Arts & Entertainment
Endurance performance
Out gay Cirque vet headlining new ‘Quidam’ show

Mark Ward as the ringmaster in ‘Quidam.’ It plays Washington for eight performances next week. (Photo courtesy of Cirque Du Soleil)
Mark Ward always knew he wanted to be out professionally.
The Cirque Du Soleil vet plays the ringmaster in the company’s latest show “Quidam,” which comes to the Verizon Center next week. Ward says coming out is an individual choice that each person should make for himself.
He joined Cirque du Soleil as a performer in 1993. Not wanting to keep aspects of his life hidden, Ward let the company know that he wanted to be out. He says that there was never an issue with the hiring managers and that the company was supportive from the start.
He says he always wanted “to lead an authentic life.”
“I think that it’s an individual journey, so I couldn’t say that it’s good or bad [to come out],” he says. “I just know that as far as people — gay and lesbian people — accepting themselves, that’s a personal journey. My time may not be your time. If I saw someone and I felt like, ‘Oh you shouldn’t be in the closet, you shouldn’t be hiding yourself,’ I think that’s wrong of me because I got in that person’s shoes. I like to support that person, try to give them the tools they would need to come out and not be hidden or behind the veil, of course, but I think that’s an individual journey, I really do.”
Since joining Cirque, Ward has performed in about 6,500 Cirque shows, without missing a single performance.
“For me, the challenging thing is also the thing that has kept me around for this amount of time,” he says. “I have to be in constant communication with the audience and I have to be adaptable … what works in Milwaukee, when I come to D.C., may not get the same responses. I have to be open to the public and the information they are feeding me. So I have to have a keen sense of awareness. That keeps me focused.”
In “Quidam,” Ward plays ringleader John, guiding the audience through the performances that tell the story of Zoé, a young girl searching for something more to her life. Her parents, distant and apathetic, ignore her. To her, life has lost meaning. Seeking to fill the void of her existence, she slides into an imaginary world — the world of Quidam — where she meets characters who encourage her to free her soul. The international cast of “Quidam” features 52 acrobats, musicians, singers and characters.
This being his first time to Washington, Ward is looking forward to catching up with local friends and exploring Washington.
“I’m first hoping to go out and eat at some really cool places … and I’ll probably just run myself ragged trying to see everything.”
“Quidam” is at the Verizon Center from Nov. 16-20 for eight performances. Tickets start at $35. Visit cirquedusoleil.com for information.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)

























