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The art of the matter

‘Old Masters’ presents intriguing theatrical dilemma

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Conrad Feininger, David Bryan Jackson, Washington Stage Guild, The Old Masters, theater, gay news, Washington Blade
Conrad Feininger, David Bryan Jackson, Washington Stage Guild, The Old Masters, theater, gay news, Washington Blade

Conrad Feininger, left, as Sir Joseph Duveen and David Bryan Jackson as Bernard Berenson in Washington Stage Guild’s production of ‘The Old Masters.’ (Photo by C. Stanley Photography; courtesy WSG)

‘The Old Masters’

Through Jan. 26

Washington Stage Guild

Undercroft Theatre, 900 Massachusetts Avenue, N.W.

$40-$50 (half price student discount)

866-811-4111

stageguild.org

Simon Gray’s thoroughly enjoyable drama “The Old Masters” is indeed about important art. It’s also about the art of the deal. But mostly it’s about the interdependent professional relationship (and sometimes friendship) between famed art historian Bernard Berenson and the equally famous art dealer Joseph Duveen.

Washington Stage Guild’s take on Gray’s 2004 work currently playing at the intimate Undercroft Theatre features a very capable cast in a production straightforwardly staged by Laura Giannarelli.

Set in the storied Villa I Tatti, Berenson’s residence near Florence, the action unfolds over one long evening in 1937. The scene is tense. A Lithuanian-born American, Berenson (BB to his friends) and his terminally ill wife Mary aren’t happy. Money is tight and war is looming. She is preoccupied with the financial wellbeing of her adult children and grandchildren from a previous marriage in England, and he misses the fat checks he once collected for authenticating Renaissance paintings. Yet a veneer of domestic civility prevails, thanks mainly to Nicky, Berenson’s longtime factotum and mistress (and now Mary’s caregiver).

On the fated night, Duveen drops in uninvited. He and BB have been on the outs, but Duveen softens the estrangement by paying an old debt to his host and proposing a lucrative business partnership. But first (and here’s the rub), Duveen wants a favor. He asks that BB pipe down on the authentication of a painting that he is selling to patrician American industrialist Andrew Mellon. BB says it’s a Titian. The world credits Masaccio. A great showdown ensues.

“The Master Works” is the last published play by British playwright Gray who died at 71 in 2008. Though not acquainted with his protagonists in life, he knows them well. Gray brilliantly conveys his aging characters’ urgency in terms of time and concern with legacy — both monetary and reputation. While an interest in art and a little background on the characters might prove helpful to audiences, it’s not necessary. This well-made play stands on its own.

Duveen is played with bigger-than-life gusto by Conrad Feininger. He envelops the smaller, less demonstrative BB (David Bryan Jackson) with roaring compliments and great hugs, bending his frenemy to his will with a tidal wave of bonhomie. It’s a wonderful performance.

And Jackson (wearing a neatly trimmed Van Dyke beard) gives a nuanced portrayal. His BB is a fastidious sensualist who falls into raptures when he sees “The Adoration of the Shepherds” (the painting in question). He’s a self-centered man who expects a lot of from his women (including his Swedish masseuse who visits daily) yet he cares for them deeply in his own way.

Jewel Robinson is compelling as Mary, BB’s wife who tolerates her husband’s weaknesses. Rounding out a very strong cast are Thomasin Savaiano as charming and efficient Nicky, and Steven Carpenter as Fowles, Duveen’s assistant derisively referred to as the “lift boy” by BB. (Fowles was once in fact the elevator operator in Duveen’s apartment building.)

Marianne Meadows gently lights set designer Carl F. Gudenius’ pretty Italian garden and later a well-appointed library. Sigrid Jóhannesdóttir’s costumes exude quality and taste except for those worn by Nicky, who’s a tad flashier than the others.

“The Old Masters” has great local resonance. “The Adoration of the Shepherds” hangs in Washington’s National Gallery, one of many Renaissance paintings collected Mellon, Samuel Kress (the five and dime millionaire), and others to be found in the building’s West Wing. While brush stroke technique and revered names like Titian are tossed about throughout much of the play, the audience sees only the backs of canvases. A visit to the Gallery might make a nice follow up.

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Sports

Bisexual former umpire sues Major League Baseball for sexual harassment

Brandon Cooper claims female colleague sexually harassed him

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Arizona Complex League game in 2023. (YouTube screenshot)

A fired former umpire is suing Major League Baseball, claiming he was sexually harassed by a female umpire and discriminated against because of his gender and his sexual orientation. 

Brandon Cooper worked in the minor league Arizona Complex League last year, and according to the lawsuit he filed Wednesday in federal court in Manhattan, he identifies as bisexual. 

“I wanted my umpiring and ability to speak for itself and not to be labeled as ‘Brandon Cooper the bisexual umpire,’” he told Outsports. “I didn’t want to be labeled as something. It has been a passion of mine to simply make it to the Major Leagues.”

But that didn’t happen. Instead of being promoted, he was fired. His suit names MLB and an affiliated entity, PDL Blue, Inc., and alleges he had endured a hostile work environment and wrongful termination and/or retaliation because of gender and sexual orientation under New York State and New York City law.

“Historically the MLB has had a homogenous roster of umpires working in both the minor and major leagues,” Cooper claims in his suit. “Specifically, to date there has never been a woman who has worked in a (regular) season game played in the majors, and most umpires are still Caucasian men. To try to fix its gender and racial diversity issue, defendants have implemented an illegal diversity quota requiring that women be promoted regardless of merit.”

Cooper claims former umpire Ed Rapuano, now an umpire evaluator, and Darren Spagnardi, an umpire development supervisor, told him in January 2023 that MLB had a hiring quota, requiring that at least two women be among 10 new hires.

According to the suit, Cooper was assigned to spring training last year and was notified by the senior manager of umpire administration, Dusty Dellinger, that even though he received a high rating in June from former big league umpire Jim Reynolds, now an umpire supervisor, that women and minority candidates had to be hired first. 

Cooper claims that upon learning Cooper was bisexual, fellow umpire Gina Quartararo insulted him and fellow umpire Kevin Bruno by using homophobic slurs and crude remarks. At that time, Quartararo and Cooper worked on the same umpiring crew and being evaluated for possible promotion to the big leagues.

This season, Quartararo is working as an umpire in the Florida State League, one of nine women who are working as minor league umpires.

Cooper said he notified Dellinger, but instead of taking action against Quartararo, he said MLB ordered Cooper to undergo sensitivity training. According to his lawsuit, he was also accused of violating the minor league anti-discrimination and harassment policy.

Cooper’s suit says he met with MLB Senior Vice President of Diversity, Equity and Inclusion Billy Bean — who the Los Angeles Blade reported in December is battling cancer. 

The lawsuit says at that meeting, Bean told the umpire that Quartararo claimed she was the victim, as the only female umpire in the ACL. Cooper said he told Bean Quartararo regularly used homophobic slurs and at one point physically shoved him. He also claims that he has video evidence, texts and emails to prove his claim. 

But he said his complaints to Major League Baseball officials were ignored. His lawsuit said MLB passed him over for the playoffs and fired him in October. He said of the 26 umpires hired with Cooper, he was the only one let go.

Through a spokesperson, MLB declined to comment on pending litigation. Quartararo has also not publicly commented on the lawsuit.

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Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

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Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going … move on.”

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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