Arts & Entertainment
Old school jazz and blues
New MetroStage production brings fabled era to life

From left, Yvette Spears, Lori Williams, Anthony Manough, Roz White and Sandy Bainum in ‘Ladies Swing the Blues.’ (Photo by Christopher Banks; courtesy MetroStage)
‘Ladies Swing the Blues, a Jazz Fable’
Through March 31
MetroStage
1201 North Royal Street, Alexandria
$48-$55
703-548-9044
mestrostage.org
Near the end of Charlie “Bird” Parker’s life, an attending doctor mistook the 34-year-old alto saxophonist to be in his 50s. A longtime battle with drugs and alcohol had taken a toll on the legendary jazz great’s body; but despite the tragic circumstances attached to his premature demise, Bird’s impact remained unbroken, leaving an inimitable, enduring mark on his musical genre and those who knew him.
With “Ladies Swing the Blues, a Jazz Fable” currently premiering at MetroStage in Alexandria, Thomas W. Jones II (book and lyrics) and William Knowles (arrangements and original music) again put the spotlight on an exciting chapter in 20th century African-American musical culture. Jones and Knowles who are also “Ladies” director and musical director respectively have worked together before — past collaborations include vaudeville-era “Bricktop,” and ‘60s-set “Cool Papa’s Party.” This time it’s the ‘40s and ‘50s New York City jazz scene as personified by the genius Parker.
The action takes place in Manhattan’s legendary jazz club Birdland in 1955 on the day after Parker’s death. Four divas of jazz in the tradition of Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Peggy Lee, have gathered to celebrate the memory (warts and all) of their beloved downed comrade. As the ladies swap gossip, jazz lore, and, of course, sing bluesy, jazz standards, Parker walks among them unseen and appears in flashbacks from his fast and furious life.
With an easy smile, twinkly eye, nimble dance moves and fabulous voice, Anthony Manough as Parker sets the bar high for what unfolds as 90 minutes of first-rate entertainment. In turn, Roz White (Lady), Lori Williams (Ella), Yvette Spears (Sassy), and Sandy Bainum (Lee) — terrific, seasoned singers and actors all — prove themselves more than willing and able to command center stage. “Ladies” peaks when the jazz women (decked out in ‘50s cocktail dresses, rhinestones and wigs) take to the Birdland stage to pay musical homage to Parker, starting with low-key, blonde Lee’s heartfelt “Lullaby of Birdland” followed by unbridled Sassy’s powerful “Sometimes I’m Happy,” and worldly Ella’s show stopping scat-infused “Flying Home.”
Finally, Wisecracking and streetwise Lady takes the stage. “Slow this shit down,” she says before easing into an unhurried and salty “Billie’s Blues.”
Besides Lee, Bainum also effectively plays characters from Parker’s life including a socialite jazz-loving baroness and bebop-obsessed “On the Road” author Jack Kerouac.
In search of motivation for his characters’ seeking solace in jazz, Jones smartly plumbs the real life ladies’ rocky pasts which involved prostitution, sexual and physical abuse, bad relationships and addictions. Throughout the show, Lady funnily sips from a sparkly flask that she keeps handily nestled in her cleavage; but at a darker point she moves to the edge of the stage where she shoot ups in the shadows.
The show’s incredibly on point, five-man jazz band led by Knowles on piano is definitely a part of the show. Clad in black tie and placed very visibly onstage beneath an orangey-red neon Birdland sign, the band members enjoy solos and occasionally interact with the actors. “Ladies” features great stuff like “Fever,” “Round Midnight” and “T’aint What You Do” along with some original tunes by Knowles that hold their own in the company of the more familiar classics.
Earlier this season, MetroStage was transformed into a French café celebrating the poignancy of Jacques Brel’s Paris. And now with “Ladies,” it’s been convincingly morphed into a New York jazz club with all the gloriousness and pain that goes with that.
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
