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‘Company’ and beyond

‘Carrie’ actress recalls memorable Stritch encounters

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Barbara Walsh, Carrie: the Musical, theater, gay news, Washington Blade
Barbara Walsh, Carrie: the Musical, theater, gay news, Washington Blade

Barbara Walsh as Margaret in ‘Carrie: the Musical.’ (Photo courtesy Studio Theatre)

When Barbara Walsh was preparing to play Joanne, the iconic character created by the legendary Elaine Stritch, in the Broadway revival of “Company,” friends were quick to point out that she had large shoes to fill.

“That’s OK,” the actress wryly responded. “I have really large feet.” She also adds, “And they keep getting bigger with age. Bunions are hell.”

Walsh, now onstage as Margaret White in “Carrie the Musical” at Studio Theatre, which runs through Aug. 3 (studiotheatre.org) was shocked when she heard that Stritch died last Thursday.

“It’s a huge loss to the Broadway community,” she says.

When Walsh was in previews for “Company” in 2006, the New Yorker wanted to do a joint interview with the new and old Joanne. As Walsh arrived at the Carlyle (Stritch’s long-time residence in Manhattan), Stritch looked her up and down and declared in her stentorian voice, “Oh, you’re too young to play the part.” Walsh did not mention that she was older than Stritch was when she originated the role.

Stritch, of course, dominated the interview (which was unfortunately never published), but Walsh remembers that the two had a lovely conversation about composer Stephen Sondheim. As Walsh was leaving, Stritch said she was looking forward to seeing the new production, but wouldn’t tell her when she was coming to see the show so she wouldn’t make the younger actress nervous.

As reimagined by British director John Doyle, the Broadway revival of “Company” featured the actors doubling as the orchestra. As the hard-drinking Joanne, Walsh played the triangle and other percussion instruments, most memorably striking a martini glass with a swizzle stick. The cast never left the stage, so Walsh had plenty of time to scan the audience. One night she spotted a woman in an aisle seat in the fifth row dressed in white from head to foot, including, of course, a white hat.

“It was Stritch,” Walsh says. “You couldn’t miss her.”

After the show (“It was a lovely performance”), Walsh was headed from the wig room to her dressing room when she heard a voice booming down the stairwell. “Where’s Barbara?” Stritch bellowed. She descended the staircase and gently grabbed Walsh by the face, quietly saying, “That was just wonderful.”

“It was such a magical moment, a moment I’ll never forget. We just won’t see anyone like her ever again.”

Now Walsh has several pairs of large shows to fill as she tackles the role of Carrie’s murderous mother. There were Piper Laurie and Julianne Moore on the big screen, and Barbara Cook, Betty Buckley and Marin Mazzie in earlier productions of the stage musical. Walsh did not see those other stage performances, but she does remember watching the famous Brian De Palma film for the first time as a teenager.

“I remember being absolutely terrified of Piper Laurie,” she says. “Her performance was simply amazing. Seeing her come down the stairs in her nightgown carrying that knife was delicious. … When you’re playing a role with this rich history, you just have to stay on track and tell the story. It’s an amazing story about a lot of fascinating things.”

For Walsh, the essence of the character is a mother who is terrified of letting her daughter go, rather than religious zealotry or sexual repression, although these elements are also important. The key to the role is deep maternal love.

“That helps me to tell her story in a more grounded way. It was important for me to play the humanity against the madness. I was also very interested in the role reversal between the mother and daughter. It is terrifying to Margaret when Carrie takes over. When Carrie unleashes her telekinetic powers at the end of act one, Margaret is suddenly in uncharted waters. That is very interesting to play.”

One of the most complicated moments for the tangled character is the haunting act two ballad, “When There’s No One.” It illuminates Margaret’s tortured decision to kill her daughter. Walsh says it’s “such a beautiful song, an unbearable life-shifting moment for Margaret that leads to her psychotic break.” She credits the creative team of Michael Gore (music), Dean Pitchford (lyrics) and Lawrence D. Cohen (book) for laying out the moment so well in the script and creating such a multi-layered song.

Despite the excellent writing, Walsh still says the song was a struggle.

“It’s not easy. It’s a very tricky shift and I’m still finding it in some ways.”

Before the song starts, Margaret watches Carrie cross the sage in her home-made prom dress. As Walsh watches Emily Zickler, she says, “a tiny smile that quickly goes away crosses my face. I don’t know if anyone notices, but for me, its Margaret’s last moment of humanity before the madness takes over. The song starts a cappella — that was my decision — because Margaret is super vulnerable in that moment. The song brings together all of Margaret’s conflicting emotions, that she needs to save Carrie’s soul, that she wants to stop her daughter from making the mistakes she made, her anger that Carrie will leave her for someone else, her fear that Carrie will be taunted again and her dread of the horrible loneliness she will feel when Carrie is gone.”

Born in Chevy Chase, the D.C. native calls New York home now, but has returned to the area to star in Studio’s 2008 production of “Grey Gardens” and in “Vanya and Sonia and Masha and Spike” at Center Stage in Baltimore earlier this year. In addition to “Company,” Walsh’s Broadway credits include “Blood Brothers,” “Hairspray,” “Nine” and “Falsettos,” William Finn’s ground-breaking musical about AIDS. Walsh is thrilled to be back at Studio Theatre tackling this incredible role, but is looking forward to returning to her husband (Jack Cummings, artistic director of the Transport Group) and dog in Manhattan.

 

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Movies

Nick Kroll and Andrew Rannells want to adopt baby in ‘I Don’t Understand You’

Film premiered at SXSW in Austin

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(Courtesy photo)

Editor’s note: Jack Morningstar attended SXSW in Austin, Texas.

“I Don’t Understand You” focuses on a couple whose romantic Italian getaway devolves into bloody chaos while they prepare to adopt their first child. 

The film, while veering into hilariously gruesome hijinks, tells the story of a gay couple who is willing to kill for a chance at fatherhood. It sheds light on the hurdles that same-sex couples often go through in the adoption process: Financial burdens, time constraints, fraud, and in this case, a rural Italian family.

The film premiered last weekend at SXSW in Austin and stars Nick Kroll and Andrew Rannells along with Nunzia Schiano, Morgan Spector and Eleonora Romandini. It was written and directed by Brian Crano and David Craig, who are married. They sourced inspiration from their own adoption struggles and an Italian vacay gone wrong. 

“We were about to leave for Italy when we found out that we had matched with a birth mother and our son would be born in about six weeks,” said Crano. 

According to Craig, the trip was tense and it culminated in their car getting stuck in a ditch on their way to an anniversary dinner.

“We ended up at an old lady’s house after she rescued us in her Fiat. Her family cooked us a meal and we stayed up drinking with them until 3 a.m., not understanding a word they were saying,” he said.

Without spoiling anything, the couple in the movie go to absurd lengths to ensure that their adoption goes through. Craig explained that the theme of the movie was “what would you do for your kid.” 

“We were three years into our own journey at the time and realized we would literally do anything to make that dream a reality. It’s really a love letter to our son,” he said.

The film is hard to relegate to a single genre. 

“When conceiving the story, we saw it as different parts — romantic comedy, horror movie, murder play — but I think by bringing in Nick and Andrew that blend actually became much more of an organic mix where the comedy sustained throughout. They elevated it in a more elegant fashion,” said Craig. 

“I Don’t Understand You”was produced by Pinky Promise, a women-led production company with the mission to elevate diverse voices in their storytelling. Kara Durrett, Pinky Promise’s current president was a champion of this script from the beginning. Founder Jessamine Burgum recounts that when Durrett was onboarding, she said “If you don’t get [“I Don’t Understand You”] I don’t know if this is going to work.” 

It ultimately became one of the first projects Burgum and Durrett collaborated on. 

Kroll and Rannells’ chemistry carried the film. 

“There was a desire to work with each of them because they had both separately been in such amazing comedian teams — like Andrew with Josh Gad and Nick with John Mulaney. Nick and Andrew’s characters are in almost every scene of the movie together, so they needed to be adept to basically doing a shared performance. There was no one more well-positioned to do this as naturally as possible,” said Crano. 

Their characters are easy to root for, yet also deeply flawed. 

“A big thing we wanted to do with this movie, and with all of our work in telling stories, is avoid telling a cliched gay trauma film. We’ve never ascribed to the idea that there is a subcategory to film that is LGBTQ, rather — movies are for everyone. We want to make a movie where gay characters are flawed, not for being gay, but because of who they are. They can be villains, but they are our protagonists,” said Craig. 

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Out & About

Celebrate spring with these D.C.-area events

Galas, Cherry Weekend, Pride, and more on tap

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The annual Pride on the Pier with fireworks show is set for Saturday, June. 8 at the Wharf. (Photo courtesy of The Wharf DC)

Temperatures outside are starting to rise and the sun is shining again. Here’s a list of upcoming D.C. events that can make enjoying the good weather even that much more thrilling.

Cherry Weekend Washington begins on Thursday, April 4. The Cherry weekend is a spectacular and joyous event held over four days featuring 16 world renowned DJs, nine different events and four fun daytime parties.

3rd Friday Night Open Mic will take place on Thursday, March 15 at 9 p.m. at the Bus Boys and Poets location in Brookland. This event will be hosted by Mariah Barber (they/she), a queer storyteller, consultant, spoken word artist, and activist who has been creating social justice-oriented art for the last 15 years. Tickets start at $5 and can be purchased on Eventbrite

RuPaul’s Drag Race Season 15 winner Sasha Colby will bring her Sasha Colby: Stripped Tour to the Howard Theatre on Wednesday, March 27 at 6:30 p.m. Tickets are $75 and can be purchased on the Howard Theatre’s website

Decades DC returns with Throwback Thursdays on Thursday, March 14 at 10 p.m. This event will have an open air rooftop and the first drink is on the house. Entry is free until midnight and more details are available on Eventbrite

Skin and Wellness Center will host Equinox Celebration on Tuesday, March 19 at 7 p.m. at 929 W. Broad St. This event will involve movement, breath work, meditation and community connection to celebrate the spring equinox and embrace energies of rebirth, fertility, creativity, balance, and expansive growth for mind, body, and spirit. Tickets cost $28.52 and can be purchased on Eventbrite

Models Inc. will host The Front Row! Fashion Show on Saturday, March 30 at 7 p.m. at the Silver Spring Black Box Theatre. This is the ultimate destination for designers seeking to showcase their talent and brand. This exclusive event provides a platform to promote artistry and visions, featuring various artists, creatives, fashion enthusiasts, models, stylists, and visionaries. Tickets start at $35 and can be purchased on Eventbrite

Spring Bling Adult Prom will be on Friday, April 26 at 8 p.m. at Graces Event Center. Guests are encouraged to wear their favorite spring colors and show up for a night of dancing, food and fun.Tickets cost $92.55 and can be purchased on Eventbrite.

TSR Productions will host Spring Salsa Bash on Saturday, March 23 at 8 p.m. at The Salsa Room Tysons. This event will feature Hermanos Galvan and Orquesta live in concert playing the best salsa, bachata, and merengue. There will also be top DJs playing the best in Latin trap, urbana, reggaetton. Tickets start at $25 and can be purchased on Eventbrite

We Will Survive Cancer will host Spring Fling Cocktail & Dance Party on Saturday, April 20 at 7:30 p.m. at Whino. This event will be hosted by DJ Steve. Tickets cost $25 and all proceeds are donated to cancer patients. More details are on Eventbrite.

Chase Brexton Health Care hosts its 2024 Gala at the Baltimore Museum of Art, with the theme centered around the NEW Roaring ‘20s on Saturday, March 30. Details at chasebrexton.org

CAMP Rehoboth’s annual Women’s FEST is scheduled for April 25-28. Lea DeLaria will headline with Crys Matthews opening. Visit camprehoboth.org for details.

Trans Pride Washington, D.C. is scheduled for Saturday, May 18. The full day of conference activities will take place at the Martin Luther King Jr. Memorial Library. Visit transpridewashingtondc.org for details.

The Blade’s 17th annual Summer Kickoff Party in Rehoboth Beach is scheduled for Friday, May 17; details to be announced soon.

D.C.’s 49th annual Pride celebration kicks off May 31-June 9, culminating with the parade and festival. Visit capitalpride.org for details. The annual Pride on the Pier with fireworks celebration is slated for Saturday, June 8, 2-9 p.m. at the Wharf. Visit prideonthepierdc.com for details.

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Travel

Gay hotel company brings luxury to Puerto Vallarta

Tryst Puerto Vallarta to open this spring

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Tryst Puerto Vallarta (Photo courtesy of Tristan Schukraft)

The Tryst Puerto Vallarta begins welcoming discerning gay guests this spring, just in time for the Mexican resort city’s Pride celebrations. 

The 55-room resort includes a penthouse suite featuring two terraces, three large suites with expansive living areas and terraces and several junior suites with unique features. A highly anticipated rooftop pool with a bar area and restaurant offering fine Mexican cuisine are just some of the highlights. 

“You can stay here and never leave the resort,” said Tristan Schukraft, the driving force behind Tryst Hotels, and self-described CEO of “everything gay.”

While he started out in his career working in the early days of electronic ticketing, Schukraft may be more known for his work with MISTR, a popular online source for PrEP. He also recently entered into an agreement to purchase the Abbey in West Hollywood, Calif.

With Tryst he promises “it’s a fun, exciting atmosphere.” 

“The idea is not just the guests are coming to the resort, but locals,” said Schukraft. “So, when you stay here it’s the way to mingle with the local gay community.”

To welcome and include both guests and locals, the resort will host drag brunches in the hotel restaurant. Weekend parties featuring DJs on the eighth floor pool and bar area also seeks to make this not just a place to stay, but one to celebrate with the community.

Schukraft hopes visitors will get to know guests or locals poolside, or in the restaurant, and make lifelong friendships. 

Or perhaps find a bit of romance: After all the hotel is set in the famed Zona Romántica.  

“Tryst Hotels are not merely luxury destinations; they are a celebration of gay culture, where every guest is embraced,” said Schukraft. “Our mission is to create spaces where luxury and identity flourish without compromise.”

Tryst Hotels CEO Tristan Schukraft. (Photo courtesy of Tristan Schukraft)

The D.C. Travel and Adventure Show took place last month in D.C., and LGBTQ-specific travel was among the topics the convention highlighted. The Washington Blade in its preview of the expo noted LGBTQ travelers may book a resort or vacation that promises “everyone is welcome,” but upon arrival feel uncomfortable by reactions of staff or other guests due to expressing their identity as queer people. 

Schukraft has experienced this. 

“I was at a hetero-friendly hotel Miami, but it was also marketed to gay men,” he explained. “So, you have two guys kissing at the pool and you have a straight couple looking over and wondering are they staying at a gay hotel. It’s sort of an awkward occurrence.” 

Everyone, therefore, is welcome at Tryst resorts, but it is not being marketed outside of the community. 

“My boyfriends and I have even experienced side-eye glances for our choice of swimwear,” Schukraft said. “You won’t find that at Tryst Hotels.”

Speaking of attire: Many luxury guesthouses, inns and hotels catering to gay men offer clothing-optional zones for guests. It’s an allure for some travelers. 

But, not at Tryst.

“Don’t get me wrong, clothing optional resorts are fun, but that’s not our concept. Our concept is a luxurious, inclusive resort,” Schukraft said with a touch of elan apropos for the “CEO of everything gay.” “Of course wear your thongs [and] Speedos.”

Tryst Puerto Vallarta and Tryst San Juan in Puerto Rico, which is slated to open in 2025, are being marketed as gay-owned, gay-focused resorts with luxurious offerings and amenities. Many resorts known to epitomize luxury may be seen as slightly conservative or “stuffy.” 

Luxury promises not to come only in the form of superior bedding, bathrobes, slippers and skincare products, but also in the stunning interiors. 

The Puerto Vallarta property engaged the same studio known for their acclaimed work at the Four Seasons Tamarindo. Designers from Estudio Esterlina bring a refined mix of minimalism, modernism and Mexican. 

“Why can’t you have fun and luxury in the same space? Here, you let your hair down by the pool, enjoy a pool party, a fine Mexican meal in our full-service restaurant, a drag brunch on weekends and socialize with new friends all while feeling safe,” Schukraft said. “Our goal is to show luxury doesn’t have to mean stuffy.”

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