Arts & Entertainment
Old school jazz and blues
New MetroStage production brings fabled era to life

From left, Yvette Spears, Lori Williams, Anthony Manough, Roz White and Sandy Bainum in ‘Ladies Swing the Blues.’ (Photo by Christopher Banks; courtesy MetroStage)
‘Ladies Swing the Blues, a Jazz Fable’
Through March 31
MetroStage
1201 North Royal Street, Alexandria
$48-$55
703-548-9044
mestrostage.org
Near the end of Charlie “Bird” Parker’s life, an attending doctor mistook the 34-year-old alto saxophonist to be in his 50s. A longtime battle with drugs and alcohol had taken a toll on the legendary jazz great’s body; but despite the tragic circumstances attached to his premature demise, Bird’s impact remained unbroken, leaving an inimitable, enduring mark on his musical genre and those who knew him.
With “Ladies Swing the Blues, a Jazz Fable” currently premiering at MetroStage in Alexandria, Thomas W. Jones II (book and lyrics) and William Knowles (arrangements and original music) again put the spotlight on an exciting chapter in 20th century African-American musical culture. Jones and Knowles who are also “Ladies” director and musical director respectively have worked together before — past collaborations include vaudeville-era “Bricktop,” and ‘60s-set “Cool Papa’s Party.” This time it’s the ‘40s and ‘50s New York City jazz scene as personified by the genius Parker.
The action takes place in Manhattan’s legendary jazz club Birdland in 1955 on the day after Parker’s death. Four divas of jazz in the tradition of Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Peggy Lee, have gathered to celebrate the memory (warts and all) of their beloved downed comrade. As the ladies swap gossip, jazz lore, and, of course, sing bluesy, jazz standards, Parker walks among them unseen and appears in flashbacks from his fast and furious life.
With an easy smile, twinkly eye, nimble dance moves and fabulous voice, Anthony Manough as Parker sets the bar high for what unfolds as 90 minutes of first-rate entertainment. In turn, Roz White (Lady), Lori Williams (Ella), Yvette Spears (Sassy), and Sandy Bainum (Lee) — terrific, seasoned singers and actors all — prove themselves more than willing and able to command center stage. “Ladies” peaks when the jazz women (decked out in ‘50s cocktail dresses, rhinestones and wigs) take to the Birdland stage to pay musical homage to Parker, starting with low-key, blonde Lee’s heartfelt “Lullaby of Birdland” followed by unbridled Sassy’s powerful “Sometimes I’m Happy,” and worldly Ella’s show stopping scat-infused “Flying Home.”
Finally, Wisecracking and streetwise Lady takes the stage. “Slow this shit down,” she says before easing into an unhurried and salty “Billie’s Blues.”
Besides Lee, Bainum also effectively plays characters from Parker’s life including a socialite jazz-loving baroness and bebop-obsessed “On the Road” author Jack Kerouac.
In search of motivation for his characters’ seeking solace in jazz, Jones smartly plumbs the real life ladies’ rocky pasts which involved prostitution, sexual and physical abuse, bad relationships and addictions. Throughout the show, Lady funnily sips from a sparkly flask that she keeps handily nestled in her cleavage; but at a darker point she moves to the edge of the stage where she shoot ups in the shadows.
The show’s incredibly on point, five-man jazz band led by Knowles on piano is definitely a part of the show. Clad in black tie and placed very visibly onstage beneath an orangey-red neon Birdland sign, the band members enjoy solos and occasionally interact with the actors. “Ladies” features great stuff like “Fever,” “Round Midnight” and “T’aint What You Do” along with some original tunes by Knowles that hold their own in the company of the more familiar classics.
Earlier this season, MetroStage was transformed into a French café celebrating the poignancy of Jacques Brel’s Paris. And now with “Ladies,” it’s been convincingly morphed into a New York jazz club with all the gloriousness and pain that goes with that.
Galleries
BMA celebrates enduring influence of Henri Matisse
Exhibit features iconic works juxtaposed with gay artist’s paintings inspired by French legend
The Baltimore Museum of Art is on a roll.
After landing the coveted Amy Sherald “American Sublime” exhibit (through April 5) when the National Portrait Gallery attempted to censor her work, the BMA is debuting a breathtaking and thought-provoking new exhibit, “To See This Light Again” featuring master works by Henri Matisse paired with new paintings by Louis Fratino, who is inspired by the French modernist legend.
Fratino, who’s gay, was born in Annapolis and studied at Baltimore’s Maryland Institute College of Art. As an art student, he found himself spending lots of time in the BMA’s Matisse galleries, the largest collection of his works in the world, encompassing more than 1,600 paintings, drawings, and illustrations. At just 33, Fratino has enjoyed a “meteoric” rise in the art world, according to BMA Director Asma Naeem, who introduced Fratino at an event previewing the exhibit last week. This is Fratino’s first major U.S. exhibition, but he was featured in the 2024 Venice Biennale and his paintings can be found at the Rhode Island School of Design Museum, the Whitney Museum of American Art, and elsewhere.
The exhibit aims to explore Matisse’s lasting influence by juxtaposing his works with Fratino’s.
“It’s the idea that art manifests a kind of attention or a vision for your life, that it can be a beautiful life despite certain circumstances that may be happening around you,” Fratino said in a statement released by the BMA. “In Matisse’s case, he lived through the First and Second World Wars. Painting can confirm that life is beautiful and that it’s worth looking at.”
The influences are apparent, from the use of light and pattern to the choice to focus on everyday objects and subjects. And the exhibit is unabashedly queer with male couples depicted in a couple of paintings. Fratino told the Blade that as an out gay man, it was important to embrace that visibility.
He describes a “joy of looking” at the male form, just as Matisse portrayed female figures that often celebrated the tradition of painting nudes.
In “Tom,” Fratino captured his subject in casual repose that includes a bowl and spoon in the foreground. It is presented alongside Matisse’s iconic “Large Reclining Nude.” Tom’s checkered shirt echoes the blue and white grid background of the Matisse work and both figures are holding casual, relaxed poses.
“Fratino and Matisse: To See This Light Again” runs through Sept. 6 at the Baltimore Museum of Art (artbma.org.)
For Matisse lovers, the BMA has another exhibit debuting March 29 titled, “Matisse in Vence: The Stations of the Cross” featuring more than 80 drawings revealing how the artist “shaped his late‑career masterpiece, the Stations of the Cross mural, for the Chapel of the Rosary in Vence, France.”
Books
Laverne Cox, Liza Minnelli among authors with new books
A tome for every taste this reading season
Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.
So let’s start here: What are you up for? How about a great new novel?
If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.
Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.
If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?
Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?
But okay, let’s say you want something with a little more heft to it. How about a biography?
Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).
Then again, maybe you want some history, or something different.
So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).
And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
