Arts & Entertainment
A royal treat
New audiobook tells the William-and-Kate backstory
‘William & Kate: The Love Story’ by Robert Jobson
Read by Paul English
Bolinda Audio/Brilliance Audio
$29.99
Nine CDs; 10 hours, 31 mins.
Sometimes, you feel as if you were born to do what you do.
As does William Wales but — according to journalist Robert Jobson — Prince William doesn’t yet want the job that awaits him. In the recent audiobook “William & Kate: The Love Story” (read by Paul English), you’ll learn why and more.
It sounded like a romance straight from a cheap paperback: boy meets girl, boy loses girl, boy gains wife. But in the path toward marriage, Prince William and Kate Middleton took a few side-roads.
They met at school. Jobson says the Prince was inundated with dates: girls who wanted to be seen with the handsome second-in-line to the throne. Beautiful Kate caught the Prince’s eye, too, but they were friends first, then roommates sharing a flat with a few others.
During that time, William’s “greatest hope” was to be left alone by the press, and he was, to a point. But when it became obvious that he and Kate were an item, the paparazzi practically drooled.
Was press stress the reason William and Kate kept breaking up? Jobson reports several messy break-up-make-ups but says Kate Middleton did everything right. She didn’t push her prince or give him an ultimatum. Instead, she gave him lots of room and freedom to decide that she was the one he ultimately wanted as his queen.
So what does the future hold for the monarchy?
The Queen, says Jobson, appears to be quite close to William and she seems to be passing more duties forward to him and to Charles. Charles, Jobson says, knows fully well that he is less popular than William. And a good number of British citizens believe that the monarchy should be disbanded.
Can’t get enough of the Royals? Then grab a cuppa and curl up because “William & Kate: The Love Story” in audio holds more than 10 hours of romance, gossip and elegance.
With an edge that only someone allowed in the inner circle could have, author Robert Jobson tells not just how the “Wedding of the Century” came about, but also why it’s significant. Jobson includes a few lessons in history and some interesting asides, as well as several wonderfully snarky comments and a few bombs of which Royal watchers might not know.
And, of course, half the appeal of an audiobook is its narrator. With perfect verbal aristocracy, Paul English is exactly the right reader to bring this romance to life.
If you climbed out of bed in the wee hours of the morning last April to watch a wedding, just think of this audiobook as a belated wedding favor. For you, “William & Kate: The Love Story” is a treat fit for royalty.
Arts & Entertainment
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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