Connect with us

Arts & Entertainment

Arts news in brief: Jan. 28

‘Faux queen’ pageant at Ziegfeld’s, another dance company at the Kennedy Center and more

Published

on

Mark Morris Dance Company (Photo courtesy of the company)

Gay-helmed dance company at George Mason next weekend

He is the dancing world’s strapping bad boy, with a fullback’s girth and at 6 feet, 2 inches tall, he towers over many other dancers, though these days he is now largely retired from performing. And he has been called by Time Magazine “the most prodigiously gifted choreographer of the post-Balanchine era.”

He is 54-year-old Mark Morris, founder and still chieftain of the world-renowned Mark Morris Dance Group, now in its 30th year during a 17-month-long anniversary season touring to 20 cities including the D.C. area on Feb. 5 and 6, in performances and discussions at George Mason University in Fairfax, Va.

Morris, who is gay, was born in Seattle in 1956, and at the age of 16, after graduating early from high school, traveled to Spain where, at the time, he felt he was destined to be a flamenco dancer. But because of the fascist repression of the Franco regime, he returned to the U.S. and in 1976 began living with other artists in a loft in Hoboken, N.J., and performing in New York City.

In 1980, with a collection of friends, he staged a concert of his own choreography and called them the Mark Morris Dance Group. Since then, he has worked with Mikhail Baryshnikov to found the White Oak Dance Project and has been much in demand as a ballet choreographer, most notably with the San Francisco Ballet, and for staging operas for the Metropolitan Opera in New York City. In 2001, his company moved into its first permanent headquarters, the Mark Morris Dance Center in Brooklyn.

Open about his sexual orientation, Morris has been outspoken also on the topic of marriage equality, though he chooses to call gay marriage “queer marriage.”

“We have been coming to Fairfax many years,” says Morris, who looks to the D.C. area for its “steady and devoted audience for what we do.”

This includes his plan to perform the D.C.-area premiere of “Petrichor,” set to the music of Brazilian composer Heitor Villa-Lobos, which first premiered in Boston in 2010. The company will also perform three classical works from the Morris repertory — 1990’s “Going Away Party,” set to music by Bob Willis and His Texas Playboys; 1999’s “Silhouettes,” set to music by Richard Cumming; and 2008’s “Excursions,” set to music by 20th century gay American composer Samuel Barber.

Performances are at 8 p.m. Friday and Saturday, Feb. 4 and 5, at George Mason University’s Center for the Arts at its campus, at the intersection of Braddock Road and Route 123, in Fairfax City, Va. Tickets are $22, $36 and $44, by phone at 888-945-2468 or visit www.cfa.gmu.edu.                       — David Hoffman

Alvin Ailey dance company celebrates 50th at Kennedy Center

The Alvin Ailey American Dance Theater is celebrating its 50th anniversary with seven performances at the Kennedy Center (2700 F St., N.W.) starting Tuesday. It’s named after the choreographer, a gay groundbreaker in his field who died of AIDS in 1989.

All of the group’s performances will include “Revelations,” a tribute to Ailey’s African-American heritage that uses traditional spirituals to explore the places of “deepest grief and holiest joy in the human soul,” as their promo material states.

On Tuesday at 7 p.m., Feb. 4 at 7:30 p.m. and Feb. 5 at 1:30 p.m., the company will be performing “Anointed,” “Cry and the Hunt” in addition to “Revelations.”

On Wednesday and Thursday at 7:30 p.m.,, the company will perform “Night Creature,” “The Evolution of a Secured Feminine” and the “Prodigal Prince” as well as “Revelations.”

The second performance on Feb. 5 at 7:30 p.m. and the Feb. 6 performance at 1:30 p.m. will include “Three Black Kings,” “In/Side” and “Forgotten Time.”

On Feb. 5 after the matinee, there will be a free post-performance discussion with a moderator and members of the company.

Tickets range from $30 to $99 and can be purchased online at kennedy-center.org. — David Hoffman

Show tunes and cocktails continue at the Jefferson

After its kick off in December, “Show Tunes and Cocktails at the Jefferson” continues as a monthly sing-along in the Jefferson’s Quill Bar (1200 16th St., N.W.) Monday from 7 to 10 p.m.

Orchestra leader Glenn Pearson, a Helen Hayes Board member, will be playing the piano “to encourage everyone in attendance to shed their inhibitions” and sing.

“For many years, following our annual October benefit, several guests stayed and broke into an impromptu gathering to sing show tunes around the piano with [Pearson],” says Linda Levy Grossman, Helen Hayes President and CEO said in a press release for the event. “Now it’s become a signature part of the evening.”

Specialty cocktails and featured appetizers will be available and attendees will have an opportunity to win Washington Theatre TixCertificates (flexible $20 gift certificates redeemable at almost 50 theaters throughout D.C.).

The Jefferson is donating 20 percent of the proceeds to support the Helen Hayes organization.

Admission is free and discounted parking is available with validation. — Juliette Ebner

Drag queen contest for ‘real’ women to be held

A contest for women born as biologically female but with drag sensibilities will be held Sunday at Ziegfeld’s at 3 p.m.

The Imperial Court of Washington is hosting Miss Faux Queen, an event modeled after female impersonation contests and a similar pageant that was held in San Francisco in the ’90s. There will be four categories — interview, international costume, interview and talent.

Contestants will dress similarly to drag queens with padding, wigs, makeup and more. All contestants will have a “drag mother” to guide them. Miss Faux Queen International is for in-town contestants while the “national” event is for out-of-town participants.

Admission is $20. Ziegfeld’s is at 1824 Half Street, S.W. Doors open at 2. For more information, e-mail to [email protected].

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Italy

44 openly LGBTQ athletes to compete in Milan Cortina Winter Olympics

Games to begin on Friday

Published

on

(Public domain photo)

More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.

Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.

“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”

McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.

Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.

“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.

Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.

Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.

ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.

“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.

The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.

President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.

The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:

• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.

• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.

• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.

The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.

Continue Reading

Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

Published

on

Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

Continue Reading

Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

Published

on

(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

Continue Reading

Popular