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Old school jazz and blues

New MetroStage production brings fabled era to life

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Yvette Spears, Lori Williams, Anthony Manough, Roz White, Sandy Bainum, Ladies Swing the Blues, MetroStage, theater, gay news, Washington Blade
Yvette Spears, Lori Williams, Anthony Manough, Roz White, Sandy Bainum, Ladies Swing the Blues, MetroStage, theater, gay news, Washington Blade

From left, Yvette Spears, Lori Williams, Anthony Manough, Roz White and Sandy Bainum in ‘Ladies Swing the Blues.’ (Photo by Christopher Banks; courtesy MetroStage)

‘Ladies Swing the Blues, a Jazz Fable’
Through March 31
MetroStage
1201 North Royal Street, Alexandria
$48-$55
703-548-9044
mestrostage.org

Near the end of Charlie “Bird” Parker’s life, an attending doctor mistook the 34-year-old alto saxophonist to be in his 50s. A longtime battle with drugs and alcohol had taken a toll on the legendary jazz great’s body; but despite the tragic circumstances attached to his premature demise, Bird’s impact remained unbroken, leaving an inimitable, enduring mark on his musical genre and those who knew him.

With “Ladies Swing the Blues, a Jazz Fable” currently premiering at MetroStage in Alexandria, Thomas W. Jones II (book and lyrics) and William Knowles (arrangements and original music) again put the spotlight on an exciting chapter in 20th century African-American musical culture. Jones and Knowles who are also “Ladies” director and musical director respectively have worked together before  — past collaborations include vaudeville-era “Bricktop,” and ‘60s-set “Cool Papa’s Party.” This time it’s the ‘40s and ‘50s New York City jazz scene as personified by the genius Parker.

The action takes place in Manhattan’s legendary jazz club Birdland in 1955 on the day after Parker’s death. Four divas of jazz in the tradition of Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Peggy Lee, have gathered to celebrate the memory (warts and all) of their beloved downed comrade. As the ladies swap gossip, jazz lore, and, of course, sing bluesy, jazz standards, Parker walks among them unseen and appears in flashbacks from his fast and furious life.

With an easy smile, twinkly eye, nimble dance moves and fabulous voice, Anthony Manough as Parker sets the bar high for what unfolds as 90 minutes of first-rate entertainment. In turn, Roz White (Lady), Lori Williams (Ella), Yvette Spears (Sassy), and Sandy Bainum (Lee) — terrific, seasoned singers and actors all — prove themselves more than willing and able to command center stage. “Ladies” peaks when the jazz women (decked out in ‘50s cocktail dresses, rhinestones and wigs) take to the Birdland stage to pay musical homage to Parker, starting with low-key, blonde Lee’s heartfelt “Lullaby of Birdland” followed by unbridled Sassy’s powerful “Sometimes I’m Happy,” and worldly Ella’s show stopping scat-infused “Flying Home.”

Finally, Wisecracking and streetwise Lady takes the stage. “Slow this shit down,” she says before easing into an unhurried and salty “Billie’s Blues.”

Besides Lee, Bainum also effectively plays characters from Parker’s life including a socialite jazz-loving baroness and bebop-obsessed “On the Road” author Jack Kerouac.

In search of motivation for his characters’ seeking solace in jazz, Jones smartly plumbs the real life ladies’ rocky pasts which involved prostitution, sexual and physical abuse, bad relationships and addictions. Throughout the show, Lady funnily sips from a sparkly flask that she keeps handily nestled in her cleavage; but at a darker point she moves to the edge of the stage where she shoot ups in the shadows.

The show’s incredibly on point, five-man jazz band led by Knowles on piano is definitely a part of the show. Clad in black tie and placed very visibly onstage beneath an orangey-red neon Birdland sign, the band members enjoy solos and occasionally interact with the actors. “Ladies” features great stuff like “Fever,” “Round Midnight” and “T’aint What You Do” along with some original tunes by Knowles that hold their own in the company of the more familiar classics.

Earlier this season, MetroStage was transformed into a French café celebrating the poignancy of Jacques Brel’s Paris. And now with “Ladies,” it’s been convincingly morphed into a New York jazz club with all the gloriousness and pain that goes with that.

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Memorial for groundbreaking bisexual activist set for May 2

Loraine Hutchins remembered as a ‘force of nature’

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Loraine Hutchins died last year. (File photo courtesy of Hutchins)

The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m. 

Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com. 

An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all. 

Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.

In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”

“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.

“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”

“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”

“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day. 

Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.  

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History

Julius’ Bar ‘sip-in’ laid groundwork for Stonewall

Tuesday marked 60 years since four gay activists held protest

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(Washington Blade photo by Ernesto Valle)

While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.

Tuesday marked 60 years since the Julius’ Bar “sip in.”

On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.

Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.

At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.

Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.

Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.

The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.

Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.

Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.

“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”

For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.

“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”

The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.

“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.

The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.

Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:

Alice Austen House at Steiny’s Pub, Staten Island, N.Y.

Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.

Brick Road Coffee, Mesa, Ariz.

Brick Road Coffee, Tempe, Ariz.

Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.

The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans

Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York

JOYR!DE KiKi at Loafers Cocktail Bar, New York

Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.

Mazer Lesbian Archives at Alana’s Coffee, Los Angeles

New Hope Celebrates at The Club Room, New Hope, Pa.

Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.

Sandy Jack’s Bar, Brooklyn, N.Y.

St. Louis LGBT History Project at Just John Club, St. Louis

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Photos

PHOTOS: National Champagne Brunch

Gov. Beshear honored at annual LGBTQ+ Victory Fund event

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Gov. Andy Beshear (D-Ky.) speaks at the LGBTQ+ Victory Fund National Champagne Brunch on Sunday, April 19. (Washington Blade photo by Michael Key)

The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.

(Washington Blade photos by Michael Key)

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