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Trixie brings her ‘Moving Parts’ tour to Washington

‘All Stars’ champ on Shangela, Ben, her prize money and future plans

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Trixie Mattel, gay news, Washington Blade

Trixie Mattel says she saves money ‘like a grasshopper.’ (Photo by Jagc Photography)

Trixie Mattel

 

‘Now with Moving Parts’

 

Thursday, May 3

 

7 p.m.

 

Lincoln Theatre

 

1215 U St., N.W.

 

$20-99

Trixie Mattel’s “Now With Moving Parts Tour” is aptly named for the drag queen who hasn’t stopped moving since her debut on season seven of “RuPaul’s Drag Race.” Mattel, real name Brian Michael Firkus, was eliminated from that season but embarked on a drag journey not every queen gets to have.

Mattel, 28, became co-host of the WOWPresents web series “UNHhhh” along with her fellow season seven sister Katya Zamolodchikova. The mini episodes, which featured the duo talking about everything from dating to plastic surgery, received millions of views. Viceland picked up a spinoff series to the YouTube sensation with “The Trixie & Katya Show.” While in its first season, Katya relapsed on methamphetamine and suffered a psychotic break. Mattel’s friend and season eight “Drag Race” winner Bob the Drag Queen filled in for Katya during her recovery.

Mattel also released two folk/country albums, an uncommon choice in a drag world dominated by pop and R&B, with “Two Birds” in 2017 and “One Stone” in March.

Finally, Mattel solidified her spot among the “Drag Race” royalty of Chad Michaels and Alaska by winning “RuPaul’s Drag Race All Stars” season three.

Chatting from her bathroom in Los Angeles, Mattel dished on clashing with Adam Lambert, imparted a few choice words to Shangela stans and spilled her real plans for the $100,000 prize.

WASHINGTON BLADE: Between your season seven “Drag Race” appearance and “All Stars” you were arguably one of the most successful queens. Do you feel the Hall of Fame title validated your success?

TRIXIE MATTEL: It was sort of like I was already going to prom and this crown is like my corsage. I really think part of what makes me an all star is I never relied on a title or a crown. I never even relied on RuPaul telling me I was a winner or a superstar. I just was like, “I’m going to do whatever I want and I’m going to find a way to do it.” Winning is great but it’s always been really important to me to open all the doors I want to open whether or not anybody said I was a winner.

BLADE: During the “All Stars” season one of your weaker points was during the Snatch Game when you portrayed RuPaul. Why do you think it didn’t work?

MATTEL: I was just like, “I want to swing big.” It wasn’t the choice that made it not work; it was just me. I was scared. I just messed up because I choked. It’s sort of like when you prepare something and then you get up there and you blank. That’s what happened. It was more of an artist having a bad day. It was my only low point of “Drag Race.” I feel like “Drag Race” tried to paint this picture like, “Trixie, you really stumbled in the competition.” I’m like, “Bitch, where?” It was literally once. I was in the bottom as many times as Shangela. Let’s all calm down.

BLADE: During the Kitty Girls challenge, Adam Lambert didn’t like your attitude. Did you realize at the time he had a problem with you?

MATTEL: I think he’s threatened by anyone who wears more makeup than him. No, I have a deep, dark, dry sense of humor. I mean if a drag queen makes a joke about gender and you don’t catch it, I don’t know what happened to you. I don’t know who hurt you. But he thought I was standoffish and so if I ever see him in Hollywood I’m going to show him what standoffish looks like. But he’s so hot. I never thought he was hot in pictures. In real life, he was so sexual looking. He was probably just picking up on me being legitimately afraid of how beautiful he was.

BLADE: Obviously one of the most shocking moments of the season was Ben De La Creme pulling out the lipstick with her name on it. What was going through your head?

MATTEL: For me, it’s a competition so if somebody doesn’t want to be there I’m like, “Great, leave.” But on a friend level in front of the camera I’m like, “No, girl. Stay.” But on the inside I’m like, “Bitch, get out. I don’t need you to make this harder for me than it already is.” I know this is probably not a popular opinion but I wanted the fucking money, Stephanie. For me, I had already proven to myself that I don’t have to win “Drag Race” to do whatever I want to do. So I was like I’d rather win the cash and prizes. Doing a summer of shows and I probably spent like $20,000-30,000 to get costumes. I’m like, “I’m trying to make my investment back Brenda.”

BLADE: What are you going to do with the $100,000?

MATTEL: Well, I haven’t received it yet. But, I grew up poor and will have a poor people mentality forever so I’m just going to do what I’ve done with every cent I’ve ever had. I’m just going to save it. I’m the fable about the grasshopper who parties all summer and then has no food. I don’t want to be the grasshopper.

BLADE: It very easily could have come down between you and Ben De La Creme if she hadn’t self-eliminated. Do you think you still would have had a shot at the crown?

MATTEL: Oh yeah, sure. I mean, I beat Kennedy Davenport in a lip sync which means I could probably beat anybody. She’s the best lip-syncer there is.

BLADE: Shangela fans were pretty vocal on social media that she deserved the title. Did the backlash damper your win?

MATTEL: There’s exactly one queen in the episode who vocalized that Shangela should be in the top two. Do you know who that queen was? Me. I walked in and they said, “Who do you think should be in the top?” and I said “100 percent Shangela. She is and always will be an all star.” I’m the one who wanted her to come. So whatever reason the other queens didn’t pick her, I mean, my hands are clean. I was rooting for her. I literally told the group of people voting to vote for her. “Drag Race” is a game of what you do today comes back to bite you tomorrow. I can’t get into the minds of the people who voted but obviously they felt some type of way. I feel like the perception is that because she sent people home but it’s like Thorgy voted for her, who she sent home. Chi Chi didn’t vote for her who is like one of her best friends. I’ve known Shangela didn’t make it to the top two for a year and I was gagged. I would have picked her lipstick. I was disappointed, on behalf of her, to watch her heart break like that. But it’s been done and over for us like a long time.

BLADE: Did anything ever happen with that backup dancer you were attracted to during the final challenge?

MATTEL: I follow him on Instagram which is how I think every great love story begins. He was so hot, it was stupid. He had pouty lips. He looked like an extra in “Pearl Harbor” or like a swing dancer in Christina Aguilera’s “Candyman” video. I also have a boyfriend so that’s complicated. But this is L.A. so I’ll wait for the right moment and then have a scandal. I’ll wait until my next album comes out and then leak my nudes or something.

BLADE: “RuPaul’s Drag Race” has gotten a much bigger audience since switching to VH1. People are having “Drag Race’ viewing parties at bars like sports games. Has that diversified your fanbase?

MATTEL: Drag is like this great, kept secret. Gay people are like, “Yes, bitch. We been knew that drag was cool.” But, it’s fun to watch the rest of the world keep up with it and be like, “This is cool.” Drag is for everyone. I know that drag is inherently political. For me, it’s not so political. It’s just Halloween every day. If anything, “Drag Race” humanizes us and just shows it’s just costumes. It’s not like this crazy, gay, gender agenda. It’s just dressing up and having fun and everyone likes to dress up. I don’t care who you are. If you just put on a wig and look in the mirror, you’ll have a laugh. There’s a queen for everyone in the same way everyone has a favorite comedian, favorite movie. You don’t have to like everyone but I promise there will be one that just makes you chuckle or you think is so pretty. We’re not just gay people putting on gowns. We’re human beings who take our work very seriously and I think that’s what’s inspiring to audiences.

BLADE:“The Trixie & Katya” show suffered a setback in its debut season because Katya had to take time off. Did you think you would stop filming the show?

MATTEL: I automatically was like call Bob the Drag Queen. Literally, same day we had him on the phone. Bob is so funny, not just as a drag queen. He’s one of the funniest people I’ve ever met. I have a great friendship and repertoire with him. I knew that if he showed up with zero warning he would turn the party.

BLADE: Is there going to be a second season with Katya?

MATTEL: I can neither confirm nor deny.

BLADE: What can people expect from your show?

MATTEL: My show is 60 percent stand up and 40 percent music. There’s video elements. There’s costume changes, wig changes. There’s some great jokes, plenty of bad jokes. I’m really proud of the show. I think it’s really going to open people’s minds to what drag is capable of. It’s not just a dress and a wig. It goes by for me in the blink of an eye. I look forward to it all day and then doing it, I’m just in heaven. Then I just can’t wait to do it the next day.

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D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

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Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

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Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

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MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

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Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

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