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‘This’ time

Group of friends tackle existential angst in Round House character study

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This, Lise Bruneau, Jane, Felicia Curry, Marrell, Will Gartshore, Jean-Pierre, Michael Glenn, Alan, Round House Theatre, Melissa James Gibson
This, Lise Bruneau, Jane, Felicia Curry, Marrell, Will Gartshore, Jean-Pierre, Michael Glenn, Alan, Round House Theatre, Melissa James Gibson

From left, Lise Bruneau as Jane, Felicia Curry as Marrell, Will Gartshore as Jean-Pierre and Michael Glenn as Alan in Round House Theatre’s ‘This.’ (Photo by Danisha Crosby; courtesy Round House)

‘This’
Through Nov. 3
Round House Theatre
4545 East-West Highway
$10-$45
240-6kt-1111

With “This,” playwright Melissa James Gibson briefly tracks the not altogether graceful slide into middle age of a small group of longtime friends. And while the issues confronting them — mortality, family and the seven year itch — are heavily tread topics, the author’s word play, obsessive parsing and quirky point of view make these subjects feel altogether fresh. Her characters can be ultra-glib, sometimes annoyingly so, but they’re also layered and relatable.

The Obie Award-winning dramedy is currently playing at Bethesda’s Round House Theatre in a terrifically acted production deftly staged by the company’s producing artistic director Ryan Rilette.

It begins in the New York apartment of unhappily married Tom (Todd Scofield) and Marrell (Felicia Curry). Their newborn doesn’t sleep much and their nerves are jangly. On hand for a small gathering are Marrell’s close college friends Jane (Lisa Bruneau), a poet whose husband died exactly a year ago, and Alan (Michael Glenn), a self-deprecating gay mnemonicist (remembers every conversation he’s ever heard verbatim) who’s rarely without a drink or comment. And joining the foursome for the first time is Frenchman Jean-Pierre (out actor Will Gartshore), a handsome physician with Doctors Without Borders. He’s there as a possible love match for Jane, but it’s Marrell who seems to be falling for his Gallic charms.

The hosts bicker about baby, words and the Brita water filter, but they’re hell bent on having a good time, especially Marrell. Determined to pull Jane out of mourning, she forces her reluctant pal to play a party game. It falls flat. The evening is a dud.

Soon after, Marrell’s woodworker husband Tom pays a visit to Jane. He has feelings. Things happen that really shouldn’t, and most of the remainder of the play is about Jane resolving her guilt. The rather vague demonstrative pronoun title refers to both Jane and Tom’s regrettable deed and other more existential and typically unmentioned problems.

James Kronzer’s ingenious revolving set is a dizzying puzzle of gray blocks that moves to create living rooms, a TV studio (where Tom broadcasts his memory trick to the masses), and a nightclub. As jazz singer/songwriter Marrell, Curry gets to show off a gorgeous, sultry voice with two torchy songs composed by Peter Eldridge.

The cast is top notch. Bruneau’s Jane is a wonderfully multifaceted portrayal of a real woman who’s been dealt a relatively rough hand. Held up as the sainted widow by her friends, she proves her humanness at every turn — both unintentionally and on purpose. And Gartshore is a delight as the worldly Frenchman who serves as a voice of reason among the comparably self-involved Americans. Jean-Pierre’s good looks and selfless vocation are an inspiration, prompting Alan to rethink his life — maybe he should aspire to do more than regurgitate chitchat?

And fortunately for the production, Glenn is playing Alan the familiarly drawn gay boozy sidekick whose cutting rejoinders couldn’t be more predictable. Glenn brings funny to a lot of spots where there isn’t much.

At about 90 minutes without intermission, “This” moves at a quick pace. The end is touching though unexpected. Speaking with heartfelt sincerity to her young unseen daughter, Jane emerges as a protagonist in what has seemed more an ensemble work. It leaves you wondering what happened to the other folks. But perhaps that’s best. Like life, Gibson’s play leaves room for some more of this and a lot more of that.

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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