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SPRING ARTS PREVIEW CONCERTS: Sounds of spring (and beyond)

GMCW, Jane Lynch, Bette and more coming to region

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concert, gay news, Washington Blade
concert, gay news, Washington Blade

Trans singer/songwriter Eli Conley plays Ebeneezer’s Coffeehouse next month. (Photo courtesy Conley)

The Gay Men’s Chorus of Washington has its “When You Wish” show, Disney songs with a gay twist, March 13-14 at Lincoln Theatre (1215 U St., N.W.). For tickets and details, visit gmcw.org.

Out singer/songwriter and GLAAD Award-nominee Mary Gauthier plays Jammin’ Java (227 Maple Ave., E. Vienna, Va.) March 19. She’s touring behind “Trouble & Love,” her first studio album in four years. Visit jamminjava.com for tickets.

A capella group Pentatonix performs at the Patriot Center (4500 Patriot Cir., Fairfax, Va.) on March 19 at 8 p.m. Their Christmas album “That’s Christmas To Me” was a hit album over the holiday season reaching No. 2 on the Billboard chart. They have performed on “The Today Show” and “Macy’s Thanksgiving Parade.” Tickets range from $29.50-49.50. Doors open at 6:30 p.m. For more details, visit patriotcenter.monumentalnetwork.com.

Soul singer Ledisi comes to DAR Constitution Hall on March 21 at 8 p.m. Singers Raheem DeVaugn and Leela James will also be performing. Tickets range from $85-110. For more information, visit dar.org.

British songstress Jessie Ware performs at 9:30 Club (815 V St., N.W.) on March 31. Her album “Tough Love” includes her latest single release “Champagne Kisses.” Ware will be joined by alternative R&B singer Jesse Boykins III. Doors open at 6 p.m. Tickets are $30. For more details, visit 930.com.

Broadway legend Audra McDonald will play the region twice in the coming months. She’s at the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on March 27 then plays Wolf Trap (1551 Trap Road, Vienna, Va.) on June 22 with the National Symphony Orchestra. Details at strathmore.org and wolftrap.org respectively.

Audra McDonald, gay news Washington Blade

Audra McDonald (Washington Blade photo by Michael Key)

Out concert pianist Stephen Hough returns to the Kennedy Center on April 1 to play a mostly Debussy recital in the Terrace Theater. Tickets are $49. Details at kennedy-center.org.

Trans folk artist Eli Conley and his band play Ebenezer’s Coffeehouse (201 F St., N.E.) on April 2. Tickets are $10. Details at ebenezerscoffeehouse.com.

The Philadelphia Orchestra under the baton of out music director Yannick Nezet-Setuin plays the Kennedy Center Concert Hall on April 7. On the program are the Grieg Piano Concerto in A minor and the Rachmaninoff Symphony No. 2 in E minor. Tickets are $35-105. Details at kennedy-center.org.

Singer and actress Jane Lynch performs her musical comedy show “Sing Jane Sing” at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) March 24-25 at 7:30 p.m. Lynch, best known for her portrayal of Sue Sylvester on “Glee,” will perform both American standard songs and show tunes. Tickets are $89.50.

concert, gay news, Washington Blade

Jane Lynch will perform at the Birchmere two nights later this month. (Photo courtesy Birchmere)

Singer Neil Diamond performs at the Verizon Center (601 F St., N.W.) on April 4 at 8 p.m. Diamond’s latest album “Melody Road” was released last year. Diamond will perform songs from “Melody Road” as well as classic favorites. Doors open at 7 p.m. Tickets range from $65-175. For more details, visit verizoncenter.monumentalnetwork.com.

Drummer and percussionist Sheila E. comes to the Howard Theatre on April 30 at 8 p.m. Sheila E has worked with Prince, Lionel Ritchie, Beyonce and many more. She has released seven albums to date. Doors open at 6 p.m. Tickets are $37.50 in advance and $42 day of show. Seating is first come, first seated. There will be a full dinner menu available. For more details, visit thehowardtheatre.com.

Legendary actress and singer Julie Andrews joins Music Center at Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) for “An Evening with Julie Andrews” on April 25 at 9 p.m. Andrews will be joined by moderator Peter Marks and Strathmore Children’s Chorus will perform. The show will be part conversation, stories and clips. The performance is part of Strathmore’s 10th anniversary Spring Gala. Andrews will not sing. Tickets range from $58.50-157. For more information, visit strathmore.org.

concert, gay news, Washington Blade

Though she won’t be singing, locals get a rare chance to see Julie Andrews live on April 25 at the Strathmore. (Photo courtesy Strathmore)

Alternative indie dance duo Matt and Kim perform at 9:30 Club (815 V St., N.W.) on May 11-12. Their well known singles include “Let’s Go” and “Daylight.” Doors open at 7 p.m. The May 11 show is sold out. Tickets for the May 12 are at 930.com.

Aretha Franklin plays the Strathmore (5301 Tuckerman Ln., North Bethesda, Md.) on May 13. Details at strathmore.org.

Howard Theatre presents “Salute to the Divas: Girl Groups and Ladies of Hip Hop,” a concert drag show headlined by drag performer Shi-Queeta-Lee on May 24 at 8 p.m. Impersonations will include Nicki Minaj, Diana Ross and the Supremes, Queen Latifah, Missy Elliot and many more. This show is a part of Black Pride. General admission tickets are $49.50. General admission tickets are $20 in advance and $25 day of show. There will be a full dinner menu available. For more information, visit howardtheatre.com.

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‘Drag Salute to the Divas’ returns to the Howard. (Washington Blade file photo by Michael Key)

Lesbian singer-songwriter Jonatha Brooke performs at the Birchmere (3701 Mount Vernon Ave., Alexandria, Va.) on May 29 at 7:30 p.m. Brooke has released 11 albums and has toured internationally. Tickets are $29.50. For more information, visit birchmere.com.

And to peek ahead slightly to summer, some huge names are on the calendar.

Pop-country hybrid singer Taylor Swift performs a two-night show at Nationals Park (1500 S Capitol St., S.E.) on July 13-14 at 7 p.m. The first night is sold out. Swift’s opening acts will be alternative rock group Vance Joy and pop singer Shawn Mendes.Tickets range from $54.50-134.50. VIP tour packages range from $199-399 and include a limited edition set of Taylor Swift “1989” tour lithographs among other perks. For more information, visit Washington.nationals.mlb.com.

Bette Midler brings her tour to the Verizon Center (601 F St., N.W.) on June 22 at 8 p.m. Midler’s latest album release ‘It’s the Girls!” is a musical tribute to famous girl groups in history from the Andrews Sisters to TLC. Doors open at 7 p.m. Tickets range from $55-290. For more details, visit verizoncenter.monumentalnetwork.com.

Sam Smith performs at Merriweather Post Pavilion (10475 Little Patuxent Pkwy., Columbia, Md.) on July 24 at 8 p.m. Smith, who is gay, has won four Grammy awards from his first album “In the Lonely Hour.” Tickets range from $45-97.50. Doors open at 6:30 p.m. This is an all-ages show. For more information, visit merriweathermusic.com.

Lady Gaga and Tony Bennett perform at the Kennedy Center (2700 F St., N.W.) on July 31 and Aug.1 in promotion for their new collaborative jazz album “Cheek to Cheek.” Songs from the album include both solo and duet performances. Songs from the album include classic jazz songs such as the title track “Cheek to Cheek,” “But Beautiful” and “I Won’t Dance.” Tickets range from 4125-275. Tickets go on sale March 11. For more information, visit kennedy-center.org.

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Theater

Talented pair of local queer actors tackles ‘Little Shop of Horrors’

Ford’s production features terrific score

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Chani Wereley (Audrey) and Derrick D. Truby Jr. (Seymour) in the 2024 Ford’s Theatre production of Little Shop of Horrors. (Photo by Scott Suchman)

‘Little Shop of Horrors’ 
Through May 18
Ford’s Theatre
511 10th St., N.W.
$33-$95
Fords.org 

Ever since premiering off-Broadway in 1982, “Little Shop of Horrors” has drawn a devoted following of avid audiences as well as performers eager to act in the show. Now playing at Ford’s Theatre, the doo-wop, dark comedy features a terrific cast including a wildly talented pair of local queer actors who’ve longed to appear in the show since they were kids. 

Set in the urban 1960s, Alan Menken and Howard Ashman’s hit show with a terrific score follows the wacky rise of Seymour, a nebbishy florist in a Skid Row shop who changes his fortunes by unintentionally marketing an exotic, human eating plant.  

Chani Wereley, 28, who plays Seymour’s love interest Audrey, a hyper femme downtowner with an edge, has had her on eye the role for years. Wereley says, “Audrey’s been around the block more than once, but I approach her as a person who moves through the world with love and hope.”

The queer D.C. native adds, “On long trips to visit family in Canada or Florida, the first thing we’d do is pop a ‘Little Shop of Horrors’ video [film version] into the car’s VHS player. I’ve watched is so many times, I could quote the whole movie to you.”

After auditioning to play Audrey in director Kevin S. McAllister’s production at Ford’s, Wereley never thought she’d book the part, and when they said she got it, she cried.  

Similarly, Tobias A. Young, 34, the pansexual actor who voices the part of the bloodthirsty plant affectionately dubbed Audrey II, explains his intense interest in the work: “I started watching the film in ’86. Growing up as a little gay boy in Calvert County, Md., I wanted to be blonde Audrey [played by Ellen Green in the movie]. I didn’t know much about musicals at the time, but I was absorbed.” 

When asked by Ford’s to play the voracious plant Audrey II without auditioning, his reply was an unhesitant “yes.” 

Voicing a role requires Young to sing from backstage in a black box rigged with monitors and a mixing board. He says, “people ask if I’m singing from inside of the ever-growing, scary plant. No, I’m not, and that’s fine. But let’s face it, actors love to be seen on stage, but I don’t feel entirely unseen as Audrey II.”

He’s worked hard and successfully with formidable puppeteers Ryan Sellers and Jay Frisby to bring parts of himself to the carnivorous plant — his sassiness, own movements, and even a tilt of his head; their efforts have drawn the actual Young into the show. 

Both Wereley and Young possess gorgeous, emotive voices as evidenced by Wereley’s striking rendition of Audrey’s “Suddenly Seymour,” and Young’s soulful “Feed Me (Git It).” Additionally, both actors are also big on queer representation in theater. 

When her young pals were listening to Britney Spears, Wereley was dancing to retro tunes like “Mashed Potato Time,” and her favorite song to this day, the Shirelle’s girl group anthem “Will You Still Love Me Tomorrow.” As Audrey, Wereley eschews the character’s usual platinum hair for a bouncy brunette, cherry-streaked wig, tight pencil skirts, swing coats, and her very own half-sleeve tattoo. 

“It’s important for people to see themselves on stage,” she says. “Seeing me or someone like me is inherently interesting. Being that person on Instagram or with the institution, cast, or audiences is meaningful. It’s important.”

In 2011, a couple years after finishing high school, Young landed a part in “Dream Girls” at Toby’s Dinner Theatre, and he’s been working professionally ever since. Growing up, he didn’t see a lot of himself – Black and queer – on social media. He now wants to be open and honest for those out there who might not feel seen, he says

An introvert who lets everything loose on the stage, Young says, “theater is a safe space for queer people. That’s the first place we feel safe, particularly in school. And this is why we need theaters in schools, now more than ever.”

He adds, “What’s great about Ford’s is its surprises, especially when they switch up casting. It’s meaningful to see the shows you love, but why not see them with a twist? Using unexpected actors and incorporating queer people just makes it that much better.”

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Nightlife

D.C.’s gay DJ collective CTRL returns

Electropop group resurfaces at Trade on March 30

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CTRL is back after a six-year absence.

Finger lasers, confetti cannons, drag shows, photo booths, throwback tunes, and a touch nerdy: after a long break, D.C.’s gay DJ collective CTRL is throwing its first party in six years.

Born in an Eritrean restaurant more than a decade ago, this longstanding gay nightlife electropop group is resurfacing with a comeback event at Trade on March 30.

Gay DJs Adam Koussari-Amin, Jeff Prior, Devon Trotter, and Brett Andreisen hosted the first CTRL party at now-closed restaurant Dahlak, on the corner of 18th and U Streets. After a year of hosting pop-ups in that restaurant’s dining room, they upgraded down 18th Street to now-closed gay club Cobalt. There, the parties grew: drag shows, a pop-up photo booth from David Claypool, and quirky activations like throwing hot dogs into print-outs of Putin’s mouth. Their productions grew as well, like producing the now-defunct Brightest Young Gays (BYG) Pride events at Wonderbread Factory and Union Market and the ‘Get Wet’ pool party with David Brown’s Otter Crossing at the Capitol Skyline Hotel.

CTRL wasn’t done. The group received its biggest stage yet after a call from Ed Bailey, the owner of now-closed gay club Town, as well as current gay bars Number 9 and Trade. At Town, the opportunity “allowed our creativity to flourish with even bigger performances, bigger photo experiences, crazier hand-outs, and the same electropop dance vibes our fans had come to know us for,” says Koussari-Amin.

CTRL pressed pause when Town shut down, which “was a huge loss to the LGBTQIA+ community and D.C. nightlife in general,” says Koussari-Amin. After that, it hosted an occasional spinoff called QWERTY. Post-pandemic, Koussari-Amin has spent a few nights solo as DJ at Trade and other venues.

After connecting with Jesse Jackson, the Trade general manager, as well as with Bailey, who agreed to host the inaugural event, Koussari-Amin was determined to shift CTRL back to life.

However, getting the old band back together proved to be a challenge. While the rest of the group have either left Washington, D.C., or are pursuing other projects, Koussari-Amin received their blessing to stay on and find new members. 

“When it came to finding new partners, both DJ Dez [Desmond Jordan] and DJ Lemz [Steve Lemmerman] were obvious choices,” he says, noting that “they also have distinct styles and interests.” Dez has a residency at Pitchers and Kiki as well as pop-ups, and Lemz throws events like Sleaze and BENT.

 “It seemed important to come back to the nightlife table with an experience that could complement all the amazing experiences that have even built up since CTRL threw its last event at Town. Bringing back both the DJ collective and the CTRL event with Dez and Lemz means new voices, perspectives, sounds, and excitement.”

“CTRL is an opportunity for the community to come together, enjoy music, drinks, and good vibes,” adds Jordan, noting that for him, it’s an event that celebrates queer identity.

And after months of planning, CTRL will kick off its monthly party series at Trade on March 30 for the first gig after its glow-up.

The trio says that its core inspiration “is driven by the indie and electropop favorites of new and old, like Goldfrapp, Ava Max, Charli XCX, … We’re also all huge fans of slut and trash pop music like Kim Petras, Slayyyter, Cupcakke,” as well as pop diva remixes, new bops, and songs that reside inside and far beyond the expanse of Top 40.

CTRL is also bringing back its activations that complement the tunes. Summer Camp is set for drag performances, David Claypool is back with his photo booth, and Koussari-Amin promises “to have all sorts of weird and wacky handouts like we used to.”

After the March premiere, April’s party is “CTRLella”, a Coachella send-up. Future events will feature various different themes, and they plan to throw a party during Capital Pride; they’re also looking to be a central part of Trade’s expansion into the adjacent space.

 Koussari-Amin says that “the event’s signature experience [is] a lynchpin in connecting D.C.’s expanding generations of queer folks, giving everyone a safe space to let loose and feel a rush no matter who they are.” 

For his part, Bailey continues to support CTRL and its collective intention, expressing its essential nature as a party for partiers by partiers. “CTRL is the kind of party that represents what people want. It’s just a real party by real people that just want to hear good music and dance with their friends.”

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Celebrity News

HRC releases ‘Queer Renaissance Syllabus’

Beyoncé’s hit album inspired curriculum

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Beyoncé performs at FedEx Field in Landover, Md., on Aug. 6, 2023. The Human Rights Campaign has released a curriculum that her "Renaissance" album inspired. (Washington Blade photo by Isabelle Kravis)

In a move aimed at celebrating the beauty, brilliance and resilience of the LGBTQ community, the Human Rights Campaign unveiled the “Queer Renaissance Syllabus” that Beyoncé’s “Renaissance” album inspired. 

Curated by Justin Calhoun, Leslie Hall and Chauna Lawson of the HRC’s Historically Black Colleges and Universities Program, the syllabus includes a variety of academic articles, essays, films and other media rooted in Black queer and feminist studies. Each piece is directly inspired by the tracks on Beyoncé’s Billboard 200-topping dance album, “Renaissance.”

Beyoncé’s album “Renaissance” stands as a cultural milestone, celebrating the Black queer roots of dance music while shedding light on overlooked Black queer artists. Inspired by her late-Uncle Johnny, the album not only garnered critical acclaim but also shed light on the often marginalized contributions of Black queer artists. Winning four Grammys and yielding chart-topping hits like “Break My Soul” and “Cuff It,” the album sparked discussions about economic impact and cultural representation.

Amid its success, legislative challenges arose, with Florida and Texas enacting bans on DEI initiatives in public colleges. Recognizing the album’s transformative potential, HRC developed the “Queer Renaissance Syllabus” to leverage its impact for education and activism.

Tailored for educators, youth-serving professionals, DEI practitioners, higher education leaders and admirers of Beyoncé’s artistry, the syllabus aims to encourage meaningful discussions, enrich lesson plans, and explore innovative ways to honor the vibrancy and significance of LGBTQ individuals and their culture.

With six themes anchoring the syllabus, ranging from “intersectionality and inclusivity” to “social justice and activism,” it provides a comprehensive exploration of various facets of LGBTQ experiences and expressions. Fan-favorite tracks from the album are paired with scholarly readings, offering insights into empowerment, self-acceptance and the transformative power of artistic expression. The syllabus also reinforces HRC’s efforts to highlight, amplify and re-center Black and queer voices.

By providing links to articles, books, podcasts and interviews, each associated with a song from the album, it celebrates the rich cultural heritage and contributions of the Black queer community.

The concluding section of the syllabus includes Beyoncé’s tribute to O’Shea Sibley, a young Black queer person who was murdered in Brooklyn, N.Y., last July while voguing to “Renaissance” songs at a gas station. HRC also includes a statement that condemns hate crimes.

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