a&e features
Touring productions of ‘Hedwig,’ ‘Rent’ arrive in Washington
‘90s hits broke ground on stage with frank, funny portrayals of queer lives
‘Hedwig and the Angry Inch’
Through July 2
The Kennedy Center
Tickets start at $59
202-467-4600
‘Rent’
June 20-25
National Theatre
1321 Pennsylvania Ave., N.W.
Tickets start at $48
800-514-3849
Two of the best musicals to come out of the 1990s were “Hedwig and the Angry Inch,” memoir meets rock concert, and “Rent,” a modern take on Puccini’s “La Bohème” exploring a year in the life of bohemian friends living in New York’s Alphabet City. Both enduring works feature unforgettable genderqueer characters. And now tours of both shows are overlapping in D.C.
Out actor/writer/director John Cameron Mitchell wrote “Hedwig’s” book and created the title role off Broadway in 1998. Composer Stephen Trask supplied the hard-driving score. Hedwig’s back story is riveting: Wannabe glam rock star undergoes botched gender reassignment surgery to escape East Germany for America. And that’s not that half of it. In a night, Hedwig reminisces via songs backed by the hard-rocking band the Angry Inch, and inimitably fills in the gaps.
Mitchell developed the Hedwig character in downtown New York clubs. He’s said that Hedwig is not a trans woman, but a genderqueer character. “She’s more than a woman or a man. She’s a gender of one and that is accidentally so beautiful.”
A successful revival of “Hedwig” opened on Broadway in 2014 and currently acclaimed actor Euan Morton is playing the title role in that production’s national tour. With his gorgeous soaring tenor, Morton arguably has the finest voice of the actors who’ve donned Hedwig’s wild blonde wig (a heady roster that in addition to Mitchell includes Neil Patrick Harris, Andrew Rennells, Darren Criss, Taye Diggs and D.C.’s own Rick Hammerly who won a Helen Hayes Award for his efforts).
“The score is definitely an odd combo and ballads and rock songs and requires some serious vocal acrobatics,” Morton says. “The day following a performance, I can barely speak which means I can no longer sing in the shower which is one of my favorite things. I really have to be careful, but it’s worth it — anything for the pleasure of performing this role.”
It’s fair to say he’s fallen in love with part.
“To be honest, I first really got a handle on the part when I was cast and sent to the script,” he says. “When I sat down and actually read the script, I wasn’t sure this was something for me, but I’m up for a challenge. We’re brought up being told where our box end. It’s good to go outside that box every now and then.”
Morton received a Tony Award nomination for his sensational portrayal of ‘80s icon Boy George in “Taboo.” And while playing Boy George prepared Morton to wear a lot of makeup and some wild outfits, he says that’s where it ends. No past part or any other actor’s interpretation of the role has influenced his take on the part.
“She is strong, aggressive, sexy and has led a very large life. Hedwig takes the actors who play her and molds them and uses them for her ends and not the other way around. It’s a not a character you can force. I’ve taken my cues from Hedwig.”
Morton, 39, didn’t do extensive research prior to joining the tour in November.
“My entire life has been an investigation into all things transgender. I was lucky enough to leave home when I was very young. And have been living and working with cisgender, transgender, non-binary gays and straights ever since. I’ve experienced this story through life. I’ve seen and can empathize but never really know what this is — the years of questioning and the pain. But I hope our tour can be for those on the journey to see people like themselves on stage.”
Born in Scotland, Morton left home early to study theater in London. Career highlights include Broadway’s “Taboo” and the lead in Ford’s Theatre production of “Parade” for which he deservedly snagged a Helen Hayes Award. Morton is married to theater producer Lee Armitage and their son is Iain Armitage the adorable boy theater critic who’s currently embarking on a big acting career. In March, CBS announced that it had ordered to series “Young Sheldon,” a prequel to the sitcom “The Big Bang Theory,” starring young Armitage as the title character.
Morton says “Hedwig’s” concert feel is part of what makes it work.
“She spends an hour and forty minutes talking directly to the audience. She’s doing her thing present day which allows me to bring in some Trump jokes. There’s no division between what’s happening and the audience. If you want to be part of the art rather than just an observer than come see the show.”
Out actor David Merino is currently making his professional debut playing Angel in the 20th anniversary tour of “Rent.” Merino was born in 1995 just months before “Rent” opened on Broadway in the spring of 1996.
“It’s meaningful for me to be part of this particular tour. To play this character and be part of this story and show at this time in this country is incredible. I’m happy that this is my job. The fact that the show and I are the same age is not lost on me. This story and the characters still resonate strongly.”
Angel is a drag queen and talented drummer who makes her money performing on the street. She and her partner Tom Collins are both dealing with having HIV and very little resources. Angel’s spotlight moment is the high energy number “Today For You Tomorrow For Me” which she sings costumed in a saucy Santa suit.
The tour is Merino’s third time playing Angel. Originally he assayed the role with a group of high school friends who formed their own company in his native Los Angeles. More recently he played Angel in college production at New York University where he was noticed by Broadway casting agents. He’s interrupted his studies to go on the road with the tour.
Merino took time to understand an era when people were dying from AIDS-related complications at a terrifying rate.
“I had to fill the gap with research and dive in,” he says. “I had to watch documentaries about covering pop culture and AIDS to figure out it. It wasn’t difficult to modernize Angel. But it was important for me to get across that’s she’s not a frivolous party person. She emanates a lot of love and light. She wasn’t a frivolous person.”
“I’ve never known a person like Angel in my own life. To portray her I had to discover her on my own. Now I work to bring her to the stage and show her to people.”
Coming out was difficult for Merino. His family didn’t understand his sexuality or his love for theater. In his teen years, he spent hours secretly watching the screen version of “Rent” again and again. Within the last several years his family has grown proud and supportive, he says. And for that Merino is very grateful.
Not everyone is comfortable with the material “Rent” or “Hedwig.” For Merino, touring with “Rent” through red states during campaign season was poignant. He felt an obligation to bring the musicals stories to those who valued them and those who had never heard them before.
“And it’s not just subject matter,” Morton says. “Hedwig’s score is very punk rock. It’s not everyone’s cup of tea. One audience member who left midway famously commented, ‘I thought this was a show about Harry Potter’s owl.’”
Both Morton and Merino leave their respective tours after Washington. Merino plans to finish up his degree at New York University. And Morton says he’s eager to get back to singing Whitney Houston songs in the shower again.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
a&e features
The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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