Arts & Entertainment
Mixing it up
Get as basic or elaborate as you wish at new yogurt parlor
Bryan DeRosa of Menchie’s on U Street. (Washington Blade photo by Michael Key)
If variety is the spice of life, new frozen yogurt shop Menchie’s (1939 12th Street, N.W.) has it in spades with 14 rotating flavors, nearly 50 toppings and the chance to get as much or as little as you want.
Danna and Adam Caldwell founded the Encino, Calif.-based chain, which offers self-serve frozen yogurt with a wide selection of toppings. The name Menchie’s comes from the Yiddish word mensch, meaning “good person.” Each person at a Menchie’s franchise wants to help the guest have a positive experience, enjoy their mix and come back for more.
Menchie’s has nearly 100 rotating flavors including a range of regular, low carb, low sugar and non-dairy yogurts. Menchie’s also has its own private label of yogurt allowing its staff to develop their own flavors and distinguish themselves from other frozen yogurt establishments throughout the United States. Menchie’s frozen yogurts include live and active cultures (a digestive aid not often found in frozen yogurt) and meet quality standards established by the National Yogurt Association.
When one walks into the playful store on 12th Street between T and U streets, it’s easy to get excited. I felt like a naughty child filling sample cups with one of the 14 flavors (or two flavors swirled together), something one is encouraged to do before deciding. Each flavor seemed better than the last and the more I tried, the harder the decision became.
But before I put myself into a self-induced diabetic coma, I stopped tasting and decide on a flavor. I chose the red velvet, a rich and creamy yogurt that replicated the flavors of my favorite cake incredibly well. I topped it with a bit of coconut and some white chocolate chips. My husband decided to go with half a cup of chocolate and vanilla snow swirl and half a cup of Dole pineapple and coconut swirl, with a bit of strawberry topping. We paid — 39 cents per ounce — and sat inside, though outdoor seating is also available.
As we sat, shop owner and friend Anthony Aligo, who’s gay along with his business partner Bryan DeRosa, pulled up a chair and joined us. Seeing that my husband had two distinctive flavors in his cup, Aligo said, “I’m looking into getting cup dividers so that you can have his-and-her cups, or just keep your flavors from touching.”
Aligo is clearly a man after my own heart, because I would have had another flavor, but I didn’t want it touching my red velvet concoction. Aligo spoke excitedly about the flavor options, the toppings, and even showed us a picture of the biggest cup of frozen yogurt he’s seen so far — a mile-high mix of flavors and toppings costing a little over $18.
“She walked out of the store with it, but I was just worried it was going to topple over onto the ground, I don’t even know if she managed to eat all or any of it,” he said.
Aligo opened Menchie’s because “he wanted a place for our LGBTQ family to be able to congregate and socialize as well as cater to our youth so that they always have a safe place to be.”
His favorite thing about the store is to be out from behind the counter and socializing with the customers. He’s working hard on outreach, partnering with local businesses as well as organizations like SMYAL so Menchie’s can live up to his vision. He says business has been strong since the July opening.
Menchie’s is open Sunday through Thursday from 11 a.m.-11 p.m. and Friday and Saturday from 11a.m. to midnight.
Menchie’s on U Street owner Anthony Aligo (far left), store manager Sarah Null (second from the right front row) and store owner Bryan DeRosa (far right) with other employees. (Photo courtesy of Menchie’s on U Street)
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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‘Amm(i)gone’ explores family, queerness, and faith
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