Arts & Entertainment
Calendar: events through Jan. 15
Plays, concerts, exhibits and more among week’s offerings
Florence Lacey as Norma Desmond in 'Sunset Blvd.' Signature Theatre, which is hosting a production of the show, is having a special 'Pride Night' at tonight's performance. (Photo by Scott Suchman; courtesy of Signature)
Friday, Jan. 7
D.C. Center (1318 U St., N.W.) is having its monthly open mic night tonight from 8 to 10 p.m. This month the event will feature the work of the Brother Tongue poetry workshop participants. Doors open at 7:30 p.m. and performers can sign up between 7:30 and 8.
ANNIEthing Goes and friends present “Absolina” a birthday celebration with DJs Zenbi, Charles Martin and vANNIEty kills tonight at 10 at Jimmy Valentine’s Lonely Hearts Club (1103 Bladensberg Rd., N.E.)
RAW, hosted by DJs Bil Todd and Shea Van Horn, will be at Green Lantern (1335 Green Court, N.W.) tonight from 10 p.m. to 3 a.m. Free entry before 11 p.m. with a $3 cover after. There will be an open bar from 10 to 11 p.m. Attendees must be 21 or older.
Metropolitan Community Church of Washington’s fundraising team is hosting a bingo night tonight at 7 p.m. at the church (474 Ridge St., N.W.). The evening begins with four early bird games which costs $2 for four cards or $3 for eight cards. This is followed by 17 regular and special games which are packaged for as low as $25. There will be homemade refreshments available in Mama Cecelia’s kitchen.
The Foundry Gallery (1314 18th St., N.W.) is holding an opening reception from 6 to 8 p.m. for its newest exhibit “Celebrate Gay Marriage” which is a juried show of regional artists. The reception will feature a performance by Potomac Fever, part of the Gay Men’s Chorus of Washington. The exhibit will continue through Jan. 30.
Signature Theatre (4200 Campbell Ave.) in Arlington is hosting “Pride Night” tonight featuring a performance of “Sunset Boulevard” followed by a one-hour post-show cocktail and hors d’oeuvres reception. The performance begins at 8 p.m. Signature has also teamed up with Fleet Transportation and is offering a shuttle service from Dupont Circle on P Street directly to the theater leaving at 6:30 and returning at 11:30 p.m. Roundtrip tickets for the bus are $5 and tickets to “Pride Night” are $86 and $91. All tickets can be purchased at the theater box office.
Apex (1415 22nd St., N.W.) and Gloss present First Fridays Ladies Night tonight with music by DJ Rosie in the main room and performances by the D.C. Kings and the D.C. Gurly Show at midnight. There is a $10 cover. Attendees must be 18 or older to enter.
Front Runners is having its monthly happy hour tonight at the Duplex Diner (2004 18th St., N.W.) at 6:30 p.m.
The Dance Party will be at 9:30 Club with Wallpaper, K-Flay, Ra Ra Rasputin and lowercaseletters at 8 p.m. Tickets are $15 and can be purchased at 930.com.
Saturday, Jan. 8
The planning committee for the D.C. Center’s sixth annual Oscar celebration, “Glamour, Glitter, Gold” is meeting today at 11:30 a.m. at the Center (1318 U St., N.W.). The committee is chaired by Michelle Ross and Timur Tugberk.
City Gallery (804 H St., N.E.) will be holding an opening reception for its newest exhibit “Leaves, Words and Screens” featuring the work of Ronnie Spiewak tonight from 6 to 9 p.m. The exhibit will continue through Jan. 29.
Pianist Alexander Paley will be giving a free all-Liszt concert tonight in celebration of what would be Franz Liszt’s 200th birthday at 8 p.m. at Westmoreland Congregational UCC Church (1 Westmoreland Circle) in Bethesda.
Team D.C. will be having an information Q&A session today at 10 a.m. at the Verizon Center. The session is open to anyone, but space is limited. To reserve a space, e-mail Ryan Bos at [email protected].
The Capitol Hill Arts Workshop will host its fifth annual juried photography exhibition and reception today from 5 to 7 p.m. at CHAW (545 7th St., S.E.). The exhibit will feature works from local and regional artists. The show will continue through Feb. 4.
Apex presents Glowing, a fusion of black lights, dayglo paint and glow sticks tonight with DJ Gigi. DJ Michael Brandon will host Caliente, a latin dance party, in the east wing dance lounge. Kristina Kelly and the Girls of Glamour will perform at 11 p.m. There is a $10 cover.
The NSO Teddy Bear Concert: “Fancy That!” will have three performances of a one-woman show with NSO violinist Marissa Regini today at 11 a.m., 1:30 and 5 p.m. in the Kennedy Center’s Family Theatre (2700 F St., N.W.).
Sunday, Jan. 9
LAMBDA SCI-FI, a monthly meeting and social of LGBT science fiction, fantasy and horror fans, will have its annual blind book exchange today at 1:30 p.m. Attendees are encouraged to bring a snack or a non-alcoholic drink to share. The meeting will be held at 1414 17th St., N.W. For more information call James at 202-232-3141, e-mail to [email protected], or visit the group’s website at lambdascifi.org.
D.C. Kings will be at Phase (525 8th St., S.E.) tonight with “One Hit Wonders.” Doors open at 7 p.m. and the performance begins at 10. There is a $5 cover.
The Baltimore Museum of Art (10 Art Museum Drive) is having its free family Sundays with “Collage Wacky Warhol Wigs” today from 2 to 5 p.m. Today is also the last day to view the exhibit “Andy Warhol: The Last Decade.” Tickets to the exhibit range from $15 for adults to $5 for children 6 to 18 years old.
Burgundy Crescent Volunteers will be helping fight hunger in the D.C. area today from 9 a.m. to noon, with D.C. Central Kitchen. Volunteers will help cook, working along chefs who have graduated from the Kitchen’s job training program. No experience is required, just an interest of cooking. The Kitchen provides job skills by using rescued and donated ingredients to teach unemployed and homeless individuals how to cook, then turns this food into free meal services. E-mail [email protected] for more information.
Monday, Jan. 10
The fourth Mid-Atlantic Band Battle IV Preliminaries start tonight at 7 p.m. at Jammin’ Java (227 Maple Ave., E.) in Vienna. The preliminaries continue through Thursday.
Tuesday, Jan. 11
The Baltimore Museum of Art (10 Art Museum Drive) begins “Rest, Restore, Renew,” its winter yoga series, today from 6 to 7:15 p.m. There are six sessions and they are $95 for members and $110 for non-members.
Join Burgundy Crescent Volunteers to help pack safer sex kits from 7 to 9 p.m. tonight at FUK!T’s new packing location Green Lantern, 1335 Green Ct., N.W.
Wednesday, Jan. 12
The Big Gay Book Group will meet tonight at 7 p.m. at 1155 F St., N.W., Suite 200. The book for discussion will be “Great Speeches on Gay Rights” edited by James Daley. For more information, visit the group’s website biggaybookgroup.com or e-mail [email protected].
Rainbow Response will hold its monthly meeting tonight from 7 to 8 p.m. at the D.C. Center (1318 U St., N.W.)
Thursday, Jan. 13
DCBiWomen will be having its monthly dinner at Café Luna (1633 P St., N.W.) tonight from 7 to 8 p.m. For more information, visit dcbiwomen.org.
Exposed Tattoo and Baller Inc., present the D.C. Tattoo Arts Expo starting today at the Crystal City Doubletree Hotel (300 Army Navy Drive) in Arlington with a VIP welcome party in the Sky Dome from 8 p.m. to 2 a.m. The expo will continue through the weekend, ending Sunday.
Friday, Jan. 14
DJ Joshua and TheNewGay present BALLS! Tonight from 10 p.m. to 3 a.m. at Velvet Lounge (915 U St., N.W.) featuring the debut DJ set of Steve Scarlata. There is no cover for this event. Drink specials include $3 Natty Boh and $4 kamikazes.
Gross National Product returns with “The Sound of Palin” at Atlas Performing Arts Center (1333 H St., N.E.) tonight at 8 p.m. Tickets range from $10 to $20 and can be purchased at atlas arts.org.
Saturday, Jan. 15
Blowoff, a dance party featuring gay DJs Bob Mould and Richard Morel, will be at 9:30 Club (815 V St., N.W.) tonight. Doors opens at 11:30 p.m. Attendees must be 21 or older. Tickets are $12 and can be purchased at 930.com.
Movies
A ‘Battle’ we can’t avoid
Critical darling is part action thriller, part political allegory, part satire
When Paul Thomas Anderson’s “One Battle After Another” debuted on American movie screens last September, it had a lot of things going for it: an acclaimed Hollywood auteur working with a cast that included three Oscar-winning actors, on an ambitious blockbuster with his biggest budget to date, and a $70 million advertising campaign to draw in the crowds. It was even released in IMAX.
It was still a box office disappointment, failing to achieve its “break-even” threshold before making the jump from big screen to small via VOD rentals and streaming on HBO Max. Whatever the reason – an ambivalence toward its stars, a lack of clarity around what it was about, divisive pushback from both progressive and conservative camps over perceived messaging, or a general sense of fatigue over real-world events that had pushed potential moviegoers to their saturation point for politically charged material – audiences failed to show up for it.
The story did not end there, of course; most critics, unconcerned with box office receipts, embraced Anderson’s grand-scale opus, and it’s now a top contender in this year’s awards race, already securing top prizes at the Golden Globe and Critics’ Choice Awards, nominated for a record number of SAG’s Actor Awards, and almost certain to be a front runner in multiple categories at the Academy Awards on March 15.
For cinema buffs who care about such things, that means the time has come: get over all those misgivings and hesitations, whatever reasons might be behind them, and see for yourself why it’s at the top of so many “Best Of” lists.
Adapted by Anderson from the 1990 Thomas Pynchon novel “Vineland,” “One Battle” is part action thriller, part political allegory, part jet-black satire, and – as the first feature film shot primarily in the “VistaVision” format since the early 1960s – all gloriously cinematic. It unspools a near-mythic saga of oppression, resistance, and family bonds, set in an authoritarian America of unspecified date, in which a former revolutionary (Leonardo DiCaprio) is attempting to raise his teenage daughter (Chase Infiniti) under the radar after her mother (Teyana Taylor) betrayed the movement and fled the country. Now living under a fake identity and consumed by paranoia and a weed habit, he has grown soft and unprepared when a corrupt military officer (Sean Penn) – who may be his daughter’s real biological father – tracks them down and apprehends her. Determined to rescue her, he reconnects with his old revolutionary network and enlists the aid of her karate teacher (Benicio Del Toro), embarking on a desperate rescue mission while her captor plots to erase all traces of his former “indiscretion” with her mother.
It’s a plot straight out of a mainstream action melodrama, top-heavy with opportunities for old-school action, sensationalistic violence, and epic car chases (all of which it delivers), but in the hands of Anderson – whose sensibilities always strike a provocative balance between introspection, nostalgia, and a sense of apt-but-irreverent destiny – it becomes much more intriguing than the generic tropes with which he invokes to cover his own absurdist leanings.
Indeed, it’s that absurdity which infuses “One Battle” with a bemusedly observational tone and emerges to distinguish it from the “action movie” format it uses to relay its narrative. From DiCaprio (whose performance highlights his subtle comedic gifts as much as his “serious” acting chops) as a bathrobe-clad underdog hero with shades of The Dude from the Coen Brothers’ “The Big Liebowski,” to the uncomfortably hilarious creepy secret society of financially elite white supremacists that lurks in the margins of the action, Anderson gives us plenty of satirical fodder to chuckle about, even if we cringe as we do it; like that masterpiece of too-close-to-home political comedy, Stanley Kubrick’s 1964 nuclear holocaust farce “Dr. Strangelove,” it offers us ridiculousness and buffoonery which rings so perfectly true in a terrifying reality that we can’t really laugh at it.
That, perhaps, is why Anderson’s film has had a hard time drawing viewers; though it’s based on a book from nearly four decades ago and it was conceived, written, and created well before our current political reality, the world it creates hits a little too close to home. It imagines a roughly contemporary America ruled by a draconian regime, where immigration enforcement, police, and the military all seem wrapped into one oppressive force, and where unapologetic racism dictates an entire ideology that works in the shadows to impose its twisted values on the world. When it was conceived and written, it must have felt like an exaggeration; now, watching the final product in 2026, it feels almost like an inevitability. Let’s face it, none of us wants to accept the reality of fascism imposing itself on our daily lives; a movie that forces us to confront it is, unfortunately, bound to feel like a downer. We get enough “doomscrolling” on social media; we can’t be faulted for not wanting more of it when we sit down to watch a movie.
In truth, however, “One Battle” is anything but a downer. Full of comedic flourish, it maintains a rigorous distance that makes it impossible to make snap judgments about its characters, and that makes all the difference – especially with characters like DiCaprio’s protective dad, whose behavior sometimes feels toxic from a certain point of view. And though it’s a movie which has no qualms about showing us terrifying things we would rather not see, it somehow comes off better in the end than it might have done by making everything feel safe.
“Safe” is something we are never allowed to feel in Anderson’s outlandish action adventure, even at an intellectual level; even if we can laugh at some of its over-the-top flourishes or find emotional (or ideological) satisfaction in the way things ultimately play out, we can’t walk away from it without feeling the dread that comes from recognizing the ugly truths behind its satirical absurdities. In the end, it’s all too real, too familiar, too dire for us not to be unsettled. After all, it’s only a movie, but the things it shows us are not far removed from the world outside our doors. Indeed, they’re getting closer every day.
Visually masterful, superbly performed, and flawlessly delivered by a cinematic master, it’s a movie that, like it or not, confronts us with the discomforting reality we face, and there’s nobody to save it from us but ourselves.
Sports
‘Heated Rivalry’ stars to participate in Olympic torch relay
Games to take place next month in Italy
“Heated Rivalry” stars Hudson Williams and Connor Storrie will participate in the Olympic torch relay ahead of the 2026 Winter Olympics that will take place next month in Italy.
HBO Max, which distributes “Heated Rivalry” in the U.S., made the announcement on Thursday in a press release.
The games will take place in Milan and Cortina from Feb. 6-22. The HBO Max announcement did not specifically say when Williams and Storrie will participate in the torch relay.
Bars & Parties
Here’s where to watch ‘RuPaul’s Drag Race’ with fellow fans
Entertainers TrevHER and Grey host event with live performance
Spark Social Events will host “Ru Paul’s Drag Race S18 Watch Party Hosted by Local Drag Queens” on Friday, Jan. 23 at 8 p.m.
Drag entertainers TrevHER and Grey will provide commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. The watch party will take place on a heated outdoor patio and cozy indoor space.
This event is free and more details are available on Eventbrite.
Queer liberation is your liberation
A ‘Battle’ we can’t avoid
LGBTQ Ugandans targeted ahead of country’s elections
Trump-appointed EEOC leadership rescinds LGBTQ worker guidance
‘Heated Rivalry’ stars to participate in Olympic torch relay
McPike prevails in ‘firehouse’ Dem primary for Va. House of Delegates
Faith programming remains key part of Creating Change Conference
LGBTQ Iranians join anti-government protests
The power of no
