Arts & Entertainment

Year in review: 2012 in quotes

The year’s most memorable remarks on LGBT issues

Published

13 years ago

December 27, 2012

From left, President Obama, Jason Mraz, Christopher Plummer and Gov. Andrew Cuomo. (Obama and Cuomo photos Blade file photos; Mraz and Plummer photos courtesy Wikimedia)

From President Obama coming out in support of marriage equality to celebrities like Anderson Cooper just plain coming out, 2012 provided plenty of notable quotables.

Here is a look back at some of the most memorable LGBT media moments of the year.

OBAMA SAYS ‘I DO’

“For me personally, it is important to affirm that I think same-sex couples should be able to get married.”

— President Barack Obama, announcing his support for marriage equality in an interview with ABC News’ Robin Roberts (ABC News, May 9)

“With his embrace of phony ’gay marriage,’ Obama outs himself as a soulless panderer with no core beliefs. He mocks his own Christian profession.”

— Peter LaBarbera, founder for Americans for Truth About Homosexuality (via Twitter, May 9)

“Let me make it very clear, that my preference is to have a national standard that defines marriage as a relationship between a man and a woman.”

— GOP presidential hopeful Mitt Romney (CNN, May 9)

“Obama is for same-sex marriage. When the president is saying that, who am I to go the other way? It’s cool.”

— 50 Cent, speaking out on gay marriage after also being asked his reaction to fellow hip-hop artist Frank Ocean’s decision to reveal a past relationship with a man. “Anyone that has an issue with Frank Ocean is an idiot,” 50 Cent said. (BET.com, July 16)

POLITICAL MILESTONES

“Now you can be proud of serving your country, and be proud of who you are.”

— U.S. Defense Secretary Leon Panetta thanking gay and lesbian military members for their service on June 15, as the Pentagon prepared to mark June as Gay Pride month with an official salute.

“I’m well aware I’m the first woman elected to the Senate from Wisconsin, and I’m well aware I will be the first openly gay member. I didn’t run to make history. I ran to make a difference.”

U.S. Rep. Tammy Baldwin (D-Wisc.), who on Nov. 6 became the first openly gay candidate elected to the U.S. Senate, in a recent interview on her historic victory. (Green Bay Press-Gazette, Nov. 18)

“When I decided to run, I said either you come out and become an activist and have a major role there or I run for Congress. There was no way I could have been out and won.”

U.S. Rep. Barney Frank (D-Mass.) on his first run for Congress in 1980. Frank, who came out in 1987 while serving in Congress, is retiring after 32 years in the U.S. House. (Washington Post, Dec. 3)

CELEBS SPEAK OUT

“For me, it is a choice. I understand that for many people it’s not, but for me it’s a choice, and you don’t get to define my gayness for me.”

— Actress Cynthia Nixon in an interview with the New York Times after her recent remark that “I’ve been straight and I’ve been gay, and gay is better” drew criticism from some LGBT activists. (ABCNews.com, Jan. 24)

“While I don’t often use the word, the technically precise term for my orientation is bisexual. I believe bisexuality is not a choice, it is a fact. What I have ‘chosen’ is to be in a gay relationship.”

— Cynthia Nixon in a written statement clarifying her remark. (Advocate.com, Jan. 30)

“I have an important message, all the bling and Mercedes aside: I’m an openly gay Persian man. According to the president of the country I was born in, I don’t even exist.”

— Reza Farahan, a star on Bravo’s new reality series “Shas of Sunset.” (AP, March 10)

“I’ve never dealt with the question of my personal life in public. It’s just not gonna happen.”

— Actor and singer Queen Latifah, explaining that it “definitely wasn’t the case” that she came out when performing at Long Beach Gay Pride last month, while adding, “To me, doing a gay pride show is one of the most fun things.” (Entertainment Weekly, June 1)

“The fact is, I’m gay, always have been, always will be, and I couldn’t be any more happy, comfortable with myself, and proud.”

— CNN anchor Anderson Cooper, ending years of speculation by coming out via email to gay writer Andrew Sullivan. (Andrew Sullivan/The Dish, July 2)

“I’m a black, gay woman. I think the only way to make the GOP hate me more is if I sent them a video of me rolling around on a pile of welfare checks.”

— Comedian Wanda Sykes in a clip from her two-part Logo special, “NewNowNext Vote with Wanda Sykes.” (Huffington Post, Sept. 10)

FAMOUS FRIENDS

“I think everyone sort of understands it might be the last leg of the civil rights movement.”

Actor George Clooney, a gay marriage supporter, speaking for LGBT rights in an interview at the Golden Globe Awards, where he won Best Actor. (Politico.com, Jan. 16)

“I sing songs about love and just as people have a right to choose to listen to songs about love, I believe people have a right to marry the person that they love.”

— Singer-songwriter Jason Mraz in a video for Americans for Marriage Equality, an HRC campaign to let gay couples marry. (HRC.org, March 21)

“I think that gay marriage is going to happen. It must. We are not actually equal — humanity — if we are not allowed to freely love one another. What the Pope thinks of being gay does not matter to the world. It matters to the people who like the Pope and follow the Pope. It is not a reflection of all religious people.”

— Lady Gaga, who is Catholic, responding in a radio interview to Pope Benedict XVI’s comments against gay marriage. (Fox News, Sept. 25)

“You can’t change the way you are or who you fell in love with … We support Uncle Poodle and all the other poodles in the world too.”

— TLC reality star Alana “Honey Boo Boo” Thompson, age 7, in a statement publicized by the Gay & Lesbian Alliance Against Defamation about her gay uncle. (GLAAD.org, Oct. 19)

PLAYING GAY

“In some ways, gender should be irrelevant. It shouldn’t matter who someone is connected to and finds love and a life with. I hope [full federal equality] will come to be a reality for the LGBT world.”

— Actress Glenn Close, who plays a woman who lives as a man in 19th century Dublin in her film “Albert Nobbs.” (Windy City Times, Jan. 25)

“Gay characters are human beings. We’re all exactly the same. That’s the reason I played it the way I did, not as a caricature. … I know there is a lot of anti-gay sentiment in our society at the moment and I abhor it.”

Actor Christopher Plummer, who portrayed a gay man who came out after age 70 in the film “Beginners.” (On Top Magazine, Jan. 30)

“’Truth’ is our small chance to ask that you try and understand someone who lives their life in a way that is a little bit different from yours, even though all of our hearts are the same. We want to stop the hate and find understanding.”

— Pop icon Janet Jackson on why she is serving as executive director for “Truth,” a documentary about transgender people and their fight for equality. (Advocate.com, June 4)

GOOD SPORTS

“I guess [coming out publicly] seems like a weight off my shoulders. I’ve been playing a lot better than I’ve ever played before. I think I’m just enjoying myself and I’m happy.”

Megan Rapinoe, a midfielder for the US women’s soccer team, who scored three goals on the way to the team’s gold medal. Rapinoe came out in the press before the start of the London Olympics. (Associated Press, Aug. 8)

“I find it inconceivable that one of your players, Mr. Brendon Ayanbadejo, would publicly endorse same-sex marriage… I am requesting that you take the necessary action, as a National Football Franchise Owner, to inhibit such expressions from your employee…”

— Maryland General Assembly Delegate Emmett C. Burns Jr. in an Aug. 29 letter, sent on official letterhead, to Baltimore Ravens owner Steve Bisciotti. (Yahoo Sports, Sept. 6)

“I’ve also been vocal as hell about the issue of gay marriage so you can take your ‘I know of no other NFL player …’ and shove it in your close-minded, totally lacking in empathy piehole and choke on it. Asshole.”

— Minnesota Vikings punter Chris Kluwe in a hilariously profane open letter to Md. State Delegate Emmett C. Burns Jr. (Deadspin.com, Sept. 7)

COURTING CONTROVERSY

“I think we are inviting God’s judgment on our nation when we shake our fist at him and say, ‘We know better than you as to what constitutes a marriage.’”

— Dan Cathy, president of Chick-fil-A, noting that his company is “guilty as charged” in opposing same-sex marriage. (Comments published by Baptist Press on July 16)

“The comments … that sought to link the devastation caused by Hurricane Sandy to our state’s embrace of marriage equality are as offensive as they are ignorant.”

— New York Gov. Andrew Cuomo, responding to Rabbi Noson Leiter, who called Hurricane Sandy “divine” retribution for New York legalizing gay marriage. (New York Daily News, Nov. 5)

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Photos

PHOTOS: The Bonnet Ball

Annual celebration held at JR.’s

Published

16 hours ago

April 5, 2026

Michael Key

Sirene Noir Sidora Jackson dances at The Bonnet Ball at JR.'s Bar on Sunday, April 5. (Washington Blade photo by Michael Key)

The Bonnet Ball was held at JR.’s Bar (1519 17th St., N.W.) on Sunday.

(Washington Blade photos and video by Michael Key)

Books

Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

Published

19 hours ago

April 5, 2026

Terri Schlichenmeyer

(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

The Blade may receive commissions from qualifying purchases made via this post.

Theater

Iconic Eddie Izzard takes on 23 characters in ‘Hamlet’

Energized take on role offers accessible way to enjoy Shakespeare

Published

2 days ago

April 4, 2026

Patrick Folliard

Eddie Izzard in ‘The Tragedy of Hamlet.’ (Photo by Carol Rosegg)

‘The Tragedy of Hamlet’
Through April 11
Shakespeare Theatre Company’s Klein Theatre
450 7th St., N.W.
Tickets start at $90
Shakespearetheatre.org

Eddie Izzard is an icon.

Best known for her innovative standup and film roles, the famed British performer is also a queer activist who over the years has good-naturedly shared details from her decades long trans journey. What’s more, Izzard has remarkably run 43 marathons in 51 days for charity.

And now, Izzard finds a towering new challenge with the worldwide tour of “The Tragedy of Hamlet” (at Shakespeare Theatre Company’s Klein Theatre through April 11), in which she plays 23 characters (Hamlet, King Claudius, Queen Gertrude, the ghost, etc.) in a solo performance running just over two hours.

At a recent performance, Izzard, before slipping into character, appeared on the unadorned stage to say that though infused with comedy, “Hamlet” is definitely a tragedy, a story of a family and country both tearing themselves apart. She also warns that there’ll be a lot of breaking the fourth wall. After all, it didn’t exist in 1600 around the time when “Hamlet” was written.

The play unfolds in flurry of movement and scandal as the Danish prince begins to plot revenge after learning that his father, the old king was conspired against and murdered.

While some of Izzard’s character shifts are shown only by a subtle change in stance or modulation of voice, others are more obviously displayed like court sycophant Polonius walking with a stiff leg and mimed cane, or his ill-fated daughter Ophelia trotting girlishly across the upstage platform.

Delivered downstage at the intimate Klein venue, Izzard’s Hamlet soliloquies are performed with striking clarity. The one actor play is adapted and edited by Mark Izzard (the star’s older brother) and directed by Selina Cadell who successfully fosters the visceral connection between the actor and the house. Directly addressing an audience is something Izzard does exceedingly well. You feel as if she’s looking at/speaking to only you.

Cuts and choices are made that might not please traditionalists. The stabbing of eavesdropping Polonius might prove disappointingly underplayed to some. Whereas, the subsequent satisfying dual/death scene is long and precisely choreographed. Fear not, Izzard doesn’t flag a bit, not even when battling a cough (as was the case on the night of No Kings Day).

Not surprisingly, Izzard leans into the comedy. Her deliciously placed pauses, lines read ironically, and double takes, all gifts of comedy sharpened to perfection over a long career that kicked off as a street performer in the early eighties in London’s Covent Garden.

The play within a play scene finds Hamlet slyly rattling the conscience of King Claudius. As played by Izzard, it’s wickedly delightful and especially good. And the back and forth between the grave diggers done as a clever Cockney and his green assistant is a master class in how to play a Shakespearean clown.

Kitted out in a black peplum jacket over leather leggings and boots, Izzard gives gender fluid shades of contemporary diehard scenester and a Renaissance courtier. (Design and styling by Tom Piper and Libby DaCosta)

Attention has been paid to the blonde high ponytail, crimson lips and matching lacquered nails. The hands are important. Whether balled into fists or fingers fluttering, they’re in use, especially when playing Hamlet’s ex-friends Rosencrantz and Guildenstern (a clever surprise that can’t be spoiled).

Tom Piper’s set is wonderfully minimal. It’s an empty white walled space with three narrow windows that appear cut deeply into stone like those of a castle. These white flats serve as the ideal canvas for lighting designer Tyler Elich’s looming shadows, ghostly green light, and other unexpected flourishes of drama.

Izzard fills the stage. Her presence is huge, and her acting first-rate. At times, you forget it’s a one-person show.

I’d like to say, prior knowledge of the Bard’s best tragedy isn’t necessary to enjoy this fast-paced production. Despite a halved runtime and obscure words replaced with modern equivalents (“tedious old git” Hamlet says of Polonius), familiarity with the play is helpful.

With “The Tragedy of Hamlet,” Izzard secures a place among fellow queer Brits like Miriam Margolyes (“Dickens’ Women”), Sir Ian Mckellan (“Ian McKellen on Stage”), and more recently Andrew Scott (“Vanya”) in the solo players’ pantheon.

Izzard’s energized take on Hamlet is terrific. The way her powerful public persona bleeds into the work without taking over is exciting, and a uniquely accessible way to enjoy Shakespeare.