Arts & Entertainment
‘Pop!’ goes the easel
Warhol Factory recreated in new Studio production
‘Pop!’
Through Aug. 7
The Studio 2ndStage
1501 14th Street, NW
$38-$43
202-332-3300
There’s a happening on 14th Street. It has all the essential ‘60s elements: music, sex, drugs, counterculture sensibility, art, some dancing, and even a cast of Warhol superstars. But be warned — it’s a violent crime scene too.
The Studio 2ndStage’s summer show “Pop!” is a musical mystery that asks not so much who shot Andy Warhol (everyone knows it was radical feminist writer and hanger-on Valerie Solanos who pulled the trigger), but why? Was the non-lethal shooting a random act of craziness or did the seemingly soulless Warhol ask for it? In 90 fast-paced minutes of song, fun, and complaint, we’re asked to figure it out.

An Andy Warhol self portrait. The eccentric late gay artist is the subject of a current Studio Theatre production, ‘Pop!’ (Photo courtesy of the Andy Warhol Museum, Pittsburgh)
Action kicks off interactively, and getting seated is parted of the fun. On entering Studio Stage 4, theatergoers find a party already in progress filled with scenesters (costumed in bell bottoms, fringy vests and mod frocks by Ivania Stack) and a few artists in action. Here a woman paints the inside of a bathtub; across the room, a videographer films a young man in various states of undress. His image is projected largely on a back wall.
Set designer Giorgos Tsappas has morphed the black box venue into a slightly smaller version of Warhol’s legendary Factory (his silver-walled Manhattan studio/party space) with aluminum foil and varied touches of iconography including brightly labeled Brillo boxes and 15 outsized handgun silk screens.
Eventually the milling about ends, the stage lights come up and we meet the famously bewigged Warhol — played with marvelous languor by Tom Story. We learn he has blithely offered each of his minions an empty brown paper lunch bag in lieu of money or contracts (no wonder he was shot). And in response to that shooting, he utters an underwhelming “Ouch,” quickly setting the tone and introducing Warhol in all of his deadpan glory.
Sleuthing begins in earnest when the evening’s hostess — transsexual star Candy Darling (young actor Matthew Delorenzo) — assigns detective duties to Factory factotum Gerard Malanga (Luke Tudball) and opera-loving, speed freak Ondine (Sean-Maurice Lynch) who proceeds to snort up the chalk used to mark where Warhol’s injured body had fallen. While all and sundry are suspect, inspector magnifying glasses are trained on a trio of Factory ladies: beautiful heiress turned junkie, Edie Sedgewick (Marylee Adams); smart, sexy Viva (Deborah Lubega); and finally the fore-mentioned Valerie Solanas (Rachel Zampelli), the proud lesbian author of the SCUM (society for cutting up men) manifesto. Seems each has her reasons to resent Warhol, and all three are called on to express it rather formulaically in song.
The score (played by a terrific six-person band led by Christopher Youstra) makes reference to various musical genres — rock, Latin, vaudeville and Gospel. Highlights include a spot lit Candy Darling singing a lament to her fading star, and the madcap funeral sequence in which the cast dons outré clerical garb and sing long and loud about their injured leader. Even Mama Wahola (the artist’s original surname) makes the scene.
Then there’s “Big Gun,” a rousing disparagement of the male member sung by Solanas backed by Edie and Viva. But what’s missing from the score — considering many of the Factory girls and boys’ prodigious drug habits — is a musical paean to heroine or maybe a zippy patter song about methamphetamine.
Stylishly staged by Studio 2ndStage’s artistic director Keith Alan Barker, the production is a strong collaboration of designers and performers. They’ve recreated a feel for the Factory in a musical theater setting — not easy. But don’t come to “Pop!” expecting to find doppelgangers for coltish Edie, aquiline Viva, and pouty, floppy-haired Melanga, you won’t. Instead you will find an energized, diverse cast of talented actors working looks of their own.
After Warhol’s brush with death, the Factory changed. Things became less sloppy; security was upped — no longer were quirky nonentities allowed in from the street. Warhol changed too. He began to focus even more on making money and cultivated a different crowd, befriending tonier It girls like Bianca Jagger and Lee Radziwill.
We know who shot Andy Warhol. Why still remains a matter of opinion. Solonas the gatecrasher was nuts, but like most of Warhol’s real superstars, she also craved attention and may possibly have felt used by the man who ultimately and unwittingly gave them all fame. In some gray but mostly candy-colored bright tones, this “Pop!” makes revisiting the crime scene fun.
Friday, March 27
Center Aging Monthly Luncheon With Yoga will be at 12 p.m. at the DC Center for the LGBT Community. Email Mac at [email protected] if you require ASL interpreter assistance, have any dietary restrictions, or questions about this event.
Go Gay DC will host “LGBTQ+ Happy Hour” at 7 p.m. at Dupont Italian Kitchen. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 7 p.m. at the DC Center for the LGBT Community. This is a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, March 28
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website.
Black Lesbian Support Group will be at 1 p.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black Lesbian. For more details, email [email protected].
Monday, March 30
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Tea Time! A Local DC Drag Comedy Show” will be at 3 p.m. at Spark Social. This is a live drag comedy show where drag legends TrevHER & Tiara Missou Sidora host spill all the tea in the DMV. This event is free and more details are available on Eventbrite.
Tuesday, March 31
Visibili-TEA Party will be at 6 p.m. at Restoration Station. Guests are encouraged to come sip, celebrate, and shine together. This event is a Trans Day of Visibility celebration and a special collaboration between Auntie’s Home and Damien Ministries. This is a boozy tea party with intention and the dress code reflects the vibe. More details are available on Eventbrite.
Wednesday, March 1
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, April 2
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
Unconventional Diner will host “Cherry Blossom Drag Bingo Party” on Friday, April 3, at 6:30 p.m.
Guests will be treated to an unforgettable night of drag performances, bingo, food and drink and prizes. Highlights of the evening include themed cocktails, drag performances and bingo prizes.
Tickets can be secured via Resy.
Sports
New IOC policy bans trans women from Olympics
New regulation to be in effect at 2028 summer games in Los Angeles
The International Olympic Committee on Thursday announced it will not allow transgender women from competing in female events at the Olympics.
“For all disciplines on the Sports Program of an IOC event, including individual and team sports, eligibility for any Female Category is limited to biological females,” reads the new policy.
The policy states “eligibility for the Female Category is to be determined in the first instance by SRY Gene screening to detect the absence or presence of the SRY Gene.”
“On the basis of the scientific evidence, the IOC considers that the SRY (sex-determining Region Y) Gene is fixed throughout life and represents highly accurate evidence that an athlete has experienced or will experience male sex development,” it reads. “Furthermore, the IOC considers that SRY Gene screening via saliva, cheek swab or blood sample is unintrusive compared to other possible methods. Athletes who screen negative for the SRY gene permanently satisfy this policy’s eligibility criteria for competition in the Female Category.”
The policy states the test “will be a once-in-a-lifetime test” unless “there is reason to believe a negative reading is in error.”
The new regulation will be in place for the 2028 Summer Olympics in Los Angeles.
“I understand that this a very sensitive topic,” said IOC President Kirsty Coventry on Thursday in a video. “As a former athlete, I passionately believe in the rights of all Olympians to take part in fair competition.”
“The policy that we have announced is based on science and it has been led by medical experts with the best interests of athletes at its heart. The scientific evidence is very clear: male chromosomes give performance advances in sport that rely on strength, power, or endurance,” she added. “At the Olympic Games, even the smallest margins can be the difference between victory and defeat. So, it is absolutely clear that it would not be fair for biological males to compete in the female category. In addition, in some sports it would simply not be safe.”
(Video courtesy of the IOC)
Laurel Hubbard, a weightlifter from New Zealand, in 2021 became the first trans woman to compete at the Olympics.
Imane Khelif, an Algerian boxer, won a gold medal at the 2024 Summer Olympics in Paris. Khelif later sued JK Rowling and Elon Musk for cyberstalking after they questioned her gender identity.
Ellis Lundholm, a mogul skier from Sweden, this year became the first openly trans athlete to compete in any Winter Olympics when he participated in Milan Cortina Winter Olympics in Italy.
President Donald Trump in February 2025 issued an executive order that bans trans women and girls from female sports teams in the U.S.
The U.S. Olympic and Paralympic Committee last July banned trans women from competing in female sporting events. Republican lawmakers have demanded the IOC ban trans athletes from women’s athletic competitions.
“I’m grateful the Olympics finally embraced the common sense policy that women’s sports are for women, not for men,” said U.S. Sen. Tom Cotton (R-Ark.) on X.
An IOC spokesperson on Thursday referred the Washington Blade to the press release that announced the new policy.
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