Arts & Entertainment
Sam Smith reveals he came out at 10 years old
the singer says his mother knew when he was a toddler

Sam Smith got candid about coming out to his parents as a child in an October interview with Elton John for Attitude Magazine.
Smith says he came out at 10 years old but his mother told him she had known since he was a toddler.
“I came out when I was 10. I’d just finished primary school, going into secondary school, and I came out to my best friend when I was nine or 10,” Smith told Attitude. “I was very sure of, and in, myself. When I told my mum she said she always knew, she said she knew when I was three, and my dad just asked if I was absolutely sure. And I was sure, even at that age, but they were incredibly supportive.”
Smith says his dad was accepting but worried that he would get bullied at school for his sexuality.
“I think he saw a lot of kids get bullied and just felt really nervous for me,” Smith says. “Especially when, at 16 and 17, I used to wear a lot of make-up and dressed very differently at school. He didn’t have a problem with it, but he was really worried about me.”
He admits his father was right and while his bullying wasn’t “as bad as others,” he still endured some issues growing up.
“I’ve always said I wasn’t [bullied] because I don’t think my experience was as bad as others I’ve heard of, but when I look back at it now, it wasn’t the easiest time,” Smith says. “I was lucky, I had a very good group of friends around me, but some of the other boys could be absolutely awful to me at times. It’s nothing that has scarred me, though.”
John compared his experience growing up gay to Smith’s and says because of the time period he was a late bloomer with his sexuality.
“I wish I had known I was gay when I was that young,” John says. “I didn’t have sex until I was 23. I grew up in the 50s, sex was never talked about. So, at the start I didn’t know anything about sex, which was awful.”
He also added that it didn’t affect his career but not everyone was accepting.
“When I came out in 1976 a couple of radio stations in America burnt my records, but it didn’t really harm me,” John says.

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
-
a&e features3 days ago
Looking back at 50 years of Pride in D.C
-
Maryland4 days ago
Wes Moore signs HIV decriminalization bill
-
District of Columbia4 days ago
D.C. Black Pride 2025: Events, parties, and empowerment
-
Congress5 days ago
Marjorie Taylor Greene’s bill to criminalize gender affirming care advances