Connect with us

Arts & Entertainment

Buckley vs. Vidal

New doc recalls seminal debates of 1968

Published

on

Gore Vidal, gay news, Washington Blade
Gore Vidal, gay news, Washington Blade

William F. Buckley Jr., left, with Gore Vidal in their 1968 summer showdown on ABC. (Photo courtesy Magnolia Pictures)

According to “Best of Enemies,” the excellent new documentary by Morgan Neville and Robert Gordon, television news coverage changed forever on the night of Aug. 28, 1968.

During a live television debate on ABC News, conservative icon William F. Buckley Jr. called liberal author Gore Vidal “a queer.”

Gordon explains, “A word like that was way across the line. It was so shocking that ABC pulled the broadcast from the West Coast. The task of this film, which opens on Friday, Aug. 7 at Landmark E Street and Bethesda Row Cinemas, was to put that moment in context.”

In the summer of 1968, there were only three major broadcast television networks. ABC was dead last in the ratings war with CBS and NBC. Executives at ABC News decided to take a desperate gamble. They replaced part of the traditional gavel-to-gavel coverage of the Republican and Democratic presidential nominating conventions with a series of live debates. They went all in by choosing two towering public intellectuals who were both ideological opposites and personal enemies.

On the right was Buckley, editor of the influential “National Review” and host of the popular television show “Firing Line.” A conservative Catholic, Buckley was instrumental in reshaping the Republican Party, ultimately helping to usher in the Reagan Revolution. As Gordon notes, “Buckley tried to make the party more reasonable and respectable.”

On the left was Gore Vidal, a prolific author and an estranged member of the Kennedy clan. Vidal’s groundbreaking 1948 novel “The City and the Pillar” dealt with male homosexuality in a forthright and positive manner and his satirical 1968 novel “Myra Breckinridge” skewered gender norms and conventional sexual practices.

Over the course of 10 nights, the two men sparred under the gentle watch of bemused anchorman Howard K. Smith. The debates were an amazing blend of erudite political commentary and barbed personal invective. This impassioned rhetoric was fueled by a fascinating undercurrent of gay baiting.

On the night of Aug. 28, Vidal upped the ante by calling Buckley a “crypto-Nazi.” Gordon notes that Vidal really hit Buckley “where it hurt. Buckley had gone to great lengths to rid the party of that rhetoric. Gore was trying to undermine all of Buckley’s work.”

Buckley lashed out at Vidal’s insult. Rising from his seat, he shouted, “Now listen, you queer, stop calling me a crypto-Nazi or I’ll sock you in your goddamn face and you’ll stay plastered.”

According to the filmmakers, that moment changed the lives of both men and the nature of political discourse in America. Neville says, “It got a lot of attention. People talked about it for years and they were asked about it for the rest of their lives. For Buckley, it was probably the moment he was most ashamed of. He had prided himself on a lifetime of creating difficult situations and maintaining his cool in them. His outburst meant he lost the debate. It certainly haunted him thereafter.”

The impact for ABC was much more positive. The debates were a hit. Before the broadcasts, Neville notes, “CBS and NBC each had around 300 affiliates and ABC only had 150. After the debates, ABC quickly caught up with its rivals and became the trendsetter in news coverage.” Neville and Gordon contend that a new era in television journalism was launched by the Buckley-Vidal debates.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Celebrity News

Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

Published

on

Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

Continue Reading

Photos

PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

Published

on

Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

Continue Reading

Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

Published

on

Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

Continue Reading

Popular