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Freddie’s purple reign

Va. gay bar/restaurant celebrates 10 years with month of festivities

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Freddie Lutz at his 60th birthday party in December. The gay entrepreneur has another milestone coming up — his bar turns 10. (Blade file photo by Michael Key)

Freddie’s Beach Bar and Restaurant
555 So. 23rd St.
Arlington, Va.

Anniversary festivities:
8 p.m. Tuesday “Purple Party” — buffet and DJ Alicia
March 4 — Wicked Jezebel
March 5 — Saturday ‘Drag Diner’ buffet brunch

with Shelby Bottoms (Saturdays weekly)
$9.95 — 10 a.m.-3 p.m
Sunday champagne brunch
(Sundays weekly)
$19.95 – 11 a.m.-3 p.m.
Freddie’s Follies Drag Show
with Destiny B. Childs (Sundays weekly)
9 p.m.-11 p.m.
March 8, 10 and 11 — WiseCRACK Disco Trivia
(Tuesday, Thursday, Friday weekly)
March 10 — “Dining Out For Life”
March 20 — “Mimi I’mFurst”
For details, go here or call 703-685-0555

Freddie Lutz knows what it takes to succeed as a restaurateur. But how to put it into words?

Certainly it’s that ineffable “je ne sais quoi” — that intuitive yet practical sense of how to succeed in the world of hospitality, as a purveyor of food and drink and good times. And it’s second nature to the man known to everyone simply as “Freddie.”

His is the motto for many who succeed — “excellence equals success.” In Lutz’s words, “They say if you make it past the first year, you’re doing good, but if you make it past the third year, you’re really doing good.”

However, the well-known rule of thumb in the restaurant industry is this sobering statistic: most new ones don’t make it much past one year. Therefore, Lutz says, “I guess if you make it past a decade, you’re doing fabulous.”

March is his 10th anniversary celebration month, starting Tuesday. He calls it “our purple party,” and it begins at 8 that night with a complimentary hors d’oeuvre buffet and an atmosphere of merriment with party favors. There is, as Freddie insists, “no cover charge” whatsoever,” because, he calls it “a big celebration, and everyone’s invited.”

“It’s a thank-you to the community,” he says, “for all their love and support over the last 10 years.” Lutz’s favorite color is purple, so that’s the theme.

Purple streamers deck the small stage — a mainstay for karaoke and drag shows, flanked by a white baby grand piano.

Lutz admits he borrowed — he calls it “artistic license” — the purple hue from elsewhere. He dubs it “royal purple” and says proudly, “I stole it from a diner in Key West, where I fell in love with it.” So back in Arlington, he immediately went to a Duron paint store, and found it.

But Tuesday’s kick-off party is just the beginning.

March 4 at 9 p.m., the lesbian band Wicked Jezebel will perform. Then on March 10, Lutz plans to give more back to the community, by, he says, “donating 110 percent of the proceeds” — not the profits, but the proceeds — of all sales that evening to Food and Friends’ “Dining Out For Life” fundraiser. March 20 brings the drag artist “Mimi I’mFurst,” well-known from “Ru Paul’s Drag Race.”

But Lutz is counting on staging more events. He’s planning them in concert with his general manager, his 24-year-old nephew Ryan, whom Lutz insists is straight, saying he is sort of like the young man Val — played by actor Dan Futterman in “The Birdcage.”

One touch of décor, of course, is Lutz’s sense of fashion style, through his own collection of colorful Hawaiian shirts — at first he simply estimates there are “a lot of them” in his closet, but then concedes that maybe it’s around 40. “Hey,” he says, “it’s a beach bar.”

Lutz also says that he has aimed to transplant the atmosphere of “The Birdcage” — set in Miami’s South Beach — to his place, with its “islandy feeling,” on 23rd Street in a commercial strip between Arlington Ridge and Crystal City. Its decor was spun through his own mixing bowl of styles. “I didn’t need to hire a decorator,” he says, “I pretty much did it myself, I guess my theme song is ‘I Did It My Way.'”

Lutz lives on Meade Street, near the restaurant in the old Lutz family home, with his partner of 13 years, Johnny Cervantes. It’s the same house where Lutz lived with his parents, from when he was age 3. He boasts a degree from the Rhode Island School of Design.

Lutz just celebrated another landmark anniversary — his 60th birthday, on Dec. 3, with a big bash at the restaurant. Cervantes, meanwhile, only owns up to being “39-ish, again, but I never give out my age.” When interviewed, they had just returned from their second home — in Rehoboth Beach — and Cervantes’ fondness for his partner was palpable.

“With Freddie, what you see is what you get,” Cervantes says. “But it’s true,” adding that “it’s his honesty and his integrity,” plus, “he’s got so much energy.”   In their relationship, Cervantes says, “he’s always the one who is willing to take the risks — and the only way I can describe him is as a free spirit, while also remaining respectful of everyone that he knows.”

“He doesn’t step on anyone’s toes. The bottom line is this, everybody loves Freddie, and Freddie loves everybody, whether in this neighborhood, in the business community, straight or gay.”

Cervantes says the secret of the success of the bar and restaurant is that Lutz has “great negotiating skills.”

Asked about that, Lutz acknowledges that when he started out a decade ago, after a 25-year career working down the street as manager and maitre’d at Cafe Italia, “I just wanted to see if I could do it myself, to see if I could make it happen, to create a gay bar and restaurant, but also — gay or not — to just see if I could do it on my own.”

Yes, he sees Freddie’s as “just one big, happy, dysfunctional family, with all the crazy drama that goes along with a gay bar, the intensity and all that, but this is important,” he adds, “the accent is on the word ‘happy,’ that’s definitely a key word.”

So yes, he feels “a great sense of accomplishment” now, to hit the 10-year mark.

Asked about the new LGBT bar in Northern Virginia, whether or not he feels any rivalry with the So Addictive Lounge at 733 Elden St. in Herndon, Lutz insists, “Absolutely not, in fact, I welcome it.”

He says there’s plenty of room in Northern Virginia for another gay bar. It’s managed by a former Freddie’s employee and they’ve talked about how they can help each other. Lutz sent flowers opening night. He got flowers in return.

When Lutz began 10 years ago, buying the location of the old Foxhole — he called it “a neighborhood, ‘Cheers’-type sports bar.” But then he started to change everything, he says, though they stayed open the whole time. Several of the Foxhole regulars hung around. He told them to hang on, the purple paint and redecorating were just part of “a work in progress,” a phrase he says still applies.

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Theater

José Zayas brings ‘The House of Bernarda Alba’ to GALA Hispanic Theatre

Gay Spanish playwright Federico García Lorca wrote masterpiece before 1936 execution

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Luz Nicolás in ‘The House of Bernarda Alba’ at GALA Hispanic Theatre (Photo by Daniel Martinez)

‘The House of Bernarda Alba’
Through March 1
GALA Hispanic Theatre
3333 14th St., N.W.
$27-$52
Galatheatre.org

In Federico García Lorca’s “The House of Bernarda Alba,” now at GALA Hispanic Theatre in Columbia Heights, an impossibly oppressive domestic situation serves, in short, as an allegory for the repressive, patriarchal, and fascist atmosphere of 1930s Spain

The gay playwright completed his final and arguably best work in 1936, just months before he was executed by a right-wing firing squad. “Bernarda Alba” is set in the same year, sometime during a hot summer in rural Andalusia, the heart of “España profunda” (the deep Spain), where traditions are deeply rooted and mores seldom challenged. 

At Bernarda’s house, the atmosphere, already stifling, is about to get worse.

On the day of her second husband’s funeral, Bernarda Alba (superbly played by Luz Nicolás), a sixtyish woman accustomed to calling the shots, gathers her five unmarried daughters (ages ranging from 20 to 39) and matter-of-factly explain what’s to happen next.  

She says, “Through the eight years of mourning not a breeze shall enter this house. Consider the doors and windows as sealed with bricks. That’s how it was in my father’s house and my grandfather’s. Meanwhile, you can embroider your trousseaux.”

It’s not an altogether sunny plan. While Angustias (María del Mar Rodríguez), Bernarda’s daughter from her first marriage and heiress to a fortune, is betrothed to a much younger catch, Pepe el Romano, who never appears on stage, the remaining four stand little chance of finding suitable matches. Not only are they dowry-less, but no men, eligible or otherwise, are admitted into their mother’s house.  

Lorca is a literary hero known for his mastery of both lyrical poetry and visceral drama; still, “Bernarda Alba’s” plotline might suit a telenovela. Despotic mother heads a house of adult daughters. Said daughters are churning with passions and jealousies. When sneaky Martirio (Giselle Gonzáles) steals the photo of Angustias’s fiancé all heck kicks off. Lots of infighting and high drama ensue. There’s even a batty grandmother (Alicia Kaplan) in the wings for bleak comic relief.  

At GALA, the modern classic is lovingly staged by José Zayas. The New York-based out director has assembled a committed cast and creative team who’ve manifested an extraordinarily timely 90-minute production performed in Spanish with English subtitles easily ready seen on multiple screens.

In Lorca’s stage directions, he describes the set as an inner room in Bernarda’s house; it’s bright white with thick walls. At GALA, scenic designer Grisele Gonzáles continues the one-color theme with bright red walls and floor and closed doors. There are no props. 

In the airless room, women sit on straight back chairs sewing. They think of men, still. Two are fixated on their oldest siter’s hunky betrothed. Only Magdelena (Anna Malavé), the one sister who truly mourns their dead father, has given up on marriage entirely. 

The severity of the place is alleviated by men’s distant voices, Koki Lortkipanidze’s original music, movement (stir crazy sisters scratching walls), and even a precisely executed beatdown choreographed by Lorraine Ressegger-Slone.

In a short yet telling scene, Bernarda’s youngest daughter Adela (María Coral) proves she will serve as the rebellion to Bernarda’s dictatorship. Reluctant to mourn, Adela admires her reflection. She has traded her black togs for a seafoam green party dress. It’s a dreamily lit moment (compliments of lighting designer Hailey Laroe.)  

But there’s no mistaking who’s in charge. Dressed in unflattering widow weeds, her face locked in a disapproving sneer, Bernarda rules with an iron fist; and despite ramrod posture, she uses a cane (though mostly as a weapon during one of her frequent rages.) 

Bernarda’s countenance softens only when sharing a bit of gossip with Poncia, her longtime servant convincingly played by Evelyn Rosario Vega.

Nicolás has appeared in “Bernarda Alba” before, first as daughter Martirio in Madrid, and recently as the mother in an English language production at Carnegie Melon University in Pittsburgh. And now in D.C. where her Bernarda is dictatorial, prone to violence, and scarily pro-patriarchy. 

Words and phrases echo throughout Lorca’s play, all likely to signal a tightening oppression: “mourning,” “my house,” “honor,” and finally “silence.”

As a queer artist sympathetic to left wing causes, Lorca knew of what he wrote. He understood the provinces, the dangers of tyranny, and the dimming of democracy. Early in Spain’s Civil War, Lorca was dragged to the the woods and murdered by Franco’s thugs. Presumably buried in a mass grave, his remains have never been found.

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Photos

PHOTOS: Cupid’s Undie Run

Annual fundraiser for NF research held at The Wharf DC

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A dance party was held at Union Stage before Cupid's Undie Run on Saturday. (Washington Blade photo by Michael Key)

Cupid’s Undie Run, an annual fundraiser for neurofibromatosis (NF) research, was held at Union Stage and at The Wharf DC on Saturday, Feb. 21.

(Washington Blade photos by Michael Key)

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Out & About

Sweat DC expands to Shaw

Community workout and social planned for March 14

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Sweat DC is officially expanding to Shaw, opening a new location at 1818 7th St., N.W., on Saturday, March 28 — and they’re kicking things off with a high-energy, community-first launch event.

To celebrate, Sweat DC is hosting Sweat Fest, a free community workout and social on Saturday, March 14, at 10 a.m. at the historic Howard Theatre. The event features a group fitness class, live DJ, local food and wellness partners, and a mission-driven partnership with the Open Goal Project, which works to expand access to youth soccer for players from marginalized communities.

For more details, visit Sweat DC’s website and reserve a spot on Eventbrite.

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