Arts & Entertainment
Tilda Swinton releases emails to Margaret Cho about ‘Dr. Strange’ whitewashing
the actress published the messages after the comedian said she felt like a ‘house Asian’
Margaret Cho (Photo by Mary Taylor)
Tilda Swinton has released the email exchange between herself and bisexual comedian Margaret Cho following Cho’s criticism over whitewashing in Marvel’s “Dr. Strange.”
Swinton plays the Ancient One, a guru who helps Dr. Strange (Benedict Cumberbatch), cultivate his spiritual powers. In the Marvel comics, the Ancient One is an Asian man but was changed to a Celtic woman for the movie.
In an interview for the podcast TigerBelly, Cho explains that Swinton emailed her to discuss the issues with whitewashing canon Asian characters. Swinton asked for Cho’s point of view but insisted the emails stay private. For Cho, the email exchange was unsettling.
“It was weird because I felt like a house Asian, like I’m her servant,” Cho says. “Like the ones when they have in the raj, they would have the house servant who was your confidante… The servant that was close to you. That’s sort of what I felt like, like I was following her with an umbrella. I had a weird feeling about the entire exchange, especially the part of, ‘Don’t tell anybody.’”
In response, Swinton released the email exchange to Jezebel.
“The diversity debate – ALL STRENGTH to it – has come knocking at the door of Marvel’s new movie DR STRANGE,” Swinton writes in her initial email. “I would really love to hear your thoughts and have a – private – conversation about it. Are you up for this? Can we e-mail?” the message continues.
Cho responds saying that she is a “big fan” of Swinton and would explain her viewpoints.
“The character you played in Dr Strange was originally written as a Tibetan man and so there’s a frustrated population of Asian Americans who feel the role should have gone to a person of Asian descent,” Cho writes. “The larger part of the debate has to do with the ‘whitewashing’ of Asian and Asian Americans in film. Our stories are told by white actors over and over again and we feel at a loss to know how to cope with it.”
Swinton replied by saying Marvel made the decision to make the character a Celtic woman “in a conscious effort to shake up stereotypes” and “wanted to avoid tired cliché.” She continues that changing the gender of the character was an effort to include more diversity for women in the film.
Cho has since responded with a statement released to EW stating that she still thinks her argument is valid.
“Asian actors should play Asian roles. I believe my emails stand on their own and should be taken for the spirit in which they were intended. I am grateful that the debate has now entered the national discussion and remain a huge fan of Tilda’s,” Cho says in the statement.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
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