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Calendar: March 28-April 3

Center groups, parties, exhibits and more for the week ahead

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Cher Lloyd, gay news, Washington Blade
Cher Lloyd, gay news, Washington Blade

Singer Cher Lloyd, who played the Capital Pride mainstage last summer, visits Rams Head Live in Baltimore next week. (Photo courtesy Rams Head Live)

Calendar for the week ahead in LGBT D.C. events:

 

Friday, March 28

The Latino History Project hosts its third annual “Mujeres en el Movimiento,” an event for lesbian Latinas to meet and connect, at MOVA Lounge (2204 14th St., N.W.) tonight from 6:30-8:30 p.m. The theme is “Celebrating Women of Color, Courage and Commitment.” There will be drinks, Latino music and a historical digital photo exhibit. There is a $5 suggested donation. For more details, visit latinoglbthistory.org.

Chef Art Smith hosts a private dinner as part of “Taste of Pride” at his restaurant Art and Soul (415 New Jersey Ave., N.W.) tonight from 7-10 p.m. Smith, who has appeared on numerous television specials including “ABC’s Lady Gaga Thanksgiving Special,” will prepare a three-course dinner with red wine. There will also be a meet and greet with him. Tickets are $60. For more details and to purchase tickets, visit capitalpride.org/taste.

Bachelor’s Mill (1104 8th St., S.E.) holds a happy hour from 5-7:30 p.m. tonight with all drinks half price. Enjoy pool, video games and cards. Admission is $5 after 9 p.m. Must be 21 and over. For more details, visit bachelorsmill.com.

Women in Their 20s, a social discussion group for lesbian, bisexual, transgender and all women interested in women, meets today at the D.C. Center (2000 14th St., N.W.) from 8-9:30 p.m. All welcome to join. For details, visit thedccenter.org.

 

Saturday, March 29

Washington Independent Review of Books hosts “Books Alive!,” a literary book conference for writers, agents and book lovers, at the Bethesda Marriott (5151 Pooks Hill Rd., Bethesda, Md.) today from 9 a.m.-5 p.m. Speakers include best-selling author Jonathan Alter, cookbook author Joan Nathan and former Washington Post restaurant critic Phyllis Richman. There will also be pitch session for aspiring authors to meet with top literary agents. Tickets are $220 and include morning coffee and a box lunch. For more information, visit washingtonindependentreviewofbooks.com.

“Bring It On: The Musical,” a musical adaptation of the hit blockbuster movie “Bring It On” comes to Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for two performances today at 3 and 8 p.m. The musical was on Broadway and written by Tony Award-winning writer of “Avenue Q,” Jeff Whitty. Tickets range from $31-81. For more details, visit strathmore.org.

Town (2009 8th St., N.W.) hosts DJ Chord, who will be playing pop music, tonight. Doors open at 10 p.m. Cover is $8 from 10-11 p.m. and $12 after 11 p.m. Drinks are $3 before 11 p.m. The drag show starts at 10:30 p.m. Admission is limited to guests 21 and over.

Sunday, March 30

 

Perry’s (1811 Columbia Rd., N.W.) hosts its weekly “Sunday Drag Brunch” today from 10 a.m.-3 p.m. The cost is $24.95 for an all-you-can-eat buffet. For more details, visit perrysadamsmorgan.com.

Adventuring, an LGBT outdoors group, holds a walking tour of the Battle of Spotsylvania this morning at 9 a.m. The tour covers seven miles of trails including the Bloody Angle, where two armies were locked in combat for nearly 24 hours. Bring a picnic lunch, bug spray and $10 for transportation and trip fees. They will carpool at 9 a.m. from the King Street Metro Station (1900 King St., Alexandria, Va.). For more information, visit adventuring.org.

 

Monday, March 31

 

University of Maryland’s Jewish LGBT group hosts Rabbi Steve Greenberg, an openly gay rabbi, at Theodore R. McKeldin Library at University of Maryland (Theodore R Mckeldin Library Campus Dr., College Park, Md.) in the special events room on the sixth floor tonight from 7-10 p.m. He will speak on “wrestling with God” as an openly gay Jew in the Orthodox world. For more details, visit marylandhillel.org.

The D.C. Center (1318 U St., N.W.) hosts coffee drop-in hours this morning from 10 a.m.-noon for the senior LGBT community. Older LGBT adults can come and enjoy complimentary coffee and conversation with other community members. For more information, visit thedccenter.org.

Us Helping Us  (3636 Georgia Ave., N.W.) holds a support group for gay black men to discuss topics that affect them, share perspectives and have meaningful conversations. For details, visit uhupil.org.

Nellie’s Sports Bar (900 U St., N.W.) hosts poker night tonight at 8 p.m. Win prizes. Free to play. For more information, visit nelliessportsbar.com.

 

Tuesday, April 1

 

Green Lantern (1335 Green Ct., N.W.) hosts its weekly ”FUK!T Packing Party” from 7-9 p.m. tonight. For more details, visit thedccenter.org or greenlanterndc.com.

The National Education Association (1537 M St., N.W.) screens “Always Be My Son,” a short documentary about a family struggling with a family member’s sexuality, tonight from 7-9 p.m. For more information, thedccenter.org.

SMYAL (410 7th St., S.E.) provides free and confidential HIV testing drop-in hours today from 3-5 p.m. For more information, visit smyal.org.

 

Wednesday, April 2

 

The Tom Davoren Social Bridge Club meets tonight at 7:30 p.m. at the Dignity Center (721 8th St., S.E.) for social bridge. No partner needed. For more information, call 301-345-1571.

Bookmen D.C., an informal men’s gay literature group, discusses “The Queen’s Throat: Opera, Homosexuality and the Mystery of Desire,” an exploration of the relationship between gay men and opera, at Tenleytown Library (4450 Wisconsin Ave., N.W.) tonight at 7:30 p.m. All are welcome. For details, visit bookmendc.blogspot.com.

 

Thursday, April 3

British pop singer Cher Lloyd performs at Rams Head Live (20 Market Pl., Baltimore) tonight at 8 p.m. Lloyd is a former “The X Factor U.K.” contestant and received fame in the United States with her hit single “Want U Back.” Lloyd has previously performed at Capital Pride. Doors open at 6 p.m. Tickets are $22 in advance and $25 the day of show. For more details, visit ramsheadlive.com.

Broadway star Linda Eder performs at Wolf Trap (1645 Trap Rd., Vienna, Va.) tonight at 8 p.m. Eder played Lucy in the Broadway musical “Jekyll and Hyde.” She also has 14 solo albums and one duets album. Tickets range from $44-48. For more details and to purchase tickets, visit wolftrap.org.

Rude Boi Entertainment hosts “Tempted 2 Touch,” a ladies dance party, at the Fab Lounge (2022 Florida Ave., N.W.) Doors open at 10 p.m. Drink specials $5 and vodka shots $3 all night. No cover charge. Admission limited to guests 21 and over. For more details, visit rudeboientertainment.wordpress.com.

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HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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Movies

Neo-noir ‘Femme’ offers sexy, intense revenge fantasy

A work of real and thrilling cinematic vision

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George MacKay and Nathan Stewart-Jarrett star in ‘Femme.’ (Photo courtesy of Utopia)

They say “revenge is sweet,” and it must be true. Why else would so many of our popular stories, dating all the way back to “Medea” and beyond, be focused on the idea of getting “even” with the people who have done us wrong?

It’s a concept with obvious appeal for anyone who has felt unjustly used by the world – or, more accurately, by the people in it – but that has particular resonance, perhaps, for modern queer audiences, long used to being relegated to the status of “victim” in the narratives we see on our screens. In “Femme” — the new UK indie thriller helmed by first-time feature directors Sam H. Freeman and Ng Choon Ping, now in limited theatrical release and expanding wider over the next two weeks — it provides the irresistible hook for a gripping tale of calculated vengeance in the face of anti-queer violence. Like the best of such stories, however, it’s as much a cautionary tale as it is a wish-fulfillment fantasy.

Set in London, it centers on Jules (Nathan Stewart-Jarrett), aka Aphrodite Banks, a popular drag performer in the city’s queer club scene who, after a performance one night, steps out in full costume to buy a pack of cigarettes and becomes the victim of a traumatic “gay bashing” incident at the hands of a young man goaded to violence by a thuggish gang of friends. Months later, though he’s recovered from his physical injuries, he is still deeply affected by the inner scars that linger. Robbed of the confidence that allowed him to perform, he’s withdrawn into a reclusive life, until concern from his friends and housemates prompts him to finally venture out into the world for a night of cruising at a gay sauna – where he encounters his bully doing the same thing. 

Unrecognizable and anonymously masculine out of his drag persona, Jules finds himself beginning a dangerous and duplicitous game in which he plans to “out” his former attacker – whose name, as he learns, is Preston (George MacKay) – in the most humiliating way possible. As his scheme begins to play out, however, he encounters an obstacle: in getting to know the closeted Preston, he is surprised to discover not only empathy for someone living their life in terrified camouflage, but a mutual attraction that develops despite the horrific history between them.

Framed as a self-described “neo-noir” story, a designation that implies a certain flavor of moral ambiguity as much as it does a tense and shadowy tale of intrigue or a psychologically complex tone, it’s a movie that relies heavily on style in order to sell its conceptual premise. Realistically, we might question the boldness that permits our protagonist to enact such a potentially hazardous scheme, but in the context of its genre trappings we are lulled into accepting it. And while most of us are likely “jaded” enough to question the possibility of tenderness between its two leading characters, the accepted conceits of the film noir form are enough to sell it to us – or at least allow us to grapple with it alongside Jules, whose righteously Machiavellian master plan is threatened by the feelings he “catches” in spite of himself.

That, of course, is part of the whole point. “Femme,” though it establishes itself by virtue of its very title as a testament to the struggle to “pass” for straight in a world that places a value judgment on perceived adherence to a strict norm for gender and sexuality, hinges on the idea that such things aren’t quite as clear-cut as we want to make them. Despite the black-and-white certainty we cling to when it comes to the subject of abusive or toxic relationships, there’s an emotional component that can only be ignored or dismissed at our peril, and even our most resolute intentions can be undermined by the shades of gray we discover in our hearts. 

Freeman and Ng – who also wrote the screenplay, adapting their own BAFTA-nominated short film from 2021 (starring Harris Dickinson and Paapa Essiedu) into a feature-length expansion – seem bent on challenging our snap judgments, on forcing us to sympathize with our oppressors by showing us the ways in which they, too, are prevented from living a fully authentic life by the expectations of their cultural environment. Even more challenging for many modern audiences, perhaps, may be the unavoidable observation that, in enacting his plan of revenge, Jules crosses the line between being a victim and being a victimizer – a fine point that may trigger uncomfortable implications in a social environment that has become marked by divisive moral constructs and hardline ethical posturing.

Before we scare you off with discussion of high-concept themes and “culture war” rhetoric, however, it’s crucial to bring up the elements that lift “Femme” above and beyond the level of so many such narrative films and makes it a somewhat unexpectedly potent piece of cinematic storytelling – and all of them have to do with the skill and intention behind it.

As to the former, the movie’s first-time directors manage a remarkable debut, steeping their film in moody, genre-appropriate visuals and murky morality. They pave a path beyond the easy assessments proscribed for us by conventional thinking, and force us to follow our sympathies into a disquieting confrontation between what we “know” as right and what we feel as true; at the same time, they push back against any natural sentimentality we might have about the situation, stressing the toxicity of the relationship in the middle of their film, the ironically-reversed insincerity of its dynamic – and, perhaps most importantly, the reality of the defining circumstances around it. While we might find ourselves longing for a happier resolution than the one we expect, the film makes no pretense that these two men might overcome the deep denial and traumatic associations – not to mention the calculated lack of honesty on the side of its de facto protagonist, to achieve some kind of “happy ending” between themselves. Nevertheless, we hope for it, in spite of ourselves.

That delicate dynamic works largely because of the movie’s lead actors. Both Stewart-Jarrett (“Candyman”) and MacKay (“Pride”, “1917”) deliver fully invested, utterly relatable performances, finding the emotional truth behind their interactions with as much palpable authenticity as they bring to the chemistry between them. They force us to abandon our preconceived ideas about each character by finding the human presence behind them, and it makes the story’s final outcome feel as heartbreaking as it does inevitable.

As for intention, “Femme” – which premiered at last year’s Berlin International Film Festival and went on to gather acclaim across the international film fest circuit – might be a little hard to take for the easily triggered, we won’t deny it. Still, it’s a work of real and thrilling cinematic vision that goes beyond easy morality to highlight the tragedy that comes from being forced to live behind a mask for the sake of societal acceptance. It’s also exciting, smart, and unexpectedly sexy – all of which make it a highly- recommended addition to your watchlist.

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Out & About

Trans Day of Visibility is here and here’s how to celebrate

Howard County LGBTQIA Commission to host Columbia event

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Howard County LGBTQIA Commission will host its inaugural event celebrating Trans Day of Visibility on Sunday, March 31 at 4 p.m. at Busboys and Poets in Columbia, Md.

The purpose of this inaugural event is to create a welcoming and inclusive space that celebrates and amplifies the voices of the trans community and its allies, highlights the joy and resilience of trans and non-binary individuals everywhere, and elevates their voices and shares their diverse experiences. 

This event is free and more details are available on Eventbrite

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