Arts & Entertainment
Sam Smith reveals he came out at 10 years old
the singer says his mother knew when he was a toddler
Sam Smith got candid about coming out to his parents as a child in an October interview with Elton John for Attitude Magazine.
Smith says he came out at 10 years old but his mother told him she had known since he was a toddler.
“I came out when I was 10. I’d just finished primary school, going into secondary school, and I came out to my best friend when I was nine or 10,” Smith told Attitude. “I was very sure of, and in, myself. When I told my mum she said she always knew, she said she knew when I was three, and my dad just asked if I was absolutely sure. And I was sure, even at that age, but they were incredibly supportive.”
Smith says his dad was accepting but worried that he would get bullied at school for his sexuality.
“I think he saw a lot of kids get bullied and just felt really nervous for me,” Smith says. “Especially when, at 16 and 17, I used to wear a lot of make-up and dressed very differently at school. He didn’t have a problem with it, but he was really worried about me.”
He admits his father was right and while his bullying wasn’t “as bad as others,” he still endured some issues growing up.
“I’ve always said I wasn’t [bullied] because I don’t think my experience was as bad as others I’ve heard of, but when I look back at it now, it wasn’t the easiest time,” Smith says. “I was lucky, I had a very good group of friends around me, but some of the other boys could be absolutely awful to me at times. It’s nothing that has scarred me, though.”
John compared his experience growing up gay to Smith’s and says because of the time period he was a late bloomer with his sexuality.
“I wish I had known I was gay when I was that young,” John says. “I didn’t have sex until I was 23. I grew up in the 50s, sex was never talked about. So, at the start I didn’t know anything about sex, which was awful.”
He also added that it didn’t affect his career but not everyone was accepting.
“When I came out in 1976 a couple of radio stations in America burnt my records, but it didn’t really harm me,” John says.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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