Arts & Entertainment
Fast and fuel-friendly
Sometimes eco green is worth a little more wallet green
Lexus ES 300h
Finally, fuel-sippers can be fun, fast and fashionable cars. For a price.
Sure, hybrids cost much less now. And diesels offer plenty of bang for the buck, saving lots of pennies at the pump.
But luxury is still luxury. And sometimes being green is worth a bit of extra green — from your wallet, that is.
Lexus ES 300h
$40,000
Mpg: 40 city/39 highway
0-to-60 mph: 8.1 seconds
Cargo space: 15.2 cubic feet
No longer a gussied-up Camry, the ES is as large as Toyota’s flagship Avalon. That’s a good thing, because cargo room here is only average (thanks to the battery pack in the trunk). Yet this hybrid is only $3,000 more than the traditional gas model, and that won’t be hard to recoup if gas prices keep inching up. A “sport” mode adds zing to the plush ride and handling, eliminating any land-yacht feel (though you definitely won’t confuse this with a taut BMW). There are plenty of spiffy high-tech features, as well: lane-departure warning system, adaptive cruise control with pre-collision alert and blind-spot warning system with rear-traffic alert. Along with the iPod/USB interface, there’s also iTunes tagging. As one of the few hybrid sport sedans on the market, the ES is a good overall package, mixing fuel economy, reliability and luxe features with a very affordable price.
VW Touareg Hybrid
VW Touareg Hybrid
$62,000
Mpg: 20 city/24 highway
0-to-60 mph: 5.8 seconds
Cargo space: 64 cubic feet
The ill-fated Phaeton was VW’s dismal attempt to out-luxe the high-end automakers. Lately, the automaker has been blasted for going too far the other way, with too little content in its base models (to make them more affordable and increase market share). Yet VW’s sweet spot has always been the ability to churn out mid-priced, full-featured vehicles. Most have been fuel-efficient, especially the TDI diesels. And now VW is offering hybrids, such as the Touareg. It’s surprisingly quick, though the diesel model has more torque, gets better mileage and costs about $16,000 less. Still, the hybrid comes fully loaded, with a heated steering wheel, power liftgate, LED taillights, rear-parking sensors/camera, premium stereo and a large, eight-inch touchscreen nav system. There’s plenty of cargo space, too. And the fit and finish inside is top-notch — another reason why VWs are considered (in a very good way) the poor-man’s Audi.
Porsche Cayenne Diesel
Porsche Cayenne Diesel
$56,000
Mpg: 20 city/28 highway
0-to-60 mph: 7.4 seconds
Cargo space: 62.9 cubic feet
Why do fools fall in love? Because they test-drive a Porsche without looking at the sticker price. Sure, the base Cayenne Diesel — under $60,000! — seems like a bargain. The dark metallic paint is sparkly and stunning. And the stylish and form-fitting seats are like something out of a Bauhaus catalog — with plenty of legroom and headroom, even in back. Despite all the naysayers, this crossover accelerates, corners and brakes like a true racecar. Plus, the cabin is so soundproof and the audio system so pristine, it’s easy to feel like you’re in box seats at Lincoln Center. Even the ignition switch — located to the left of the steering wheel — is quirky-chic, not quirky-weird. But then comes reality. All those options (like heated/cooled seats, the height-adjustable chassis, even a nifty compass in the center of the dash) add another, gulp, $40,000 to the price. Expensive, yes. But for eco-conscious drivers with almost $100,000 to spare, the Cayenne Diesel is a seductive and enchanting ride.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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