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Fetishes and festivities

This weekend’s Mid-Atlantic Leather convention has new location

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Mid-Atlantic Leather Weekend 2011

Hyatt Regency Hotel Capitol Hill

400 New Jersey Ave. NW

Friday

* Registration — Ballroom level foyer — 4-10:30 p.m.

* Leather Exhibit Hall — exhibit area, Ballroom Level 5-11 p.m.

* Opening Reception (cash bar) — Yorktown Ballroom — 9-11 p.m.

* MAL Bar Crawl Bus — 10 p.m.-2 a.m.

Saturday Jan. 15

* Registration continues — 10 a.m.-5 p.m.

* Leather Exhibit Hall continues — noon-8 p.m.

* Leather Cocktails — Regency Ballroom — 6:30-9 p.m.

* CODE Party — The Crucible — 9 p.m.-2 a.m.

* MAL partner event — discounted admission

for MAL 2001 Full Weekend package holders

* MAL Bar Crawl Bus -—10 p.m.-2 a.m.

Sunday

* MAL Brunch — main lobby — 10 a.m.-noon

* Leather exhibit hall continues

* Mr. Mid-Atlantic Leather Contest — Regency Ballroom — 1 p.m.-5 p.m. (separate tickets are available for this event)

* Reaction — 9:30 Club — 10 p.m.-5 a.m. (separate tickets are available for this event)

The Bootblack Brigade hosts a bar night Saturday starting 10 p.m. at Green Lantern, 13335 Green Court, N.W. — no admission fee

And at D.C. Eagle, 639 New York Ave. N.W., the MAL Weekend welcome begins 7 p.m. Friday and continues through Monday starting at 8 p.m.

More details are here.

Richard Legg, left, and Matt Bamford, last year's Mr. MAL. (Blade file photo by Michael Key)

It’s back for another year — Mid-Atlantic Leather Weekend.

Once again, Washington becomes this weekend a fantasy scene of leather chaps and cigars, slave collars and chains — with hankie-flagging people seeking the endorphin rush of erotic heat as they cruise hotel lobbies and prowl upstairs corridors for private play parties or hunt exotic thrills at live demos of kink at the Code party. But it’s also the chance to meet old friends and make new ones within the special brotherhood (and sisterhood) of the men and women who embrace leather.

And this year’s gathering happening this weekend, this time at a new hotel, promises once again, according to the sponsoring organization, the Centaur Motorcycle Club of D.C., on its website, to be “one of the hottest leather/fetish events in North America and the world’s largest leather club run.”

“Thousands of leathermen, gearheads, kinksters, rubber freaks and even curious novices from all over the world,” says the promo material, will “come to the nation’s capitol for a weekend of hot, horny fun.”

“We’re literally looking for thousands of people to come for the weekend,” says a confident Larry Barat, the Centaur M.C. promotions chair for the weekend. About 600 or 700 people are expected to register for the full, three-day package, he says, “but we anticipate 2,000 or 3,000 or possibly more to participate in side events organized around the weekend and at the bars,” especially, he said, at the D.C. Eagle and Green Lantern.

The three-day package is $180 in advance or $200 at the door, a package including access to all events and exhibits, said Barat, who also pointed out that “an important new change for MAL 2011” is that entry into the weekend area at the hotel, including for the Leather Exhibit Hall but not the special events, will now require a “Weekend Admission Pass.” The cost for such a three-day pass is $25 if purchased on Friday, $20 on Saturday, or $10 on Sunday or alternatively $10 for any one of those days only.

The D.C.-based Centaur club, now in its 41st year, according to Barat currently consists of about 30 active members. It has sponsored MAL, now in its 31st year, from the beginning. After more than a decade of being housed at the Washington Plaza Hotel at Thomas Circle, it moves this year to the Hyatt Regency on Capitol Hill, because “we simply outgrew that hotel,” Barat says. The Washington Plaza has only 360 rooms, while the Hyatt has about 800.

“Obviously with a new home for MAL, we’re excited about that, but also a little nervous,” he adds, but he has been meeting with Hyatt staff, along with other Centaur event planners, and believes everybody feels that the weekend will be a success.

Another MAL Weekend coordinator, its chairman and fellow Centaur member Patrick Grady met Monday for another meeting “with about 30 hotel managers in the room,” and Grady says “everybody at the Hyatt is very enthusiastic indeed.”

This year, they have booked only about three-quarters of the Hyatt’s rooms because, says Barat, “we were trying to be a bit conservative this year and not over-extend ourselves.” Even so, weekend registration has spilled over into rooms reserved at the Liaison Hotel across the street.

All MAL attendees will be on the same floors. Organizers hope next year to fill the entire hotel.

Grady says his first MAL Weekend began when he joined the Washington Plaza Hotel as its director of catering in 1997 and a month later hundreds of MAL Weekend participants thronged the hotel, the second year at that venue, and he got his first real look close-up at the leather community.

“I was a newbie in ’97,” he says, “and I didn’t know their community even existed.”

He was taken in by the friendly vibes and soon, he says, he began to frequent the Eagle and then to hang out with the Centaurs. By 1999 he had sunk his own roots deep into the leather world.

Grady says that after that first weekend, “I couldn’t wait to see everybody back in ’98,” and he was drawn to the sense of community that he found, especially in the Centaur MC. Yes, he knows that some LGBT people are uncomfortable with the more taboo aspects of the leather world — the BDSM sexuality — but he says the reality is that the leather world — and the Centaur club — is “very diverse.”

“We have members who have motorcycles and those who don’t, who are large and skinny, tall and short, and the only real common denominator is that we like one another,” he says. “Some are hard-core leather folk and others are just out for a good time.” But he admits that “when we gather together sometimes we are a little much for some people — we tend to be very gregarious.”

His objective this year is simple: “to make new friends and renew old acquaintances,” a goal echoed by Barat, who says “our aim is to have fun and make sure everybody who comes has fun, so they can meet new people and explore new things.”

The signature events, says Barat, are the Leather Cocktails reception Saturday evening, the buses for the MAL bar-crawl, the CODE party at the Crucible S&M club Saturday night into the wee hours of Sunday morning, the Mr. Mid-Atlantic Leather Contest Sunday afternoon, and the finale event, the Reaction dance at the 9:30 Club from 10 p.m. Sunday until 5 a.m. Monday. Throughout the entire weekend also, another big draw is the Leather Exhibit Hall located on the hotel’s Ballroom level, with dozens of vendors of gear, books and other paraphernalia.

The MAL Weekend in 1998 was “the first big leather event” he ever attended, though he had lived a leather lifestyle “on and off” since he was 19. Now 50 and a U Street resident for the past seven years, by day Barat works on international public health issues for the U.S. Government.

For him, owning a bike is important to the leather lifestyle, and though he recently sold his own Harley Davidson “Fat Boy,” now he says he can’t wait until the weather gets warm again to get his next new bike. Though he says another D.C.-based club, the Spartans, “are more into motorcycles,” the Cenatur M.C. still sponsors runs two or three times a year, usually to Skyline Drive and into West Virginia and back.

Like Grady, Barat was won over by the welcoming vibes of community he felt at his first MAL Weekend: “I was really kind of shocked at how friendly everyone was,” and how eager people were to teach him about the things he didn’t know, and he also began to understand the wide variety of lifestyles subsumed under the leather label.

The gay male leather subculture has existed, according to most accounts, since the late 1940s, when it grew out of gay men who had typically worn uniforms during World War II and mustered out and were looking for a way to sustain the homosocial world and its rituals and rules of masculine identity they had experienced during wartime. Soon these men found their way into the culture of biker clubs, and for them the lure of leather signified a code of dress rooted for most — though not all — in sexual activities, often defined by the sexual practices loosely grouped under the label of BDSM.

“Leather is a term that includes dressing up and getting into sexual scenes when dressed up, acting out certain sexual fantasies like getting flogged, at one end of the spectrum, but you don’t need to dress for BD events,” Barat says.

At the other end of the spectrum, he says, people just like the feel of leather and the thrill of the road and the ride.

“And it’s everything in between,” he says,”plus, it’s not just leather alone anymore – there’s rubber, there’s sports-gear, there’s uniforms. And now there’s also a lot of young guys into dressing up as super heroes and comic book heroes.”

“It’s a whole range of of people and the nice thing about the community is that it’s very accepting,” Barat says. “You see a guy in full leather gear talking to a guy dressed up like Batman talking to a guy dressed up in full rubber.”

For many, participation is a chance to distinguish themselves from mainstream sexual activities. For some it can mean immersion in sexual kink. For others, just wearing the trappings of black leather is the main point, an erotic fashion statement expressing heightened masculinity.

The pioneering gay motorcycle clubs — the Satyrs of Los Angeles, established in 1954, and others like the Warlocks of San Francisco — reflected that same sense of disaffection with the postwar mainstream. It also provided an archetype for gay men who resisted effeminate stereotypes. For years, Larry Townsend’s “Leatherman’s Handbook” was the guide by which rank in the leather community — slave, boy, sir and master — was determined.

But by the 1980s, and perhaps even earlier, a rebellion arose against old guard role rigidity, and instead there was a new emphasis upon choices and personal self-identity, in which a person might consent to begin and end as either slave or master or switch back and forth. In this new world of greater flexibility, leather practitioners defined themselves as “new guard,” and an increasing number of pan-sexual clubs evolved as well.

“There’s a generational aspect to it,” Barat  says. “The old guard has to do with fixed attitudes concerning dominance and submissiveness, and in the old guard ‘D’ and ‘s’ is not just something that one does in sexual play, but something one lives 24/7.”

He says it’s now more flexible and all a matter of self-identification, not following rules.

Barat says he is a good example of this transition.

“I began as old guard and in the past I identified as a boy and more recently as a sir, but now as I get older I’ve stopped labeling myself, and now I see myself as a new guard kind of guy.”

As for the Centaurs, he says that some are into BDSM and others are not, but it’s not a primary focus of the club.

“Some of us wear leather and are into gear and not so kinky, and there others who are kinky and don’t necessarily wear a lot of leather.

Meanwhile, pop culture itself has absorbed the look of leather and the feel of erotic alternatives. Witness the numerous popular images of Elvis from the 1960s fully clothed in black leather and then 1970s heavy-metal bands such as Kiss, Black Sabbath and Judas Priest who were cloaked in leather. The latter’s lead singer Rob Halford, himself openly gay, wore a leather costume on stage as early as 1978. Soon codpieces and even harnesses proliferated on metal-rock costumes, as such gear became appropriated by internationally successful bands like the L.A. metal band Motley Crue.

Now numerous lesbians also identify as leatherwomen and a  leather pride sticker adorns the guitar of singer Joan Jett. San Francisco leather and lesbian activist Pat Califa co-founded one of the first lesbian S&M groups, Samois, and became a prolific contributor to lesbian BDSM literary erotica and sex handbooks. Leather and Lace, an “old guard” woman’s BDSM social group, was founded in Los Angeles in 1980, and in New York City there was LSM – the Lesbian Sex Mafia.

Another demographic shift in leather, says Barat, has come as younger leathermen and leatherwomen enter the worlds of leather kink, fetish and gear. It used to be mostly men over 40 graduating into the leather lifestyle, he says, “but now guys get into this lifestyle at a very young age and we’re seeing guys at our events in their early twenties.”

Barat admits, however, that leather “was once so taboo and is still not fully accepted within the larger gay community.” He hopes these attitudes are changing, but that “large parts of the gay community are still very intolerant of leather folk.” He says “there are very conservative gay people, who think we should all be monogamous, live in the suburbs, have children and go to church.”

Several entertainment guests will perform. Comedy duo Dick and Duane (Richie Cohen and Duane Tragis) are slated along with the traditional Mr. MAL 2011 contest Sunday afternoon and the Reaction party at which DJ Susan Morabito will spin.

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Galleries

BMA celebrates enduring influence of Henri Matisse

Exhibit features iconic works juxtaposed with gay artist’s paintings inspired by French legend

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‘Tom’ by Louis Fratino (left) and ‘Large Reclining Nude’ by Henri Matisse (right) reveal the ways in which the legendary French visual artist influenced the young American painter, from the use of light and pattern to the choice to focus on everyday subjects.

The Baltimore Museum of Art is on a roll. 

After landing the coveted Amy Sherald “American Sublime” exhibit (through April 5) when the National Portrait Gallery attempted to censor her work, the BMA is debuting a breathtaking and thought-provoking new exhibit, “To See This Light Again” featuring master works by Henri Matisse paired with new paintings by Louis Fratino, who is inspired by the French modernist legend.

Fratino, who’s gay, was born in Annapolis and studied at Baltimore’s Maryland Institute College of Art. As an art student, he found himself spending lots of time in the BMA’s Matisse galleries, the largest collection of his works in the world, encompassing more than 1,600 paintings, drawings, and illustrations. At just 33, Fratino has enjoyed a “meteoric” rise in the art world, according to BMA Director Asma Naeem, who introduced Fratino at an event previewing the exhibit last week. This is Fratino’s first major U.S. exhibition, but he was featured in the 2024 Venice Biennale and his paintings can be found at the Rhode Island School of Design Museum, the Whitney Museum of American Art, and elsewhere. 

The exhibit aims to explore Matisse’s lasting influence by juxtaposing his works with Fratino’s. 

“It’s the idea that art manifests a kind of attention or a vision for your life, that it can be a beautiful life despite certain circumstances that may be happening around you,” Fratino said in a statement released by the BMA. “In Matisse’s case, he lived through the First and Second World Wars. Painting can confirm that life is beautiful and that it’s worth looking at.”

The influences are apparent, from the use of light and pattern to the choice to focus on everyday objects and subjects. And the exhibit is unabashedly queer with male couples depicted in a couple of paintings. Fratino told the Blade that as an out gay man, it was important to embrace that visibility. 

He describes a “joy of looking” at the male form, just as Matisse portrayed female figures that often celebrated the tradition of painting nudes. 

In “Tom,” Fratino captured his subject in casual repose that includes a bowl and spoon in the foreground. It is presented alongside Matisse’s iconic “Large Reclining Nude.” Tom’s checkered shirt echoes the blue and white grid background of the Matisse work and both figures are holding casual, relaxed poses. 

“Fratino and Matisse: To See This Light Again” runs through Sept. 6 at the Baltimore Museum of Art (artbma.org.)

For Matisse lovers, the BMA has another exhibit debuting March 29 titled, “Matisse in Vence: The Stations of the Cross” featuring more than 80 drawings revealing how the artist “shaped his late‑career masterpiece, the Stations of the Cross mural, for the Chapel of the Rosary in Vence, France.”

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Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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Music & Concerts

Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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