Arts & Entertainment

Freddie’s purple reign

Va. gay bar/restaurant celebrates 10 years with month of festivities

Published

15 years ago

February 24, 2011

Freddie Lutz at his 60th birthday party in December. The gay entrepreneur has another milestone coming up — his bar turns 10. (Blade file photo by Michael Key)

Freddie’s Beach Bar and Restaurant
555 So. 23rd St.
Arlington, Va.

Anniversary festivities:
8 p.m. Tuesday “Purple Party” — buffet and DJ Alicia
March 4 — Wicked Jezebel
March 5 — Saturday ‘Drag Diner’ buffet brunch
with Shelby Bottoms (Saturdays weekly)
$9.95 — 10 a.m.-3 p.m
Sunday champagne brunch
(Sundays weekly)
$19.95 – 11 a.m.-3 p.m.
Freddie’s Follies Drag Show
with Destiny B. Childs (Sundays weekly)
9 p.m.-11 p.m.
March 8, 10 and 11 — WiseCRACK Disco Trivia
(Tuesday, Thursday, Friday weekly)
March 10 — “Dining Out For Life”
March 20 — “Mimi I’mFurst”
For details, go here or call 703-685-0555

Freddie Lutz knows what it takes to succeed as a restaurateur. But how to put it into words?

Certainly it’s that ineffable “je ne sais quoi” — that intuitive yet practical sense of how to succeed in the world of hospitality, as a purveyor of food and drink and good times. And it’s second nature to the man known to everyone simply as “Freddie.”

His is the motto for many who succeed — “excellence equals success.” In Lutz’s words, “They say if you make it past the first year, you’re doing good, but if you make it past the third year, you’re really doing good.”

However, the well-known rule of thumb in the restaurant industry is this sobering statistic: most new ones don’t make it much past one year. Therefore, Lutz says, “I guess if you make it past a decade, you’re doing fabulous.”

March is his 10th anniversary celebration month, starting Tuesday. He calls it “our purple party,” and it begins at 8 that night with a complimentary hors d’oeuvre buffet and an atmosphere of merriment with party favors. There is, as Freddie insists, “no cover charge” whatsoever,” because, he calls it “a big celebration, and everyone’s invited.”

“It’s a thank-you to the community,” he says, “for all their love and support over the last 10 years.” Lutz’s favorite color is purple, so that’s the theme.

Purple streamers deck the small stage — a mainstay for karaoke and drag shows, flanked by a white baby grand piano.

Lutz admits he borrowed — he calls it “artistic license” — the purple hue from elsewhere. He dubs it “royal purple” and says proudly, “I stole it from a diner in Key West, where I fell in love with it.” So back in Arlington, he immediately went to a Duron paint store, and found it.

But Tuesday’s kick-off party is just the beginning.

March 4 at 9 p.m., the lesbian band Wicked Jezebel will perform. Then on March 10, Lutz plans to give more back to the community, by, he says, “donating 110 percent of the proceeds” — not the profits, but the proceeds — of all sales that evening to Food and Friends’ “Dining Out For Life” fundraiser. March 20 brings the drag artist “Mimi I’mFurst,” well-known from “Ru Paul’s Drag Race.”

But Lutz is counting on staging more events. He’s planning them in concert with his general manager, his 24-year-old nephew Ryan, whom Lutz insists is straight, saying he is sort of like the young man Val — played by actor Dan Futterman in “The Birdcage.”

One touch of décor, of course, is Lutz’s sense of fashion style, through his own collection of colorful Hawaiian shirts — at first he simply estimates there are “a lot of them” in his closet, but then concedes that maybe it’s around 40. “Hey,” he says, “it’s a beach bar.”

Lutz also says that he has aimed to transplant the atmosphere of “The Birdcage” — set in Miami’s South Beach — to his place, with its “islandy feeling,” on 23rd Street in a commercial strip between Arlington Ridge and Crystal City. Its decor was spun through his own mixing bowl of styles. “I didn’t need to hire a decorator,” he says, “I pretty much did it myself, I guess my theme song is ‘I Did It My Way.'”

Lutz lives on Meade Street, near the restaurant in the old Lutz family home, with his partner of 13 years, Johnny Cervantes. It’s the same house where Lutz lived with his parents, from when he was age 3. He boasts a degree from the Rhode Island School of Design.

Lutz just celebrated another landmark anniversary — his 60th birthday, on Dec. 3, with a big bash at the restaurant. Cervantes, meanwhile, only owns up to being “39-ish, again, but I never give out my age.” When interviewed, they had just returned from their second home — in Rehoboth Beach — and Cervantes’ fondness for his partner was palpable.

“With Freddie, what you see is what you get,” Cervantes says. “But it’s true,” adding that “it’s his honesty and his integrity,” plus, “he’s got so much energy.” In their relationship, Cervantes says, “he’s always the one who is willing to take the risks — and the only way I can describe him is as a free spirit, while also remaining respectful of everyone that he knows.”

“He doesn’t step on anyone’s toes. The bottom line is this, everybody loves Freddie, and Freddie loves everybody, whether in this neighborhood, in the business community, straight or gay.”

Cervantes says the secret of the success of the bar and restaurant is that Lutz has “great negotiating skills.”

Asked about that, Lutz acknowledges that when he started out a decade ago, after a 25-year career working down the street as manager and maitre’d at Cafe Italia, “I just wanted to see if I could do it myself, to see if I could make it happen, to create a gay bar and restaurant, but also — gay or not — to just see if I could do it on my own.”

Yes, he sees Freddie’s as “just one big, happy, dysfunctional family, with all the crazy drama that goes along with a gay bar, the intensity and all that, but this is important,” he adds, “the accent is on the word ‘happy,’ that’s definitely a key word.”

So yes, he feels “a great sense of accomplishment” now, to hit the 10-year mark.

Asked about the new LGBT bar in Northern Virginia, whether or not he feels any rivalry with the So Addictive Lounge at 733 Elden St. in Herndon, Lutz insists, “Absolutely not, in fact, I welcome it.”

He says there’s plenty of room in Northern Virginia for another gay bar. It’s managed by a former Freddie’s employee and they’ve talked about how they can help each other. Lutz sent flowers opening night. He got flowers in return.

When Lutz began 10 years ago, buying the location of the old Foxhole — he called it “a neighborhood, ‘Cheers’-type sports bar.” But then he started to change everything, he says, though they stayed open the whole time. Several of the Foxhole regulars hung around. He told them to hang on, the purple paint and redecorating were just part of “a work in progress,” a phrase he says still applies.

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Brush strokes from the masters

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Calendar: Feb. 25

FUND LGBTQ JOURNALISM

Theater

‘Inherit the Wind’ isn’t about science vs. religion, but the right to think

Holly Twyford on new role and importance of listening to different opinions

Published

8 hours ago

March 22, 2026

Patrick Folliard

Holly Twyford

‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org

When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.

Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).

Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.

Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”

When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.

“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”

Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.

“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”

During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”

When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”

At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”

“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.

“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.

Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”

She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”

Out & About

‘How We Survived’ panel set for March 25

‘Living History’ discussion to be held at Spark Social

Published

1 day ago

March 21, 2026

Tinashe Chingarande

Local activist Earline Budd will serve on a panel discussion titled, ‘Part One, Living History: How We Survived.’ (Washington Blade file photo by Michael Key)

Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.

This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.

This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.

Calendar

Calendar: March 21-26

LGBTQ events in the days to come

Published

1 day ago

March 21, 2026

Tinashe Chingarande

Saturday, March 21

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.

Sunday, March 22

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite.

Monday, March 23

Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website.

Tuesday, March 24

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook.

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook.

Wednesday, March 25

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Thursday, March 26

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.