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Trixie brings her ‘Moving Parts’ tour to Washington

‘All Stars’ champ on Shangela, Ben, her prize money and future plans

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Trixie Mattel, gay news, Washington Blade

Trixie Mattel says she saves money ‘like a grasshopper.’ (Photo by Jagc Photography)

Trixie Mattel

 

‘Now with Moving Parts’

 

Thursday, May 3

 

7 p.m.

 

Lincoln Theatre

 

1215 U St., N.W.

 

$20-99

Trixie Mattel’s “Now With Moving Parts Tour” is aptly named for the drag queen who hasn’t stopped moving since her debut on season seven of “RuPaul’s Drag Race.” Mattel, real name Brian Michael Firkus, was eliminated from that season but embarked on a drag journey not every queen gets to have.

Mattel, 28, became co-host of the WOWPresents web series “UNHhhh” along with her fellow season seven sister Katya Zamolodchikova. The mini episodes, which featured the duo talking about everything from dating to plastic surgery, received millions of views. Viceland picked up a spinoff series to the YouTube sensation with “The Trixie & Katya Show.” While in its first season, Katya relapsed on methamphetamine and suffered a psychotic break. Mattel’s friend and season eight “Drag Race” winner Bob the Drag Queen filled in for Katya during her recovery.

Mattel also released two folk/country albums, an uncommon choice in a drag world dominated by pop and R&B, with “Two Birds” in 2017 and “One Stone” in March.

Finally, Mattel solidified her spot among the “Drag Race” royalty of Chad Michaels and Alaska by winning “RuPaul’s Drag Race All Stars” season three.

Chatting from her bathroom in Los Angeles, Mattel dished on clashing with Adam Lambert, imparted a few choice words to Shangela stans and spilled her real plans for the $100,000 prize.

WASHINGTON BLADE: Between your season seven “Drag Race” appearance and “All Stars” you were arguably one of the most successful queens. Do you feel the Hall of Fame title validated your success?

TRIXIE MATTEL: It was sort of like I was already going to prom and this crown is like my corsage. I really think part of what makes me an all star is I never relied on a title or a crown. I never even relied on RuPaul telling me I was a winner or a superstar. I just was like, “I’m going to do whatever I want and I’m going to find a way to do it.” Winning is great but it’s always been really important to me to open all the doors I want to open whether or not anybody said I was a winner.

BLADE: During the “All Stars” season one of your weaker points was during the Snatch Game when you portrayed RuPaul. Why do you think it didn’t work?

MATTEL: I was just like, “I want to swing big.” It wasn’t the choice that made it not work; it was just me. I was scared. I just messed up because I choked. It’s sort of like when you prepare something and then you get up there and you blank. That’s what happened. It was more of an artist having a bad day. It was my only low point of “Drag Race.” I feel like “Drag Race” tried to paint this picture like, “Trixie, you really stumbled in the competition.” I’m like, “Bitch, where?” It was literally once. I was in the bottom as many times as Shangela. Let’s all calm down.

BLADE: During the Kitty Girls challenge, Adam Lambert didn’t like your attitude. Did you realize at the time he had a problem with you?

MATTEL: I think he’s threatened by anyone who wears more makeup than him. No, I have a deep, dark, dry sense of humor. I mean if a drag queen makes a joke about gender and you don’t catch it, I don’t know what happened to you. I don’t know who hurt you. But he thought I was standoffish and so if I ever see him in Hollywood I’m going to show him what standoffish looks like. But he’s so hot. I never thought he was hot in pictures. In real life, he was so sexual looking. He was probably just picking up on me being legitimately afraid of how beautiful he was.

BLADE: Obviously one of the most shocking moments of the season was Ben De La Creme pulling out the lipstick with her name on it. What was going through your head?

MATTEL: For me, it’s a competition so if somebody doesn’t want to be there I’m like, “Great, leave.” But on a friend level in front of the camera I’m like, “No, girl. Stay.” But on the inside I’m like, “Bitch, get out. I don’t need you to make this harder for me than it already is.” I know this is probably not a popular opinion but I wanted the fucking money, Stephanie. For me, I had already proven to myself that I don’t have to win “Drag Race” to do whatever I want to do. So I was like I’d rather win the cash and prizes. Doing a summer of shows and I probably spent like $20,000-30,000 to get costumes. I’m like, “I’m trying to make my investment back Brenda.”

BLADE: What are you going to do with the $100,000?

MATTEL: Well, I haven’t received it yet. But, I grew up poor and will have a poor people mentality forever so I’m just going to do what I’ve done with every cent I’ve ever had. I’m just going to save it. I’m the fable about the grasshopper who parties all summer and then has no food. I don’t want to be the grasshopper.

BLADE: It very easily could have come down between you and Ben De La Creme if she hadn’t self-eliminated. Do you think you still would have had a shot at the crown?

MATTEL: Oh yeah, sure. I mean, I beat Kennedy Davenport in a lip sync which means I could probably beat anybody. She’s the best lip-syncer there is.

BLADE: Shangela fans were pretty vocal on social media that she deserved the title. Did the backlash damper your win?

MATTEL: There’s exactly one queen in the episode who vocalized that Shangela should be in the top two. Do you know who that queen was? Me. I walked in and they said, “Who do you think should be in the top?” and I said “100 percent Shangela. She is and always will be an all star.” I’m the one who wanted her to come. So whatever reason the other queens didn’t pick her, I mean, my hands are clean. I was rooting for her. I literally told the group of people voting to vote for her. “Drag Race” is a game of what you do today comes back to bite you tomorrow. I can’t get into the minds of the people who voted but obviously they felt some type of way. I feel like the perception is that because she sent people home but it’s like Thorgy voted for her, who she sent home. Chi Chi didn’t vote for her who is like one of her best friends. I’ve known Shangela didn’t make it to the top two for a year and I was gagged. I would have picked her lipstick. I was disappointed, on behalf of her, to watch her heart break like that. But it’s been done and over for us like a long time.

BLADE: Did anything ever happen with that backup dancer you were attracted to during the final challenge?

MATTEL: I follow him on Instagram which is how I think every great love story begins. He was so hot, it was stupid. He had pouty lips. He looked like an extra in “Pearl Harbor” or like a swing dancer in Christina Aguilera’s “Candyman” video. I also have a boyfriend so that’s complicated. But this is L.A. so I’ll wait for the right moment and then have a scandal. I’ll wait until my next album comes out and then leak my nudes or something.

BLADE: “RuPaul’s Drag Race” has gotten a much bigger audience since switching to VH1. People are having “Drag Race’ viewing parties at bars like sports games. Has that diversified your fanbase?

MATTEL: Drag is like this great, kept secret. Gay people are like, “Yes, bitch. We been knew that drag was cool.” But, it’s fun to watch the rest of the world keep up with it and be like, “This is cool.” Drag is for everyone. I know that drag is inherently political. For me, it’s not so political. It’s just Halloween every day. If anything, “Drag Race” humanizes us and just shows it’s just costumes. It’s not like this crazy, gay, gender agenda. It’s just dressing up and having fun and everyone likes to dress up. I don’t care who you are. If you just put on a wig and look in the mirror, you’ll have a laugh. There’s a queen for everyone in the same way everyone has a favorite comedian, favorite movie. You don’t have to like everyone but I promise there will be one that just makes you chuckle or you think is so pretty. We’re not just gay people putting on gowns. We’re human beings who take our work very seriously and I think that’s what’s inspiring to audiences.

BLADE:“The Trixie & Katya” show suffered a setback in its debut season because Katya had to take time off. Did you think you would stop filming the show?

MATTEL: I automatically was like call Bob the Drag Queen. Literally, same day we had him on the phone. Bob is so funny, not just as a drag queen. He’s one of the funniest people I’ve ever met. I have a great friendship and repertoire with him. I knew that if he showed up with zero warning he would turn the party.

BLADE: Is there going to be a second season with Katya?

MATTEL: I can neither confirm nor deny.

BLADE: What can people expect from your show?

MATTEL: My show is 60 percent stand up and 40 percent music. There’s video elements. There’s costume changes, wig changes. There’s some great jokes, plenty of bad jokes. I’m really proud of the show. I think it’s really going to open people’s minds to what drag is capable of. It’s not just a dress and a wig. It goes by for me in the blink of an eye. I look forward to it all day and then doing it, I’m just in heaven. Then I just can’t wait to do it the next day.

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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