Arts & Entertainment
Best of Gay D.C.: Lifetime Achievement Award
This honor is being awarded to Rev. Dean Snyder of Foundry United Methodist Church
Rev. Dean Snyder (Washington Blade photo by Michael Key)
For the first time in the 12-year history of the Washington Blade’s annual Best of Gay D.C. readers poll awards, the Blade has selected a “lifetime achievement award.” This honor is being awarded to Rev. Dean Snyder, an LGBT ally and senior pastor of Foundry United Methodist Church (1500 16th St., N.W.).
Snyder, in his 12th year at Foundry in a ministry that began in 1968, says he became sympathetic to the plight and struggle of gay Christians during his years as a campus minister in Pennsylvania.
“I spent a lot of time listening to my gay students tell me of their struggles,” Snyder says. “This includes people who desperately did not want to be gay. I’ll never forget one student who was in aversion therapy and it just broke my heart to see the pain he was going through. … He was so convinced his parents would never accept him and that he could not be a Christian if he was gay.”
By the time Snyder came to Foundry, he was known within the United Methodist congregation for being an LGBT-affirming minister. The church had become “reconciling” (its term for open to gays) five years before he arrived, but he found a simple way to make them feel more included.
“They were saying that while the church was reconciling, they didn’t hear that much acknowledgement of it during the service,” Snyder says. “I decided I would mention it in some way — even if it was as simple as so-and-so is in the hospital, we remember he and his partner George today — … in each service. I just made it a repetitive thing. I used to think being a minister was about being creative but often it’s just about saying the same things over and over.”
Foundry, no doubt in large part for its location between Dupont and Logan Circles, has always had a large LGBT core among its parishioners. Snyder says about a third of its 1,200 members (about 650 attend its two weekly services) are LGBT.
He says the denomination’s General Conference has never punished the church for being LGBT friendly, although the United Methodist denomination as a whole is not totally on board. He says he regularly gets e-mail from around the country “from people who chastise us.”
Snyder says LGBT issues are just one part of the church’s mission. It also works on homelessness, high rates of incarceration among minority youth and other areas in which it advocates for change.
Snyder has announced his retirement. He will end his ministry there next June.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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‘Amm(i)gone’ explores family, queerness, and faith
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