Arts & Entertainment
Starting the conversation
Whitman-Walker plans series of LGBT-specific health meetings
Whitman-Walker's June Crenshaw and Don Blanchon at a previous event. (Blade file photo by Michael Key)
Whitman-Walker Health is planning a series of LGBT-specific town hall-style events this year called Community Conversations. The first, slated for Thursday at the Clinic’s Elizabeth Taylor Center (1701 14th Street, NW), is dubbed “New Year, New Start: Substance Abuse.”
“Throughout our history, Whitman-Walker has worked to meet the unique health care needs of the LGBT community,” Don Blanchon, the Clinic’s executive director, said in a statement. “One of our goals … is to empower participants with the knowledge and resources to improve not only their health but the health of the family, friends and loved ones around them.”
Chip Lewis, the Clinic’s deputy director of communications, says the series was Blanchon’s idea and that he wanted “a mechanism to build this dialogue between Whitman-Walker and the community.” Chris Dyer, an LGBT liaison in former Mayor Adrian Fenty’s administration, suggested the format.
Lewis says the staff hopes the series is a two-way street.
“It’s an opportunity to start a dialogue with the community about health issues it faces,” he says. “It can help us present the LGBT health issues that we service but we also want to hear from them and find out what they’re seeing and hearing about. It’s an opportunity for a dialogue for Whitman-Walker and the larger LGBT community as a whole.”
Thursday’s panelists are treatment advocate Jimmy Garza, addictions counselor Christina Oseth and nightlife impresario Ed Bailey. Moderator Josh Reilly is manager of addiction treatment programs for Whitman-Walker. The discussion starts at 7 p.m. It’s free and open to the pubic and those interested in attending will be directed to the meeting room from the front lobby.
Nine conversations are planned. A Feb. 23 discussion on “healthier hookups” will also be at the Elizabeth Taylor Center. On March 29, “Why Safe Sex Matters” will be held at the True Reformer Building and on April 30, “Aging and the LGBT Community” will be at the D.C. Center. Dates and locations are still being set for the remaining installments. Topics slated include “Women’s Health,” “Take Pride in Your Health,” “HIV Testing,” “I’m a Survivor: Living Long Term With HIV” and “Transgender Health.” Go to whitman-walker.org for more information. The Blade will also run details as they are announced.
Lewis says things are going well for the Clinic overall and he expects that it will soon be announced that 2011 was another successful year. It’s now operating “in the black” (there was a half-million-dollar surplus in 2010 Lewis says) after finishing 2007 and 2008 millions in the hole. The numbers for 2009 found the Clinic running a $750,000 deficit. Revenue sources have changed and Medicare, Medicaid and pharmacy sales have provided a more stable source of revenue, he says.
But misconceptions abound about the Clinic, Lewis says. A broadening of services has “de-gayed” the Clinic, some critics have claimed, but Lewis says a higher percentage of those seeking services today self-identity as LGBT than a few years ago (it’s about half, he says).
“You can come here for mental health, support groups, primary care, gynecological care — there was a sense for a long time that this was just where you went if you were facing HIV and AIDS and that’s never really been the case,” Lewis says. “[These Conversations] are another opportunity for us to get across to people that we offer a lot of health services.”
The Community Conversations are expected to last between one and two hours depending on the number of questions and comments.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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