Arts & Entertainment
Calendar: events through Jan. 15
Plays, concerts, exhibits and more among week’s offerings
Florence Lacey as Norma Desmond in 'Sunset Blvd.' Signature Theatre, which is hosting a production of the show, is having a special 'Pride Night' at tonight's performance. (Photo by Scott Suchman; courtesy of Signature)
Friday, Jan. 7
D.C. Center (1318 U St., N.W.) is having its monthly open mic night tonight from 8 to 10 p.m. This month the event will feature the work of the Brother Tongue poetry workshop participants. Doors open at 7:30 p.m. and performers can sign up between 7:30 and 8.
ANNIEthing Goes and friends present “Absolina” a birthday celebration with DJs Zenbi, Charles Martin and vANNIEty kills tonight at 10 at Jimmy Valentine’s Lonely Hearts Club (1103 Bladensberg Rd., N.E.)
RAW, hosted by DJs Bil Todd and Shea Van Horn, will be at Green Lantern (1335 Green Court, N.W.) tonight from 10 p.m. to 3 a.m. Free entry before 11 p.m. with a $3 cover after. There will be an open bar from 10 to 11 p.m. Attendees must be 21 or older.
Metropolitan Community Church of Washington’s fundraising team is hosting a bingo night tonight at 7 p.m. at the church (474 Ridge St., N.W.). The evening begins with four early bird games which costs $2 for four cards or $3 for eight cards. This is followed by 17 regular and special games which are packaged for as low as $25. There will be homemade refreshments available in Mama Cecelia’s kitchen.
The Foundry Gallery (1314 18th St., N.W.) is holding an opening reception from 6 to 8 p.m. for its newest exhibit “Celebrate Gay Marriage” which is a juried show of regional artists. The reception will feature a performance by Potomac Fever, part of the Gay Men’s Chorus of Washington. The exhibit will continue through Jan. 30.
Signature Theatre (4200 Campbell Ave.) in Arlington is hosting “Pride Night” tonight featuring a performance of “Sunset Boulevard” followed by a one-hour post-show cocktail and hors d’oeuvres reception. The performance begins at 8 p.m. Signature has also teamed up with Fleet Transportation and is offering a shuttle service from Dupont Circle on P Street directly to the theater leaving at 6:30 and returning at 11:30 p.m. Roundtrip tickets for the bus are $5 and tickets to “Pride Night” are $86 and $91. All tickets can be purchased at the theater box office.
Apex (1415 22nd St., N.W.) and Gloss present First Fridays Ladies Night tonight with music by DJ Rosie in the main room and performances by the D.C. Kings and the D.C. Gurly Show at midnight. There is a $10 cover. Attendees must be 18 or older to enter.
Front Runners is having its monthly happy hour tonight at the Duplex Diner (2004 18th St., N.W.) at 6:30 p.m.
The Dance Party will be at 9:30 Club with Wallpaper, K-Flay, Ra Ra Rasputin and lowercaseletters at 8 p.m. Tickets are $15 and can be purchased at 930.com.
Saturday, Jan. 8
The planning committee for the D.C. Center’s sixth annual Oscar celebration, “Glamour, Glitter, Gold” is meeting today at 11:30 a.m. at the Center (1318 U St., N.W.). The committee is chaired by Michelle Ross and Timur Tugberk.
City Gallery (804 H St., N.E.) will be holding an opening reception for its newest exhibit “Leaves, Words and Screens” featuring the work of Ronnie Spiewak tonight from 6 to 9 p.m. The exhibit will continue through Jan. 29.
Pianist Alexander Paley will be giving a free all-Liszt concert tonight in celebration of what would be Franz Liszt’s 200th birthday at 8 p.m. at Westmoreland Congregational UCC Church (1 Westmoreland Circle) in Bethesda.
Team D.C. will be having an information Q&A session today at 10 a.m. at the Verizon Center. The session is open to anyone, but space is limited. To reserve a space, e-mail Ryan Bos at [email protected].
The Capitol Hill Arts Workshop will host its fifth annual juried photography exhibition and reception today from 5 to 7 p.m. at CHAW (545 7th St., S.E.). The exhibit will feature works from local and regional artists. The show will continue through Feb. 4.
Apex presents Glowing, a fusion of black lights, dayglo paint and glow sticks tonight with DJ Gigi. DJ Michael Brandon will host Caliente, a latin dance party, in the east wing dance lounge. Kristina Kelly and the Girls of Glamour will perform at 11 p.m. There is a $10 cover.
The NSO Teddy Bear Concert: “Fancy That!” will have three performances of a one-woman show with NSO violinist Marissa Regini today at 11 a.m., 1:30 and 5 p.m. in the Kennedy Center’s Family Theatre (2700 F St., N.W.).
Sunday, Jan. 9
LAMBDA SCI-FI, a monthly meeting and social of LGBT science fiction, fantasy and horror fans, will have its annual blind book exchange today at 1:30 p.m. Attendees are encouraged to bring a snack or a non-alcoholic drink to share. The meeting will be held at 1414 17th St., N.W. For more information call James at 202-232-3141, e-mail to [email protected], or visit the group’s website at lambdascifi.org.
D.C. Kings will be at Phase (525 8th St., S.E.) tonight with “One Hit Wonders.” Doors open at 7 p.m. and the performance begins at 10. There is a $5 cover.
The Baltimore Museum of Art (10 Art Museum Drive) is having its free family Sundays with “Collage Wacky Warhol Wigs” today from 2 to 5 p.m. Today is also the last day to view the exhibit “Andy Warhol: The Last Decade.” Tickets to the exhibit range from $15 for adults to $5 for children 6 to 18 years old.
Burgundy Crescent Volunteers will be helping fight hunger in the D.C. area today from 9 a.m. to noon, with D.C. Central Kitchen. Volunteers will help cook, working along chefs who have graduated from the Kitchen’s job training program. No experience is required, just an interest of cooking. The Kitchen provides job skills by using rescued and donated ingredients to teach unemployed and homeless individuals how to cook, then turns this food into free meal services. E-mail [email protected] for more information.
Monday, Jan. 10
The fourth Mid-Atlantic Band Battle IV Preliminaries start tonight at 7 p.m. at Jammin’ Java (227 Maple Ave., E.) in Vienna. The preliminaries continue through Thursday.
Tuesday, Jan. 11
The Baltimore Museum of Art (10 Art Museum Drive) begins “Rest, Restore, Renew,” its winter yoga series, today from 6 to 7:15 p.m. There are six sessions and they are $95 for members and $110 for non-members.
Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s new packing location Green Lantern, 1335 Green Ct., N.W.
Wednesday, Jan. 12
The Big Gay Book Group will meet tonight at 7 p.m. at 1155 F St., N.W., Suite 200. The book for discussion will be “Great Speeches on Gay Rights” edited by James Daley. For more information, visit the group’s website biggaybookgroup.com or e-mail [email protected].
Rainbow Response will hold its monthly meeting tonight from 7 to 8 p.m. at the D.C. Center (1318 U St., N.W.)
Thursday, Jan. 13
DCBiWomen will be having its monthly dinner at Café Luna (1633 P St., N.W.) tonight from 7 to 8 p.m. For more information, visit dcbiwomen.org.
Exposed Tattoo and Baller Inc., present the D.C. Tattoo Arts Expo starting today at the Crystal City Doubletree Hotel (300 Army Navy Drive) in Arlington with a VIP welcome party in the Sky Dome from 8 p.m. to 2 a.m. The expo will continue through the weekend, ending Sunday.
Friday, Jan. 14
DJ Joshua and TheNewGay present BALLS! Tonight from 10 p.m. to 3 a.m. at Velvet Lounge (915 U St., N.W.) featuring the debut DJ set of Steve Scarlata. There is no cover for this event. Drink specials include $3 Natty Boh and $4 kamikazes.
Gross National Product returns with “The Sound of Palin” at Atlas Performing Arts Center (1333 H St., N.E.) tonight at 8 p.m. Tickets range from $10 to $20 and can be purchased at atlas arts.org.
Saturday, Jan. 15
Blowoff, a dance party featuring gay DJs Bob Mould and Richard Morel, will be at 9:30 Club (815 V St., N.W.) tonight. Doors opens at 11:30 p.m. Attendees must be 21 or older. Tickets are $12 and can be purchased at 930.com.
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
Television
‘Big Mistakes’ an uneven – but worthy – comedic showcase
In the years since “Schitt’s Creek” wrapped up its six season Emmy-winning run, nostalgia for it has grown deep – especially since the still painfully recent loss of its iconic leading lady, Catherine O’Hara, whose sudden passing prompted a social media wave of clips and tributes featuring her fan-favorite performance as the deliciously daft Moira Rose. Revisiting so many favorite scenes and funny moments from the show naturally reminded us of just how much we loved it, even needed it during the time it was on the air; it also reminded us of how much we miss it, and how much it feels now like something we need more than ever.
That, perhaps more than anything else, is why the arrival of “Big Mistakes” – the new Netflix series starring, co-created and co-written by Dan Levy – felt so welcome. We knew it wouldn’t be the Roses, but it seemed cut from the same cloth, and it had David Rose (or at least someone who seemed a lot like him) in the middle of a comically dysfunctional family dynamic, complete with a mother who gets involved in town politics and a catty sibling rivalry with his sister, and still nebbish-ly uncomfortable in his own gay shoes. Only this time, instead of running a pastor of the local church, and instead of a collection of kooky small town neighbors to contend with, there are gangsters.
As it turns out, it really does feel cut from the same cloth, but the design is distinctly different. Set in a fictional New Jersey suburb, it centers on Nicky (Levy) and his sister Morgan (Taylor Ortega) – he openly gay with an adoring boyfriend (Jacob Gutierrez), yet still obsessive about keeping it all invisible to his congregation, and she drudging aimlessly through life as an underpaid schoolteacher after failing to achieve her New York dreams of show biz success – who inadvertently become enmeshed in a shady underworld when a gesture for their dead grandmother’s funeral goes horribly awry.
They’re surrounded by a crew of equally compromised characters. There’s their mother Linda (Laurie Metcalf), whose campaign to become the town’s mayor only intensifies her tendency to micromanage her children’s lives; Yusuf (Boran Kuzum), the Turkish-American mini-mart operator who pulls them into the criminal conspiracy yet is himself a victim of it; Max (Jack Innanen), Morgan’s live-in boyfriend, who pushes her for a deeper commitment and is willing to go to couples’ therapy to prove it; Annette, his mother (Elizabeth Perkins), who lends her society standing toward helping Linda’s campaign against a misogynistic opponent (Darren Goldstein); and Ivan (Mark Ivanir), the seemingly ruthless crime boss who enslaves the siblings into his network but may really be just another slave in it himself. It’s a well-fleshed out assortment of characters that helps our own loyalties shift and adapt, generating at least a degree of empathy – if not always sympathy – that keeps everyone from coming off as a merely “black-and-white” caricature of expectations and typecasting.
To be sure, it’s an entertaining binge-watch, full of distinctive characters – all inhabiting familiar, even stereotypical roles in the narrative – who are each given a degree of validation, both in writing and performance, as the show unspools its narrative. At the same time, it makes for a fairly bleak overall view of humanity, in which it’s difficult to place our loyalties with anyone without also embracing a kind of “dog eat dog” morality in which nobody is truly innocent – but nobody is completely to blame for their sins, anyway.
In this way, it’s a show that lets us off the hook in the sense that it places the idea of ethical guilt within a framework of relative evils as it permits us to forgive our own trespasses through our acceptance of its lovably amoral – when it comes right down to it – characters, each of whom has their own reasons and justifications for what they do. We relate, but we can’t quite shake the notion that, if all these people hadn’t been so caught up in their own personal dramas, none of them would have ended up in the compromised morality that they do, and that they are all therefore, at some level, to blame for whatever consequences they endure.
However, it’s not some bleak morality play that Levy and crew undertake; rather, it’s more an egalitarian fantasy in which even “bad” choices feel justified by inevitability. Everybody has their reasons for doing what they do, and most of those reasons make enough sense to us that it’s hard to judge any of the characters for making the choices – however unwise – that they do. In a system where everyone is forced to compromise themselves in order to achieve whatever dream of self-fulfillment they may have, how can anybody really blame themselves for doing what they have to do to survive?
Of course, all things considered, this is more a relatable comedy than it is a morality play, and it is, perhaps, taking things a bit too seriously to go that “deep.” As a comedy of errors, it all works well enough on its own without imposing an ideology on it, no matter how much we may be tempted to do so. Indeed, what is ultimately more to the point is how well this pseudo-cynical exercise in the normalization of corruption – for that is what it really about, in the end – succeeds in letting us all off the hook for our compromises. In a reality in which we can only respond to corruption by finding the ethical validation for making the choice to survive, how can we judge ourselves – or anyone else – for doing whatever is necessary?
In the end, of course, maybe all that analysis is too deep a dive for a show that feels, in the end, so clearly to be focused merely on reminding us of how much necessity dictates our choices –for truly, the fate of all its characters hinges on how well they respond to the compromised decisions that must make along the way. The more important observation, perhaps, has to do with the necessity to make such moral choices along our way – and it comes not from a moralistic urge toward making the “right” choice as much as it does from a candid recognition that all of us are compromised from the outset, and that’s a refreshing enough bit of honesty that we can easily get on board.
It helps that the performances are on point, especially the loony and wide-eyed fanaticism of Metcalf – surely the MVP of any project in which she is involved – and the directly focused moral malleability of Ortega, Levy, of course, is Levy – a now-familiar persona that can exist within any milieu without further justification than its own queer relatability – and, in this case, at least, that’s both the icing on the cake and substance that defines it. That’s enough to make it an essential view for fans, queer or otherwise, of his distinctive “brand,” even if he – or the show itself – doesn’t quite satisfy in the way that “Schitt’s Creek” was able to do.
Seriously, though, how could it?
Victory Fund brunch draws top LGBTQ officials, 2028 hopeful Andy Beshear
Inside the lonely world of MAGA gay men
PHOTOS: National Champagne Brunch
PHOTOS: Night of Champions
‘Big Mistakes’ an uneven – but worthy – comedic showcase
Gay D.C. police lieutenant arrested on child porn charges
Science said stop; the Supreme Court said no
Response to a personal attack against me
Queery: Meet artist, performer John Levengood
