Arts & Entertainment

Strongly brewed ‘Tea’

Black gay performance piece gives author one-man tour de force

Published

15 years ago

September 22, 2011

Patrick Folliard

‘Sweet Tea’
Through Oct. 9
Signature Theatre
4200 Campbell Avenue, Arlington
703-820-9771
signature-theatre.org

E. Patrick Johnson in ‘Sweet Tea,’ a pastiche-based performance piece on stage now at Signature. (Photo by Scott Suchman; courtesy Signature)

As a chubby little gay boy growing up in Hickory, N.C., E. Patrick Johnson staved off bullies by making them laugh. His specialty was imitations. The moment would-be tormentors planned to attack, Johnson typically averted imminent pain by breaking into an uncanny impersonation of a less-than-loved teacher.

Today Johnson, a performance artist and professor of performance studies and African-American studies at Northwestern University in Chicago, is neither class clown nor chubby, but mimicry remains an integral part of his skill set. In his one-person performance piece “Sweet Tea” — now in production at Signature Theatre — Johnson portrays himself as well as a dozen other gay black characters drawn from real life interview subjects. With names like Countess Vivian, Chaz/Chastity and D.C., the men Johnson brings to life are a part of the South that sometimes goes unnoticed.

Amiable and soft spoken offstage, Johnson says, “I can assure theatergoers that they haven’t seen this play before — these kind of gay black experiences have never been shared before in a theater. LGBT audiences in particular will connect with these men’s stories in ways that may even surprise themselves.”

Johnson’s desire to record black gay men’s stories was sparked on a visit to Washington back in 1995. “I was at a cookout for Us Helping US, and I became engrossed with a group of African-American gay men who were sitting around a table sharing experiences about growing up in the day in the South. Then and there, I vowed that when I had the time and the resources to collect these stories I would. I feel it’s important to create an archive of these never-before-documented lives.”

Eventually, Johnson followed through: In 2004, he took a sabbatical from Northwestern and began collecting narratives from 77 African-American gay men ages 19 to 92 from all the southern states as well as Oklahoma and Missouri (both of which had been slave states). In 2008, he published an oral-history anthology titled “Sweet Tea: Black Gay Men of the South.”

It was about a year into the project when Johnson realized that in addition to making a book, the interviews would also make a great performance. The material is rich and covers a wide range of topics: coming out, love and relationships, HIV/AIDS, bullying (Freddie recounts carrying a razor blade for protection), religion, mama drama, and of course sex (another character had sex with the entire football team in high school). Full of humor and poignancy, the tales are ultimately universal.

“In the past,” says Johnson, 44, “I’ve done staged readings of collected monologues in which I’d sit on a stool giving vocal impressions of different characters. But with ‘Sweet Tea’ it’s different — it’s a play and I fully embody the characters.”

“From the start, I intuitively knew that I was part of the ‘Sweet Tea’ story but it took me a while to understand that it’s my story too. While we were workshopping the play in Chicago, the show’s producer Jane Saks and others involved in the project agreed that I needed to interject my own story into the work. As it turned out, my own experiences are a through line: I’m in search of something and the other men help me to find it.”

Johnson has enjoyed electrifying rapport with audiences. He remembers a specific sold out performance of “Pouring Tea” (an earlier performance piece also comprised of gay black men’s stories) at the University of Pennsylvania.

“The crowd was mostly black and gay, and they were identifying with the show’s coming out stories, the church stories. The energy was unreal. We were levitating.”

His audiences at Signature will most likely be drawn primarily from a different demographic. Does that worry Johnson?

“I’ve been schooled about Signature’s blue-haired crowd, but I learned long ago never to make assumptions about audiences. I remember performing at the main library in downtown Mobile, Alabama, for a mostly white, straight crowd. During the post-show Q&A session, a minister thanked me for bringing the show to town. He approved of open talk about sexuality. After all, he said, God was there for the first wet vagina and the first erection. A hush fell over the room, and after what felt like an endless silence, I offered up an ‘Amen!’ It seemed right.”

Related Topics:E. Patrick Johnson Out & About Signature Theatre Sweet Tea

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Theater

Rorschach stages ‘Dragon Play’ in unlikely, raw space

Out sound designer Madeline ‘Mo’ Oslejsek notes ‘sound is my bag’

Published

10 hours ago

April 18, 2026

Patrick Folliard

Madeline 'Mo' Oslejsek (Photo courtesy of Oslejsek)

‘Dragon Play’
Through May 17
Rorschach Theatre
The Stacks @ Buzzard Point
101 V St., S.W.
$50 ($35 for students and seniors)
Rorschachtheatre.org

Celebrated for its site-specific, immersive productions, Rorschach Theatre puts on plays all over town. The unlikely spots have included greenhouses, church vestibules, closed retail spaces (including a vacant downtown big and tall men’s store) and historic locales like Rock Creek Cemetery’s Adams Memorial.

For its current offering “Dragon Play” (through May 17), a tale of love and longing, Rorschach is using a raw space in The Stacks at Buzzard Point, a new mixed-use neighborhood situated where the Anacostia and Potomac rivers meet.

Out sound designer Madeline ‘Mo’ Oslejsek considers all sites – whether traditional theatrical spaces or not – specific, particularly in terms of sound. She says, “Part of my practice is if you’re creating a soundscape for a theatrical production you’re also working with sound that already exists with the space.”

For instance, The Stacks space comes with its own unique qualities. It’s a large cement room that has a different reverberation, an echo.

“Some sounds (a car, dog bark) are planted or they might just happen. What starts as a live sound might be heard again as something recorded.”

Whip smart with a ready laugh, Oslejsek never set out to be a sound designer. She was going to direct. And now, the 2025 Helen Hayes Award nominee for Outstanding Sound Design (“Astro Boy and the God of Comics” at Flying V,) says, “Sound is my bag. Sometimes it seems that I’m the only one in the room thinking about it.”

As an undergrad studying theater at Ohio Wesleyan University, she was first exposed to sound design, but it didn’t make a big impression.

In grad school at Royal Central School of Speech and Drama, University of London, she was interested in direction. But when students were offered a choice of three more specific tracks to choose from (performance, composition, and scenography, which includes sound design), Oslejsek was swayed.

“An introduction to scenography by the department head radically changed the course of my life,” she says.

What struck her most about sound was the subjectivity: “The core of my practice is that sound has no meaning until it’s experienced. All sound is noise. It’s just a pitch, active, or vocalization. It becomes real when you hear it and apply meaning to it. That’s very exciting to me.”

Today, Oslejsek and partner Caitlin Hooper, an actor and intimacy choreographer, are based in Baltimore but work primarily in D.C.

“It feels good to be in a place where art and queerness in art are celebrated. It’s not like that everywhere, and making that kind of work down the street from this White House where that’s not the vibe, is real resistance. That feels really meaningful.”

Also important to Oslejsek (who identifies alternately as queer and lesbian) is “queer as a practice,” a concept suggesting that a queer identity or practice does not seek to replace other identities but to encompass and bridge them.

“I’m queer because I like women, but the work is more about making room for what everyone in the room hears,” she says. “Never do I want to come into a space thinking I have all the answers. That’s no fun.”

As its title might suggest, Jenny Connell Davis’ play directed by Rorschach’s Randy Baker is filled with magic. “Dragon Play,” blurs the past and present; one world bleeds into the next; and, of course, there are dragons. At 80 minutes with no intermission, the play moves in and out of different timelines; increasingly things start to overlap.

And it’s also about the magic of relationships – all kinds. There’s a line where the dragon girl asks a Texas boy what he dreams about and he replies “you, always you.”

Oslejsek, 30, is touched by those words: “In my little gay heart, I cried. It makes me think of my partner. This play is about the idea of people who strike a match in your heart that never really goes away.”

In creating a layered soundscape, she brings her own brand of magic to the production. Her big goal was “not to play with how we think a dragon might sound, but rather with how does the world sound to a dragon.”

Sometimes sound design takes the lead, but in some productions, sound is purposely subtle or secondary, she says. Either way, sound can be monumental in shaping theater.

Calendar

Calendar: April 17-23

LGBTQ events in the days to come

Published

2 days ago

April 17, 2026

Tinashe Chingarande

Friday, April 17

Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.

Go Gay DC will host “LGBTQ+ Social in the City” at 7 p.m. at Hotel Zena. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.

Trans and Genderqueer Game Night will be at 7:00p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.

Saturday, April 18

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.

Sunday, April 19

Go Gay DC will host “LGBTQ+ Community Lunch” at 11 a.m. at Federico Ristorante Italiano. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Monday, April 20

“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Tuesday, April 21

Center Bi+ Roundtable will be at 7 p.m. on Zoom. This is an opportunity for people to gather in order to discuss issues related to bisexuality or as Bi individuals in a private setting.Visit Facebook or Meetup for more information.

Senior Self Defense Class with Avi Rome will be at 12:30 p.m. This inclusive and beginner-friendly class, led by Instructor Avi Rome, offers a light warm-up, stretching, and instruction in basic techniques, patterns, and striking padded targets. Each session is designed to be adaptable for all ability and mobility levels, creating a welcoming space for everyone to build strength, confidence, and community through martial arts. For more details, visit the DC Center’s website.

Wednesday, April 22

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Asexual and Aromantic Group will meet at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].

Thursday, April 23

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.

Out & About

Team DC’s annual gala set for this weekend

LGBTQ sports organization to hold annual ‘Night of Champions’

Published

2 days ago

April 17, 2026

Tinashe Chingarande

(Washington Blade photo by Michael Key)

Team DC will host “Night of Champions Gala” on Saturday, April 18 at 6 p.m. at the Georgetown Marriott.

This will be an evening of celebration and inspiration as Team DC honors remarkable individuals and supports the next generation of LGBTQ student-athletes.

There will be opportunities to support Team DC through auctions. The Silent Auction items will offer an array of unique goods and experiences. Additionally, Team DC will feature an exclusive selection of live auction items for those looking to make a significant impact.

This year, Team DC will recognize six outstanding awardees who have made significant contributions to the LGBTQ community and sports: