Arts & Entertainment
Fur your eyes only
Runaway web hit ‘Where the Bears Are’ returns with season 2

The bears are back in town: Rick Copp, Joe Dietl and Ben Zook return with ‘Where the Bears Are’ season two next week, joined by Margaret Cho. (Photo courtesy Where the Bears Are)
The creators behind last year’s run away murder-mystery/comedy web series “Where the Bears Are” were so blown away by the reception and accolades, a season two was a must.
After 4 million views and Web Series of the Year awards from Queerty and AfterElton, the big boys of sleuthing are back with a new trailer — which already has more than 20,000 views — at wherethebearsare.tv where fans can buy the DVD, catch up on season one before season two premiers Monday.
After a winter promo tour where they visited events all over the world, including Bear Happy Hour at Town Danceboutique here in Washington, series creators and stars Rick Copp, Joe Dietl and Ben Zook are back to talk to the Blade about pushing the envelope and nabbing Margaret Cho for the guest appearance of the year.
WASHINGTON BLADE: Are you really excited about the second season?
RICK COPP: Oh yes, very (laughing). We’re kind of crazed, but very happy. I think people are going to like the episodes.
BEN ZOOK: This season we are very excited. The episodes are a little longer than last season, because everyone wanted that. They were like “make them longer” and everything is just bigger and grander. More locations, a lot more sex, a lot more characters. A lot more intrigue. There is another murder we solve. So it’s exciting.
JOE DIETL: We also upped the costumes. And some special effects. We really tried to make it like “Charlie’s Angels.” Like, we go undercover a lot more.
ZOOK: Which is my all-time favorite childhood T.V. show.
BLADE: How was it working with Margaret Cho?
DIETL: Margaret Cho is in episode four. She is the guest star and it’s a pretty outrageous episode. It involves leather and all sorts of stuff.
COPP: She has actually been a friend of ours for a long time and we had done movies with her previously like years and years and years ago. And we were hoping to get her in season one, but her schedule didn’t permit, but season two came around and she said, “Definitely, yeah, I’d like to do it.”
BLADE: Explain a little bit about the murder mystery this season.
COPP: Well this season is a little different. We open up at a pool party fundraiser for a man running for city council, who my character went to college with. He winds up dead and we just kind of start investigating it. We set up in our Christmas special that I am a True Crime writer, and I wrote a book based on what happened last season and that is my gig now. I dragged the roommates along and we all try to solve the murder again, especially because he is a friend of Reggie’s. But we do have a few things going on that are carrying over from last season. If you saw the Christmas special, the killer we thought we put away isn’t in prison.
BLADE: Which are some of the recurring characters that have come back?
ZOOK: We definitely couldn’t do season two without “Hot Toddy,” and especially now that he and Nelson are together. The subplot of season two is Todd moving in with us and the adjustment period of that and having a new roommate. Of course, by popular demand, we brought back Hairy Potter. And Detective Winters, he was a big fan-favorite. And we made sure he had his moustache because when we did the Christmas special he had a different look and people complained, so we had to make sure he had his Tom Selleck moustache back this season, so the moustache is back, too.
COPP: Also, Susie the coroner is back. George Ridgemont, the obsessed fan, is back, too. He is in the trailer. He’s hysterical this season.
ZOOK: The only bummer is that we couldn’t bring back Honey Garret from season one this time, but we are going to try to work her in to a Thanksgiving special for the DVD.
BLADE: What was your favorite part of putting together season two?
ZOOK: For me a lot of the fun is the script. Rick and I and Joe outlined the script together, then Rick went off and wrote a first draft, then he gave it to me, and I sort of did my half on it, and then we all sort of tweak it. To me that is one of the most fun things, is when we read through it, when we read through the final draft before we start shooting and giggle a lot.
DIETL: But then when we actually get to the shoot that is a lot of fun. It’s funny, because we are doing longer episodes, so the hours are longer and the shoots are more grueling, physically, but they are always fun because we make each other laugh. You know, that is the fun part of the actual performance, getting in front of the camera and doing it.
ZOOK: I got to make out with several guys this season, which was a lot of fun.
BLADE: Are there any plans for a season 3? How long do you guys want to keep this going?
COPP: We would like to keep it going for as long as we can as long the three of us are having fun doing it we are going to try and do it. But it all depends on how much we sell, how many downloads we sell, how many DVDs we sell. We have to make our budget. Our budget this year was double what it was last year.
ZOOK: As long as people stay supportive, donate, buy, we are going to keep going. We’ll do it for the next seven to 10 years.
DIETL: Rick and Ben are the ones who do the writing. Rick usually picks up the mystery himself and he got to get on that for season three if we’re going to do that. They have to write a Thanksgiving special, before they can think about season three. If we do it we are getting on a schedule now, where we shoot it in the beginning of the year, then releasing it at the beginning of the summer, then selling the DVDs Novemberish.
ZOOK: That is the worst thing about this is asking for money and the great thing is we don’t have a network breathing down our necks asking us to change things or cut things. We can just do what we want, but it is coming out of our pocket. I am sure people are tired of hearing us ask them to buy our DVDs.
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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