When visual artist Glenn Fry moved to D.C. nearly 15 years ago, he bartended at some of the gay community’s most popular nightlife venues and nightclub events. Quickly pegged as a recent transplant due to his failure to observe the local habit of reflexively asking customers what they do for a living, Fry remembers those exchanges from his perspective.
“People didn’t know how to process my being an artist,” Fry recalls, “although they were intrigued.” “Danger, Will Robinson,” was the comic strip thought bubble he would imagine floating over their heads while he concocted beverages.
“Ever since I was a kid I loved cartoons, loved the Pop Art movement,” Fry explains. “I would have loved to have been a part of that whole Manhattan ‘new art’ scene during the days of Andy Warhol.” “Warhol, along with fellow New York City pop artist Roy Lichtenstein, brought silkscreening to the forefront as a respected and appreciated art form.”
Fry chuckles when re-telling an art patron compliment, “if Warhol and Lichenstein had a kid, it would be you.”
The iconographic, bold, colorful, thought-provoking, graphic-inspired silkscreen prints Fry composes blend the pop art cultural influence of his youth and the marketing designs that would follow college. Printing on heavy paper, wood, glass or canvas in often oversized formats, he creates both one-of-a-kind and limited-edition images. From inspiration to composition to production, Fry fashions all aspects of his craft.
After earning a Fine Arts degree from Edinboro University in Northwestern Pennsylvania, Fry moved to Cleveland to work as a graphic designer. Specializing in corporate advertising for 10 years, he grew increasingly impatient to focus on more creative endeavors.
Now 47 and a full-time artist-entrepreneur managing Glenn Fry Art as his business enterprise, Fry is glad he gravitated to D.C. “I may not have been able to continue as an artist had I not moved here,” pointing out that economic downturns have largely not affected Washington – or interest in art. “D.C. has been good to me, my art has been well-received and I’m appreciative of that.” Besides, he notes, “New York’s bohemian culture isn’t around anymore.”
The stark simplicity of his silkscreened compositions initially belies both the complexity of their thoughtful origination and multi-layered manual execution. “I’m often inspired by situations I’ve gone through or those friends have experienced,” Fry says in describing the genesis of a piece. “I want my art to be fun, uplifting, colorful, graphic and bold, with a contemporary twist.”
While Fry designs pieces at his apartment near Logan Circle, he produces his prints at a nearby studio, organized by local artist Gary Fisher. Ten years ago, Fisher invited Fry to join him and three other artists in renting the basement level in a small commercial building at 1327 14th St., N.W., near Rhode Island Avenue. “Gary was the one who prodded me and inspired me,” Fry says, recalling his professional transition while still bartending.
Fry launched his first exhibit at Gallery Plan B, a couple of blocks north on 14th Street. “They really helped me spring to life in my profession,” says Fry. Working full-time as an artist since 2008, Fry has since garnered high-profile commissions for permanent installations at two Federal Reserve Board buildings, IBM, National Geographic Channels, and the Washington Design Center.
As his art gained exposure and grew in popularity, requests for commissioned pieces by both local businesses and individuals would follow. “Trusting me to create something they’ll enjoy, knowing my style and investing in my work” gives Fry great satisfaction.
“I’m grateful every day that I’ve found my passion,” Fry says, “I’m doing the thing that makes me happy.”