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Calendar: Nov. 1

Parties, concerts, exhibits and more through Nov. 7

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Forever Tango, dance, gay news, Washington Blade
Forever Tango, dance, gay news, Washington Blade

‘Forever Tango’ explores the history of the tango at the Strathmore. (Photo courtesy of the Strathmore)

Friday, Nov. 1

Adodi D.C., a black same-gender-loving men’s social/spiritual group, hosts its bi-monthly potluck discussion at Metropolitan Community Church of Washington (474 Ridge St., N.W.) tonight at 7 p.m. Please bring food to share. For details, call 202-360-1143 or email [email protected].

D.C. Aquatics Club hosts its “November Happy Hour” at Cobalt (1639 R St., N.W.) from 6-9:30 p.m. The upstairs bar will be reserved and there will be drink specials. For details, visit cobaltdc.com.

Town (2009 8th St., N.W.) hosts Bear Happy Hour tonight from 6-11 p.m. There is no cover charge and admission is limited to guests 21 and over. For more information, visit towndc.com.

Saturday, Nov. 2

Burgundy Crescent, a gay volunteer organization, volunteers today at Food and Friends (219 Riggs Rd., N.E.) from 8-10 a.m. Come help with food preparation and packing groceries. Coffee and donuts will be provided. For details, visit burgundycrescent.org.

Metro Cooking D.C. hosts “The Metropolitan Cooking and Entertainment Show” at the Walter E. Washington Convention Center (801 Mount Vernon Pl., N.W.) today from 10 a.m.-6 p.m. and Sunday from 10 a.m.-5 p.m. Enjoy samples and tastings from more than 40 chefs and restaurants, 300 vendors and cooking demonstrations from local chefs and workshops. Tickets range from $24.50-$63. For more details and to purchase tickets, visit metrocookingdc.com.

Run or Dye, a tie-dye 5k race, comes to Robert F. Kennedy Stadium (2400 East Capitol St., S.E.) today from 9 a.m.-noon. All ages and levels of fitness welcome. Team registration is $52 per person and individual registration is $57 per person. For registration, visit runordye.com.

JR.’s Bar and Grill (1519 17th St., N.W.) host a scavenger hunt and trivia challenge from 11 a.m.-5 p.m. today to raise money for Stonewall Kickball’s official charity The D.C. Center. Meet at JR.’s at 11 a.m. for instructions and teams have until 3 p.m. to earn points. At 3 p.m., meet at Cobalt (1639 R St., N.W.) for an after party and prizes. Entry fees are $50 per two-person team. Registration includes one free drink at Cobalt, 25 percent off food at Level One (1639 R St., N.W.) and happy hour pricing. For registration, visit stonewallkickballscavengerhunt.eventbrite.com.

Jinkx Monsoon performs her cabaret show with Major Scales “The Vaudevillains” at Town (2009 8th St., N.W.) tonight at 7:30 p.m. Doors open at 6:30 p.m. General admission tickets are $20, open seating tickets $35 and open seating and meet-and-greet tickets are $50. For details and to purchase tickets visit flavorus.com.

fallFRINGE, a festival that brings back seven of the top shows from this summer’s Fringe Festival, kicks off this weekend. An opening party with an “all souls potluck” is tonight at 8 p.m. at Fort Fringe: The Shop, Redrum and Bedroom (607 New York Ave., N.W.). Tickets are $20 or $15 with a Fringe button. Visit capitalfringe.org for details on returning shows and more information on the opening party. The festival runs through Nov. 17.

Sunday, Nov. 3

Chick Chat, a singles group for lesbians ages 50 and over, meets at Brookside Gardens (1800 Glenallan Ave., Silver Spring, Md.) today at 2 p.m. for a walk rain or shine. Event is free. Please RSVP to [email protected].

Perry’s (1811 Columbia Rd., N.W.) hosts its weekly “Sunday Drag Brunch” today from 10 a.m.-3 p.m. The cost is $24.95 for an all-you-can-eat buffet. For more details, visit perrysadamsmorgan.com.

Converge D.C., a new LGBT-inclusive church, holds its official launch at First Congregational United Church of Christ D.C. (945 G St., N.W.) tonight from 6-7 p.m. For more information, visit convergedc.org.

SMYAL hosts its 16th annual “Fall Brunch” at the Mandarin Oriental (13300 Maryland Ave., S.W.) today at 11 a.m. There will be a cocktail reception and a silent auction. Ally Sheedy will be honored as a community advocate. Tickets are $150. For details, visit smyal.org.

Monday, Nov. 4

The D.C. Center (1318 U St., N.W.) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.

The D.C Center (1318 U St., N.W.) hosts a volunteer night from 6:30-8:30 p.m. tonight. Come check out the new facilities, meet new people and give back to the local community center. Activities may include sorting through book donations, cleaning up around the center and taking inventory for FUK!T packets. For details, visit thedccenter.org.

Nellie’s Sports Bar (900 U St., N.W.) hosts poker night tonight at 8 p.m. Win prizes. Free to play. For more information, visit nelliessportsbar.com.

Tuesday, Nov. 5

Maryland Corporate Council hosts a look forward at 2014 legislative session with Michael Busch, Speaker of the Maryland House of Delegates, at Ballard Spahr (300 East Lombard St., Baltimore) today from 8-10 a.m. A complimentary continental breakfast will be served. For details, visit marylandcorporate.org.

Green Lantern (1335 Green Ct., N.W.) hosts its weekly ”FUK!T Packing Party” from 7-9 p.m. tonight. For more details, visit thedccenter.org or greenlanterndc.com.

SMYAL (410 7th St., S.E.) holds free and confidential HIV testing drop-in hours from 3-5 p.m. today. For details, visit smyal.org.

Wednesday, Nov. 6

The Lambda Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for social bridge. No partner needed. For more information, call 301-345-1571.

The Bachelor’s Mill (1104 8th St., S.E.) hosts happy hour from 5-7:30 p.m. today. All drinks are half price. Enjoy pool, video games and cards. Admission is free. For more details, visit bachelorsmill.com.

Us Helping Us (3636 Georgia Ave., N.W.) hosts a support group for black men living with HIV/AIDS tonight from 7-9 p.m. For more details, visit uhupil.org or call 202-446-1100.

Thursday, Nov. 7

Bookmen D.C., an informal men’s gay literature group, discusses “Tinderbox: How the West Sparked the AIDS Epidemic and How the World Can Finally Overcome It” by Craig Timberg and Daniel Halperin at Tenleytown Library (4450 Wisconsin Ave., N.W.) tonight at 7 p.m. All are welcome. For details, visit bookmendc.blogspot.com.

Sphinx Virtuosi, an ensemble comprised of alumni from the Sphinx Competition for young black and Latino string players, performs at the Kennedy Center (2700 F St., N.W.) at 7:30 p.m. Tickets are $32. For details, visit wpas.org or call 202-785-9727.

Music Center at Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) presents Luis Bravo’s “Forever Tango” tonight at 8 p.m. for one night only. The Tony-nominated show tells the history of tango with a cast of 14 Argentine dancers and an 11-piece orchestra. Tickets range from $36-$78. For more information and to purchase tickets, visit strathmore.org.

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HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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Movies

Neo-noir ‘Femme’ offers sexy, intense revenge fantasy

A work of real and thrilling cinematic vision

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George MacKay and Nathan Stewart-Jarrett star in ‘Femme.’ (Photo courtesy of Utopia)

They say “revenge is sweet,” and it must be true. Why else would so many of our popular stories, dating all the way back to “Medea” and beyond, be focused on the idea of getting “even” with the people who have done us wrong?

It’s a concept with obvious appeal for anyone who has felt unjustly used by the world – or, more accurately, by the people in it – but that has particular resonance, perhaps, for modern queer audiences, long used to being relegated to the status of “victim” in the narratives we see on our screens. In “Femme” — the new UK indie thriller helmed by first-time feature directors Sam H. Freeman and Ng Choon Ping, now in limited theatrical release and expanding wider over the next two weeks — it provides the irresistible hook for a gripping tale of calculated vengeance in the face of anti-queer violence. Like the best of such stories, however, it’s as much a cautionary tale as it is a wish-fulfillment fantasy.

Set in London, it centers on Jules (Nathan Stewart-Jarrett), aka Aphrodite Banks, a popular drag performer in the city’s queer club scene who, after a performance one night, steps out in full costume to buy a pack of cigarettes and becomes the victim of a traumatic “gay bashing” incident at the hands of a young man goaded to violence by a thuggish gang of friends. Months later, though he’s recovered from his physical injuries, he is still deeply affected by the inner scars that linger. Robbed of the confidence that allowed him to perform, he’s withdrawn into a reclusive life, until concern from his friends and housemates prompts him to finally venture out into the world for a night of cruising at a gay sauna – where he encounters his bully doing the same thing. 

Unrecognizable and anonymously masculine out of his drag persona, Jules finds himself beginning a dangerous and duplicitous game in which he plans to “out” his former attacker – whose name, as he learns, is Preston (George MacKay) – in the most humiliating way possible. As his scheme begins to play out, however, he encounters an obstacle: in getting to know the closeted Preston, he is surprised to discover not only empathy for someone living their life in terrified camouflage, but a mutual attraction that develops despite the horrific history between them.

Framed as a self-described “neo-noir” story, a designation that implies a certain flavor of moral ambiguity as much as it does a tense and shadowy tale of intrigue or a psychologically complex tone, it’s a movie that relies heavily on style in order to sell its conceptual premise. Realistically, we might question the boldness that permits our protagonist to enact such a potentially hazardous scheme, but in the context of its genre trappings we are lulled into accepting it. And while most of us are likely “jaded” enough to question the possibility of tenderness between its two leading characters, the accepted conceits of the film noir form are enough to sell it to us – or at least allow us to grapple with it alongside Jules, whose righteously Machiavellian master plan is threatened by the feelings he “catches” in spite of himself.

That, of course, is part of the whole point. “Femme,” though it establishes itself by virtue of its very title as a testament to the struggle to “pass” for straight in a world that places a value judgment on perceived adherence to a strict norm for gender and sexuality, hinges on the idea that such things aren’t quite as clear-cut as we want to make them. Despite the black-and-white certainty we cling to when it comes to the subject of abusive or toxic relationships, there’s an emotional component that can only be ignored or dismissed at our peril, and even our most resolute intentions can be undermined by the shades of gray we discover in our hearts. 

Freeman and Ng – who also wrote the screenplay, adapting their own BAFTA-nominated short film from 2021 (starring Harris Dickinson and Paapa Essiedu) into a feature-length expansion – seem bent on challenging our snap judgments, on forcing us to sympathize with our oppressors by showing us the ways in which they, too, are prevented from living a fully authentic life by the expectations of their cultural environment. Even more challenging for many modern audiences, perhaps, may be the unavoidable observation that, in enacting his plan of revenge, Jules crosses the line between being a victim and being a victimizer – a fine point that may trigger uncomfortable implications in a social environment that has become marked by divisive moral constructs and hardline ethical posturing.

Before we scare you off with discussion of high-concept themes and “culture war” rhetoric, however, it’s crucial to bring up the elements that lift “Femme” above and beyond the level of so many such narrative films and makes it a somewhat unexpectedly potent piece of cinematic storytelling – and all of them have to do with the skill and intention behind it.

As to the former, the movie’s first-time directors manage a remarkable debut, steeping their film in moody, genre-appropriate visuals and murky morality. They pave a path beyond the easy assessments proscribed for us by conventional thinking, and force us to follow our sympathies into a disquieting confrontation between what we “know” as right and what we feel as true; at the same time, they push back against any natural sentimentality we might have about the situation, stressing the toxicity of the relationship in the middle of their film, the ironically-reversed insincerity of its dynamic – and, perhaps most importantly, the reality of the defining circumstances around it. While we might find ourselves longing for a happier resolution than the one we expect, the film makes no pretense that these two men might overcome the deep denial and traumatic associations – not to mention the calculated lack of honesty on the side of its de facto protagonist, to achieve some kind of “happy ending” between themselves. Nevertheless, we hope for it, in spite of ourselves.

That delicate dynamic works largely because of the movie’s lead actors. Both Stewart-Jarrett (“Candyman”) and MacKay (“Pride”, “1917”) deliver fully invested, utterly relatable performances, finding the emotional truth behind their interactions with as much palpable authenticity as they bring to the chemistry between them. They force us to abandon our preconceived ideas about each character by finding the human presence behind them, and it makes the story’s final outcome feel as heartbreaking as it does inevitable.

As for intention, “Femme” – which premiered at last year’s Berlin International Film Festival and went on to gather acclaim across the international film fest circuit – might be a little hard to take for the easily triggered, we won’t deny it. Still, it’s a work of real and thrilling cinematic vision that goes beyond easy morality to highlight the tragedy that comes from being forced to live behind a mask for the sake of societal acceptance. It’s also exciting, smart, and unexpectedly sexy – all of which make it a highly- recommended addition to your watchlist.

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Out & About

Trans Day of Visibility is here and here’s how to celebrate

Howard County LGBTQIA Commission to host Columbia event

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Howard County LGBTQIA Commission will host its inaugural event celebrating Trans Day of Visibility on Sunday, March 31 at 4 p.m. at Busboys and Poets in Columbia, Md.

The purpose of this inaugural event is to create a welcoming and inclusive space that celebrates and amplifies the voices of the trans community and its allies, highlights the joy and resilience of trans and non-binary individuals everywhere, and elevates their voices and shares their diverse experiences. 

This event is free and more details are available on Eventbrite

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