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Kroell prepares to bare it all for Playgirl

Gay model coming to Baltimore for ‘Hunks in Trunks’ fundraiser

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After competing on Bravo’s “Make Me a Supermodel,” contestant Ronnie Kroell made the move from Chicago to New York City where he continues to model and to pursue a career in acting. He also contributes to philanthropic ventures for several causes. Kroell recently agreed to appear nude in the June 2010 issue of Playgirl. Kroell will be in Baltimore on Thursday, May 20 for the all-male swimsuit fashion show, Hunks in Trunks.

The Washington Blade talked with Ronnie about his life in New York City, his philanthropic work, posing for Playgirl and more.

Washington Blade: Since you competed on “Make Me a Supermodel” you have moved to New York City, what has life been like for you after the move?

Ronnie Kroell: You could say it’s a dream come true. Following “Make Me a Supermodel,” which I can’t believe was over two years ago, I went through a scary time because I moved from Chicago to New York to follow “the dream” and not really knowing what I was getting myself into and I didn’t have any safety nets to catch me if I fell.

Coming to New York City was one of the best decisions I think I’ve ever made in my career. I love the city and all it has to offer and I take it one day at a time. I’m working hard at my passion, which is primarily the fashion industry and modeling but also expanding into the acting arena and being a humanitarian. I’m trying to get as involved as possible with the charities I think need the most help and that I feel are the closest to my heart.

Blade: You participated in Fashion Week in New York in February. Can you give a few details of your experience?

Kroell: There is nothing more thrilling than fashion week in New York. I love to be under the tents in Bryant Park, although this was the last year to be held in Bryant Park. The entire event is being moved to Lincoln Center for September’s Fashion Week. I especially love seeing designers like Malan Breton, Christian Siriano and other designers that are really making names for themselves. I feel really close with Malan because he and I shared in the same experience because we were part of the Bravo TV family. As passionate as he is as a designer and having that incredible opportunity to be on Bravo’s “Project Runway,” there are a lot of challenges to overcome from being on a reality show like that to then become a legitimate designer and be taken seriously.

I was also able to participate in Naomi Campbell’s Relief for Haiti event, which was so much fun. You really won’t find a community that is more dedicated and more passionate about getting involved when such major disasters happen or when there is a need to help other humans American or otherwise. The fashion community is really tight knit and comes together in such a huge way and raises awareness and the money it takes to help.

Blade: Which charities have you been focused on lately?

Kroell: Right now I’m working with a charity out of Africa called Womankind. What they do is try and protect women’s rights and are trying to prevent female genital mutilation in Africa. My business partner is a member of the board of this not-for-profit and we are hosting a charity event here in New York City on June 7 at La Palm to benefit Womankind. I’ve also been really involved with GLAAD, HRC, and the ACLU in various ways.

Blade: Speaking of GLAAD, you recently attended the GLAAD Media Awards. Describe your experience at the event.

Kroell: The GLAAD Media Awards were phenomenal! It’s incredible the work that GLAAD is doing and I know they just transitioned to their new president, Jarrett Barrios. GLAAD is working so hard and really revamped their image in the community and they’re really a watchdog and are increasingly so. They make sure the LGBT community is fairly represented in media and that the people that are doing a great job are rewarded for their contributions.

It was just so fun to meet people like Sigourney Weaver, Joy Behar and Cynthia Nixon. They are the most humble people who are in positions to really bring home the message of equality and take the stance that we are all human beings first and that hopefully one day we can get beyond the labels of sexual orientation. It’s inspiring to me because I have nowhere near the career that some of these people have so I’m learning from them, they’re my role models. Having the chance to be in the same room with them, listen to their stories, and hear about the work they’re doing inspires me to continue to do the things that I love to do.

Blade: You’re going to be in Baltimore on May 20 for the “Hunks in Trunks” fashion show, which benefits Equality Maryland. How will you be participating in the show?

Kroell: I got involved with Hunks in Trunks last year thanks to my friend Ted Hart who is one of the lead organizers of the event each year. I was really impressed with the level of dedication that his organization has for the community and I remembered what a great event it was to be a part of last year. So when Ted asked me to be a part of it this year as basically a master of ceremonies I couldn’t say no. It’s a great time with a great group of people that gather together to raise money for worthy causes.

Blade: Aside from modeling you are also pursuing a career in acting; can we expect to see you in any forthcoming movies?

Kroell: Well, I’m being considered for a few independent films right now that are in the works. I have become very involved with the off-Broadway productions in New York. I’ve done a few readings at the Manhattan Theater Source but I’m really excited to say that my boyfriend has been cast in an off-Broadway summer stock production of “Equus” in the East Hamptons this summer with Alec Baldwin. They are currently in rehearsals for that so I’m really looking forward to attending the opening night of “Equus” which will be June 11 of this year.

Blade: “Equus” is a great segue to the next question — can we talk about your appearance in the upcoming Playgirl? What led you to bare it all for Playgirl?

Kroell: [Laughs] Well, it’s kind of a funny story. We received an e-mail out of the blue from the Playgirl camp basically feeling me out to see if I would be interested in doing a Playgirl pictorial. At the time, upon initial contact, it wasn’t really something I saw myself doing. It took me about three months to get to ‘yes’ as a decision. I’m really happy and it was really a fun experience for me because Playgirl immediately saw upon meeting me the artistic vision that I had and what I really wanted to do. The Playgirl people allowed me to share creative control in the process, which allowed me to bring in a high-fashion photographer, and a full fashion team. So on May 15 on Playgirl.com the first 15-20 photos will be released then the actual print edition will come out June 15. It was quite a fun time, we shot at the Grace Hotel in New York City and it was all high fashion. There are a lot of surprises and I feel it will take Playgirl to a whole new level.

Blade: Had you done any nude modeling previously?

Kroell: Nothing other than something for my book and to build my portfolio and nothing really that was seen in any major way by the public. Doing this photo shoot was definitely taking a lot of risks in a lot of people’s eyes. The fashion community is definitely open and willing to see nude females in the industry but Tom Ford says it best that the fashion community and Americans at large are afraid of male nudity. For me, this was an art project. It was a way of taking a calculated risk, have fun, and making the statement that I’m dropping my labels for Playgirl because at the end of the day we all have the same human body; we’re all just as vulnerable as the next person. There is something really beautiful about the human body when it’s at its most vulnerable, natural state. As Americans, we view sex, sexuality, and the nude body as something scary and perhaps dirty but for me it’s the exact opposite. My body is my work and my art form so I’m really excited to see people’s reactions and hopefully they will see the perspective and angle I used with this project. I hope people appreciate the pictures for what they are and that is as an art project.

Blade: You mentioned that you sided with leading fashion designer Tom Ford regarding his stance on male nudity in fashion photography. Do you feel that such industry heavyweights as Tom Ford will start a change in trends?

Kroell: I talked to my business partner and to my circle of friends and the reason, we concluded, why male nudity doesn’t receive such a warm welcome is because it is still such a heterosexual, male normative society. The people in charge, those that make the decisions, are the people that want to see female nudity and have no problems with exploiting females in the industry. I think because of this, it is an uphill battle. Although if you look throughout the course of history, like at the ancient Roman and Greek times via the sculptures created or Michelangelo’s David there was no issue with male nudity; both female and male were held in the highest regard. I think there is still a distance to go on the subject but with people like Tom Ford speaking out, I felt like I had the opportunity to continue with the statements he made and just say ‘It’s OK’ because the human body is beautiful and something to be appreciated and not looked at like something that is dirty. I’m excited to see where this project will lend itself into conversation because, more than anything, I like to start conversations.

Blade: Taking on a project like this could definitely be considered, as you said, a ‘calculated risk’. Are you afraid of the potential negative backlash?

Kroell: Anything is possible but I’m an artist and throughout the course of history artists have had their ups and downs and taken risks that could lead to failure. Later in life I don’t want to look back and think ‘what if?’ This was just a really exciting art project for me and just one of many I currently have going on.

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Real Estate

Unconventional homes becoming more popular

HGTV show shines spotlight on alternatives to cookie cutter

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Shipping container homes have gained popularity in recent years. (Photo by Suchat Siriboot/Bigstock)

While stuck in the house surrounded by snow and ice, I developed a new guilty pleasure: watching “Ugliest House in America” on HGTV. For several hours a day, I looked at other people’s unfortunate houses. Some were victims of multiple additions, some took on the worst décor of the ‘70s, and one was even built in the shape of a boat.

In today’s world, the idea of what a house should look like has shifted dramatically. Gone are the days of cookie-cutter suburban homes with white picket fences. Instead, a new wave of architects, designers, and homeowners are pushing the boundaries of traditional housing to create unconventional and innovative spaces that challenge our perceptions of what a home can be.

One of the most popular forms of alternative housing is the tiny house. These pint-sized dwellings are typically fewer than 500 square feet and often are set on trailers to allow for mobility. Vans and buses can also be reconfigured as tiny homes for the vagabonds among us.

These small wonders offer an affordable and sustainable living option for those wishing to downsize and minimize their environmental footprint. With clever storage solutions, multipurpose furniture, and innovative design features, tiny homes have become a creative and functional housing solution for many, although my dogs draw the line at climbing Jacob’s Ladder-type steps.

Another unusual type of housing gaining popularity is the shipping container home. Made from repurposed shipping containers, these homes offer a cost-effective and environmentally friendly way to create modern and sleek living spaces. With their industrial aesthetic and modular design, shipping container homes are a versatile option for those contemplating building a unique and often multi-level home.

For those looking to connect with nature, treehouses are a whimsical and eccentric housing option. Nestled high up in the trees, these homes offer a sense of seclusion and tranquility that is hard to find in traditional housing. With their distinctive architecture and stunning views, treehouses can be a magical retreat for those seeking a closer connection to the natural world.

For a truly off-the-grid living experience, consider an Earthship home. These self-sustaining homes use recycled construction materials and rely on renewable energy sources like solar power and rainwater harvesting. With their passive solar design and natural ventilation systems, Earthship homes are a model of environmentally friendly living.

For those with a taste for the bizarre, consider a converted silo home. These cylindrical structures provide an atypical canvas for architects and designers to create modern and minimalist living spaces. With curved walls and soaring ceilings, silo homes offer a one-of-a-kind living experience that is sure to leave an impression.

Barn homes have gained popularity in recent years. These dwellings take the rustic charm of a traditional barn and transform it into a modern and stylish living space. With their open, flexible floor plans, lofty ceilings, and exposed wooden beams, barn homes offer a blend of traditional and contemporary design elements that create a warm and inviting atmosphere, while being tailored to the needs and preferences of the homeowner.

In addition to their unique character, barn homes also offer a sense of history and charm that is hard to find in traditional housing. Many of them have a rich and storied past, with some dating back decades or even centuries.

If you relish life on the high seas (or at a marina on the bay), consider a floating home. These aquatic abodes differ from houseboats in that they remain on the dock rather than traverse the waterways. While most popular on the West Coast (remember “Sleepless in Seattle”?), you sometimes see them in Florida, with a few rentals available in Baltimore’s Inner Harbor and infrequent sales at our own D.C. Wharf. Along with the sense of community found in marinas, floating homes offer a peaceful retreat from the hustle and bustle of city life.

From tiny homes on wheels to treehouses in the sky or homes that float, these distinctive dwellings offer a fresh perspective on how we live and modify traditional thoughts on what a house should be. Sadly, most of these homes rely on appropriate zoning for building and placement, which can limit their use in urban or suburban areas. 

Nonetheless, whether you’re looking for a sustainable and eco-friendly living option or a whimsical retreat, there is sure to be an unconventional housing option that speaks to your sense of adventure and creativity. So, why settle for a run-of-the-mill ranch or a typical townhouse when you can live in a unique and intriguing space that reflects your personality and lifestyle?


Valerie M. Blake is a licensed Associate Broker in D.C., Maryland, and Virginia with RLAH @properties. Call or text her at 202-246-8602, email her at [email protected] or follow her on Facebook at TheRealst8ofAffairs.

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Real Estate

Convert rent check into an automatic investment, Marjorie!

Basic math shows benefits of owning vs. renting

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Knowledgeable lenders can discuss useful down payment assistance programs to help a buyer ‘find the money.’ (

Suppose people go out for dinner and everyone is talking about how they are investing their money. Some are having fun with a few new apps they downloaded – where one can round up purchases and then bundle that money into a weekly or monthly investment that grows over time, which is a smart thing to do. The more automatic one can make the investments, the less is required to “think about it” and the more it just happens. It becomes a habit and a habit becomes a reward over time.  

Another habit one can get into is just making that rent check an investment. One must live somewhere, correct? And in many larger U.S. cities like New York, Chicago, D.C., Los Angeles, Miami, Charlotte, Atlanta, Dallas, Nashville, Austin, or even most mid-market cities, rents can creep up towards $2,000 a month (or more) with ease.  

Well, do the math. At $2,000 per month over one year, that’s $24,000. If someone stays in that apartment (with no rent increases) for even three years, that amount triples to $72,000.  According to Rentcafe.com, the average rent in the United States at the end of 2025 was around $1,700 a month. Even that amount of rent can total between $60,000 and $80,000 over 3-4 years.  

What if that money was going into an investment each month? Now, yes, the argument is that most mortgage payments, in the early years, are more toward the interest than the principal.  However, at least a portion of each payment is going toward the principal.  

What about closing costs and then selling costs? If a home is owned for three years, and then one pays out of pocket to close on that home (usually around 2-3% of the sales price), does owning it for even three years make it worth it? It could be argued that owning that home for only three years is not enough time to recoup the costs of mostly paying the interest plus paying the closing costs.

Let’s look at some math:

A $300,000 condo – at 3% is $9,000 for closing costs.

One can also put as little as 3 or 3.5% down on a home – so that is also around $9,000. 

If a buyer uses D.C. Opens Doors or a similar program – a down payment can be provided and paid back later when the property is sold so that takes care of some of the upfront costs. Knowledgeable lenders can often discuss other useful down payment assistance programs to help a buyer “find the money.”  

Another useful tactic many agents use is to ask for a credit from the seller. If a property has sat on the market for weeks, the seller may be willing to give a closing cost credit. That amount can vary. New construction sellers may also offer these closing cost credits as well.  

And that, Marjorie, just so you will know, and your children will someday know, is THE NIGHT THE RENT CHECK WENT INTO AN INVESTMENT ACCOUNT ON GEORGIA AVENUE!


Joseph Hudson is a referral agent with Metro Referrals. Reach him at 703-587-0597 or [email protected].

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Autos

Hot rod heaven: Chevy Corvette, Dodge Charger

Two muscle cars strut their stuff

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Chevrolet Corvette

Some vehicles age quietly — but not muscle cars. 

For 2026, the Chevrolet Corvette tightens its focus, fixes one glaring flaw (the previously dowdy interior) and flaunts a futuristic design. The Dodge Charger, on the other hand, is loud and proud, daring you to ignore its presence at your peril. 

CHEVROLET CORVETTE

$73,000-$92,000

MPG: 16 city/25 highway

0 to 60 mph: 2.8 seconds

Cargo space: 13 cu. ft.

PROS: Awesome acceleration. Race-car feel. Snazzy cabin. 

CONS: No manual transmission. No rear seat. Tight storage. 

Finally, the Chevrolet Corvette feels as good inside as it looks flying past you on the freeway. That’s thanks to the classy, completely redesigned cabin. Gone is the old, polarizing wall of buttons in favor of a sleeker, three-screen cockpit. There’s a large digital gauge cluster, a wide infotainment screen angled toward the driver, and a marvy new auxiliary display. Everything is modern and a bit glitzy — but in a good way.  

Fit and finish are higher quality than before, and the controls are more intuitive. Chevy’s Performance App is now standard across trims, offering real-time data for drivers who enjoy metrics as much as momentum. And the new interior color schemes, including slick asymmetrical options, let you express yourself without screaming for attention—confidence, not obnoxious bluster. 

As for handling, the steering is quick and sure, body control is exceptional, and acceleration is blazingly fast. A mid-engine layout also delivers sublime balance. 

Three trim options, including the V8-powered Stingray, the E-Ray (also with a V8 but paired with electric all-wheel drive), and the Z06 and ZR1 variants for racing devotees. 

(Note to self: For a truly mind-blowing experience, there’s the new 1,250-horsepower ZR1X all-electric supercar that goes from 0 to 60 mph in less that 2 seconds and is priced starting at $208,000.)

Yes, the ride in any of these Corvettes can be firm. And visibility is, well, rather compromised. But this supercar is a total Dom, not a timid sub. Think Alexander Skarsgard in “Pillion,” and you get the picture. 

DODGE CHARGER

$52,000-$65,000

MPG: 16 city/26 highway

0 to 60 mph: 3.9 seconds

Cargo capacity: 22.75 cu. ft.

PROS: Choice of gas or EV power. Modern tech. Spacious cabin. 

CONS: No V8 engine (yet). Soft steering. Less-than-lithe cornering.

Everything old is new again for the Dodge Charger. The automaker initially was phasing out gas-powered models in a shift to electric vehicles but then quickly pivoted back to include gas engines after yo-yo regulatory changes this year from, well, the yo-yos in the White House. 

Powerful twin-turbo engines in the R/T and Scat Pack trims produce up to 550 horsepower. These models come standard with all-wheel drive but can be switched to rear-wheel drive for classic muscle-car antics when the mood strikes you.

At the same time, Dodge still offers the electric Charger Daytona, delivering up to 670 horsepower and ferocious straight-line acceleration. 

The Charger’s aggressive design, massive digital displays and practical hatchback layout carry over, reinforcing its ability to be both a performance diva and everyday companion. With the larger-than-expected storage space, I appreciated being able to fit a boatload of groceries in the trunk during a Costco run. 

New wheel designs, paint choices and trim variations help you visually distinguish between gas and electric Chargers. But no matter the model, each one feels decisive and deliberate on the road. Commuting in stop-and-go traffic during rush hour is fine, but this street machine excels at high-speed cruising on the freeway. 

The turbo six-cylinder engine delivers muscular torque with less drama than the old V8s, but still with plenty of urgency. The electric Daytona version is a different kind of thrill, with its instant, silent thrust that feels like it could almost launch you to the moon. 

Steering is stable but not exactly crisp, and the Charger’s weight makes it less lithe—and lively—than other muscle cars, especially when navigating tight corners. 

But that’s just fine with me. Like Bea Arthur as Dorothy in “The Golden Girls,” this no-nonsense muscle car is proud to be big, bold and brassy. 

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