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Old school jazz and blues

New MetroStage production brings fabled era to life

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Yvette Spears, Lori Williams, Anthony Manough, Roz White, Sandy Bainum, Ladies Swing the Blues, MetroStage, theater, gay news, Washington Blade
Yvette Spears, Lori Williams, Anthony Manough, Roz White, Sandy Bainum, Ladies Swing the Blues, MetroStage, theater, gay news, Washington Blade

From left, Yvette Spears, Lori Williams, Anthony Manough, Roz White and Sandy Bainum in ‘Ladies Swing the Blues.’ (Photo by Christopher Banks; courtesy MetroStage)

‘Ladies Swing the Blues, a Jazz Fable’
Through March 31
MetroStage
1201 North Royal Street, Alexandria
$48-$55
703-548-9044
mestrostage.org

Near the end of Charlie “Bird” Parker’s life, an attending doctor mistook the 34-year-old alto saxophonist to be in his 50s. A longtime battle with drugs and alcohol had taken a toll on the legendary jazz great’s body; but despite the tragic circumstances attached to his premature demise, Bird’s impact remained unbroken, leaving an inimitable, enduring mark on his musical genre and those who knew him.

With “Ladies Swing the Blues, a Jazz Fable” currently premiering at MetroStage in Alexandria, Thomas W. Jones II (book and lyrics) and William Knowles (arrangements and original music) again put the spotlight on an exciting chapter in 20th century African-American musical culture. Jones and Knowles who are also “Ladies” director and musical director respectively have worked together before  — past collaborations include vaudeville-era “Bricktop,” and ‘60s-set “Cool Papa’s Party.” This time it’s the ‘40s and ‘50s New York City jazz scene as personified by the genius Parker.

The action takes place in Manhattan’s legendary jazz club Birdland in 1955 on the day after Parker’s death. Four divas of jazz in the tradition of Ella Fitzgerald, Billie Holiday, Sarah Vaughan and Peggy Lee, have gathered to celebrate the memory (warts and all) of their beloved downed comrade. As the ladies swap gossip, jazz lore, and, of course, sing bluesy, jazz standards, Parker walks among them unseen and appears in flashbacks from his fast and furious life.

With an easy smile, twinkly eye, nimble dance moves and fabulous voice, Anthony Manough as Parker sets the bar high for what unfolds as 90 minutes of first-rate entertainment. In turn, Roz White (Lady), Lori Williams (Ella), Yvette Spears (Sassy), and Sandy Bainum (Lee) — terrific, seasoned singers and actors all — prove themselves more than willing and able to command center stage. “Ladies” peaks when the jazz women (decked out in ‘50s cocktail dresses, rhinestones and wigs) take to the Birdland stage to pay musical homage to Parker, starting with low-key, blonde Lee’s heartfelt “Lullaby of Birdland” followed by unbridled Sassy’s powerful “Sometimes I’m Happy,” and worldly Ella’s show stopping scat-infused “Flying Home.”

Finally, Wisecracking and streetwise Lady takes the stage. “Slow this shit down,” she says before easing into an unhurried and salty “Billie’s Blues.”

Besides Lee, Bainum also effectively plays characters from Parker’s life including a socialite jazz-loving baroness and bebop-obsessed “On the Road” author Jack Kerouac.

In search of motivation for his characters’ seeking solace in jazz, Jones smartly plumbs the real life ladies’ rocky pasts which involved prostitution, sexual and physical abuse, bad relationships and addictions. Throughout the show, Lady funnily sips from a sparkly flask that she keeps handily nestled in her cleavage; but at a darker point she moves to the edge of the stage where she shoot ups in the shadows.

The show’s incredibly on point, five-man jazz band led by Knowles on piano is definitely a part of the show. Clad in black tie and placed very visibly onstage beneath an orangey-red neon Birdland sign, the band members enjoy solos and occasionally interact with the actors. “Ladies” features great stuff like “Fever,” “Round Midnight” and “T’aint What You Do” along with some original tunes by Knowles that hold their own in the company of the more familiar classics.

Earlier this season, MetroStage was transformed into a French café celebrating the poignancy of Jacques Brel’s Paris. And now with “Ladies,” it’s been convincingly morphed into a New York jazz club with all the gloriousness and pain that goes with that.

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Italy

44 openly LGBTQ athletes to compete in Milan Cortina Winter Olympics

Games to begin on Friday

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(Public domain photo)

More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.

Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.

“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”

McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.

Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.

“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.

Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.

Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.

ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.

“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.

The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.

President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.

The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:

• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.

• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.

• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.

The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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