Arts & Entertainment
Strongly brewed ‘Tea’
Black gay performance piece gives author one-man tour de force
‘Sweet Tea’
Through Oct. 9
Signature Theatre
4200 Campbell Avenue, Arlington
703-820-9771
signature-theatre.org

E. Patrick Johnson in ‘Sweet Tea,’ a pastiche-based performance piece on stage now at Signature. (Photo by Scott Suchman; courtesy Signature)
As a chubby little gay boy growing up in Hickory, N.C., E. Patrick Johnson staved off bullies by making them laugh. His specialty was imitations. The moment would-be tormentors planned to attack, Johnson typically averted imminent pain by breaking into an uncanny impersonation of a less-than-loved teacher.
Today Johnson, a performance artist and professor of performance studies and African-American studies at Northwestern University in Chicago, is neither class clown nor chubby, but mimicry remains an integral part of his skill set. In his one-person performance piece “Sweet Tea” — now in production at Signature Theatre — Johnson portrays himself as well as a dozen other gay black characters drawn from real life interview subjects. With names like Countess Vivian, Chaz/Chastity and D.C., the men Johnson brings to life are a part of the South that sometimes goes unnoticed.
Amiable and soft spoken offstage, Johnson says, “I can assure theatergoers that they haven’t seen this play before — these kind of gay black experiences have never been shared before in a theater. LGBT audiences in particular will connect with these men’s stories in ways that may even surprise themselves.”
Johnson’s desire to record black gay men’s stories was sparked on a visit to Washington back in 1995. “I was at a cookout for Us Helping US, and I became engrossed with a group of African-American gay men who were sitting around a table sharing experiences about growing up in the day in the South. Then and there, I vowed that when I had the time and the resources to collect these stories I would. I feel it’s important to create an archive of these never-before-documented lives.”
Eventually, Johnson followed through: In 2004, he took a sabbatical from Northwestern and began collecting narratives from 77 African-American gay men ages 19 to 92 from all the southern states as well as Oklahoma and Missouri (both of which had been slave states). In 2008, he published an oral-history anthology titled “Sweet Tea: Black Gay Men of the South.”
It was about a year into the project when Johnson realized that in addition to making a book, the interviews would also make a great performance. The material is rich and covers a wide range of topics: coming out, love and relationships, HIV/AIDS, bullying (Freddie recounts carrying a razor blade for protection), religion, mama drama, and of course sex (another character had sex with the entire football team in high school). Full of humor and poignancy, the tales are ultimately universal.
“In the past,” says Johnson, 44, “I’ve done staged readings of collected monologues in which I’d sit on a stool giving vocal impressions of different characters. But with ‘Sweet Tea’ it’s different — it’s a play and I fully embody the characters.”
“From the start, I intuitively knew that I was part of the ‘Sweet Tea’ story but it took me a while to understand that it’s my story too. While we were workshopping the play in Chicago, the show’s producer Jane Saks and others involved in the project agreed that I needed to interject my own story into the work. As it turned out, my own experiences are a through line: I’m in search of something and the other men help me to find it.”
Johnson has enjoyed electrifying rapport with audiences. He remembers a specific sold out performance of “Pouring Tea” (an earlier performance piece also comprised of gay black men’s stories) at the University of Pennsylvania.
“The crowd was mostly black and gay, and they were identifying with the show’s coming out stories, the church stories. The energy was unreal. We were levitating.”
His audiences at Signature will most likely be drawn primarily from a different demographic. Does that worry Johnson?
“I’ve been schooled about Signature’s blue-haired crowd, but I learned long ago never to make assumptions about audiences. I remember performing at the main library in downtown Mobile, Alabama, for a mostly white, straight crowd. During the post-show Q&A session, a minister thanked me for bringing the show to town. He approved of open talk about sexuality. After all, he said, God was there for the first wet vagina and the first erection. A hush fell over the room, and after what felt like an endless silence, I offered up an ‘Amen!’ It seemed right.”
Anja Dick will host “Song Birds – Live Music Drag Cabaret” on Saturday, Aug. 15 at 9 p.m. at Shaw’s Tavern.
This is an all live singing drag hit sensation. The event will debut performances from Breast Midler and Harri Balls.
Tickets start at $17.85 and are available on Eventbrite.
Friday, August 14
Go Gay DC will host “First Friday LGBTQ+ Happy Hour” at 7 p.m. at Freddie’s Beach Bar and Restaurant.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Women in their Twenties and Thirties will meet at 8 p.m. on Zoom. This is a social discussion group for queer women in the Washington, D.C. area. For more details, visit Facebook.
Saturday, August 15
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
LGBTQ People of Color will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ people of color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There will be all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.
Sunday, August 16
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, August 17
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, August 18
“Self-Defense Class with Avi Rome” will be at 12:30 p.m. Rome is a proud member of the LGBTQ+ community and a full-time Martial Arts instructor with 25 years of teaching experience. He holds a 5th Degree Black Belt in Jhoon Rhee Tae Kwon Do and is the director of the studio’s Adaptive Tae Kwon Do program for students with special needs. He has also run numerous self-defense workshops for various groups and situations. For more details, visit the center’s website.
Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.
Wednesday, August 19
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website.
Thursday, August 20
The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
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