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Christian rocker Trey Pearson comes out to fans

the married frontman says ‘I have never felt so free’

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(Screenshot via YouTube)

(Screenshot via YouTube)

Everyday Sunday frontman Trey Pearson came out in an open letter to his fans on Tuesday and revealed his road to accepting his sexuality.

The 35-year-old singer, who is married with two children, revealed he was gay in the letter published by Religious News Services. 

“I never wanted to be gay. I was scared of what God would think and what all of these people I loved would think about me,” Pearson wrote. “But if this honesty with myself about who I am, and who I was made by God to be, doesn’t constitute as the peace that passes all understanding, then I don’t know what does. It is like this weight I have been carrying my whole life has been lifted from me, and I have never felt such freedom.”

Pearson continued that he had been “suppressing these attractions and feelings since adolescence.” He says he tried his whole life to be straight, even marrying a woman and having children. Eventually Pearson quietly came out to a few people, including his wife.

While driving for Uber, a side job Pearson had picked up to make extra money, he revealed to a passenger that he was gay and the only person who knew was his wife. The stranger was Travis Hoewischer, a writer for Ohio magazine 614 Columbus.

Hoewischer ended up writing an editorial on Pearson for the magazine.

“There is a weight that has been lifted, and I have never felt so free. I cannot even believe the joy and lightness I feel from being able to accept myself, and love myself, for who I truly am … but I have also lost some of the closest people in my life,” Pearson told 614 Columbus.

“I have felt betrayal by people I loved a lot, and cared so much about. I have had some church people act like the worst people I have ever experienced in my life. I have some people in my life who I have felt a shift in the way they love me, and the way they see me. I want to be loved for who I am, not in spite of who I am. I’m starting over in so many ways. It is freeing, but it’s also starting out lonely,” Pearson says.

Everyday Sunday was founded in 1997 and its 2009 album “Best Night of Our Lives” broke into the Billboard Top 200 list.

 

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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