a&e features
Kristine W.’s triumphant return
Dance diva readies new album, Distrkt C appearance
Distrkt C Pride
An indoor/outdoor music festival and concert
Saturday, June 10
10 p.m.
Official men’s party of Capital Pride
DJs Jared Conner and Joe Gauthreaux
Grind
Inaya Day
Sunday, June 11
5 p.m.
Outside: disco and classics with Billy Carroll
Concert starts at 8:30 p.m.
Crystal Waters
Kristine W
Kim English
Inside: T dance at 6 p.m. with Roland Belmares
10 p.m.
X Gonzalez
Twisted Dee
Morabito
Amuka
D.C. Eagle
3701 Benning Rd., N.E.
distrktc.com
Many artists who are lucky to chart hits on the Billboard charts at all often see the law of diminishing returns kick in gradually over time, even with consistently good material.
Somehow, though, Kristine W. has managed to maintain a staggeringly impressive record on the U.S. Dance charts. She’s had 14 no. 1 singles over a nearly 20-year period. Of the 19 singles she’s charted there, the lowest she ever peaked at was no. 4. She had another smash last summer with “Out There,” which made it to No. 3.
She’s in D.C. this weekend to headline at the Distrkt C Pride Indoor/Outdoor Festival & Concert. She spoke by phone with the Blade, her first interview with us since 2012, last week, from her home in Las Vegas. Her comments have been slightly edited for length.
WASHINGTON BLADE: How’ve you been?
KRISTINE W.: It’s been a challenging year. It just seems like a lot of people around me are going through some transition. It’s a time of change. It could be life, jobs or relationships. Last year I wrote the song “Out There” which is really strange because now I’m going through a divorce. It’s really strange how I keep writing this music and it ends up being real life. “Land of the Living” was one of those albums. It was like I wrote it then I had to live it.
BLADE: Are the songs more universal than you originally realized or do you have a sixth sense?
KRISTINE W.: I think they’re more universal than I really thought, although my grandfather had this gift of kind of seeing into the future and so did his mother, my grandmother, Elizabeth who I’m named after. I don’t know if I didn’t get some of that too. Sometimes I get certain signs in dreams or I’ll get this really weird epiphany. I fight it all the time but sometimes it just kind of overtakes me.
BLADE: What was your favorite remix of “Out There,” your latest hit?
KRISTINE W: I think the Moto Blanco mix. But I also like the original mix that’s going to be on the album because it takes you on a journey. That album mix as far as watching a crowd having a good time but … at a Pride event, the Moto Blanco mix is so uplifting, you can just see everybody get lifted up from it. It’s a very happy production.
BLADE: Do you collaborate on the remixes at all?
KRISTINE W.: Oh yeah. So many of them have known me enough years that we kind of know each other’s audiences, we play a lot of big events, we know what kind of works, we have personal relationships and it’s very cool. … I try to use the remixes to cover as big of a territory as possible. The Loop Soop version is like a tropical, Miami kind of vibe so that’s kind of like sipping cocktails and chilling at your house. If you pick ‘em right, they can afford you a chance of reaching a wider audience than if you just put out a couple versions.
BLADE: Tell us about your upcoming single “Stars.”
KRISTINE W.: “Stars” is really special. It’s a song I wrote a couple yars ago and kind of sat on but in a strange way, it’s kind of mirroring my life right now and what I’m going through. But not just for me, it’s universal. … Everybody who listens to it it’s like there’s a piece of them in it. You can just see it in their reaction. … We’re working on some really cool remixes of it right now.
BLADE: When will it be out?
KRISTINE W.: We’re shooing for Independence Day but it’s a little crazy right now. We have to get it in the queue. It’s gonna come down to how soon I can get pushed through the line.
BLADE: You were talking about a new album last summer when “Out There” came out. What’s the status on that?
KRISTINE W.: The album is finished. We’re probably going to put out a couple singles, then drop the album or maybe put it on pre-order. We’re looking into that right now. But it’s gonna be amazing.
BLADE: What’s it like? When did you make it and how long did it take?
KRISTINE W.: We started about six months after “New & Number Ones” so like mid-2012 we were working on it. We’ve written a lot of songs. I’m thinking it’s actually going to be like two back-to-back albums and not wait as long to put another one out because we have like 15 or 16 tracks total. Then we’re recording naked versions, you know, stripped-down versions of the songs because people really enjoy those. I’ve worked with a lot of songwriters from all over the place. I just finished a song with Chris Cox and Lee Jagger called “Found a Home.” “Next to You” is being produced right now. I think it’s gonna be a little bit different the way we release this next batch of music.
BLADE: Are you of the opinion that the song has to work acoustically first or not necessarily?
KRISTINE W.: Well obviously like with the Chainsmokers, a lot of their songs are just a big, fat hook and then maybe a lyrical a hook. Maybe half a verse or something. They’re not making very complicated songs. They were just on “Saturday Night Live” and were with a band … and I noticed they’d added more structure. For me, it’s better to just write a song. Then if you want to do a stripped-down version, you can. I’m a songwriter, I’m a fan of songs, but I respect the fact that a lot of people have ADD.
BLADE: You were recently named the No. 8 dance artist of all time by Billboard. How did you feel?
KRISTINE W.: I thought somebody had made a mistake at first. It was so overwhelming. I just sat in my kitchen and cried. It was weird but very cool.
BLADE: Is it easier to chart a dance cut if it was a pop hit first or not necessarily?
KRISTINE W.: Everybody’s going to the dance chart now because the pop charts are so expensive to try to compete in. … To get airplay now is just so expensive. It’s like seven grand a week to get into rotation so the labels are all going to the dance club. So that geets really tough too because you have these independent artists like myself trying to compete with the Chainsmokers on the dance chart and every other pop person who’s crossed over, so it’s really crazy right now, really difficult. That’s why so many people you used to see having records, they’re not putting them out anymore because it’s so hard to get a No. 1 or even a top 5 hit now, it’s crazy.
BLADE: How have you managed to keep it going for so many years?
KRISTINE W.: I just try to keep writing good songs and try to work with the best people possible that I can afford (laughs). Just keeping my eye on the songs, focusing on the messages and hoping they connect with people. And also what I said before about the different styles. You might be able to get on a different Spotify list with a Frank Lords Miami tropical mix then you can doing a Hans Milan EDM mix. Now that everything is streaming, Spotify, Pandora, blah blah blah, that’s gonna be the future, so getting on those playlists is no small feat. So you might get on two playlists with two different mixes but the labels are freaking out because they don’t want to spend the money on a bunch of remixes either necessarily. If you’re not friends with these people, like a remix by Ralphi Rosario or whatever is like 10 grand, you know. It’s very expensive. So the labels are stepping back going, “Oh shit.” Ralphi doesn’t kow any of those guys. They’re just suits to him so he can demand whatever. On the flip side, there are a lot of great young remixers who are the future. I know a lot of them and have given a lot of them their shots, like the Perry Twins for example. They did “Be Alright” for me and then they blew up. I don’t want to call myself a major artist, but they needed a big artist to give them a shot. … I tell them if it’s crap, I won’t put it out but if it’s great, I’ll promote the crap out of you in press and everything and tell everyone to hire them. So then you can go back later and say, “Hey guys, you mind doing me something solid,” and they’re like, “Yeah sister.” It’s like a really crazy family.
BLADE: How are your two kids? What’s it like being a mom to two teens?
KRISTINE W.: They’re super cool. I’ve got two great kids. Everybody goes, “Oh, you just got lucky,” but I don’t think it’s luck. I think it’s just trying to be there, you’re annoying as heck. A very wise lady, my mother-in-law who passed away in 2013, she said you better be there because if you’re not, somebody else will be and you won’t be happy with the outcome. I never forgot that.
BLADE: Have your gay fans reached out to you at all since your divorce?
KRISTINE W.: I haven’t really talked about it much. It’s tough enough going through it, I don’t dwell on it. I have to get up there and make the world a happier place one song at a time so I haven’t talked about it too much.
BLADE: Of course a song is gonna sound great on the huge speakers in a big state-of-the-art dance club but people listen on their phones, with these crap ear buds and so on. How do you make something that’s gonna work across the board? Are you conscious of compression without losing fidelity when you record?
KRISTINE W.: It’s a huge issue and you really have to be conscious of that in mastering so the track doesn’t sound too digital. If everything sounds too teh-teh-teh (makes a thin-sounding percussion effect), you can only stand to listen to it for so long. You just want to turn it off, it’s too much for the ear. All the classic artists, that was all cut on 2-inch tape so it’s all analog which is very warm sounding to the human ear. You could listen all day and love it. But the way we’ve gone digital with everything so you have to really be conscious of that in mastering.
BLADE: What do you have planned for the Distrkt C event? You’re co-headlining with Crystal Waters and Kim English.
KRISTINE W.: Those girls are super cool. I don’t think I’ve ever met Kim English so that will be a thrill. Crystal and I are good buddies so I’m really excited to be spending time with her and getting to meet Kim English because I’ve heard her name for many years now. It’s gonna be great energy, the three of us. It will be fun and celebratory and just making it another great summer. We’re all here and kicking and in the land of the living. We’ll just get out there and make a joyful noise.

a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

