Arts & Entertainment
Arts news in brief: Jan. 28
‘Faux queen’ pageant at Ziegfeld’s, another dance company at the Kennedy Center and more
Gay-helmed dance company at George Mason next weekend
He is the dancing world’s strapping bad boy, with a fullback’s girth and at 6 feet, 2 inches tall, he towers over many other dancers, though these days he is now largely retired from performing. And he has been called by Time Magazine “the most prodigiously gifted choreographer of the post-Balanchine era.”
He is 54-year-old Mark Morris, founder and still chieftain of the world-renowned Mark Morris Dance Group, now in its 30th year during a 17-month-long anniversary season touring to 20 cities including the D.C. area on Feb. 5 and 6, in performances and discussions at George Mason University in Fairfax, Va.
Morris, who is gay, was born in Seattle in 1956, and at the age of 16, after graduating early from high school, traveled to Spain where, at the time, he felt he was destined to be a flamenco dancer. But because of the fascist repression of the Franco regime, he returned to the U.S. and in 1976 began living with other artists in a loft in Hoboken, N.J., and performing in New York City.
In 1980, with a collection of friends, he staged a concert of his own choreography and called them the Mark Morris Dance Group. Since then, he has worked with Mikhail Baryshnikov to found the White Oak Dance Project and has been much in demand as a ballet choreographer, most notably with the San Francisco Ballet, and for staging operas for the Metropolitan Opera in New York City. In 2001, his company moved into its first permanent headquarters, the Mark Morris Dance Center in Brooklyn.
Open about his sexual orientation, Morris has been outspoken also on the topic of marriage equality, though he chooses to call gay marriage “queer marriage.”
“We have been coming to Fairfax many years,” says Morris, who looks to the D.C. area for its “steady and devoted audience for what we do.”
This includes his plan to perform the D.C.-area premiere of “Petrichor,” set to the music of Brazilian composer Heitor Villa-Lobos, which first premiered in Boston in 2010. The company will also perform three classical works from the Morris repertory — 1990’s “Going Away Party,” set to music by Bob Willis and His Texas Playboys; 1999’s “Silhouettes,” set to music by Richard Cumming; and 2008’s “Excursions,” set to music by 20th century gay American composer Samuel Barber.
Performances are at 8 p.m. Friday and Saturday, Feb. 4 and 5, at George Mason University’s Center for the Arts at its campus, at the intersection of Braddock Road and Route 123, in Fairfax City, Va. Tickets are $22, $36 and $44, by phone at 888-945-2468 or visit www.cfa.gmu.edu. — David Hoffman
Alvin Ailey dance company celebrates 50th at Kennedy Center
The Alvin Ailey American Dance Theater is celebrating its 50th anniversary with seven performances at the Kennedy Center (2700 F St., N.W.) starting Tuesday. It’s named after the choreographer, a gay groundbreaker in his field who died of AIDS in 1989.
All of the group’s performances will include “Revelations,” a tribute to Ailey’s African-American heritage that uses traditional spirituals to explore the places of “deepest grief and holiest joy in the human soul,” as their promo material states.
On Tuesday at 7 p.m., Feb. 4 at 7:30 p.m. and Feb. 5 at 1:30 p.m., the company will be performing “Anointed,” “Cry and the Hunt” in addition to “Revelations.”
On Wednesday and Thursday at 7:30 p.m.,, the company will perform “Night Creature,” “The Evolution of a Secured Feminine” and the “Prodigal Prince” as well as “Revelations.”
The second performance on Feb. 5 at 7:30 p.m. and the Feb. 6 performance at 1:30 p.m. will include “Three Black Kings,” “In/Side” and “Forgotten Time.”
On Feb. 5 after the matinee, there will be a free post-performance discussion with a moderator and members of the company.
Tickets range from $30 to $99 and can be purchased online at kennedy-center.org. — David Hoffman
Show tunes and cocktails continue at the Jefferson
After its kick off in December, “Show Tunes and Cocktails at the Jefferson” continues as a monthly sing-along in the Jefferson’s Quill Bar (1200 16th St., N.W.) Monday from 7 to 10 p.m.
Orchestra leader Glenn Pearson, a Helen Hayes Board member, will be playing the piano “to encourage everyone in attendance to shed their inhibitions” and sing.
“For many years, following our annual October benefit, several guests stayed and broke into an impromptu gathering to sing show tunes around the piano with [Pearson],” says Linda Levy Grossman, Helen Hayes President and CEO said in a press release for the event. “Now it’s become a signature part of the evening.”
Specialty cocktails and featured appetizers will be available and attendees will have an opportunity to win Washington Theatre TixCertificates (flexible $20 gift certificates redeemable at almost 50 theaters throughout D.C.).
The Jefferson is donating 20 percent of the proceeds to support the Helen Hayes organization.
Admission is free and discounted parking is available with validation. — Juliette Ebner
Drag queen contest for ‘real’ women to be held
A contest for women born as biologically female but with drag sensibilities will be held Sunday at Ziegfeld’s at 3 p.m.
The Imperial Court of Washington is hosting Miss Faux Queen, an event modeled after female impersonation contests and a similar pageant that was held in San Francisco in the ’90s. There will be four categories — interview, international costume, interview and talent.
Contestants will dress similarly to drag queens with padding, wigs, makeup and more. All contestants will have a “drag mother” to guide them. Miss Faux Queen International is for in-town contestants while the “national” event is for out-of-town participants.
Admission is $20. Ziegfeld’s is at 1824 Half Street, S.W. Doors open at 2. For more information, e-mail to [email protected].
Arts & Entertainment
The very few queer highlights of the Oscars
Streisand’s live performance, a shocking tie, and more
LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.
During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”
Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.
One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.
When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”
“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”
Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.
The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.
(Washington Blade photos by Michael Key)






















Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen.
At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon).
Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan. Arenastage.org
La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram
Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org
Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu
As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org
In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org
The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com
At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org
At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.
Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play. Jason Loewith directs.
Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org
British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.
And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org
Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.
Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net
Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the four-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org
In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org
Exciting stuff ahead.

