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FALL ARTS 2016: TV

Queer representation soars on network, cable and streaming series

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TV season, gay news, Washington Blade
TV season, gay news, Washington Blade

The cast of ‘Finding Prince Charming,’ the controversial new LOGO series. (Photo courtesy LOGO)

The latest report from GLAAD revealed that of the 881 regular characters that appeared on broadcast primetime programming in 2015, only 4 percent (35) were identified as gay, lesbian or bisexual. And an additional 35 or so LGBT characters were recurring.

The numbers are a bit more promising on cable and streaming services, and the success of these programs has led to better representation in the months ahead as the 2016-17 TV season gets underway.

Of course, we’ll have to wait until 2017 to see returning faves such as Cosima from “Orphan Black” and Lena and Stef from “The Fosters,” but the next few months offer plenty of new and returning characters coming to the boob tube (or computer screen).

The CW has never been shy about having LGBT characters as part of its main casts and that trend continues in 2016. Friday nights will feature the second season of “Crazy Ex Girlfriend” starting Oct. 21, which has a sweet love story developing between “White” Josh and Darryl. “DC’s Legends of Tomorrow” features the out superhero White Canary played by Caity Lotz every Thursday night at 8 p.m. Fellow superhero show, “Supergirl” will be introducing lesbian Maggie Sawyer when the show moves to the CW Monday nights beginning Oct. 10.

The popular AMC series, “The Walking Dead” returns to Sunday nights Oct. 23, and the show continues to have several gay characters among its living. Although there’s a chance that the popular Aaron (Ross Marquand) will meet his maker at the hands of Nagen and his bat Lucille in the series opener, characters such as Eric and Tara continue to be part of the zombie fight.

Empire,” the Fox Wednesday night megahit, returns on Sept. 21, and continues to feature gay characters in major plotlines, including Jamal, played by out actor Jussie Smollett.

On the comedy front, ABC’s “The Real O’Neals” returns on Tuesday nights at 9:30 p.m., beginning Oct. 11. Although there were rumors of the show having its series order trimmed from 22 to 12 episodes following some controversial remarks by out star Noah Galvin, the sitcom will have a complete season and further follow the adventures of a family learning to live with their gay son.

Another sitcom back for its second year that provides plenty of laughs is “Superstore,” starring America Ferrera. One of the store’s employees, Mateo (played by Nico Santos), is gay. The show returns Thursdays at 8 p.m., on Sept. 22.

Shameless” premieres on Showtime on Oct. 12 with the Gallagher clan again dealing with just about every problem under the sun. When last we tuned in, bi-polar Ian was getting serious with his HIV-positive boyfriend, Caleb, and this season promises to deal with their relationship a great deal.

On Thursday nights, “Finding Prince Charming” airs on Logo, and has already created quite the buzz. Hosted by Lance Bass, the show is a “Bachelor”-esque show for gay men, with 13 suitors competing for the heart of Robert Sepúlveda Jr.

Speaking of dating shows, former “Flavor of Love” standout Tiffany Pollard is shopping “The Ex,” a gay dating show where each week, two exes will vie for the attention of three contestants in the hopes of finding new love after heartache. The show is expected to have a cable network attached soon and starting to air this fall.

Married comedians Cameron Esposito and Rhea Butcher are best known for their podcast, “Put Your Hands Together,” and in August saw their new TV show, “Take My Wife” start a 12-week run on Seeso. The show follows the newlywed lesbian couple co-hosting a standup showcase.

MTV recently started airing “Mary + Jane” on Mondays at 10 p.m. The show follows two pot-trepreneurs (Jordan and Paige) on the East-side of Los Angeles, with Jordan (played by Jessica Rothe) described as “sexually fluid and fiercely independent and empowered.”

TV season, gay news, Washington Blade

The cast of ‘Mary+Jane,’ a new MTV series about ‘pot-trepreneurs.’ (Photo courtesy MTV)

The second season of reality show, “I Am Jazz,” aired this summer and will continue showing reruns on Wednesdays at 10 p.m. on TLC. The show follows the life of transgender teen Jazz Jennings and her family through an 11-part series.

Amazon’s Emmy darling “Transparent” returns for a third season on Dec. 4, further following the adventures of Mort, a transgender played by Jeffrey Tambor.

Beginning Oct. 16, “Queer Ghost Hunters,” a docu-show about LGBT ghost hunters debuts online on YouTube, following the adventures of real people discovering stories of the queer past in places as diverse as the Ohio State Reformatory.

Feral,” a TV show that follows a group of gay 20-somethings who learn about love, loss and friendship while living in the vibrant, artistic queer community of Memphis, will premiere on Dekkoo.com on Oct. 6.

TV season, gay news, Washington Blade

‘Feral’ follows young gay lives in Memphis. (Photo courtesy Dekkoo)

After a four-year hiatus, “VH1 Divas” makes a triumphant return on Dec. 5, although the performers are still being kept under wraps.

One of the most anticipated specials of the year is a TV remake of “The Rocky Horror Picture Show” (starring Laverne Cox as Frank-N-Furter and Adam Lambert as Eddie), which will air on Fox on Oct. 20.

Another musical sure to excite is NBC’s live broadcast of “Hairspray,” with Harvey Fierstein recreating his Broadway role as Edna. Jennifer Hudson, Kristin Chenoweth and Martin Short also star.

Of course, many shows do have gay supporting characters that sometimes get storylines such as Clark from ABC’s “Dr. Ken,” airing Fridays at 8:30 p.m., beginning Sept. 23; or “Younger’s” Maggie (played by the brilliant Debbi Mazar, and airing on TV Land at 10 p.m., Wednesdays, beginning Sept. 28).

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Photos

PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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PHOTOS: National Cannabis Festival

Annual event draws thousands to RFK

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Growers show their strains at The National Cannabis Festival on Saturday. (Washington Blade photo by Michael Key)

The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.

(Washington Blade photos by Michael Key)

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Theater

‘Amm(i)gone’ explores family, queerness, and faith

A ‘fully autobiographical’ work from out artist Adil Mansoor

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Adil Mansoor in ‘Amm(i)gone’ at Woolly Mammoth Theatre. (Photo by Kitoko Chargois)

‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W. 
$60-$70
Woollymammoth.net

“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre. 

Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother. 

Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.

WASHINGTON BLADE: What spurred you to create “Amm(i)gone”? 

ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?

I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs. 

BLADE: Are you more director than actor?

MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning. 

I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention. 

BLADE: Describe your mom. 

MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me. 

She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.

BLADE: So, you weren’t exactly hiding your sexuality? 

MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full. 

So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.

BLADE: Have you encountered much Islamophobia? 

MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways. 

BLADE: What prompted you to lead your creative life in Pittsburgh? 

MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity. 

Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career. 

BLADE: What are you trying to achieve with “Amm(i)gone”? 

MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this. 

 I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.

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