Arts & Entertainment
Freddie’s purple reign
Va. gay bar/restaurant celebrates 10 years with month of festivities
Freddie Lutz at his 60th birthday party in December. The gay entrepreneur has another milestone coming up — his bar turns 10. (Blade file photo by Michael Key)
Freddie’s Beach Bar and Restaurant
555 So. 23rd St.
Arlington, Va.Anniversary festivities:
8 p.m. Tuesday “Purple Party” — buffet and DJ Alicia
March 4 — Wicked Jezebel
March 5 — Saturday ‘Drag Diner’ buffet brunch
with Shelby Bottoms (Saturdays weekly)
$9.95 — 10 a.m.-3 p.m
Sunday champagne brunch
(Sundays weekly)
$19.95 – 11 a.m.-3 p.m.
Freddie’s Follies Drag Show
with Destiny B. Childs (Sundays weekly)
9 p.m.-11 p.m.
March 8, 10 and 11 — WiseCRACK Disco Trivia
(Tuesday, Thursday, Friday weekly)
March 10 — “Dining Out For Life”
March 20 — “Mimi I’mFurst”
For details, go here or call 703-685-0555
Freddie Lutz knows what it takes to succeed as a restaurateur. But how to put it into words?
Certainly it’s that ineffable “je ne sais quoi” — that intuitive yet practical sense of how to succeed in the world of hospitality, as a purveyor of food and drink and good times. And it’s second nature to the man known to everyone simply as “Freddie.”
His is the motto for many who succeed — “excellence equals success.” In Lutz’s words, “They say if you make it past the first year, you’re doing good, but if you make it past the third year, you’re really doing good.”
However, the well-known rule of thumb in the restaurant industry is this sobering statistic: most new ones don’t make it much past one year. Therefore, Lutz says, “I guess if you make it past a decade, you’re doing fabulous.”
March is his 10th anniversary celebration month, starting Tuesday. He calls it “our purple party,” and it begins at 8 that night with a complimentary hors d’oeuvre buffet and an atmosphere of merriment with party favors. There is, as Freddie insists, “no cover charge” whatsoever,” because, he calls it “a big celebration, and everyone’s invited.”
“It’s a thank-you to the community,” he says, “for all their love and support over the last 10 years.” Lutz’s favorite color is purple, so that’s the theme.
Purple streamers deck the small stage — a mainstay for karaoke and drag shows, flanked by a white baby grand piano.
Lutz admits he borrowed — he calls it “artistic license” — the purple hue from elsewhere. He dubs it “royal purple” and says proudly, “I stole it from a diner in Key West, where I fell in love with it.” So back in Arlington, he immediately went to a Duron paint store, and found it.
But Tuesday’s kick-off party is just the beginning.
March 4 at 9 p.m., the lesbian band Wicked Jezebel will perform. Then on March 10, Lutz plans to give more back to the community, by, he says, “donating 110 percent of the proceeds” — not the profits, but the proceeds — of all sales that evening to Food and Friends’ “Dining Out For Life” fundraiser. March 20 brings the drag artist “Mimi I’mFurst,” well-known from “Ru Paul’s Drag Race.”
But Lutz is counting on staging more events. He’s planning them in concert with his general manager, his 24-year-old nephew Ryan, whom Lutz insists is straight, saying he is sort of like the young man Val — played by actor Dan Futterman in “The Birdcage.”
One touch of décor, of course, is Lutz’s sense of fashion style, through his own collection of colorful Hawaiian shirts — at first he simply estimates there are “a lot of them” in his closet, but then concedes that maybe it’s around 40. “Hey,” he says, “it’s a beach bar.”
Lutz also says that he has aimed to transplant the atmosphere of “The Birdcage” — set in Miami’s South Beach — to his place, with its “islandy feeling,” on 23rd Street in a commercial strip between Arlington Ridge and Crystal City. Its decor was spun through his own mixing bowl of styles. “I didn’t need to hire a decorator,” he says, “I pretty much did it myself, I guess my theme song is ‘I Did It My Way.'”
Lutz lives on Meade Street, near the restaurant in the old Lutz family home, with his partner of 13 years, Johnny Cervantes. It’s the same house where Lutz lived with his parents, from when he was age 3. He boasts a degree from the Rhode Island School of Design.
Lutz just celebrated another landmark anniversary — his 60th birthday, on Dec. 3, with a big bash at the restaurant. Cervantes, meanwhile, only owns up to being “39-ish, again, but I never give out my age.” When interviewed, they had just returned from their second home — in Rehoboth Beach — and Cervantes’ fondness for his partner was palpable.
“With Freddie, what you see is what you get,” Cervantes says. “But it’s true,” adding that “it’s his honesty and his integrity,” plus, “he’s got so much energy.” In their relationship, Cervantes says, “he’s always the one who is willing to take the risks — and the only way I can describe him is as a free spirit, while also remaining respectful of everyone that he knows.”
“He doesn’t step on anyone’s toes. The bottom line is this, everybody loves Freddie, and Freddie loves everybody, whether in this neighborhood, in the business community, straight or gay.”
Cervantes says the secret of the success of the bar and restaurant is that Lutz has “great negotiating skills.”
Asked about that, Lutz acknowledges that when he started out a decade ago, after a 25-year career working down the street as manager and maitre’d at Cafe Italia, “I just wanted to see if I could do it myself, to see if I could make it happen, to create a gay bar and restaurant, but also — gay or not — to just see if I could do it on my own.”
Yes, he sees Freddie’s as “just one big, happy, dysfunctional family, with all the crazy drama that goes along with a gay bar, the intensity and all that, but this is important,” he adds, “the accent is on the word ‘happy,’ that’s definitely a key word.”
So yes, he feels “a great sense of accomplishment” now, to hit the 10-year mark.
Asked about the new LGBT bar in Northern Virginia, whether or not he feels any rivalry with the So Addictive Lounge at 733 Elden St. in Herndon, Lutz insists, “Absolutely not, in fact, I welcome it.”
He says there’s plenty of room in Northern Virginia for another gay bar. It’s managed by a former Freddie’s employee and they’ve talked about how they can help each other. Lutz sent flowers opening night. He got flowers in return.
When Lutz began 10 years ago, buying the location of the old Foxhole — he called it “a neighborhood, ‘Cheers’-type sports bar.” But then he started to change everything, he says, though they stayed open the whole time. Several of the Foxhole regulars hung around. He told them to hang on, the purple paint and redecorating were just part of “a work in progress,” a phrase he says still applies.
Sir Ian McKellen may now be known as much for being a champion of the international LGBTQ equality movement as he is for being a thespian. Out and proud since 1988 and encouraging others in the public eye to follow his lead, he’s a living example of the fact that it’s not only possible for an out gay man to be successful as an actor, but to rise to the top of his profession while unapologetically bringing his own queerness into the spotlight with him all the way there. For that example alone, he would deserve his status as a hero of our community; his tireless advocacy – which he continues even today, at 86 – elevates him to the level of icon.
Those who know him mostly for that, however, may not have a full appreciation for his skills as an actor; it’s true that his performances in the “Lord of the Rings” and “X-Men” movies are familiar, however, this is a man who has spent more than six decades performing in everything from “Hamlet” to “Waiting for Godot” to “Cats,” and while his franchise-elevating talents certainly shine through in his blockbuster roles, the range and nuance he’s acquired through all that accumulated experience might be better showcased in some of the smaller, less bombastic films in which he has appeared – and the latest effort from prolific director Steven Soderbergh, a darkly comedic crime caper set in the dusty margins of the art world, is just the kind of film we mean.
Now in theaters for a limited release, “The Christophers” casts McKellen opposite Michaela Coel (“Chewing Gum,” “I May Destroy You”) for what is essentially a London-set two-character game of intellectual cat-and-mouse. He’s Julian Sklar, an elderly painter who was once an art-world superstar but hasn’t produced a new work in decades; she’s Lori Butler, an art critic and restoration expert who is working in a food truck by the Thames to make ends meet when she is approached by Sklar’s children (James Corden, Jessica Gunning) with a proposition. Hoping to cash in on their father’s fame, they want to set her up as his new assistant, allowing her access to an attic containing unfinished canvases he abandoned decades ago – so that she can use her skills to finish them herself, creating a forged series of completed paintings that can be “posthumously discovered” after his death and sold for a fortune.
She takes the job, unable to resist an opportunity to get close to Sklar – who, despite his renown, now lives as a bitter and unkempt recluse – for reasons of her own. Though his health is fading, his personality is as full-blown as ever; he’s also still sharp, wily, and experienced enough with his avaricious children to be suspicious of their motives for hiring her. Even so, she wins his trust (or something like it) and piques his interest, setting the stage for a relationship that’s part professional protocol, part confessional candor, and part battle-of-wits – and in which the “scamming” appears to be going in both directions.
That’s it, in a nutshell. A short synopsis really does describe the entire plot, save for the ending which, of course, we would never spoil. Even if it’s technically a “crime caper,” the most action it provides is of the psychological variety: there are no guns, no gangsters, no suspicious lawmen hovering around the edges; it’s just two minds, sparring against each other – and themselves – about things that have nothing to do with the perpetration of artistic forgery and fraud, but perhaps everything to do with their own relationships with art, fame, hope, disillusionment, and broken dreams. Yet it grips our attention from start to finish, thanks to Soderbergh’s taut directorial focus, Ed Solomon’s tersely efficient screenplay, and – most of all – the star duo of McKellen and Cole, who deliver a master class in duo acting that serves not just as the movie’s centerpiece but also its main attraction.
The former, cast in a larger-than-life role that lends itself perfectly to his own larger-than-life personality, embodies Sklar as the quintessential misanthropic artist, aged beyond “bad boy” notoriety but still a fierce iconoclast – so much so that even his own image is fair game for being deconstructed, something to be shredded and tossed into fire along with all those unfinished paintings in his attack; he’s a tempestuous, ferociously intelligent titan, diminished by time and circumstance but still retaining the intimidating power of his adversarial ego, and asserting it through every avenue that remains open to him. It’s the kind of film character that feels tailor-made for a stage performer of McKellen’s stature, allowing him to bring all the elements of his lifelong craft in front of the camera and deliver the complexity, subtlety, and perfectly-tuned emotional control necessary to transcend the cliché of the eccentric artist. His Sklar is comedically crotchety without being doddering or foolish, performatively flamboyant without seeming phony, and authentic enough in his breakthrough moments of vulnerability to avoid coming off as over-sentimental. Perhaps most important of all, he is utterly believable as a formidable and imperious figure, still capable of commanding respect and more than a match for anyone who dares to challenge him.
As for Coel’s Lori, it’s the daring that’s the key to her performance. Every bit Sklar’s equal in terms of wile, she also has power, and yes, ego too; we see it plainly when she is deploys it with tactical precision against his buffoonish offspring, but she holds it close to the chest in her dealings with him, like a secret weapon she wants to keep in reserve. When he inevitably sees through her ploy, she has the intelligence to change the game – her real motivation has little to do with the forgery plan, anyway – and get personal. Coel (herself a rising icon from a new generation of UK performers) plays it all with supreme confidence, yet somehow lets us see that she’s as wary of him as if she were facing a hungry tiger in its own cage.
It’s after the “masks” come off that things get really interesting, allowing these two characters become something like “shadow teachers” for each other, forming a shaky alliance to turn the forgery scheme to their own advantage while confronting their own lingering emotional wounds in the process; that’s when their battle of wits transforms into something closer to a “pas de deux” between two consummate artists, both equally able to find the human substance of Soderbergh’s deceptively cagey movie and mine it, as a perfectly-aligned team, from under the pretext of the trope-ish “art swindle” plot – and it’s glorious to watch.
That said, the art swindle is entertaining, too – which is another reason why “The Christophers” feels like a nearly perfect movie. Smart and substantial enough to be satisfying on multiple levels, it’s also audacious enough in its murky morality to carry a feeling of countercultural rebellion into the mix; and that, in our estimation, is always a plus.
The DC LGBTQ+ Community Center is marking a milestone year in its new home with a vibrant birthday celebration, inviting the community, allies, and media to join the festivities on Saturday, April 25 at 1 p.m.
Since opening its doors in Shaw, The DC LGBTQ+ Community Center has become a hub of support, advocacy, and celebration for LGBTQ+ residents across the District.
The birthday bash promises a day of programming including Yoga (Center Wellness), Micro Bouquet Making (Center Social), Zine Making (Center Arts), and so much more. Guests can also enjoy tours of the Center’s expanded facilities, showcasing spaces for programs, services, and community events.
Since relocating, the Center has expanded its programs, providing critical services. The birthday bash underscores the DC LGBTQ+ Community Center’s commitment to creating an inclusive space where everyone regardless of identity, age, or background can find community and empowerment.
For more details, contact Paul Marengo at 202-705-2890.
Friday, April 24
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Lesbian Visibility Week will be at 7 p.m. at the DC Center for the LGBT Community. There will be a special screening of “Ahead of the Curve.” Enjoy an evening of film, conversation, and community, with cocktails and beverages available throughout the night For more details, visit the DC Center’s website.
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, April 25
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, April 26
Nellie’s Sports Bar will host “Nellie’s DC Drag Brunch” at 12 p.m. Join Sapphire Blue, Deja Diamond and their team of drag performers for the most fun you’ll have all weekend. Tickets start at $58.51 and are available on Eventbrite.
LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.
Monday, April 27
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, April 28
The DC Center for the LGBT Community will host “Candlelight Vigil” at 6:30 p.m. This is a vigil centered on reflection, support, and collective care. Attendees are encouraged to gather at 6:30 p.m., with the program beginning promptly at 7 p.m. and concluding by 8 p.m. The event will take place on the closed-off Wiltberger Street, providing a dedicated and intimate space for remembrance. Electronic candle lights will be available to participants. For those seeking additional support or who have questions ahead of the event, please contact [email protected].
Wednesday, April 29
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC Center for the LGBT Community will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the DC Center’s website.
Thursday, April 30
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
BREAKING NEWS: Shots fired at the White House Correspondents’ Dinner
An acting legend meets his match in ‘The Christophers’
Community mourns passing of D.C. trans rights advocate SaVanna Wanzer
Why we need to recognize and celebrate Lesbian Day of Visibility
Prominent activists join ‘Living History’ panel at Freddie’s Beach Bar
Top EU court strikes down Hungary’s anti-LGBTQ propaganda law
Tennessee’s Charlie Kirk Act is harmful
Australia lifts additional restrictions on LGBTQ blood donors
Va. voters approve HRC-backed redistricting plan
