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Fetishes and festivities

This weekend’s Mid-Atlantic Leather convention has new location

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Mid-Atlantic Leather Weekend 2011

Hyatt Regency Hotel Capitol Hill

400 New Jersey Ave. NW

Friday

* Registration — Ballroom level foyer — 4-10:30 p.m.

* Leather Exhibit Hall — exhibit area, Ballroom Level 5-11 p.m.

* Opening Reception (cash bar) — Yorktown Ballroom — 9-11 p.m.

* MAL Bar Crawl Bus — 10 p.m.-2 a.m.

Saturday Jan. 15

* Registration continues — 10 a.m.-5 p.m.

* Leather Exhibit Hall continues — noon-8 p.m.

* Leather Cocktails — Regency Ballroom — 6:30-9 p.m.

* CODE Party — The Crucible — 9 p.m.-2 a.m.

* MAL partner event — discounted admission

for MAL 2001 Full Weekend package holders

* MAL Bar Crawl Bus -—10 p.m.-2 a.m.

Sunday

* MAL Brunch — main lobby — 10 a.m.-noon

* Leather exhibit hall continues

* Mr. Mid-Atlantic Leather Contest — Regency Ballroom — 1 p.m.-5 p.m. (separate tickets are available for this event)

* Reaction — 9:30 Club — 10 p.m.-5 a.m. (separate tickets are available for this event)

The Bootblack Brigade hosts a bar night Saturday starting 10 p.m. at Green Lantern, 13335 Green Court, N.W. — no admission fee

And at D.C. Eagle, 639 New York Ave. N.W., the MAL Weekend welcome begins 7 p.m. Friday and continues through Monday starting at 8 p.m.

More details are here.

Richard Legg, left, and Matt Bamford, last year's Mr. MAL. (Blade file photo by Michael Key)

It’s back for another year — Mid-Atlantic Leather Weekend.

Once again, Washington becomes this weekend a fantasy scene of leather chaps and cigars, slave collars and chains — with hankie-flagging people seeking the endorphin rush of erotic heat as they cruise hotel lobbies and prowl upstairs corridors for private play parties or hunt exotic thrills at live demos of kink at the Code party. But it’s also the chance to meet old friends and make new ones within the special brotherhood (and sisterhood) of the men and women who embrace leather.

And this year’s gathering happening this weekend, this time at a new hotel, promises once again, according to the sponsoring organization, the Centaur Motorcycle Club of D.C., on its website, to be “one of the hottest leather/fetish events in North America and the world’s largest leather club run.”

“Thousands of leathermen, gearheads, kinksters, rubber freaks and even curious novices from all over the world,” says the promo material, will “come to the nation’s capitol for a weekend of hot, horny fun.”

“We’re literally looking for thousands of people to come for the weekend,” says a confident Larry Barat, the Centaur M.C. promotions chair for the weekend. About 600 or 700 people are expected to register for the full, three-day package, he says, “but we anticipate 2,000 or 3,000 or possibly more to participate in side events organized around the weekend and at the bars,” especially, he said, at the D.C. Eagle and Green Lantern.

The three-day package is $180 in advance or $200 at the door, a package including access to all events and exhibits, said Barat, who also pointed out that “an important new change for MAL 2011” is that entry into the weekend area at the hotel, including for the Leather Exhibit Hall but not the special events, will now require a “Weekend Admission Pass.” The cost for such a three-day pass is $25 if purchased on Friday, $20 on Saturday, or $10 on Sunday or alternatively $10 for any one of those days only.

The D.C.-based Centaur club, now in its 41st year, according to Barat currently consists of about 30 active members. It has sponsored MAL, now in its 31st year, from the beginning. After more than a decade of being housed at the Washington Plaza Hotel at Thomas Circle, it moves this year to the Hyatt Regency on Capitol Hill, because “we simply outgrew that hotel,” Barat says. The Washington Plaza has only 360 rooms, while the Hyatt has about 800.

“Obviously with a new home for MAL, we’re excited about that, but also a little nervous,” he adds, but he has been meeting with Hyatt staff, along with other Centaur event planners, and believes everybody feels that the weekend will be a success.

Another MAL Weekend coordinator, its chairman and fellow Centaur member Patrick Grady met Monday for another meeting “with about 30 hotel managers in the room,” and Grady says “everybody at the Hyatt is very enthusiastic indeed.”

This year, they have booked only about three-quarters of the Hyatt’s rooms because, says Barat, “we were trying to be a bit conservative this year and not over-extend ourselves.” Even so, weekend registration has spilled over into rooms reserved at the Liaison Hotel across the street.

All MAL attendees will be on the same floors. Organizers hope next year to fill the entire hotel.

Grady says his first MAL Weekend began when he joined the Washington Plaza Hotel as its director of catering in 1997 and a month later hundreds of MAL Weekend participants thronged the hotel, the second year at that venue, and he got his first real look close-up at the leather community.

“I was a newbie in ’97,” he says, “and I didn’t know their community even existed.”

He was taken in by the friendly vibes and soon, he says, he began to frequent the Eagle and then to hang out with the Centaurs. By 1999 he had sunk his own roots deep into the leather world.

Grady says that after that first weekend, “I couldn’t wait to see everybody back in ’98,” and he was drawn to the sense of community that he found, especially in the Centaur MC. Yes, he knows that some LGBT people are uncomfortable with the more taboo aspects of the leather world — the BDSM sexuality — but he says the reality is that the leather world — and the Centaur club — is “very diverse.”

“We have members who have motorcycles and those who don’t, who are large and skinny, tall and short, and the only real common denominator is that we like one another,” he says. “Some are hard-core leather folk and others are just out for a good time.” But he admits that “when we gather together sometimes we are a little much for some people — we tend to be very gregarious.”

His objective this year is simple: “to make new friends and renew old acquaintances,” a goal echoed by Barat, who says “our aim is to have fun and make sure everybody who comes has fun, so they can meet new people and explore new things.”

The signature events, says Barat, are the Leather Cocktails reception Saturday evening, the buses for the MAL bar-crawl, the CODE party at the Crucible S&M club Saturday night into the wee hours of Sunday morning, the Mr. Mid-Atlantic Leather Contest Sunday afternoon, and the finale event, the Reaction dance at the 9:30 Club from 10 p.m. Sunday until 5 a.m. Monday. Throughout the entire weekend also, another big draw is the Leather Exhibit Hall located on the hotel’s Ballroom level, with dozens of vendors of gear, books and other paraphernalia.

The MAL Weekend in 1998 was “the first big leather event” he ever attended, though he had lived a leather lifestyle “on and off” since he was 19. Now 50 and a U Street resident for the past seven years, by day Barat works on international public health issues for the U.S. Government.

For him, owning a bike is important to the leather lifestyle, and though he recently sold his own Harley Davidson “Fat Boy,” now he says he can’t wait until the weather gets warm again to get his next new bike. Though he says another D.C.-based club, the Spartans, “are more into motorcycles,” the Cenatur M.C. still sponsors runs two or three times a year, usually to Skyline Drive and into West Virginia and back.

Like Grady, Barat was won over by the welcoming vibes of community he felt at his first MAL Weekend: “I was really kind of shocked at how friendly everyone was,” and how eager people were to teach him about the things he didn’t know, and he also began to understand the wide variety of lifestyles subsumed under the leather label.

The gay male leather subculture has existed, according to most accounts, since the late 1940s, when it grew out of gay men who had typically worn uniforms during World War II and mustered out and were looking for a way to sustain the homosocial world and its rituals and rules of masculine identity they had experienced during wartime. Soon these men found their way into the culture of biker clubs, and for them the lure of leather signified a code of dress rooted for most — though not all — in sexual activities, often defined by the sexual practices loosely grouped under the label of BDSM.

“Leather is a term that includes dressing up and getting into sexual scenes when dressed up, acting out certain sexual fantasies like getting flogged, at one end of the spectrum, but you don’t need to dress for BD events,” Barat says.

At the other end of the spectrum, he says, people just like the feel of leather and the thrill of the road and the ride.

“And it’s everything in between,” he says,”plus, it’s not just leather alone anymore – there’s rubber, there’s sports-gear, there’s uniforms. And now there’s also a lot of young guys into dressing up as super heroes and comic book heroes.”

“It’s a whole range of of people and the nice thing about the community is that it’s very accepting,” Barat says. “You see a guy in full leather gear talking to a guy dressed up like Batman talking to a guy dressed up in full rubber.”

For many, participation is a chance to distinguish themselves from mainstream sexual activities. For some it can mean immersion in sexual kink. For others, just wearing the trappings of black leather is the main point, an erotic fashion statement expressing heightened masculinity.

The pioneering gay motorcycle clubs — the Satyrs of Los Angeles, established in 1954, and others like the Warlocks of San Francisco — reflected that same sense of disaffection with the postwar mainstream. It also provided an archetype for gay men who resisted effeminate stereotypes. For years, Larry Townsend’s “Leatherman’s Handbook” was the guide by which rank in the leather community — slave, boy, sir and master — was determined.

But by the 1980s, and perhaps even earlier, a rebellion arose against old guard role rigidity, and instead there was a new emphasis upon choices and personal self-identity, in which a person might consent to begin and end as either slave or master or switch back and forth. In this new world of greater flexibility, leather practitioners defined themselves as “new guard,” and an increasing number of pan-sexual clubs evolved as well.

“There’s a generational aspect to it,” Barat  says. “The old guard has to do with fixed attitudes concerning dominance and submissiveness, and in the old guard ‘D’ and ‘s’ is not just something that one does in sexual play, but something one lives 24/7.”

He says it’s now more flexible and all a matter of self-identification, not following rules.

Barat says he is a good example of this transition.

“I began as old guard and in the past I identified as a boy and more recently as a sir, but now as I get older I’ve stopped labeling myself, and now I see myself as a new guard kind of guy.”

As for the Centaurs, he says that some are into BDSM and others are not, but it’s not a primary focus of the club.

“Some of us wear leather and are into gear and not so kinky, and there others who are kinky and don’t necessarily wear a lot of leather.

Meanwhile, pop culture itself has absorbed the look of leather and the feel of erotic alternatives. Witness the numerous popular images of Elvis from the 1960s fully clothed in black leather and then 1970s heavy-metal bands such as Kiss, Black Sabbath and Judas Priest who were cloaked in leather. The latter’s lead singer Rob Halford, himself openly gay, wore a leather costume on stage as early as 1978. Soon codpieces and even harnesses proliferated on metal-rock costumes, as such gear became appropriated by internationally successful bands like the L.A. metal band Motley Crue.

Now numerous lesbians also identify as leatherwomen and a  leather pride sticker adorns the guitar of singer Joan Jett. San Francisco leather and lesbian activist Pat Califa co-founded one of the first lesbian S&M groups, Samois, and became a prolific contributor to lesbian BDSM literary erotica and sex handbooks. Leather and Lace, an “old guard” woman’s BDSM social group, was founded in Los Angeles in 1980, and in New York City there was LSM – the Lesbian Sex Mafia.

Another demographic shift in leather, says Barat, has come as younger leathermen and leatherwomen enter the worlds of leather kink, fetish and gear. It used to be mostly men over 40 graduating into the leather lifestyle, he says, “but now guys get into this lifestyle at a very young age and we’re seeing guys at our events in their early twenties.”

Barat admits, however, that leather “was once so taboo and is still not fully accepted within the larger gay community.” He hopes these attitudes are changing, but that “large parts of the gay community are still very intolerant of leather folk.” He says “there are very conservative gay people, who think we should all be monogamous, live in the suburbs, have children and go to church.”

Several entertainment guests will perform. Comedy duo Dick and Duane (Richie Cohen and Duane Tragis) are slated along with the traditional Mr. MAL 2011 contest Sunday afternoon and the Reaction party at which DJ Susan Morabito will spin.

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Movies

A ‘Battle’ we can’t avoid

Critical darling is part action thriller, part political allegory, part satire

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Leonardo DiCaprio stars in ‘One Battle After Another.’ (Photo courtesy of Warner Bros.)

When Paul Thomas Anderson’s “One Battle After Another” debuted on American movie screens last September, it had a lot of things going for it: an acclaimed Hollywood auteur working with a cast that included three Oscar-winning actors, on an ambitious blockbuster with his biggest budget to date, and a $70 million advertising campaign to draw in the crowds. It was even released in IMAX. 

It was still a box office disappointment, failing to achieve its “break-even” threshold before making the jump from big screen to small via VOD rentals and streaming on HBO Max. Whatever the reason – an ambivalence toward its stars, a lack of clarity around what it was about, divisive pushback from both progressive and conservative camps over perceived messaging, or a general sense of fatigue over real-world events that had pushed potential moviegoers to their saturation point for politically charged material – audiences failed to show up for it. 

The story did not end there, of course; most critics, unconcerned with box office receipts, embraced Anderson’s grand-scale opus, and it’s now a top contender in this year’s awards race, already securing top prizes at the Golden Globe and Critics’ Choice Awards, nominated for a record number of SAG’s Actor Awards, and almost certain to be a front runner in multiple categories at the Academy Awards on March 15.

For cinema buffs who care about such things, that means the time has come: get over all those misgivings and hesitations, whatever reasons might be behind them, and see for yourself why it’s at the top of so many “Best Of” lists.

Adapted by Anderson from the 1990 Thomas Pynchon novel “Vineland,” “One Battle” is part action thriller, part political allegory, part jet-black satire, and – as the first feature film shot primarily in the “VistaVision” format since the early 1960s – all gloriously cinematic. It unspools a near-mythic saga of oppression, resistance, and family bonds, set in an authoritarian America of unspecified date, in which a former revolutionary (Leonardo DiCaprio) is attempting to raise his teenage daughter (Chase Infiniti) under the radar after her mother (Teyana Taylor) betrayed the movement and fled the country. Now living under a fake identity and consumed by paranoia and a weed habit, he has grown soft and unprepared when a corrupt military officer (Sean Penn) – who may be his daughter’s real biological father – tracks them down and apprehends her. Determined to rescue her, he reconnects with his old revolutionary network and enlists the aid of her karate teacher (Benicio Del Toro), embarking on a desperate rescue mission while her captor plots to erase all traces of his former “indiscretion” with her mother.

It’s a plot straight out of a mainstream action melodrama, top-heavy with opportunities for old-school action, sensationalistic violence, and epic car chases (all of which it delivers), but in the hands of Anderson – whose sensibilities always strike a provocative balance between introspection, nostalgia, and a sense of apt-but-irreverent destiny – it becomes much more intriguing than the generic tropes with which he invokes to cover his own absurdist leanings.

Indeed, it’s that absurdity which infuses “One Battle” with a bemusedly observational tone and emerges to distinguish it from the “action movie” format it uses to relay its narrative. From DiCaprio (whose performance highlights his subtle comedic gifts as much as his “serious” acting chops) as a bathrobe-clad underdog hero with shades of The Dude from the Coen Brothers’ “The Big Liebowski,” to the uncomfortably hilarious creepy secret society of financially elite white supremacists that lurks in the margins of the action, Anderson gives us plenty of satirical fodder to chuckle about, even if we cringe as we do it; like that masterpiece of too-close-to-home political comedy, Stanley Kubrick’s 1964 nuclear holocaust farce “Dr. Strangelove,” it offers us ridiculousness and buffoonery which rings so perfectly true in a terrifying reality that we can’t really laugh at it.

That, perhaps, is why Anderson’s film has had a hard time drawing viewers; though it’s based on a book from nearly four decades ago and it was conceived, written, and created well before our current political reality, the world it creates hits a little too close to home. It imagines a roughly contemporary America ruled by a draconian regime, where immigration enforcement, police, and the military all seem wrapped into one oppressive force, and where unapologetic racism dictates an entire ideology that works in the shadows to impose its twisted values on the world. When it was conceived and written, it must have felt like an exaggeration; now, watching the final product in 2026, it feels almost like an inevitability. Let’s face it, none of us wants to accept the reality of fascism imposing itself on our daily lives; a movie that forces us to confront it is, unfortunately, bound to feel like a downer. We get enough “doomscrolling” on social media; we can’t be faulted for not wanting more of it when we sit down to watch a movie.

In truth, however, “One Battle” is anything but a downer. Full of comedic flourish, it maintains a rigorous distance that makes it impossible to make snap judgments about its characters, and that makes all the difference – especially with characters like DiCaprio’s protective dad, whose behavior sometimes feels toxic from a certain point of view. And though it’s a movie which has no qualms about showing us terrifying things we would rather not see, it somehow comes off better in the end than it might have done by making everything feel safe.

“Safe” is something we are never allowed to feel in Anderson’s outlandish action adventure, even at an intellectual level; even if we can laugh at some of its over-the-top flourishes or find emotional (or ideological) satisfaction in the way things ultimately play out, we can’t walk away from it without feeling the dread that comes from recognizing the ugly truths behind its satirical absurdities. In the end, it’s all too real, too familiar, too dire for us not to be unsettled. After all, it’s only a movie, but the things it shows us are not far removed from the world outside our doors. Indeed, they’re getting closer every day.

Visually masterful, superbly performed, and flawlessly delivered by a cinematic master, it’s a movie that, like it or not, confronts us with the discomforting reality we face, and there’s nobody to save it from us but ourselves.

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Sports

‘Heated Rivalry’ stars to participate in Olympic torch relay

Games to take place next month in Italy

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(Photo courtesy of Crave HBO Max)

“Heated Rivalry” stars Hudson Williams and Connor Storrie will participate in the Olympic torch relay ahead of the 2026 Winter Olympics that will take place next month in Italy.

HBO Max, which distributes “Heated Rivalry” in the U.S., made the announcement on Thursday in a press release.

The games will take place in Milan and Cortina from Feb. 6-22. The HBO Max announcement did not specifically say when Williams and Storrie will participate in the torch relay.

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Bars & Parties

Here’s where to watch ‘RuPaul’s Drag Race’ with fellow fans

Entertainers TrevHER and Grey host event with live performance

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(Photo by New Africa/Bigstock)

Spark Social Events will host “Ru Paul’s Drag Race S18 Watch Party Hosted by Local Drag Queens” on Friday, Jan. 23 at 8 p.m.

Drag entertainers TrevHER and Grey will provide commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. The watch party will take place on a heated outdoor patio and cozy indoor space.

This event is free and more details are available on Eventbrite.

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