When Paul Thomas Anderson’s “One Battle After Another” debuted on American movie screens last September, it had a lot of things going for it: an acclaimed Hollywood auteur working with a cast that included three Oscar-winning actors, on an ambitious blockbuster with his biggest budget to date, and a $70 million advertising campaign to draw in the crowds. It was even released in IMAX. 

It was still a box office disappointment, failing to achieve its “break-even” threshold before making the jump from big screen to small via VOD rentals and streaming on HBO Max. Whatever the reason – an ambivalence toward its stars, a lack of clarity around what it was about, divisive pushback from both progressive and conservative camps over perceived messaging, or a general sense of fatigue over real-world events that had pushed potential moviegoers to their saturation point when it came to material that is as politically charged as this movie does – audiences failed to show up for it. 

The story did not end there, of course; most critics, unconcerned with box office receipts, embraced Anderson’s grand-scale opus, and it’s now a top contender in this year’s awards race, already securing top prizes at the Golden Globe and Critics’ Choice Awards, nominated for a record number of SAG’s Actor Awards, and almost certain to be a front runner in multiple categories at the Academy Awards on March 15.

For cinema buffs who care about such things, that means the time has come: get over all those misgivings and hesitations, whatever reasons might be behind them, and see for yourself why it’s at the top of so many “Best Of” lists.

Part action thriller, part political allegory, part jet-black satire, and all gloriously cinematic, “One Battle After Another” (adapted by Anderson from the 1990 Thomas Pynchon novel “Vineland”) unspools a near-mythic saga of oppression, resistance, and family bonds, set in an authoritarian America of unspecified date, in which a former revolutionary (Leonardo DiCaprio) is attempting to raise his daughter (Chase Infiniti) under the radar after her mother (Teyana Taylor) betrayed the movement and fled the country. Now living under a fake identity and consumed by paranoia and a weed habit, he has grown soft and unprepared when a corrupt military officer (Sean Penn) – who may be his daughter’s real biological father – tracks them down and apprehends her. Determined to find her, he reconnects with his old revolutionary network and enlists the aid of her karate teacher (Benecio Del Toro), embarking on a desperate rescue mission while her captor plots to erase all traces of his former “indiscretion” with her mother.

It’s a plot straight out of a mainstream action melodrama, top-heavy with opportunities for old-school action, sensationalistic violence, and epic car chases (all of which it delivers), but in the hands of Anderson – whose sensibilities always seem to strike the most provocative balance between introspection, nostalgia, and an irreverent sense of apt-but-chaotic destiny – it becomes much more intriguing than the generic tropes with which he half-seriously invokes to cover his own absurdist leanings.

Indeed, it’s that absurdity that infuses “One Battle” with a kind of thrilling sensibility and emerges to distinguish it from the “action movie” format it uses to relay its narrative. From DiCaprio (whose performance highlights his subtle comedic gifts as much as his “serious” acting chops) as a bathrobe-clad underdog hero with shades of The Dude from the Coen Brothers’ “The Big Liebowski” to the hilariously creepy secret society of financially elite white supremacists that lurks in the margins of the action, Anderson gives us plenty of satirical fodder to chuckle about, even if we cringe as we chuckle. Like that masterpiece of uncomfortable political comedy, Stanley Kubrick’s 1964 nuclear holocaust farce “Dr. Strangelove,” it offers us ridiculousness and buffoonery that ring so perfectly true in a terrifying reality that we can’t really laugh at it.

That, perhaps, is why Anderson’s film has had a hard time drawing viewers; though it’s based on a book from nearly four decades ago and it was conceived, written, and created well before our current political reality, the world it creates hits a little too close to home. It imagines a roughly contemporary America ruled by a draconian regime, where immigration enforcement, police, and the military all seem wrapped into one oppressive force, and where unapologetic racism dictates an entire ideology that works in the shadows to impose its twisted values on the world. When it was conceived and written, it must have felt like an exaggeration. Now, watching the final product in 2026, it feels almost like an inevitability. Let’s face it, none of us wants to accept the reality of fascism imposing itself on our daily lives; a movie that forces us to confront it is, unfortunately, bound to feel like a downer. We get enough “doomscrolling” on social media; we don’t need more of it when we sit down to watch a movie.

In truth, however, “One Battle” is anything but a downer. Full of comedic flourish (much of it due to DiCaprio) it maintains a rigorous distance that makes it impossible to make snap judgments about its characters, and that makes all the difference – especially with characters like DiCaprio’s protective dad, whose behavior sometimes feels toxic from a certain point of view. And though it’s a movie that has no qualms about showing us things we cannot or should not see, it somehow comes off better than it might have done by making everything feel safe.

That’s something we are never allowed to feel in Anderson’s outlandish action adventure, even at an intellectual level. For even if we can laugh at some of its over-the-top flourishes or find emotional (or ideological) satisfaction in the way things ultimately play out, we can’t walk away from it without feeling the dread that comes from recognizing the ugly truths behind its satirical absurdities. In the end, it’s all too real, too familiar, too dire for us not to be unsettled. After all, it’s only a movie, but the things it shows us are not too far from our reality. Indeed, they’re getting closer every day, and nobody can save us from them but ourselves.

Visually masterful, superbly performed, and flawlessly delivered by a cinematic master, it’s a movie that, like it or not, defines the uncomfortable reality we face, and there’s nobody to save it from us but ourselves.

“Heated Rivalry” stars Hudson Williams and Connor Storrie will participate in the Olympic torch relay ahead of the 2026 Winter Olympics that will take place next month in Italy.

HBO Max, which distributes “Heated Rivalry” in the U.S., made the announcement on Thursday in a press release.

The games will take place in Milan and Cortina from Feb. 6-22. The HBO Max announcement did not specifically say when Williams and Storrie will participate in the torch relay.

Spark Social Events will host “Ru Paul’s Drag Race S18 Watch Party Hosted by Local Drag Queens” on Friday, Jan. 23 at 8 p.m.

Drag entertainers TrevHER and Grey will provide commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. The watch party will take place on a heated outdoor patio and cozy indoor space.

This event is free and more details are available on Eventbrite.