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Snapshots from the stage

Set of eight mini-plays explore black gay experience

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Reginald Richard, Tristan Phillip Hewitt, New and/or Slightly Used, theater, ACT, gay news, Washington Blade
Reginald Richard, Tristan Phillip Hewitt, New and/or Slightly Used, theater, ACT, gay news, Washington Blade

Actors Reginald Richard, left, and Tristan Phillip Hewitt in ‘New and/or Slightly Used,’ a reading slated for two performances Sunday. (Photo by Emile Benjamin; courtesy of ACT)

‘New and/or Slightly Used’
Sunday at 5 and 8 p.m.
Warehouse Theater
645 New York Ave., NW
202-745-3662
alansharpe.org

Two lives can be significantly changed — for better or worse — by one fleeting but momentous encounter. That’s the thematic thread running through “New and/or Slightly Used,” a collection of eight short plays about black gay, bi and questioning men here in Washington.

In celebration of D.C. Black Pride Weekend, the African-American Collective Theater (ACT) is presenting the work as a staged reading for one night only with two performances on Sunday.

Written and directed by ACT’s Artistic Director Alan Sharpe, the 10-minute-long mini-plays thoughtfully explore instances of love, lust and longing as experienced by a cross section of men ranging from hustlers to husbands.

“The plays run the gamut in terms of characters and situations,” Sharpe says. “Some characters are self-identified as gay, some are in relationships with both men and women and some are straight. It’s kind of a salad.”

“The cast is a mix too,” Sharpe says. “We have gay actors playing straight characters and vice versa. And because it’s a staged reading, there’s very little in terms of set, so I tried to pick a gorgeous cast so the audience will have a something to look at. We’re competing with a lot on gay pride day.”

In “Kickin’ It,” young out actor Tristan Phillip Hewitt plays Dante, a straight cocky high school jock who’s unaware that his buddy has feelings for him. When hot weather prompts the friends to trade basketball for a racier indoor game, it means something different to each boy.

“For me,” says Hewitt, a 21-year-old native Washingtonian who says he’s too tall to be confined to any closet, “this show gives me the experience to be someone else for 10 minutes. In reality I’m no good at basketball. I may have the body of an athlete, but I’m not one. I get to play a jock whose personality is nothing like mine.”

On the other hand, out actor Reginald Richard who plays 30-something Eric in “All Over Him,” says he is very similar to his gay character. “When I first read the play it was as if I was seeing my life story written on the page. Like Eric, I’ve been hurt by someone who wasn’t as much in love with me as I was with him. You have that awkward moment when you see them and you’re not sure what to do. As Eric, I have a chance to unload and achieve closure.”

“Sharpe’s writing is refreshingly realistic and natural,” Richard says. “It’s not stereotypical gay humor. He writes honestly about a very diverse community.”

Originally from Memphis, Tenn., Richard has been in D.C. for 10 years and has been acting for the last four. His experiences with ACT have led him to consider acting as a career. “If I want to be with the best I have to learn with the best, so I put myself in school [at the National Conservatory of Dramatic Arts]. It’s very challenging, but I’m always up for a challenge.”

With Sharpe at the helm, ACT has been commemorating Black Pride with LGBT-centric theater for 15 years. “When we first started, there were not a lot of vehicles where black and gay lesbians could see themselves on stage, and they were thirsty for that. The response was so great that it completely altered my artistic focus. I discovered a niche that no else was filling.”

ACT’s mission is to showcase contemporary black gay and lesbian life and culture, promote visibility and raise awareness of issues faced in the African-American community.

“By increasing visibility,” Sharpe says, “We strive to demonstrate to people that regardless of race class and gender we have similar experiences. Everyone has been disappointed. Everyone has fallen in love and had their heart broken. The human experience is very universal.”

Cast member Hewitt concurs: “Be prepared to find a piece of yourself in one of these plays.”

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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The year in photos

Top LGBTQ news photos of 2025

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(Washington Blade photos by Michael Key)

(Washington Blade photos by Michael Key)

The 40th annual Mr. Mid-Atlantic Leather competition is held on Jan. 12 at the Hyatt Regency Washington.
A drag dance protest is held outside the Kennedy Center on Jan. 13.
Activists gather for The People’s March on the Reflecting Pool near the Lincoln Memorial on Jan. 18.
The Transgender Unity Rally and March is held on March 1. Activists march from the U.S. Capitol to the White House.
President Donald Trump addresses the Joint Session of Congress on March 4.
The Gay Men’s Chorus of Washington performs “Passports” at Lincoln Theatre on March 14.
The American Civil Liberties Union displays a ‘Freedom to Be’ trans flag on the Mall on May 17.
Actress Ts Madison speaks at the Black Pride Opening Reception on May 23.
The WorldPride Parade moves through the streets of Washington, D.C. on June 7.
Doechii performs at the main stage of the WorldPride Festival on June 8.
Activist/performer Tara Hoot speaks at the D.C. Drag Awards at Trade on July 20.
Cast members from ‘Queer Eye’ speak at a CAA event at Crush Dance Bar on Aug. 4.
The National Guard is controversially deployed by President Trump into Washington, D.C. Military-style vehicles are parked in front of Union Station on Aug.14.
Activists march in a ‘Trump Must Go’ protest ending at the White House on Aug. 16.
Supporters of trans students attend a meeting of the Arlington School Board on Aug. 21 to counter a speech by anti-trans Virginia gubernatorial candidate, Lt. Gov. Winsome Sears.
Local governmental officials as well as volunteers and staff of MoCo Pride Center attend a ribbon cutting ceremony for the new LGBTQ community center in Bethesda, Md. on Aug. 30.
Activists protest cuts to PEPFAR funding outside of the Eisenhower Executive Office Building on Sept. 2.
Ivanna Rights is crowned Miss Gay Maryland America 2025 at The Lodge in Boonsboro, Md. on Sept. 6.
Thousands join the We Are All D.C. March on Sept. 6.
A scene from the We Are All D.C. March on Sept. 6.
Earvin ‘Magic’ Johnson speaks at the U.S. Conference on HIV/AIDS on Sept. 7.
Cake Pop! performs at the Washington Blade’s Best of LGBTQ D.C. party at Crush Dance Bar on Oct. 16.
A participant poses for the camera at the High Heel Race on 17th Street, N.W. on Oct. 28.
President Joe Biden speaks at the International LGBTQ Leaders Conference at the JW Marriott on Dec. 5.
The Gay Men’s Chorus of Washington perform ‘The Holiday Show’ at the Lincoln Theatre on Dec. 12.
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