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Fetishes and festivities

This weekend’s Mid-Atlantic Leather convention has new location

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Mid-Atlantic Leather Weekend 2011

Hyatt Regency Hotel Capitol Hill

400 New Jersey Ave. NW

Friday

* Registration — Ballroom level foyer — 4-10:30 p.m.

* Leather Exhibit Hall — exhibit area, Ballroom Level 5-11 p.m.

* Opening Reception (cash bar) — Yorktown Ballroom — 9-11 p.m.

* MAL Bar Crawl Bus — 10 p.m.-2 a.m.

Saturday Jan. 15

* Registration continues — 10 a.m.-5 p.m.

* Leather Exhibit Hall continues — noon-8 p.m.

* Leather Cocktails — Regency Ballroom — 6:30-9 p.m.

* CODE Party — The Crucible — 9 p.m.-2 a.m.

* MAL partner event — discounted admission

for MAL 2001 Full Weekend package holders

* MAL Bar Crawl Bus -—10 p.m.-2 a.m.

Sunday

* MAL Brunch — main lobby — 10 a.m.-noon

* Leather exhibit hall continues

* Mr. Mid-Atlantic Leather Contest — Regency Ballroom — 1 p.m.-5 p.m. (separate tickets are available for this event)

* Reaction — 9:30 Club — 10 p.m.-5 a.m. (separate tickets are available for this event)

The Bootblack Brigade hosts a bar night Saturday starting 10 p.m. at Green Lantern, 13335 Green Court, N.W. — no admission fee

And at D.C. Eagle, 639 New York Ave. N.W., the MAL Weekend welcome begins 7 p.m. Friday and continues through Monday starting at 8 p.m.

More details are here.

Richard Legg, left, and Matt Bamford, last year's Mr. MAL. (Blade file photo by Michael Key)

It’s back for another year — Mid-Atlantic Leather Weekend.

Once again, Washington becomes this weekend a fantasy scene of leather chaps and cigars, slave collars and chains — with hankie-flagging people seeking the endorphin rush of erotic heat as they cruise hotel lobbies and prowl upstairs corridors for private play parties or hunt exotic thrills at live demos of kink at the Code party. But it’s also the chance to meet old friends and make new ones within the special brotherhood (and sisterhood) of the men and women who embrace leather.

And this year’s gathering happening this weekend, this time at a new hotel, promises once again, according to the sponsoring organization, the Centaur Motorcycle Club of D.C., on its website, to be “one of the hottest leather/fetish events in North America and the world’s largest leather club run.”

“Thousands of leathermen, gearheads, kinksters, rubber freaks and even curious novices from all over the world,” says the promo material, will “come to the nation’s capitol for a weekend of hot, horny fun.”

“We’re literally looking for thousands of people to come for the weekend,” says a confident Larry Barat, the Centaur M.C. promotions chair for the weekend. About 600 or 700 people are expected to register for the full, three-day package, he says, “but we anticipate 2,000 or 3,000 or possibly more to participate in side events organized around the weekend and at the bars,” especially, he said, at the D.C. Eagle and Green Lantern.

The three-day package is $180 in advance or $200 at the door, a package including access to all events and exhibits, said Barat, who also pointed out that “an important new change for MAL 2011” is that entry into the weekend area at the hotel, including for the Leather Exhibit Hall but not the special events, will now require a “Weekend Admission Pass.” The cost for such a three-day pass is $25 if purchased on Friday, $20 on Saturday, or $10 on Sunday or alternatively $10 for any one of those days only.

The D.C.-based Centaur club, now in its 41st year, according to Barat currently consists of about 30 active members. It has sponsored MAL, now in its 31st year, from the beginning. After more than a decade of being housed at the Washington Plaza Hotel at Thomas Circle, it moves this year to the Hyatt Regency on Capitol Hill, because “we simply outgrew that hotel,” Barat says. The Washington Plaza has only 360 rooms, while the Hyatt has about 800.

“Obviously with a new home for MAL, we’re excited about that, but also a little nervous,” he adds, but he has been meeting with Hyatt staff, along with other Centaur event planners, and believes everybody feels that the weekend will be a success.

Another MAL Weekend coordinator, its chairman and fellow Centaur member Patrick Grady met Monday for another meeting “with about 30 hotel managers in the room,” and Grady says “everybody at the Hyatt is very enthusiastic indeed.”

This year, they have booked only about three-quarters of the Hyatt’s rooms because, says Barat, “we were trying to be a bit conservative this year and not over-extend ourselves.” Even so, weekend registration has spilled over into rooms reserved at the Liaison Hotel across the street.

All MAL attendees will be on the same floors. Organizers hope next year to fill the entire hotel.

Grady says his first MAL Weekend began when he joined the Washington Plaza Hotel as its director of catering in 1997 and a month later hundreds of MAL Weekend participants thronged the hotel, the second year at that venue, and he got his first real look close-up at the leather community.

“I was a newbie in ’97,” he says, “and I didn’t know their community even existed.”

He was taken in by the friendly vibes and soon, he says, he began to frequent the Eagle and then to hang out with the Centaurs. By 1999 he had sunk his own roots deep into the leather world.

Grady says that after that first weekend, “I couldn’t wait to see everybody back in ’98,” and he was drawn to the sense of community that he found, especially in the Centaur MC. Yes, he knows that some LGBT people are uncomfortable with the more taboo aspects of the leather world — the BDSM sexuality — but he says the reality is that the leather world — and the Centaur club — is “very diverse.”

“We have members who have motorcycles and those who don’t, who are large and skinny, tall and short, and the only real common denominator is that we like one another,” he says. “Some are hard-core leather folk and others are just out for a good time.” But he admits that “when we gather together sometimes we are a little much for some people — we tend to be very gregarious.”

His objective this year is simple: “to make new friends and renew old acquaintances,” a goal echoed by Barat, who says “our aim is to have fun and make sure everybody who comes has fun, so they can meet new people and explore new things.”

The signature events, says Barat, are the Leather Cocktails reception Saturday evening, the buses for the MAL bar-crawl, the CODE party at the Crucible S&M club Saturday night into the wee hours of Sunday morning, the Mr. Mid-Atlantic Leather Contest Sunday afternoon, and the finale event, the Reaction dance at the 9:30 Club from 10 p.m. Sunday until 5 a.m. Monday. Throughout the entire weekend also, another big draw is the Leather Exhibit Hall located on the hotel’s Ballroom level, with dozens of vendors of gear, books and other paraphernalia.

The MAL Weekend in 1998 was “the first big leather event” he ever attended, though he had lived a leather lifestyle “on and off” since he was 19. Now 50 and a U Street resident for the past seven years, by day Barat works on international public health issues for the U.S. Government.

For him, owning a bike is important to the leather lifestyle, and though he recently sold his own Harley Davidson “Fat Boy,” now he says he can’t wait until the weather gets warm again to get his next new bike. Though he says another D.C.-based club, the Spartans, “are more into motorcycles,” the Cenatur M.C. still sponsors runs two or three times a year, usually to Skyline Drive and into West Virginia and back.

Like Grady, Barat was won over by the welcoming vibes of community he felt at his first MAL Weekend: “I was really kind of shocked at how friendly everyone was,” and how eager people were to teach him about the things he didn’t know, and he also began to understand the wide variety of lifestyles subsumed under the leather label.

The gay male leather subculture has existed, according to most accounts, since the late 1940s, when it grew out of gay men who had typically worn uniforms during World War II and mustered out and were looking for a way to sustain the homosocial world and its rituals and rules of masculine identity they had experienced during wartime. Soon these men found their way into the culture of biker clubs, and for them the lure of leather signified a code of dress rooted for most — though not all — in sexual activities, often defined by the sexual practices loosely grouped under the label of BDSM.

“Leather is a term that includes dressing up and getting into sexual scenes when dressed up, acting out certain sexual fantasies like getting flogged, at one end of the spectrum, but you don’t need to dress for BD events,” Barat says.

At the other end of the spectrum, he says, people just like the feel of leather and the thrill of the road and the ride.

“And it’s everything in between,” he says,”plus, it’s not just leather alone anymore – there’s rubber, there’s sports-gear, there’s uniforms. And now there’s also a lot of young guys into dressing up as super heroes and comic book heroes.”

“It’s a whole range of of people and the nice thing about the community is that it’s very accepting,” Barat says. “You see a guy in full leather gear talking to a guy dressed up like Batman talking to a guy dressed up in full rubber.”

For many, participation is a chance to distinguish themselves from mainstream sexual activities. For some it can mean immersion in sexual kink. For others, just wearing the trappings of black leather is the main point, an erotic fashion statement expressing heightened masculinity.

The pioneering gay motorcycle clubs — the Satyrs of Los Angeles, established in 1954, and others like the Warlocks of San Francisco — reflected that same sense of disaffection with the postwar mainstream. It also provided an archetype for gay men who resisted effeminate stereotypes. For years, Larry Townsend’s “Leatherman’s Handbook” was the guide by which rank in the leather community — slave, boy, sir and master — was determined.

But by the 1980s, and perhaps even earlier, a rebellion arose against old guard role rigidity, and instead there was a new emphasis upon choices and personal self-identity, in which a person might consent to begin and end as either slave or master or switch back and forth. In this new world of greater flexibility, leather practitioners defined themselves as “new guard,” and an increasing number of pan-sexual clubs evolved as well.

“There’s a generational aspect to it,” Barat  says. “The old guard has to do with fixed attitudes concerning dominance and submissiveness, and in the old guard ‘D’ and ‘s’ is not just something that one does in sexual play, but something one lives 24/7.”

He says it’s now more flexible and all a matter of self-identification, not following rules.

Barat says he is a good example of this transition.

“I began as old guard and in the past I identified as a boy and more recently as a sir, but now as I get older I’ve stopped labeling myself, and now I see myself as a new guard kind of guy.”

As for the Centaurs, he says that some are into BDSM and others are not, but it’s not a primary focus of the club.

“Some of us wear leather and are into gear and not so kinky, and there others who are kinky and don’t necessarily wear a lot of leather.

Meanwhile, pop culture itself has absorbed the look of leather and the feel of erotic alternatives. Witness the numerous popular images of Elvis from the 1960s fully clothed in black leather and then 1970s heavy-metal bands such as Kiss, Black Sabbath and Judas Priest who were cloaked in leather. The latter’s lead singer Rob Halford, himself openly gay, wore a leather costume on stage as early as 1978. Soon codpieces and even harnesses proliferated on metal-rock costumes, as such gear became appropriated by internationally successful bands like the L.A. metal band Motley Crue.

Now numerous lesbians also identify as leatherwomen and a  leather pride sticker adorns the guitar of singer Joan Jett. San Francisco leather and lesbian activist Pat Califa co-founded one of the first lesbian S&M groups, Samois, and became a prolific contributor to lesbian BDSM literary erotica and sex handbooks. Leather and Lace, an “old guard” woman’s BDSM social group, was founded in Los Angeles in 1980, and in New York City there was LSM – the Lesbian Sex Mafia.

Another demographic shift in leather, says Barat, has come as younger leathermen and leatherwomen enter the worlds of leather kink, fetish and gear. It used to be mostly men over 40 graduating into the leather lifestyle, he says, “but now guys get into this lifestyle at a very young age and we’re seeing guys at our events in their early twenties.”

Barat admits, however, that leather “was once so taboo and is still not fully accepted within the larger gay community.” He hopes these attitudes are changing, but that “large parts of the gay community are still very intolerant of leather folk.” He says “there are very conservative gay people, who think we should all be monogamous, live in the suburbs, have children and go to church.”

Several entertainment guests will perform. Comedy duo Dick and Duane (Richie Cohen and Duane Tragis) are slated along with the traditional Mr. MAL 2011 contest Sunday afternoon and the Reaction party at which DJ Susan Morabito will spin.

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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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Sci-fi has long been at vanguard of LGBTQ representation

Story lines now criticized as ‘woke’ is weird

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Ncuti Gatwa as the Doctor and Jonathan Groff as Rogue lock lips in the long-running sci-fi show, 'Doctor Who.' (Screen capture via Doctor Who/YouTube)

Since I was a teenager, I have liked sci-fi because of the depth with which it explores social issues. At the time, I didn’t know that I was autistic and queer, so I couldn’t see myself in other autistic and queer people. Instead, I saw myself in androids, mutants, telepaths, and sometimes aliens who were portrayed as minorities persecuted by the human majority. It was a universal language for talking about alienation, systemic discrimination, conversion therapy, segregation, and internalized self-hatred.

Now, when so many sci-fi stories are being criticized online as “woke,” it seems weird for me. This is especially true when we are talking about franchises, such as the British TV series “Doctor Who” and American franchise “Star Trek,” both of which have always been remarkably progressive by the standards of their own time. 

Let’s take a closer look at “Doctor Who.”

In June 2026, the BBC cancelled the planned Christmas special, saying that viewers would have to wait longer for the next season after internal studio issues, and now the BBC is looking for new production partners. “Doctor Who” is the longest-running science fiction television series in the world, originally airing from 1963 to 1989 before returning in 2005. The future of the franchise is currently unclear, and many people online immediately began blaming “wokeness” for what had happened to their favorite show.

After all, the Doctor, an alien Time Lord who can regenerate and literally change faces, had traditionally been played by white men. But the last, Fifteenth Doctor was played by Ncuti Gatwa, a Black Scottish-Rwandan actor who has publicly identified as queer (and the doctor himself was first presented as queer character after a queer romantic episode where he kissed a man), while the Thirteenth Doctor was played for three seasons by Jodie Whittaker, the first woman to portray the Doctor. In 2023, the series also introduced Rose Noble, a trans feminine nonbinary teenager and supportive character played by transgender English actress Yasmin Finney.

But despite popular stereotypes online, “Doctor Who” did not suddenly “go woke.” The program has existed in two main eras: the classic series, which aired from 1963 to1989, and the modern revival, which has been broadcast on BBC One since 2005.

Even in the 1960s, one of the program’s earliest stories, “The Daleks” (1963–64), presented an obvious allegory for fascism, racial purity, bigotry and the horrors of war. Throughout the classic era, the Doctor frequently opposed militarism, authoritarian governments, and dictatorships. Many fans have also pointed to moments of queer coding and subtext throughout the classic series.

However, openly queer characters appeared as soon as the modern revival began. 

The 2005 revival introduced Captain Jack Harkness, played by John Barrowman, one of the first openly queer recurring characters in the “Doctor Who” universe. He openly flirted with people regardless of their gender and later became the lead character of the spin-off series “Torchwood.” “Torchwood” went even further with LGBTQ representation, featuring multiple queer characters, including trans and nonbinary characters whose identities were treated as a normal part of the story.

“Doctor Who” has always been remarkably progressive for its time. The franchise doesn’t suddenly change its values, it’s always been “woke.”

The same happened with the American franchise “Star Trek.” 

It is widely known as one of the most openly left-wing and progressive television franchises ever broadcast. The original series, which aired from 1966-1969, was created during the Cold War and featured the utopian United Federation of Planets, a society without poverty or money that can be characterised as socialist or even communist. It also featured Lt. Uhura, played by Nichelle Nichols, a Black woman serving as a highly respected bridge officer at a time when Black women weren’t portrayed in positions of authority on American television. The series also included one of the first interracial kisses in modern American television, between Capt. James T. Kirk (William Shatner) and Uhura in the 1968 episode “Plato’s Stepchildren,” a moment that had a significant cultural impact.

Gene Roddenberry, the creator of the franchise, said that he had wanted to include openly queer characters as well, but believed it would have been impossible to keep the show on the air because it had already pushed social boundaries in so many other ways.

Today, many viewers — including Elon Musk — claim that “Star Trek” has only recently become “woke.” In reality, I think it actually became less radical than the original series. Even queer characters are not a recent addition to the franchise. One of the earliest major queer characters appeared in “Star Trek: Deep Space Nine” (1993–1999): the Trill officer Jadzia Dax, played by Terry Farrell. In the 1995 episode “Rejoined,” she shared one of the first same-sex kisses in the history of the franchise.

However, for some reason, it was the openly gay couple Paul Stamets (Anthony Rapp) and Hugh Culber (Wilson Cruz) inStar Trek: Discovery” (2017–2024), together with the trans Trill character Gray Tal, played by trans actor Ian Alexander, that triggered a major backlash among conservative parts of the fandom. That backlash reached another peak with “Star Trek: Starfleet Academy,” which features the canonically gay Klingon cadet Jay-Den Kraag. The actor has spoken about receiving abuse and threats because of the role, despite the fact that there was nothing especially ideological about his character. He was simply a gay character whose sexuality was only one aspect of who he was. In fact, considering the ideals of the original “Star Trek,” I was more surprised that the franchise still includes relatively few trans or polyamorous characters, and that they are not part of the lead cast. After all, the franchise was created to imagine a future that was ahead of its time.

So why do conservatives and anti-LGBTQ people continue to watch franchises that have always been deliberately progressive? And why do they keep claiming that these shows have only recently “gone woke”?

A more logical explanation is that parts of the audience have become less willing to accept the same kinds of progressive ideas that these franchises have embraced for decades. In other words, it is not the shows that fundamentally changed. Some long-time viewers have become more conservative than they were in their youth, while newer conservative audiences have joined them and begun criticizing franchises without knowing their real history. 

In many ways, geeks have changed more than these shows have. Sci-fi hasn’t “gone woke.” Some of its fans have simply become less comfortable with the same progressive values these franchises have promoted for decades.

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PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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