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Kroell prepares to bare it all for Playgirl

Gay model coming to Baltimore for ‘Hunks in Trunks’ fundraiser

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After competing on Bravo’s “Make Me a Supermodel,” contestant Ronnie Kroell made the move from Chicago to New York City where he continues to model and to pursue a career in acting. He also contributes to philanthropic ventures for several causes. Kroell recently agreed to appear nude in the June 2010 issue of Playgirl. Kroell will be in Baltimore on Thursday, May 20 for the all-male swimsuit fashion show, Hunks in Trunks.

The Washington Blade talked with Ronnie about his life in New York City, his philanthropic work, posing for Playgirl and more.

Washington Blade: Since you competed on “Make Me a Supermodel” you have moved to New York City, what has life been like for you after the move?

Ronnie Kroell: You could say it’s a dream come true. Following “Make Me a Supermodel,” which I can’t believe was over two years ago, I went through a scary time because I moved from Chicago to New York to follow “the dream” and not really knowing what I was getting myself into and I didn’t have any safety nets to catch me if I fell.

Coming to New York City was one of the best decisions I think I’ve ever made in my career. I love the city and all it has to offer and I take it one day at a time. I’m working hard at my passion, which is primarily the fashion industry and modeling but also expanding into the acting arena and being a humanitarian. I’m trying to get as involved as possible with the charities I think need the most help and that I feel are the closest to my heart.

Blade: You participated in Fashion Week in New York in February. Can you give a few details of your experience?

Kroell: There is nothing more thrilling than fashion week in New York. I love to be under the tents in Bryant Park, although this was the last year to be held in Bryant Park. The entire event is being moved to Lincoln Center for September’s Fashion Week. I especially love seeing designers like Malan Breton, Christian Siriano and other designers that are really making names for themselves. I feel really close with Malan because he and I shared in the same experience because we were part of the Bravo TV family. As passionate as he is as a designer and having that incredible opportunity to be on Bravo’s “Project Runway,” there are a lot of challenges to overcome from being on a reality show like that to then become a legitimate designer and be taken seriously.

I was also able to participate in Naomi Campbell’s Relief for Haiti event, which was so much fun. You really won’t find a community that is more dedicated and more passionate about getting involved when such major disasters happen or when there is a need to help other humans American or otherwise. The fashion community is really tight knit and comes together in such a huge way and raises awareness and the money it takes to help.

Blade: Which charities have you been focused on lately?

Kroell: Right now I’m working with a charity out of Africa called Womankind. What they do is try and protect women’s rights and are trying to prevent female genital mutilation in Africa. My business partner is a member of the board of this not-for-profit and we are hosting a charity event here in New York City on June 7 at La Palm to benefit Womankind. I’ve also been really involved with GLAAD, HRC, and the ACLU in various ways.

Blade: Speaking of GLAAD, you recently attended the GLAAD Media Awards. Describe your experience at the event.

Kroell: The GLAAD Media Awards were phenomenal! It’s incredible the work that GLAAD is doing and I know they just transitioned to their new president, Jarrett Barrios. GLAAD is working so hard and really revamped their image in the community and they’re really a watchdog and are increasingly so. They make sure the LGBT community is fairly represented in media and that the people that are doing a great job are rewarded for their contributions.

It was just so fun to meet people like Sigourney Weaver, Joy Behar and Cynthia Nixon. They are the most humble people who are in positions to really bring home the message of equality and take the stance that we are all human beings first and that hopefully one day we can get beyond the labels of sexual orientation. It’s inspiring to me because I have nowhere near the career that some of these people have so I’m learning from them, they’re my role models. Having the chance to be in the same room with them, listen to their stories, and hear about the work they’re doing inspires me to continue to do the things that I love to do.

Blade: You’re going to be in Baltimore on May 20 for the “Hunks in Trunks” fashion show, which benefits Equality Maryland. How will you be participating in the show?

Kroell: I got involved with Hunks in Trunks last year thanks to my friend Ted Hart who is one of the lead organizers of the event each year. I was really impressed with the level of dedication that his organization has for the community and I remembered what a great event it was to be a part of last year. So when Ted asked me to be a part of it this year as basically a master of ceremonies I couldn’t say no. It’s a great time with a great group of people that gather together to raise money for worthy causes.

Blade: Aside from modeling you are also pursuing a career in acting; can we expect to see you in any forthcoming movies?

Kroell: Well, I’m being considered for a few independent films right now that are in the works. I have become very involved with the off-Broadway productions in New York. I’ve done a few readings at the Manhattan Theater Source but I’m really excited to say that my boyfriend has been cast in an off-Broadway summer stock production of “Equus” in the East Hamptons this summer with Alec Baldwin. They are currently in rehearsals for that so I’m really looking forward to attending the opening night of “Equus” which will be June 11 of this year.

Blade: “Equus” is a great segue to the next question — can we talk about your appearance in the upcoming Playgirl? What led you to bare it all for Playgirl?

Kroell: [Laughs] Well, it’s kind of a funny story. We received an e-mail out of the blue from the Playgirl camp basically feeling me out to see if I would be interested in doing a Playgirl pictorial. At the time, upon initial contact, it wasn’t really something I saw myself doing. It took me about three months to get to ‘yes’ as a decision. I’m really happy and it was really a fun experience for me because Playgirl immediately saw upon meeting me the artistic vision that I had and what I really wanted to do. The Playgirl people allowed me to share creative control in the process, which allowed me to bring in a high-fashion photographer, and a full fashion team. So on May 15 on Playgirl.com the first 15-20 photos will be released then the actual print edition will come out June 15. It was quite a fun time, we shot at the Grace Hotel in New York City and it was all high fashion. There are a lot of surprises and I feel it will take Playgirl to a whole new level.

Blade: Had you done any nude modeling previously?

Kroell: Nothing other than something for my book and to build my portfolio and nothing really that was seen in any major way by the public. Doing this photo shoot was definitely taking a lot of risks in a lot of people’s eyes. The fashion community is definitely open and willing to see nude females in the industry but Tom Ford says it best that the fashion community and Americans at large are afraid of male nudity. For me, this was an art project. It was a way of taking a calculated risk, have fun, and making the statement that I’m dropping my labels for Playgirl because at the end of the day we all have the same human body; we’re all just as vulnerable as the next person. There is something really beautiful about the human body when it’s at its most vulnerable, natural state. As Americans, we view sex, sexuality, and the nude body as something scary and perhaps dirty but for me it’s the exact opposite. My body is my work and my art form so I’m really excited to see people’s reactions and hopefully they will see the perspective and angle I used with this project. I hope people appreciate the pictures for what they are and that is as an art project.

Blade: You mentioned that you sided with leading fashion designer Tom Ford regarding his stance on male nudity in fashion photography. Do you feel that such industry heavyweights as Tom Ford will start a change in trends?

Kroell: I talked to my business partner and to my circle of friends and the reason, we concluded, why male nudity doesn’t receive such a warm welcome is because it is still such a heterosexual, male normative society. The people in charge, those that make the decisions, are the people that want to see female nudity and have no problems with exploiting females in the industry. I think because of this, it is an uphill battle. Although if you look throughout the course of history, like at the ancient Roman and Greek times via the sculptures created or Michelangelo’s David there was no issue with male nudity; both female and male were held in the highest regard. I think there is still a distance to go on the subject but with people like Tom Ford speaking out, I felt like I had the opportunity to continue with the statements he made and just say ‘It’s OK’ because the human body is beautiful and something to be appreciated and not looked at like something that is dirty. I’m excited to see where this project will lend itself into conversation because, more than anything, I like to start conversations.

Blade: Taking on a project like this could definitely be considered, as you said, a ‘calculated risk’. Are you afraid of the potential negative backlash?

Kroell: Anything is possible but I’m an artist and throughout the course of history artists have had their ups and downs and taken risks that could lead to failure. Later in life I don’t want to look back and think ‘what if?’ This was just a really exciting art project for me and just one of many I currently have going on.

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Real Estate

The best U.S. cities for LGBTQ homebuyers in 2025

Where strong equality scores, vibrant culture, attainable prices converge

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Philadelphia is among cities that rank highest for LGBTQ homebuyers. (Photo by sborisov/Bigstock)

Buying a home has always been a landmark of security and self-expression. For LGBTQ+ people, it can also be a powerful act of claiming space in a country where housing equality is still a work in progress. The good news? This year offers more options—and more protections—than ever. A record-breaking 130 U.S. cities now score a perfect 100 on the Human Rights Campaign’s Municipal Equality Index (MEI), meaning their local laws, services, and political leadership actively protect queer residents, reports.hrc.org. Meanwhile, national housing analysts at Zillow expect only modest price growth this year (about 2.6 percent), giving buyers a little breathing room to shop around.

Below are eight standout markets where strong equality scores, vibrant LGBTQ+ culture, and relatively attainable prices converge. Median sale prices are from March 2025 Zillow data.

1. Minneapolis–St. Paul, MN

Median sale price: $317,500  

Twin Cities residents benefit from statewide nondiscrimination laws that explicitly cover sexual orientation and gender identity, a thriving queer arts scene, and dozens of neighborhood Pride celebrations beyond the mega-festival each June. Buyers also appreciate Minnesota’s down-payment assistance programs for first-time and BIPOC purchasers—many LGBTQ+ households qualify.

2. Philadelphia

Median sale price: $227,667   

Philly combines East Coast culture with Mid-Atlantic affordability. “Gayborhood” anchors like Giovanni’s Room bookstore mingle with new LGBTQ-owned cafés in Fishtown and South Philly. Pennsylvania added statewide housing protections in 2024, closing the legal gaps that once worried trans and nonbinary buyers.

3. Pittsburgh

Median sale price: $221,667 

Don’t let the steel-town stereotype fool you—Pittsburgh’s MEI score is 100, and its real-estate dollar stretches further than in comparable metros. Lawrenceville and Bloomfield have become hubs for queer-owned eateries and co-working spaces, while regional employers in tech and healthcare boast top Corporate Equality Index ratings.

4. Tucson, Ariz.

Median sale price: $328,333 

This desert city punches above its weight in LGBTQ+ visibility thanks to the University of Arizona, a nationally ranked Pride parade, and some of the country’s most picturesque outdoor recreation. Arizona’s statewide fair-housing statute now explicitly lists gender identity, giving buyers added recourse if discrimination occurs.

5. Madison, Wisc.

Median sale price: $413,867 

Madison blends progressive politics with a top-five public university and a booming tech corridor. Local lenders routinely promote inclusive marketing, and Dane County offers one of the few county-level LGBTQ+ home-ownership programs in the nation, providing up to $10,000 in forgivable assistance for low-to-moderate-income couples.

6. Atlanta

Median sale price: $359,967 

The cultural capital of the Southeast delivers queer nightlife, Fortune 500 jobs, and a web of supportive nonprofits such as Lost-n-Found Youth. While Georgia lacks statewide protections, Atlanta’s 100-point MEI score covers public accommodations, contracting, and employer requirements—shielding homebuyers who choose in-town neighborhoods like Midtown or East Point.

7. St. Petersburg, Fla.

Median sale price: $354,667 Yes, Florida’s statewide politics are turbulent, but St. Pete has long held firm on LGBTQ+ equality. The city’s Pride festival draws nearly a million visitors, and local ordinances bar discrimination in housing and public services. Waterfront bungalows in Kenwood and more affordable condos near Uptown give first-time buyers options.

8. Denver

Median sale price: $563,500 

Colorado passed some of the nation’s strongest gender identity housing protections in 2024, and Denver’s queer community remains one of the most visible in the Mountain West. Although prices run higher, buyers gain exceptional job growth and one of the country’s largest Gay & Lesbian Chambers of Commerce.

Smart Strategies for LGBTQ+ Buyers & Sellers

1. Build Your Dream Team Early

  • Work with an equality-focused real-estate pro. The easiest way is to start at GayRealEstate.com, which has screened gay, lesbian, and allied agents in every U.S. market for more than 30 years.
  • Choose inclusive lenders and inspectors. Ask whether each vendor follows HUD’s 2021 guidance interpreting the Fair Housing Act to cover sexual orientation and gender identity.

2. Know Your Rights—And Limitations

  • Federal law bars housing bias, but enforcement can lag. Document everything and report issues to HUD, your state civil-rights agency, or Lambda Legal.
  • In states without full protections, rely on city ordinances (check the MEI) and add explicit nondiscrimination language to your purchase contract.

3. Evaluate Neighborhood Fit

  • Use local data: crime stats, school ratings, transit, and MEI scores of nearby suburbs.
  • Spend time in queer-owned cafés, bars, and community centers to gauge true inclusivity.

4. For Sellers: Market With Pride—And Professionalism

  • Highlight proximity to LGBTQ+ resources (community centers, Pride festivals) in your listing remarks.
  • Stage neutrally but inclusively—rainbow art is great, but removing personal photos can protect privacy during showings.

The landscape for LGBTQ+ homeowners is evolving fast. By coupling inclusive laws, supportive culture, and attainable prices, cities like Minneapolis, Philadelphia, and Tucson stand out for 2025. No matter where you land, surround yourself with professionals who value every part of your identity. Start your journey at GayRealEstate.com, lean on the resources above, and claim your corner of the American dream—on your own terms, and with pride.


Scott Helms is president and owner of Gayrealestate.com.

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Real Estate

Summer-ready rentals: How to prepare for the season

Inspect your A/C, upgrade the kitchen, and more

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Adding stone countertops and making other kitchen improvements can greatly boost the value of a rental. (Photo by Wollwerth/Bigstock)

Now’s the time to get your property looking sharp for summer. In the D.C. rental market, summer is our version of the Super Bowl. Tenants are on the move, leases are flipping, and if your property isn’t ready for game time, you’re sitting on the bench while the competition scores.

Here’s how to get your rental property summer-ready, keep it competitive, and avoid the scramble once the heat (and the demand) is on.

First Impressions Count 

In a walkable city like D.C., curb appeal isn’t a luxury, it’s your ticket to play. Prospective tenants don’t just scroll through listings from their couches; they walk the neighborhoods, eyeing buildings and row homes like it’s a real-life episode of House Hunters. If your property looks run-down from the sidewalk, it doesn’t matter how nice it is inside: you’ll already have lost their attention.

Start with a good power wash. Sidewalks, front steps, and that brick façade can collect a year’s worth of grime and pollen, and nothing says “we didn’t get around to it” quite like a dingy entryway. Once that’s done, grab a paintbrush and freshen up the details — front doors, railings, and window trim are often the first thing people see, and chipped or faded paint sends the wrong message. Landscaping doesn’t have to rival a botanical garden, but it should be tidy and intentional. A few potted plants, some trimmed bushes, and a weed-free yard show that you care. And don’t forget the lighting — a working porch light adds a layer of polish and safety. Think of curb appeal like a dating profile picture. If it’s not appealing, people won’t even bother to swipe right.

Handle Maintenance Before Repair Emergencies

Summer in D.C. means one thing: humidity. And it’s not just uncomfortable. It’s a property’s worst enemy if you’re not on top of things. Tenants will test that A/C the minute they move in, so don’t wait for a 98-degree day to find out the AC compressor is clogged and is not performing to its potential. While you’re at it, check those windows and screens. No one wants a unit that turns into a sauna because the windows won’t open or the screens are shredded.

Plumbing deserves a once-over, too. In some of D.C.’s older neighborhoods, tree roots have been known to snake their way into century-old pipes. If you’ve had slow drains or backups, now’s the time to act. And don’t skip out on pest control. Ants, roaches, and rodents all love a good D.C. summer, but your tenants sure don’t. A preventative visit now can spare you the late-night emergency call later.

Upgrade What Matters

If your place still has that “2008 Craigslist listing” look, now’s your chance for a low-cost glow-up that pays off in higher rent and better tenants.

You don’t have to renovate the entire kitchen, but a few strategic upgrades can keep your property feeling current without breaking the bank. Swapping out dated cabinet pulls or faucet fixtures is a quick win. Replacing an old Formica countertop with stone is a great add, albeit a bigger investment.

Installing a smart thermostat or keyless entry, especially if you’re trying to attract a tech-savvy tenant, adds a bit of glitz. And don’t underestimate the value of LED lighting.  Not only is the lighting brighter, but energy efficiency is a real plus when Pepco bills start climbing.

Don’t Forget the Marketing Materials

The window for summer leasing moves fast. Between May and August, tenants are locking in their spots quickly, and they aren’t wasting time on listings that look outdated or vague. Having strong, current marketing materials can be the difference between locking in a new tenant over several weeks or watching your property sit vacant for several months while others get rented.

When writing your listing, make sure it reflects the strengths of the unit and its location. Is there a private balcony that catches the sunset? Mention it. Is the washer and dryer tucked inside the unit instead of down a shared hallway? Highlight that. And in the D.C. summer heat, central A/C and ceiling fans aren’t bonuses; they’re expectations. Mention any shaded outdoor spaces, or if you’re lucky enough to be close to a pool, splash pad, or one of the city’s beloved parks, say so.

Once the property is shining on the outside and tuned up inside, the final step is making sure that polish shows up in your marketing. Your listing needs to be more than just functional, it needs to sell. That starts with updated and clear photos. Snap new images once the landscaping is cleaned up, the paint has dried, and the light’s hitting just right. Don’t use older photos pre-2020 where the tree out front was still a sapling and the trash bins were in the shot. And please, always close toilet seats first!  Prospective renters are savvy, and their intuition perks up when they see less than professional looking photos.

It’s All About Timing

This summer, make the most of the opportunity. In D.C., there’s a wave of renters moving for new jobs, internships, or simply trying to relocate before school starts. Landlords who prep early and market smartly are the ones who don’t just find tenants, they find good tenants. And they fill units faster.

Grab that to-do list, schedule those contractors, and maybe treat yourself to a cold one after a long day of touch-ups. You’ll thank yourself later when your rental is leased out and earning while others are still scrambling at the end of the season.


Scott Bloom is owner and senior property manager at Columbia Property Management. For more information and resources, visit ColumbiaPM.com.

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Autos

A cheeky convertible: Mercedes CLE 450

Riding the freeway of love with the top down and spirits up

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Mercedes CLE 450 convertible

“Drop the top, baby!… Drop the pedal and go!”So croons Aretha Franklin in “Freeway of Love,” her classic song about a joyride in a pink Cadillac convertible. 

Those free-spirited lyrics came to mind recently each time I got behind the wheel of an equally exquisite ride: the Mercedes CLE 450. 

MERCEDES CLE 450 CONVERTIBLE 

$76,000

MPG: 23 city/32 highway

0 to 60 mph: 4.2 seconds

Cargo space: 9.6 cu. ft. 

PROS: Dreamy design. Divine handling. Dazzling amenities. 

CONS: Cramped cargo area. Kinda impractical for everyday driving.   

IN A NUTSHELL: Who needs two fine open-top chariots when one fabulous convertible will do? That seems to be the thinking at Mercedes, which recently replaced two of its cabriolets—the compact C-Class and midsize E-Class—with the brand-new CLE 450.  

While the wheelbase is a wee bit shorter than on the outgoing E-Class model, the CLE is longer overall than either of its two former siblings. The result: more legroom than expected, especially for anyone in the front seats. Even backseat occupants may feel comfy (OK, perhaps not Brittney Griner or Carl Nassib, but still…).  

Alas, trunk space is slightly scrunched, thanks to the folding fabric roof. But that power-operated top—available in black, gray or red—can be raised and lowered with the car traveling at speeds up to 37 mph. And the triple-layer acoustic material provides excellent insulation and greatly reduces outside noise. In fact, I often had to remind myself this was the CLE convertible and not the hardtop coupe. 

There’s also a wind-deflector apparatus that, when activated, elevates airflow off the windshield and reduces backflow with a rear mesh screen. For added pampering, an AIRSCARF system lives up to its name, sending warm air onto the necks of front-seat passengers. (Don’t tell my husband, but I felt like an invisible suitor was wooing me, seductively blowing kisses my way.)

Convertibles usually are not as structurally rigid as their hardtop counterparts. But here again, Mercedes works its magic: The chassis—made of aluminum and high-strength steel—is so incredibly stiff that there’s absolutely no shake and shimmy. This solid body structure also provides for a safe vehicle shell. 

Under the hood, there’s a spirited 375-hp turbo engine, augmented by grippy all-wheel drive and a graceful nine-speed automatic transmission. As a crazed soccer fan, I think it’s not too much of a stretch to say the driving experience combines the speed, sass and savvy of a star athlete (think Megan Rapinoe). 

Inside, there are plenty of premium styling cues, as well a glitzy dashboard with 12.3-inch digital cluster and 11.9-inch multimedia touchscreen. Yes, the CLE borrows heavily from the C-Class and E-Class. But somehow—perhaps because of the low ground clearance and multi-contour seats (which include heating, ventilation and massage functions)—this cabin feels and functions more like a true cockpit. 

Along with all the driver-assistance features, there are 11 airbags (including rear head airbags), pop-up roll bars and a drowsy-driver alert monitor. In case of an impending crash, an accident-preparedness system immediately tightens seatbelts, adjusts seats and closes windows.  

I could go on about all the amenities, including a 17-speaker Burmester surround-sound stereo, the 64-color ambient-lighting system and more. But why bother? This is a Mercedes, after all, so you expect such babying. 

What wasn’t expected? How much I keep missing this beauty after my weeklong test drive ended. It’s not as if soft-tops are practical, like minivans and SUVs. And two-door rides—coupes or cabrios—now account for less than 4% of all new-vehicle sales. 

But Aretha would have understood. Classy convertibles, like her pink Caddy and the Mercedes CLE 450, represent open-air freedom and the promise of adventure. 

“So jump in, it ain’t no sin. Take a ride in my machine.”

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