dancing is. A lot of people have met the people they are with through square dancing.”

One of her favorite things about the club is that the music isn’t what you would normally think of when you hear the term “square dancing.” That’s another of the positive changes through the years.

“I think there is a misconception that people who square dance tend to dance only to country-western music,” she says, “but the callers have a variety of music from different genres and some relatively modern things.”

Scharf and her wife also use their involvement in square dancing to help them decide on vacations.

“One of the things that we both enjoy about it is that we travel around a lot,” she says. “Every year there’s an annual convention and we use that as an excuse to travel to different places that we might not otherwise had in our sights to go to.”

Both Scharf and Burlison have fond memories of the 20th anniversary party and are looking forward to the fun night that the 30th promises, as well.

“We’re expecting to have some old friends and members who haven’t been here for a while come out for the night,” Harr says. “Remember, before the Internet, people had to actually go out of their houses to meet people and have fun. Square dancing is a great thing for people who love to dance to blow off steam, interact with other members and visit with their friends.”

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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