Arts & Entertainment
Trans Pride slated for Saturday
Famous surgeon Marci Bowers to speak

Dr. Marci Bowers says gender reassignment surgery isn’t as traumatic as many fear. Complications, she says, are extremely rare, patients are in the hospital an average of only three nights and most are off pain medication within 48 hours. (Photo courtesy of Bowers)
Dr. Marci Bowers is a rarity — she’s one of only two doctors who specializes in gender reassignment surgery who’s also transgender herself. The other (Dr. Christine McGinn) is a protégé of Bowers.
Bowers, who transitioned in the mid-1990s, is the only gynecologist who does gender reassignment surgery. She’ll be at Trans Pride Saturday (10 a.m. to 5 p.m. at Metropolitan Community Church of Washington) to give the keynote address and took nearly an hour on the phone last week from her practice in San Mateo, Calif., to talk about her life, her work, the practicalities of trans surgical procedures and where trans issues are going. Bowers’ comments have been edited for length and clarity.
Blade: How does a surgeon trained in one area move to another? What kind of training is involved?
Bowers: Well sometimes people think when you’re a gynecologist all you do is look at female vulvas all day but it’s quite a surgical specialty. There’s extensive surgery experience required before learning the gender reassignment stuff. And after I’d been doing surgery in practice for 13 years or so, once you have a basic framework about handling tissue ane bleeding, learning a new skill isn’t as hard as it might seem.
Blade: So if someone does, say, gall bladder surgeries and wants to start doing heart transplants, what’s the process like to move to a whole other part of the body?
Bowers: Traditionally you have to do a fellowship of some kind to do that. You have to go back, reapply as if you’re just out of medical school, do a residency all over again in the new field and go from there. They might give you a little credit on a few things, but you pretty much have to start back at the beginning. It was different for me because there’s no residency or fellowship for doing gender reassignment surgeries and I had a lot of experience surgically so doing an entire residency for me would have been ridiculous and superfluous. It’s really a mentoring process and I learned from Dr. (Stanley) Biber.
Blade: Does it give you added credibility to be doing these surgeries but also be transgender yourself?
Bowers: Well, I think that’s really for the consumer to decide that, but I think so. It’s sort of like the hair club for men. Not only am I president, I’m also a customer. Someone who understands what it’s like to be bald. Or like if you’re selling sports cars but you drive a minivan. I know what the consumer is looking for but I think being a gynecologist is the most important. Because it’s a very visual surgery and very artistically based. If someone has a gall bladder out and there are no complications, nobody cares what it looked like but this surgery has such an artistic component, the surgeon’s interpretation is so critical.
Blade: Many trans people say the non-trans world is too obsessed with who’s had what done surgically. Do you agree?
Bowers: That’s a crucial point and one that I keep bring up proactively because obviously people still don’t understand the difference between gender and genitalia. Gender, we know, gets established at a very early age, like by age 4, 5 or 6 and it doesn’t really change very much. This is what transgender people have been saying for years, “This is how I felt since I was 5 years old.” So the question about surgery is really the dumbest question. … I was a woman since I transitioned. Nobody tells you whether you’re male or female. And it isn’t about the surgery, it’s what society says when they meet you at the grocery store or the food counter.
Blade: Trans acceptance seems to be making progress but still seems significantly behind gay and lesbian lib. Do you agree with that? Do you think it will continue to improve?
Bowers: Well, yes, I do think we are behind where the lesbian and gay community is in terms of acceptance. Some of that is just the sheer numbers, some of it is it’s still a little bit of a minority sort of thing and somehow it does sort of push people’s buttons in a different way. That’s too bad because if the gay and lesbian community saw the trans community as more supportive, we could make much more progress but sometimes the discrimination we get within the gay and lesbian community is worse than it is with the straight community. It’s like they just don’t get it and it’s very hurtful. There are common threads that run through all kinds of discrimination. We’re fighting the same forces that want to simplify the world and turn back the clock so everything is black and white and keep dragging at the heels of progress.
Blade: What kinds of procedures do you do? All “bottom” stuff or more?
Bowers: Kind of bottom plus. I do a procedure on the females, Chondrolaryngoplasty, which is a shaving of the thyroid cartilage. For some women, it’s a telltale sign in the throat and it was first done by Dr. Biber in the 1970s. It’s also a very delicate procedure that’s not taught anywhere, no ear, nose or throat doctors do it. It’s a very specialized thing.
Blade: And you do both male-to-female and female-to-male gender reassignment procedures?
Bowers: Yes.
Blade: Which are more common? How many do you average in a year?
Bowers: I do about 120 male-to-female surgeries a year. It’s about four-to-one female to male versus male to female.
Blade: Are most people able to orgasm after surgery?
Bowers: It’s different. For female to male, there’s really no impact. With a Metoidioplasty, guys can use it for penetration so that’s the good part there. If anything, it’s enhanced. Plus the fact that they’re testosterone-driven men, the libido tends to accelerate with transition. With male to female, it’s very complicated and about 30 percent of biologically born women aren’t able to orgasm at all anyway. Our patients for the most part are able to. It’s a very high percentile. About 90 percent but the thing you have to realize is that going from male to female for one thing, just hormonally, you tend to go to a lower level of interest just based on reduced testosterone levels. When you’re a woman, you wonder why we leave men in charge of so much. It’s so dominated by sexual thoughts. Sometimes I think, “Wow, what was I thinking about all those years? There’s so much more to do.” I say that sort of tongue in check. And the feelings are a big different. Maybe like going from the oboe to the banjo.
Trans Pride to feature health focus
Trans Pride, now in its fifth year, will be held Saturday at Metropolitan Community Church of Washington (474 Ridge Street, N.W.) from 10 a.m. to 5 p.m. and is designed to be an event where attendees stay for all or most of the day.
“Very early on, the community voted for it to be a health-based focus,” says Danielle King, who’s co-charing this year’s event with Holly Goldmann. “That’s why Dr. Bowers was invited. We felt like she could offer some insight that would be really attractive to our audience.”
A $10 donation is suggested but not required. King hopes attendees will plan to spend their whole day at the church.
“We want them to come and enjoy the whole day,” she says. “There’ll be workshop and panel discussions on trans health throughout the day.”
She expects about 200 people, more than in past years when the event has been held at the Capital Pride host hotel.
Trans Pride is under the Capital Pride events umbrella.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)

















































Theater
Voiceless ‘Antony & Cleopatra’ a spectacle of operatic proportions
Synetic production pulls audience into grips of doomed lovers’ passion
‘Antony & Cleopatra’
Through Jan. 25
Synetic Theater at
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Synetictheater.org
A spectacle of operatic proportions, Synetic Theater’s “Antony & Cleopatra” is performed entirely voiceless. An adaptation of the Bard’s original (a play bursting with wordplay, metaphors, and poetic language), the celebrated company’s production doesn’t flinch before the challenge.
Staged by Paata Tsikurishvili and choreographed by Irina Tsikurishvili, this worthy remount is currently playing at Shakespeare Theatre Company’s Klein Theatre, the same venue where it premiered 10 years ago. Much is changed, including players, but the usual inimitable Synectic energy and ingenuity remain intact.
As audiences file into the Klein, they’re met with a monumental pyramid bathed in mist on a dimly lit stage. As the lights rise, the struggle kicks off: Cleopatra (Irina Kavsadze) and brother Ptolemy (Natan-Maël Gray) are each vying for the crown of Egypt. Alas, he wins and she’s banished from Alexandria along with her ethereal black-clad sidekick Mardian (Stella Bunch); but as history tells us, Cleopatra soon makes a triumphant return rolled in a carpet.
Meanwhile, in the increasingly dangerous Rome, Caesar (memorably played by Tony Amante) is assassinated by a group of senators. Here, his legendary Ides of March murder is rather elegantly achieved by silver masked politicians, leaving the epic storytelling to focus on the titular lovers.
The fabled couple is intense. As the Roman general Antony, Vato Tsikurishvili comes across as equal parts warrior, careerist, and beguiled lover. And despite a dose of earthiness, it’s clear that Kavsadze’s Cleopatra was born to be queen.
Phil Charlwood’s scenic design along with Colin K. Bills’ lighting cleverly morph the huge pyramidic structure into the throne of Egypt, the Roman Senate, and most astonishingly as a battle galley crashing across the seas with Tsikurishvili’s Antony ferociously at the helm.
There are some less subtle suggestions of location and empire building in the form of outsized cardboard puzzle pieces depicting the Mediterranean and a royal throne broken into jagged halves, and the back-and-forth of missives.
Of course, going wordless has its challenges. Kindly, Synectic provides a compact synopsis of the story. I’d recommend coming early and studying that page. With changing locations, lots of who’s who, shifting alliances, numerous war skirmishes, and lack of dialogue, it helps to get a jump on plot and characters.
Erik Teague’s terrific costume design is not only inspired but also helpful. Crimson red, silver, and white say Rome; while all things Egyptian have a more exotic look with lots of gold and diaphanous veils, etc.
When Synetic’s voicelessness works, it’s masterful. Many hands create the magic: There’s the direction, choreography, design, and the outrageously committed, sinewy built players who bring it to life through movement, some acrobatics, and the remarkable sword dancing using (actual sparking sabers) while twirling to original music composed by Konstantine Lortkipanidze.
Amid the tumultuous relationships and frequent battling (fight choreography compliments of Ben Cunis), moments of whimsy and humor aren’t unwelcome. Ptolemy has a few clownish bits as Cleopatra’s lesser sibling. And Antony’s powerful rival Octavian (ageless out actor Philip Fletcher) engages in peppy propaganda featuring a faux Cleopatra (played by Maryam Najafzada) as a less than virtuous queen enthusiastically engaged in an all-out sex romp.
When Antony and Cleopatra reach their respective ends with sword and adder, it comes almost as a relief. They’ve been through so much. And from start to finish, without uttering a word, Kavsadze and Tsikurishvili share a chemistry that pulls the audience into the grips of the doomed lovers’ palpable passion.
Out & About
Love board games and looking for love?
Quirk Events will host “Board Game Speed Dating for Gay Men” on Thursday, Jan. 22 at 7 p.m. at KBird DC.
Searching for a partner can be challenging. But board games are always fun. So what if you combined board games and finding a partner?
Picture this: You sit down for a night of games. A gaming concierge walks you through several games over the course of the night. You play classics you love and discover brand new games you’ve never heard of, playing each with a different group of fun singles. All while in a great establishment.
At the end of the night, you give your gaming concierge a list of the folks you met that you’d like to date and a list of those you met that you’d like to just hang out with as friends. If any two people put down the same name as each other in either column, then your gaming concierge will make sure you get each other’s e-mail address and you can coordinate a time to hang out.
Tickets cost $31.80 and can be purchased on Eventbrite.
