Arts & Entertainment
Ariana Grande’s new song sparks queerbaiting controversy
The Victoria Monét collab includes the lyrics ‘I like women and men’

Ariana Grande says she doesn’t like to label her sexuality after some people were skeptical about her new song’s bisexual lyrics.
Grande released “Monopoly” with her friend and singer/songwriter Victoria Monét. In the song, Grande and Monét both sing the lyric “I like women and men (yeah).” Grande also sings the line by herself later in the song.
Monét came out as bisexual in November 2018 tweeting “After coming out, this thanksgiving coulda went
A source told People that Grande “is of course a well-known LGBT ally and this is her supporting her friends.”
Grande expressed on Twitter that she doesn’t feel the need to label her sexuality.
i haven’t before and still don’t feel the need to now ???♂️ which is okay
— Ariana Grande (@ArianaGrande) April 1, 2019
Monét backed up her friend by telling a fan Grande “said what she said” on the song.
Some fans were glad Grande was being open with them about her sexuality.
SO ARIANA GRANDE IS POSSIBLY BI?? ANOTHER WIN FOR THE GAYS pic.twitter.com/mUJ8kZYjDW
— bryan! (@bryanvilIa) April 1, 2019
y’all accused ariana of queerbaiting and it turned out she’s bisexual. y’all dragged her just because she’s not showing off her sexuality as a personality trait like some of y’all do
— uǝq (@nootearstocry) April 2, 2019
YALL ARE BOO BOO THE FOOLS. pic.twitter.com/HkcFZfmrav
dont forget that ariana might be bi but she could also still be figuring herself out/exploring and she might not label herself yet . she could be trying it out feel comfortable expressing it thru music
— naya (@lovedlust) April 1, 2019
Others felt Grande wasn’t talking about her own sexuality in the song but was queerbaiting.
Can Ariana Grande stop queerbaiting and treating bisexuality like it’s some cute fuckin joke for straight women to play with??? Thank u, next ?
— 〘 Anne Lorraine 〙 (@LegitLorraine) April 1, 2019
Ariana will never publicly come out and say she’s bisexual because that would require her actually being attracted to women(not just kissing for fun like every straight girl) she’ll say sexuality is fluid while still only dating men so she doesn’t get accused of queerbaiting pic.twitter.com/23yPVfSMbg
— Nae (@DeepSpaceYonce) April 1, 2019
Ariana retired doing blackface and has moved onto pretending to be bisexual pic.twitter.com/DEwsVofPlG
— brandon (@cabelIo) March 31, 2019
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
