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High camp fun

No, we mean real camp — as in summer fun for kids. Here are a few of the region’s offerings

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(Image courtesy of Rollins)

Imagination Stage, part of Artisphere (1101 Wilson Blvd.) in Arlington, has many summer camps for children of all ages, starting at 4 and going all the way through high school. There is the Arts Explorer camp for children ages 4 and 5. Children ages 6 and 7 can go to the Arts Adventure camp. The other camps are either four weeks long or a week-long flex camp. There’s also a Filmmaking Camp for children grades five to 12 that last either one or three weeks and dance camps. For more information, visit imaginationstage.org.

Beauvoir, the National Cathedral Elementary School, (3500 Woodley Rd., N.W.) has multiple summer programs for different age groups from ages 3 to 11 that run throughout the summer. Costs of the camps vary program to program. Brown bag lunches and snacks will be provided for all-day campers and half-day campers will receive snacks. Children are encouraged to dress comfortably and sock and tennis shoes are required. For more information, visit summer.beauvoirschool.org.

Capitol Hill Arts Workshop (545 7th St., S.E.) puts on a summer program called “Island Arts Adventure,” which is two week sessions that run from June 20 to Aug. 12 for children ages 5 to 13. Each session is divided into morning and afternoon camps. In the morning, the campers will focus on an island such as Indonesia or Hawaii and then the afternoon camps are more recreation based. Campers must have turned 5 by June 1 and completed a year of kindergarten or equivalent education. For more information, visit chaw.org.

The Corcoran Gallery of Art has a camp for children ages 5 to 16 called “Camp Creativity.” The camp is divided into four age groups. The groups for children 5 to 10 meet at the Georgetown campus (1801 35th St., N.W.) and the other groups meet at the gallery’s downtown campus (500 17th St., N.W.). Studio A has campers experimenting with a variety of materials as they investigate themes in art. Studio B allows campers to explore a variety of artists and themes while developing their artistic skills. Studio C has campers concentrating on skill development and they get to try out things like fashion illustration and cartooning. Studio D has campers building their skills in figure drawing, digital photography and fashion illustration. Campers can be signed up for one to eight weeks. Prices vary based on age and session. For more information, visit Corcoran.org.

TIC Summer Camp (4620 Dittmar Rd.) in Arlington is a technology- and sports-based camp for children 7 to 16 at three locations. The technology choices are programming, robotics, web design, animation, filmmaking, digital arts and digital music. All campers get a sports period each day and their choices are soccer, basketball, gymnastics, dance, team handball, street hockey, ultimate frisbee, flag football, softball, capture the flag, volleyball and crazy games. Campers can also choose drama or tennis for an additional cost. Campers are expected to provide their own lunch. There are four sessions throughout the summer starting June 20. The base tuition is $820 per session. For more information, visit ticcamp.com.

Woodland Horse Center (16301 New Hampshire Ave.) in Silver Spring has two summer camps available this year. There’s the Pony Pals Summer Camp for children ages 5 to 7 and the Horsemanship Summer Camp for children ages 8 to 15. Horsemanship campers get two riding lessons, horsemanship lessons, interactive lectures and do arts and crafts. A two-week sessions costs $760 and the first session starts June 13. Pony Pals are given a daily riding lesson, horsemanship lessons, interactive lectures and do arts and crafts. A single week costs $380 and the first session starts June 20. Both camps will have special activities such as pizza day and water games day. For more information, visit woodlandhorse.com.

Jonah’s Treehouse (2121 Wisconsin Ave., C-1 Level) has a summer camp for children ages 3 to 6 that runs from 1:30 to 4:30 p.m. Registration is done by week with a different theme each week. For more information, visit jonahstreehouse.com.

The Studio Theatre Acting Conservatory (1501 14th St., N.W.) has summer workshops for young actors ages 12 to 17. The Young Actors Ensemble will run from June 27 to July 21. The curriculum includes theater games, pantomimes, improvisations, ensemble work, monologues and scene study. Actors acquire better skills in concentration, observation, response and interplay. Placement auditions are June 18 so instructors can better develop individual students to their fullest potential. The program costs $550. Scholarships are available. For more information, visit studiotheatre.org.

Cleveland Park Club (3433 33rd Place, N.W.) has a summer camp that runs from June 13 to Aug. 12 for children ages 5 to 9 and counselors-in-training ages 11 to 16. Campers participate in a variety of activities including stilt-walking, tumbling, kickball and chalk drawing. Camp prices vary based on session and membership in the club. For more information, visit clevelandparkclub.org.

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Movies

Few openly queer nominees land Oscar nominations

‘Sinners’ and ‘One Battle After Another’ lead the pack

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This year’s Oscar nominees feature very few openly queer actors or creatives, with “KPop Demon Hunters,” “Come See Me in the Good Light,” and “Elio” bringing some much-needed representation to the field.

“KPop Demon Hunters,” which quickly became a worldwide sensation after releasing on Netflix last June, was nominated for best animated feature film and best original song for “Golden,” the chart-topping hit co-written by openly queer songwriter Mark Sonnenblick. “Come See Me in the Good Light,” a film following the late Andrea Gibson and their wife, Megan Falley, was nominated in the best documentary feature category. Finally, Pixar’s “Elio” (co-directed by openly queer filmmaker Adrian Molina) was nominated for best animated feature film alongside “Zootopia 2,” “Arco,” and “Little Amélie or the Character of Rain.”

Ethan Hawke did manage to land a best actor nomination for his work in Richard Linklater’s “Blue Moon,” a biopic that follows a fatal night in Lorenz Hart’s life as he reckons with losing his creative partner, Richard Rodgers. Robert Kaplow was also nominated for best original screenplay for penning the script. Amy Madigan, as expected, was recognized in the best supporting actress category for her work in “Weapons,” bringing celebrated gay icon Aunt Gladys to the Oscar stage.

While “Wicked: For Good” was significantly underperforming throughout the season, with Cynthia Erivo missing key nominations and the film falling squarely out of the best picture race early on, most pundits expected the film to still receive some recognition in craft categories. But in perhaps the biggest shock of Oscar nomination morning, “For Good” received zero nominations — not even for costume design or production design, the two categories in which the first film won just last year. Clearly, there was “Wicked” fatigue across the board.

There was also reasonable hope that Eva Victor’s acclaimed directorial debut, “Sorry, Baby,” would land a best original screenplay nod, especially after Julia Roberts shouted out Victor during the recent Golden Globes (which aired the day before Oscar voting started). A24, the studio that distributed “Sorry, Baby” in the U.S., clearly prioritized campaigns for “Marty Supreme” (to much success) and Rose Byrne in “If I Had Legs I’d Kick You,” leaving “Sorry, Baby” the indie darling that couldn’t quite crack the Oscar race.

However, with the Film Independent Spirit Awards taking place on Feb. 15, queer films like “Sorry, Baby,” “Peter Hujar’s Day,” and “Twinless” will finally get their time to shine. Maybe these films were just underseen, or not given a big enough PR push, but regardless, it’s unfortunate that the Academy couldn’t make room for just one of these when “Emilia Pérez” managed 13 nominations last year.

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a&e features

MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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PHOTOS: Mr. Mid-Atlantic Leather 2026

Gage Ryder wins annual competition

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Gage Ryder, center, wins the title of Mr. Mid-Atlantic Leather 2026 in a competition at the Hyatt Regency Capitol Hill in Washington, D.C. on Sunday, Jan. 18. (Washington Blade photo by Michael Key)

The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.

(Washington Blade photo by Michael Key)

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