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The media’s outing of Queen Latifah

Hip-hop star’s cat and mouse game continues

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If you are anxious for down-to-earth Jersey girl Dana Owens (a.k.a. hip-hop’s Queen Latifah) to come out, don’t hold your breath.

If, however, you’ve derived pleasure from Queen Latifah’s unintended  “Gotcha!” moments of being outed — and there are many — so, too, have the media.

But the media’s cat and mouse game with the Queen leads us to another “Gotcha!” moment that’s not.

In the upcoming September 2011 issue of Sister 2 Sister (S2S) magazine, which features Latifah on the cover, the Queen, in an in-depth interview with its publisher Jamie Foster Brown, discussed everything from her days touring with fellow rap artists and her brother’s untimely death to the beef between hip-hop and R&B recording artists Nicki Minaj and Lil Kim.

MORE IN THE BLADE: ABC NEWS REPORTER COMES OUT REPORTING ON QUINTO OUTING

In the interview, Queen Latifah also revealed to S2S the type of women she likes:

Queen Latifah: “…I just like ladies who have class. Period. And if it’s “T and A” you’re sellin’, that’s fine, as long as that’s what you’re selling. But you don’t have to show everything, you know? You can hold some back and just be yourself and let your personality shine and let your individuality show. To me, that’s sexier. A confident woman is a sexy woman, in my opinion. And I think guys find that to be the same way.”

Jamie Foster Brown: “Right.”

Queen Latifah: “You don’t have to show everything; you don’t have to put it all out there to attract a guy. Because what kind of guy are you gonna attract? What is he really looking for? If you wanna be a booty call, I guess you can throw it all out there. (laughs) But if you’re looking for a relationship with someone who respects you and respects things other than your body—your mind, your spirit, your personality, your smile—then you have to kind of exude that more so than just yo’ booty and yo’ titties.”

The blogosphere ran with plucked quotes from Latifah’s interview, and news of her “coming out” proliferated blogs and respected news outlets like ABC.com, all heralding that the Queen is out.

“This is significant because (A) Queen Latifah is amazing, and ladies should have some info on what reels her in and (B) because she’s never discussed her sexuality before. After years of dodging questions, especially since the speculation about the split between her and longtime girlfriend Jeanette Jenkins, props to Queen Latifah for opening up about her love for ladies. It’s not that I think a celebrity’s sexuality is any of our business. It’s just that the choice to be open about it—as a human being—is a powerful one. Queen Latifah is a role model for many women. I believe her decision to come out will only continue to inspire them,” wrote Ami Angelowicz at The Frisky blog.

While there is a willingness of both the media and the public to believe that Latifah came out to S2S, these quotes are taken wildly out of context. And these quotes, understandably, can be taken out of context, because there is solid evidence of Latifah’s sexual orientation.

For example, long before this latest hubbub, the black celebrity gossip blog Bossip.com outed Latifah in September 2010 with photos of Latifah and gal pal and “personal trainer” Jeanette Jenkins in a tender embrace that was not intended for public viewing.  The reliable “chitlin’ circuit” told us our closeted Queen was “in the life.” But when photos of Queen Latifah and Jenkins intimately embracing aboard a private yacht in France went viral on the Internet, the public’s long-awaited “Gotcha” moment was revealed.

For years it has been rumored that Queen Latifah has held private same-sex parties with all in attendance understanding they had to be on the “down-low” about it. That intimate and tender embrace Queen Latifah shared with her long-time friend/ trainer/lover? aboard the yacht in France was supposed to be on the “down-low,” too.

Part of what fuels the on-going flurry of queries concerning Queen Latifah’s sexual orientation was her spot-on portrayal of a butch lesbian in the 1996 movie “Set it Off.” Earlier this summer, Latifah’s character on the show Single Ladies, which she produces, was accidentally outed, and worked out in a positive way for the character. Viewers and the blogosphere began to speculate that Latifah was channeling her personal life through her small-screen character.

But Latifah would never publicly out herself. In a November 2007 interview with People magazine, denying rumors that she’s a lesbian, Latifah said, “My private life is my private life. Whomever I might be with, I don’t feel the need to share it. I don’t think I ever will.”

Reading Latifah’s quotes about what makes a confident and sexy woman, I couldn’t help but think she’s that sister; she’s talking about herself. In 1989, at age 19, Queen Latifah changed the way many of us viewed hip-hop with her hit single “Ladies First” from her first album “All Hail the Queen,” rebuking misogynistic lyrics, and bringing to young women an uplifting message of self-respect and empowerment.

Latifah’s sexual orientation is constantly queried, like so many black sisters — straight or gay — because she is also gender non-conforming to the white feminine aesthetic. The cultural indicators of how far afield Latifah, and sisters like me, are from the white feminine aesthetic paradigm is measured by our language, size and hair length, to name a few.

Latifah’s size makes her less feminine to the white feminine aesthetic paradigm, but she has, nonetheless, starred in blockbuster romantic comedies like “Last Holiday” and “Just Wright.”

Depending on whom the Queen’s talking to, her vernacular will range from proper English to hip-hop. Sister 2 Sister magazine caters to an urban hip-hop readership and her language in the interview was colorful and fitting.

A failure to  contextualize the different social and cultural spheres Latifah occupies will always render a misread like the media have done.

And, as far the media pondering how long it will be before the Queen comes out? This is what she said in the S2S interview: “It doesn’t matter to me what somebody’s is writing. I know what’s true about me and what’s not true.”

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How do we honor Renee Good, Alex Pretti?

Lives more than last 10 seconds captured on video

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Protesters in Haymarket, Va. on Jan. 11 protest against U.S. Immigration and Customs Enforcement after an ICE agent shot Renee Good to death in Minneapolis. (Washington Blade photo by Michael Key)

Renee Good. Alex Pretti.

During this last year, I wondered who would be the first U.S. citizen to be shot by our government. It was not a matter of if, but when. Always.

And now we know.

I thought it would be soldiers. But the masked men got there first. Because when you mix guns and protests, guns inevitably go off. The powers that be always knew it, hoped for it, and wanted it to happen. 

Why? Because masked men and guns instill fear. And that’s the point. Ask yourself when’s the last time you saw masked men and guns in our cities, or anywhere for that matter. I always thought that men masked men with guns robbed banks. I was wrong.  

Masked men want to rob us of our dignity as human beings. Of our assurance in the calmness and contentment of our communities. They want to rob us of our trust in our institutions, and our faith in each other. And truly they want to rob us of the happiness and joy that we all constantly yearn to find in our lives.  

But our only collective ability as a nation to push back is our protests. Peaceful protests. As Renee and Alex did.

But peaceful protests? Because they are the perfect power to shame the cowardice of those that believe guns and force are the only true authority. Fortunately, our last hope and fiercest ally is our Constitution, which gives us the power — and the right — to protest. 

How much more peaceful can you get when you hear Renee Good’s last words, “I’m not mad at you, Dude.” I may be mad at the system, the government, the powers of unknown people pulling the strings but not you personally. “Dude.” Peaceful to the last word.

Yet, what becomes lost in the frantic pace of hair-trigger news cycles, of officials declaring impetuous damnations alongside johnny-on-the spot podcasters spouting their split-second opinions are the two human beings who have lost their lives.

How habituated we’ve become as we instantly devour their instant obituaries. The sum of their lives declared in less than 10 seconds of cellphone video. They haven’t just lost their lives.  They’ve lost all of their lives. And now we watch over and over again as their death is re-revealed, re-churned, re-evaluated, and re-consumed. In that endless repetition, we forget the meaning of life itself.

We must remember that Renee and Alex believed in their communities, in the purpose of their work, in the happiness of their loves and lives, and in the dignity and curiosity of life itself. They were singular individuals who did not deserve to die at the end of a gun barrel for any reason, ever.

How fitting that Renee was a poet. Sometimes in confronting the massiveness of loss in our lives, we look to our poetry and our psalms, our hymns and our lullabies, to find a moment of solace in our communal grief, and to remember Renee and Alex, for what they gave us in life.

Yet, at this moment, I cannot escape the reality of what was taken from them so soon, so violently and so forever. They were exceptionally courageous and normal people, and for that reason, I must remember them through a poem to explain to me, and others, the unexplainable. 

I dream of this not happening. 

I dream this day and night.

For none of this is real.

And none of this is right.

I dream of these sons and daughters

who now will not go home,

and dream of their mothers and fathers,

who now must stand alone.

I dream of all the flowers that they will never hold —

the kisses never shared again, the secrets to not be told.

I dream of all the sunsets that for them will never set,

I dream of all the love they gave and now they must forget.

I dream of all their dinners

with wine to never spill,

or books to read, or bread to break

or babies to be held.

I dream of each one still reaching 

in the middle of the night,

for a hand that needs another 

to stop a nightmare’s flight.

I dream of them not dreaming, 

which I could never do,

for how can you not dream a dream

that never will come true.

I dream of this not happening.

I dream this day and night.

For none of this is real

And none of this is right. 

Carew Papritz is the award-winning author of “The Legacy Letters,” who inspires kids to read through his “I Love to Read” and the “First-Ever Book Signing” YouTube series.

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Gay Treasury Secretary’s silence on LGBTQ issues shows he is scum

Scott Bessent is a betrayal to the community

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Treasury Secretary Scott Bessent (Washington Blade photo by Michael Key)

We all know the felon in the White House is basically a POS. He is an evil, deranged, excuse for a man, out only for himself. But what is just as sad for me is the members of the LGBTQ community serving in his administration who are willing to stand by silently, while he screws the community in so many ways. The leader, with his silence on these issues, is the highest ranking “out” gay ever appointed to the Cabinet; the current secretary of the treasury, the scum who goes by the name, Scott Bessent. 

Bessent has an interesting background based on his Wikipedia page. He is from South Carolina and is what I would call obscenely wealthy. According to his financial assets disclosure to the U.S. Office of Government Ethics, Bessent’s net worth was at least $521 million as of Dec. 28, 2024; his actual net worth is speculated to be around $600 million. He married John Freeman, a former New York City prosecutor, in 2011. They have two children, born through surrogacy. I often wonder why guys like Bessent conveniently forget how much they owe to the activists in the LGBTQ community who fought for the right for them to marry and have those children. Two additional interesting points in the Wikipedia post are Bessent reportedly has a close friendship with Donald Trump’s brother Robert, whose ex-wife, Blaine Trump, is the godmother of his daughter. The other is disgraced member of the U.S. House of Representatives, John Jenrette, is his uncle.  

Bessent has stood silent during all the administrations attacks on the LGBTQ community. What does he fear? This administration has kicked members of the trans community out of the military. Those who bravely risked their lives for our country. The administration’s policies attacking them has literally put their lives in danger. This administration supports removing books about the LGBTQ community from libraries, and at one point even removed information from the Pentagon website on the Enola Gay, the plane that dropped the first atomic bomb, thinking it might refer to a gay person. It was actually named after Enola Gay Tibbets, the mother of the pilot, Col. Paul Tibbets. That is how dumb they are. Bessent stood silent during WorldPride while countries around the world told their LGBTQ citizens to avoid coming to the United States, as it wouldn’t be safe for them, because of the felon’s policies. 

Now the administration has desecrated the one national monument saluting the LGBTQ community, Stonewall, in New York City, by ordering the removal of the rainbow flag. The monument honors the people who get credit for beginning the fight for equality that now allows Bessent, and his husband and children, to live their lives to the fullest. That was before this administration he serves came into office. I hope his children will grow up understanding how disgusting their father’s lack of action was. That they learn the history of the LGBTQ community and understand the guts it took for a college student Zach Wahls, now running for the U.S. Senate from Iowa, to speak out for his “two moms” in the Iowa State Legislature in 2011, defending their right to marry.  

Bessent is sadly representative of the slew of gays in the administration, all remaining silent on the attacks on the community. They are mostly members of the Log Cabin Republicans who have given up on their principles, if they ever had any, to be subservient to the felon, and the fascists around him, all for a job. 

There are so many like them who supported the felon in the last election. Some who believed in Project 2025, others who didn’t bother to read it. Many continue to stand with him, with the sycophants in the Congress, and the incompetents and fascists in the administration, as they work to destroy our country and end the democracy that has served us so well for 250 years. To keep out all immigrants from a nation of immigrants. They all seem to forget it was immigrants who built our country, who fought against a king, and won. These sycophants now support the man who wants to be king. Who openly says, “I am president I can do anything only based on my own morality,” which history clearly shows us he has none. 

I believe we will survive these horrendous times in American history. We have fought a king before and won. We have kept our country alive and thriving through a civil war. We the people will defeat the felon and his minions, along with the likes of those who stood by silently like Scott Bessent. They seem to forget “Silence = Death.” 

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist.

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Unconventional love: Or, fuck it, let’s choose each other again

On Valentine’s Day, the kind of connection worth celebrating

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(Image by kotoffei/Bigstock)

There’s a moment at the end of “Love Jones” — the greatest Black love movie of the 21st century — when Darius stands in the rain, stripped of bravado, stripped of pride, stripped of all the cleverness that once protected him.

“I want us to be together again,” he says. “For as long as we can be.”

Not forever. Not happily ever after. Just again. And for as long as we can. That line alone dismantles the fairy tale.

“Love Jones” earns its place in the canon not because it is flawless, but because it is honest. It gave us Black love without sanitizing it. Black intellect without pretension. Black romance without guarantees. It told the truth: that love between two whole people is often clumsy, ego-driven, tender, frustrating, intoxicating—and still worth choosing.

That same emotional truth lives at the end of “Eternal Sunshine of the Spotless Mind,” my favorite movie of all time. Joel and Clementine, having erased each other, accidentally fall back into love. When they finally listen to the tapes that reveal exactly how badly they hurt one another, Clementine does something radical: she tells the truth.

“I’m not perfect,” she says. “I’ll get bored. I’ll feel trapped. That’s what happens with me.”

She doesn’t ask Joel to deny reality. She invites him into it. Joel’s response isn’t poetic. It isn’t eloquent. It’s not even particularly brave. He shrugs.

“Ok.”

That “OK” is one of the most honest declarations of love ever written. Because it says: I hear you. I see the ending. I know the risk. And I’m choosing you anyway.

Both films are saying the same thing in different languages. Nina and Darius. Clementine and Joel. Artists and thinkers. Romantics who hurt each other not because they don’t care — but because they do. Deeply. Imperfectly. Humanly.

They argue. They retreat. They miscommunicate. They choose pride over vulnerability and distance over repair. Love doesn’t fail because they’re careless — it fails because love is not clean. 

What makes “Love Jones” the greatest Black love movie of the 21st century is that it refuses to lie about this. It doesn’t sell permanence. It sells presence. It doesn’t promise destiny. It offers choice.

And at the end — just like “Eternal Sunshine” — the choice is made again, this time with eyes wide open.

When Nina asks, “How do we do this?” Darius doesn’t pretend to know.

“I don’t know.”

That’s the point.

Love isn’t a blueprint. It’s an agreement to walk forward without one.

I recently asked my partner if he believed in soul mates. He said no—without hesitation. When he asked me, I told him I believe you can have more than one soul mate, romantic or platonic. That a soul mate isn’t someone who saves you — it’s someone whose soul recognizes yours at a particular moment in time.

He paused. Then said, “OK. With those caveats, I believe.”

That felt like a Joel shrug. A grown one.

We’ve been sold a version of love that collapses under scrutiny. Fairy tales promised permanence without effort. Celebrity marriages promised aspiration without truth. And then reality — messy, public, human—stepped in. Will and Jada didn’t kill love for me. They clarified it.

No relationship is perfect. No love is untouched by disappointment. No bond survives without negotiation, humility, and repair. What matters isn’t whether love lasts forever. What matters is whether, when confronted with truth, you still say yes.

“Love Jones” ends in the rain. “Eternal Sunshine” ends in a hallway. No swelling orchestras. No guarantees. Just two people standing at the edge of uncertainty saying: Fuck it. I love you. Let’s do it again. 

That’s not naïve love. That’s courageous love.

And on Valentine’s Day — of all days — that’s the kind worth celebrating.

Randal C. Smith is a Chicago-based attorney and writer focusing on labor and employment law, civil rights, and administrative governance.

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