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Christian blogger comes out, reveals she’s dating Abby Wambach

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Christian mom blogger Glennon Doyle Melton has announced she is dating soccer star Abby Wambach.

Melton, 40, revealed she and Wambach, 36, are in a relationship on Facebook writing, “Feels like the world could use all the love it can get right now. So today, I’m going to share with you my new love.”

“Abby is deeply sensitive and kind. The kids call her an M&M because she looks tough on the outside but inside she’s really mushy and sweet,” Melton writes. “Abby’s brave. Not just with her words but with her entire being. She has never been afraid to be herself, even when the world told her not to be. I learn from her everyday about the woman I want to become.”

She continued on that her ex-husband Craig and her children are on good terms with Wambach.

Melton’s memoir “Love Warrior” was featured in Oprah’s Book Club. She has been candid about her divorce, eating disorder and addiction issues in both her book and blog, Momastry. The blogger has also been open about her belief that same-sex marriage is not contrary to the church.

Melton divorced her husband in August. Wambach also divorced her wife Sarah Huffman in September.

[[[LOVE WINS PART TWO, CONTINUED FROM PART ONE]]] How are we supposed to FEEL about this? My loves, here is the good news: You are allowed to think and feel WHATEVER YOU NEED OR WANT TO FEEL! Come close–because I need to explain this part well: It has been my job for so long as a leader in this community to care deeply about what you think and feel about me and the way I live my life. I have cared so much, for so long. It has been a great honor. Now we are entering a new time which calls for a different type of leadership. And now it is my job as a leader not to concern myself too deeply about what you think and feel about me- about the way I live my life. That is what I want to model now, because that is what I want for YOU: I want you to grow so comfortable in your own being, your own skin, your own knowing – that you become more interested in your own joy and freedom and integrity than in what others think about you. I want you to refuse to betray yourself. Not just for you. For ALL OF US. Because what the world needs — in order to grow, in order to relax, in order to find peace, in order to become brave — is to watch one woman at a time live her truth without asking for permission or offering explanation. The most revolutionary thing a woman can do is not explain herself. What I need you to know- and what I know you need to know- is that I am deeply, finally, FINE. Fine through my bones and soul and mind and just every fiber of me. You have the room to feel and react with your truth….because I am so unshakably certain inside of mine. I have officially become a woman who knows who she is and refuses to betray herself. So anyway. What I’m trying to say is. PRECIOUS WORLD: I LOVE ABBY. Love Wins. G

A photo posted by Glennon Doyle Melton (@glennondoylemelton) on

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PHOTOS: Silver Pride

Rayceen Pendarvis serves as emcee

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Rayceen Pendarvis was the emcee of Silver Pride 2025. (Washington Blade photo by Michael Key)

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.

(Washington Blade photos by Michael Key)

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Queer film festival comes to D.C.

DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

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DC/DOX film festival will take place in D.C. on June 12.

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre. 

This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers. 

For more details, visit dcdoxfest.com

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Gay director on revealing the authentic Pee-wee Herman

New HBO doc positions Reubens as ‘groundbreaking’ performance artist

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The HBO Original two-part documentary ‘PEE-WEE AS HIMSELF,’ directed by Matt Wolf), debuts Friday, May 23 (8 p.m.-11:20 p.m. ET/PT) with both parts airing back-to-back on HBO and will be available to stream on Max. (Photo courtesy of Warner Bros.)

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman. 

Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.

Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts. 

Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”

To get an enigma such as Reubens to open up was no easy task for Wolf.

“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”

Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”

“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.

“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”

During the documentary, Reubens comes out as a gay man.

“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”

Their complicated dynamic had an aspect of “push and pull” between them. 

“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”   

Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.

“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.” 

He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”

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