February 2, 2018 at 10:04 am EDT | by Terri Schlichenmeyer
New book explores trans cases in African-American history
Black on Both Sides book review, gay news, Washington Blade

(Image courtesy of University of Minnesota Press)

‘Black on Both Sides: A Racial History of Trans Identity’

 
By C. Riley Snorton

 
University of Minnesota Press

 
$24.95

 259 pages

Racial issues continue to plague the U.S. and though finally on the national radar, transgender rights lag far behind gay and lesbian rights here. Funnel that complicated history through the clouded scrim of history and it gets way messier — but also fascinating.

The new book “Black on Both Sides” by C. Riley Snorton takes something you might think is a lark and shows it wasn’t nearly as historically uncommon as you might think.

When the Cornell University Library recently assembled a display of historical queer and trans performance items, there was a singular piece of paper that caught Snorton’s eye: it was a French postcard depicting two black “transvestite” performers, possibly in a minstrel show or at a cakewalk, which was likewise a popular form of entertainment, circa 1900. The Library called it a “rare” piece, but Snorton shows that African-American history is rife with examples of transgenderism.

During the Civil War, for example, archives indicate that many slaves, particularly women, dressed in men’s clothing in order to be seen as male and to avoid bondage. Even Harriet Tubman disguised herself as a man to deter arrest. Ellen and William Craft took it a bit further when Ellen dressed as a man, and her husband as her manservant, in order for both to escape slavery.

Black sex trade workers sometimes dressed as women, often to great mocking and even greater scandal. One was nicknamed “The Man-Monster,” a frightening 1836 moniker for Peter Sewally, also known as Mary Jones. Nearly a century later, Lucy Hicks Anderson, a madam, became “’the first transgendered black to be legally tried and convicted … for impersonating a woman,’” and was sent to prison for it.

And while some wish to keep their cross-dressing in private, others don’t mind becoming famous: Snorton cites national media sources for bringing forward the stories of Ava Betty Brown and Annie Lee Grant, both featured in Ebony and Jet magazines, the latter photographed in clothing for men and for women.

“Black on Both Sides” falters right from its very subchapter: large parts of the book are about people who temporarily dressed in clothing associated with those of another gender in order to escape situations, not because they were transgender. Here, it’s also about a white man who performed gynecological operations on enslaved women without benefit of anesthesia; they, and a black cisgender friend of trans murder victim Brandon Teena’s, are included with the thinnest of connections.

Even comprehending this book is a challenge: single sentences, which are written in language that may test the most scholarly of readers, can often be measured in inches on a page; readers might also quibble with issues of definition, particularly “transgender” versus “cross-dressing.” Author C. Riley Snorton refers to both in this book, but doesn’t make strong distinctions between the two.

To the good, the research done here is stellar. There’s a wide variety of case studies and interesting stories in this book — much more than the average person might think there’d be — but whether they’re accessible is quite another matter. Overall, unless you like your head to spin, put “Black on Both Sides” down and go in a different direction.

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