Arts & Entertainment
The perfect slice?
Friday night family pizza tradition got rude awakening outside the Big Apple
Growing up in New York, every Friday night was pizza night with my family.
Each week, a perfect New York-style pizza pie made its way to the kitchen table. Pizza that had the perfect crust; not too thin and not to thick; the right sauce-to-cheese ratio and not swimming in oil. I loved those Friday nights with my family and I still love pizza.
I thought all pizza was perfect, just like the ones that sat in front of me in my youth. The rude awakening arrived when I moved to Boston. My first Friday night alone I called the local pizza parlor and ordered a large pie.
“We don’t sell pie,” said the man on the other end of the line with a chuckle, “We sell pizza.” Before the man could hang up I asked for a large cheese pizza pie, but what eventually arrived at my dorm room didn’t even come close to the perfection I was used to. That’s where my quest for the perfect pizza began, and after 10 years in Boston I never found pizza that met my snobby New York pizza standards.
Now my quest continues in Washington and the perfect pie is still eluding me. Not a single jumbo slice comes close, but they aren’t supposed to; they fill a different pizza niche. Manny and Olga’s on 14th Street serves up a solid pizza, but not perfection. Places like Pi, Pizza No. 17, Pizzeria Paradiso and Matchbox all offer great gourmet pizza options but none are New York-style pizza. So when a coworker said he had some of the best pizza of his life at Menomale Pizza Napoletana (2711 12 Street N.E.), I assembled a group of people and we descended on the Brookland pizza spot on a Friday evening.
Menomale, which means “thank goodness” in Italian, opened this past May and is owned by Italian-born pizza-master Ettore Rusciano and self-proclaimed beer nerd Leland Estes. These guys put together a menu that consists of pizza, calzones and sandwiches made completely with ingredients sourced from the Campania region of Italy. The beer list is clever and constantly rotating with both bottles and drafts available for patrons.
The accommodating staff offered us a couple of seating options upon our arrival, since seven of us had arrived and the adorable 38-seat restaurant can sit a party of six maximum. However, a cozy option in the back corner allowed us all to enjoy our meal together. We started with the Formaggi Della Casa that had three artisan cheeses, dried fruit, nuts, honey and delicious pizza crust to serve it all on. I devoured the cheeses in minutes leaving very little for the rest of the table, including a “moldy” blue cheese that was exquisite, and I don’t generally like “moldy” cheese.
For the meal I had the Buongustaio Pannuozzo wood fired sandwich with sausage, prosciutto de parma and buffalo mozzarella. The name means tasty sandwich and it was exactly that. The pizzas we tried included the margherita (sometimes the best way to judge a place is with its simplest dish); the Diavola, which has spicy salami and red peppers on top of the buffalo mozzarella and tomatoes; and the Capricciosa, which is mozzarella, San Marzano tomatoes, fresh garlic, salami, artichokes and black olives. We also tried the interesting Patata, which is cream of potato, sausage, black olives, mozzarella and fresh basil. All of these items are cooked in the wood burning pizza oven that Rusciano brought to the U.S. This oven cooks the pizzas at 900 degrees and is one of the largest on the East Coast. It also kind of looks like a cool spaceship, at least to me.
Each of these pizzas is made with high quality, fresh ingredients. The flavor profiles are all interesting and the pies all come to the table piping hot and delicious. Menomale makes gourmet pizzas that are on an equal playing field, if not better than some of the establishments mentioned earlier. Sure, I will still be looking for my perfect New York-style pizza (and bagels, and black and white cookies, and deli sandwiches), but I will still return to Menomale for some gourmet pies every now and again.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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