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High camp fun

No, we mean real camp — as in summer fun for kids. Here are a few of the region’s offerings

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(Image courtesy of Rollins)

Imagination Stage, part of Artisphere (1101 Wilson Blvd.) in Arlington, has many summer camps for children of all ages, starting at 4 and going all the way through high school. There is the Arts Explorer camp for children ages 4 and 5. Children ages 6 and 7 can go to the Arts Adventure camp. The other camps are either four weeks long or a week-long flex camp. There’s also a Filmmaking Camp for children grades five to 12 that last either one or three weeks and dance camps. For more information, visit imaginationstage.org.

Beauvoir, the National Cathedral Elementary School, (3500 Woodley Rd., N.W.) has multiple summer programs for different age groups from ages 3 to 11 that run throughout the summer. Costs of the camps vary program to program. Brown bag lunches and snacks will be provided for all-day campers and half-day campers will receive snacks. Children are encouraged to dress comfortably and sock and tennis shoes are required. For more information, visit summer.beauvoirschool.org.

Capitol Hill Arts Workshop (545 7th St., S.E.) puts on a summer program called “Island Arts Adventure,” which is two week sessions that run from June 20 to Aug. 12 for children ages 5 to 13. Each session is divided into morning and afternoon camps. In the morning, the campers will focus on an island such as Indonesia or Hawaii and then the afternoon camps are more recreation based. Campers must have turned 5 by June 1 and completed a year of kindergarten or equivalent education. For more information, visit chaw.org.

The Corcoran Gallery of Art has a camp for children ages 5 to 16 called “Camp Creativity.” The camp is divided into four age groups. The groups for children 5 to 10 meet at the Georgetown campus (1801 35th St., N.W.) and the other groups meet at the gallery’s downtown campus (500 17th St., N.W.). Studio A has campers experimenting with a variety of materials as they investigate themes in art. Studio B allows campers to explore a variety of artists and themes while developing their artistic skills. Studio C has campers concentrating on skill development and they get to try out things like fashion illustration and cartooning. Studio D has campers building their skills in figure drawing, digital photography and fashion illustration. Campers can be signed up for one to eight weeks. Prices vary based on age and session. For more information, visit Corcoran.org.

TIC Summer Camp (4620 Dittmar Rd.) in Arlington is a technology- and sports-based camp for children 7 to 16 at three locations. The technology choices are programming, robotics, web design, animation, filmmaking, digital arts and digital music. All campers get a sports period each day and their choices are soccer, basketball, gymnastics, dance, team handball, street hockey, ultimate frisbee, flag football, softball, capture the flag, volleyball and crazy games. Campers can also choose drama or tennis for an additional cost. Campers are expected to provide their own lunch. There are four sessions throughout the summer starting June 20. The base tuition is $820 per session. For more information, visit ticcamp.com.

Woodland Horse Center (16301 New Hampshire Ave.) in Silver Spring has two summer camps available this year. There’s the Pony Pals Summer Camp for children ages 5 to 7 and the Horsemanship Summer Camp for children ages 8 to 15. Horsemanship campers get two riding lessons, horsemanship lessons, interactive lectures and do arts and crafts. A two-week sessions costs $760 and the first session starts June 13. Pony Pals are given a daily riding lesson, horsemanship lessons, interactive lectures and do arts and crafts. A single week costs $380 and the first session starts June 20. Both camps will have special activities such as pizza day and water games day. For more information, visit woodlandhorse.com.

Jonah’s Treehouse (2121 Wisconsin Ave., C-1 Level) has a summer camp for children ages 3 to 6 that runs from 1:30 to 4:30 p.m. Registration is done by week with a different theme each week. For more information, visit jonahstreehouse.com.

The Studio Theatre Acting Conservatory (1501 14th St., N.W.) has summer workshops for young actors ages 12 to 17. The Young Actors Ensemble will run from June 27 to July 21. The curriculum includes theater games, pantomimes, improvisations, ensemble work, monologues and scene study. Actors acquire better skills in concentration, observation, response and interplay. Placement auditions are June 18 so instructors can better develop individual students to their fullest potential. The program costs $550. Scholarships are available. For more information, visit studiotheatre.org.

Cleveland Park Club (3433 33rd Place, N.W.) has a summer camp that runs from June 13 to Aug. 12 for children ages 5 to 9 and counselors-in-training ages 11 to 16. Campers participate in a variety of activities including stilt-walking, tumbling, kickball and chalk drawing. Camp prices vary based on session and membership in the club. For more information, visit clevelandparkclub.org.

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Photos

PHOTOS: Remove the Regime rally and march

Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial

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The Dropkick Murphys perform at the Remove the Regime rally outside of the Lincoln Memorial in Washington, D.C. on Saturday, Nov. 22. (Washington Blade photo by Michael Key)

The Remove the Regime rally and march was held on Saturday, Nov. 22.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Transgender Day of Remembrance

Observance held at Metropolitan Community Church

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Transgender Day of Remembrance was observed at Metropolitan Community Church of Washington, D.C. on Nov. 20. (Washington Blade photo by Michael Key)

Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.

Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.

(Washington Blade photos by Michael Key)

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Books

Pioneering gay journalist takes on Trump 2.0 in new book

Nick Benton’s essays appeared in Fall Church News-Press

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(Book cover image via Amazon)

Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.

In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump. 

His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young. 

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”

Please Dont Eat Your Children

In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.

As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.

Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.

But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.

It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”

Nick Benton’s new book is available now at Amazon.

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